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A late Victorian oak and ebony banded twin pedestal partners desk of small proportions, the moulded top inset with gilt-tooled black leather above an arrangement of eleven drawers opposing a dummy drawer and a pair of panelled cupboards, raised on plinth bases and castors, width approx 114cm, depth approx 90cm.
A late Victorian mahogany wardrobe by Heal & Son, London, the moulded pediment above a central mirrored door flanked by a pair of arched panel doors, enclosing four linen trays, two short and two long drawers and hanging space, raised on a plinth base, height approx 207cm, width approx 190cm.
A Victorian silver trophy cup, the `U` shaped body with engraved scroll handles and beaded rim above engraved strapwork and foliate decoration, inscribed `Portsmouth Methodist Eisteddfod Challenge Trophy, Presented by H.R. Smith Esq`, on a flared stem and similarly decorated beaded foot, London 1877 by Henry Hollan, height approx 28cm, with an ebonized plinth.
A fine 20th century copy of an early 18th century burr walnut barometer, the dial signed Tompion, London. Surmounted by a gilt-brass thistle urn for reservoir protection, on an elaborate plinth to a short trunk applied with a turned Doric pilaster, supported on a pair of brass-mounted freestanding Doric columns and bow-fronted base section, the two-piece silvered dial signed in a cursive script and set with weather predictions and twin recording hands operated via a pair of rack and pinion knobs set below the glazed aperture, a circular calendar dial set to the lower section of the base with twin silvered scales for month and date, 104cm high.
A large late 19th century Sorrento ware walnut souvenir sewing box of rectangular form, the lid with a marquetry panel of a young man fishing with triple mosaic borders, the front modelled as a series of book spines, the plinth in the form of a larger book and with a secret compartment, the interior lined in green cloth with buttoned lid panel, 33cm x 25cm x 12.5cm.
3x various pre-war golfing figures wearing plus fours to incl silver plated figure mounted on a rectangular base and marble plinth fitted with a silver hallmarked plaque engraved "Bradford Moor Golf Club – Grant Trophy – Winner 1937 – R.E. Froysall" overall 7.5" plus Spelter style figure painted gold and mounted on an oval base overall 5" and a Vardon style silver plated figure mounted on a circular plinth – figure measures 3.5" overall 5.25"
The Art of Sport Famous Heavyweight Boxing Figures: To consist of John L Sullivan 1882-1892, James J Corbett 1892-1897, James J Jeffries 1899-1905 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition of 1500 mounted on a wooden plinth with engraved plaques and COA signed by Sculptor (3)
The Art of Sport Famous Heavyweight Boxing Figures: To consist of Jack Johnson 1908-1915, Jack Dempsey 1919-1926, Gene Tunney 1926-1928 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition of 1500 mounted on a wooden plinth with engraved plaques and COA signed by Sculptor (3)
The Art of Sport Famous Heavyweight Boxing Figures: To consist of Max Schmeling 1930-1932, Jack Sharkey 1932-1933, Primo Carnera 1933-1934 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition of 1500 mounted on a wooden plinth with engraved plaques and COA signed by Sculptor (3)
The Art of Sport Famous Heavyweight Boxing Figures: To consist of Max Baer 1934-1935, James J Braddock 1935-1937, Joe Louis 1937-1949, Rocky Marciano 1952-1956 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition of 1500 mounted on a wooden plinth with engraved plaques with COA signed by Sculptor (4)
The Art of Sport Famous Boxing Figures: To consist of Tunney vs Dempsey including Referee Dave Barry in Fighting Action 22nd September 1927 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
The Art of Sport Famous Boxing Figures: To consist of George Forman v Muhammad Ali in Fighting Action 30th October 1974 Winner Ali KO Round 8 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition 70/500 mounted on a wooden plinth with engraved plaques (2)
The Art of Sport Famous Boxing Figures: To consist of Joe Louis v Max Schmeling in Fighting Action 22nd June 1938 Winner Joe KO Round 1 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
The Art of Sport Famous Boxing Figures: To consist of Muhammad Ali v Sonny Liston in Fighting Action 25th May 1965 Winner Ali KO Round 1 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
The Art of Sport Famous Boxing Figures: To consist of Mike Tyson v Evander Holyfield in Fighting Action 9th November 1996 Winner Holyfield Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition 014/250 mounted on a wooden plinth with engraved plaques (2)
The Art of Sport Famous Boxing Figures: To consist of Bob Fitzsimmons 1897-1899, Tommy Burns 1906-1908, Jess Willard 1915-1919 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques with COA (2) (All Need Repaired)
A late 19th/early 20th century novelty silver-plated mounted horn table cigar lighter realistically modelled as a dragon, by Walker & Hall, the body embossed ‘Ye Dragon of Wantley’, resting on a rectangular wooden plinth base, with applied plaque inscribed to ‘BT Colonel H. C. Hawkins, M.C.T.D, by his brother officers on the expiration of his service with the sixth (Glamorgan) BN, The Welsh Regiment, 1913-1935’, 45cm long
A George III oak eight-day longcase clock with unusual chapter ring, Charles and Edward Gillet, Manchester, late 18th century, the four pillar movement with anchor escapement and hour striking on a bell controlled by locking pins fitted to the strike great wheel, the 12 inch square brass dial with subsidiary seconds and calendar dials to the symmetrical scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track and unusual half hour markers which comprise of letters to form the name JOSEPH JEPSON the lower edge signed Cha`s & Edw. Gillet, Manchester, the angles with rococo scroll cast spandrels, the case with ogee shaped caddy surmount above cavetto moulded cornice, foliate fretwork frieze and columns flanking the square hood door, the trunk with shaped-top mahogany crossbanded caddy-moulded door flanked by quarter columns to front angles, on raised-panel fronted plinth base with ogee bracket feet, 217cm (85.5ins) high. The partnership between Charles and Edward Gillet is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1790-1800. The name formed from letters positioned as half hour markers is highly unusual and probably spells out the name of the original owner.
An unusual scumbled pine small short duration longcase timepiece with alarm, the dial signed for John May, 18th century, the single-handed movement the with tic-tac escapement and thirteen inch bob pendulum to the three-wheel going train set between narrow frontplate and central movement strip united by two substantial pillars extended at the rear to allow for a further plate to carry the alarm mechanism, with a 7 inch square brass dial with silvered alarm disc and blued steel hand to the matted centre within silvered Roman numeral chapter ring with spear half hour markers and signed John May to lower margin, the angles with applied winged cherub head spandrels, in pine and elm case painted/scumbled to resemble oak with moulded cornice, plain frieze and square glazed door to hood above concave throat moulding and slender caddy-moulded door to trunk, on conforming plinth base with moulded skirt, (with restoration and possible alteration), 193cm (76ins) high. A John May is recorded in Loomes, Brian, Watchmakers & Clockmakers of the World, Volume 2 as working in Bath circa 1740.
An Edwardian inlaid mahogany quarter chiming eight-day longcase clock, unsigned, early 20th century, the four pillar triple train movement chiming the quarters on a choice of either eight bells or four gongs and striking the hour on a further gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with winged cherub head and scroll cast spandrels and with chime selection switch at three o`clock, the arch with subsidiary CHIME/SILENT selection dial flanked by scroll cast mounts, the swan neck pedimented case with foliate inlay above brass Corinthian pillars and rectangular scroll pierced sound frets to sides, the trunk with shallow-arch door decorated with a drapery swag above elaborate tall foliate scroll marquetry cartouche within satinwood banded surround, on plinth base with conforming marquetry panel and moulded skirt incorporating shaped apron and bracket feet, 234cm (92ins) high.
An unusual mahogany cased gilt brass eight-day longcase domestic regulator, Ernest Mortimer Thomas, dated 1962, the four pillar movement with hour-glass shaped pierced frontplate and conforming large diameter backplate with Harrison`s maintaining power, deadbeat escapement and six-spoke wheel crossings, regulated by steel-alloy rod pendulum with large diameter cylindrical bob supported via `T` bar suspension from scroll pierced brackets fitted to the circular movement supporting plate screwed to the rear of the case, with signature Ernest Mortimer Thomas 1962 to centre and scroll decorated spandrel projections to angles, the 13 inch pierced slender silvered Roman cartouche numeral chapter ring supported via four elongated feet to the edge of the movement backplate and with conforming subsidiary seconds dial beneath twelve o`clock, the simple mahogany case with moulded cornice above bevel glazed front door and side panels, on tall plinth base with ogee moulded skirt, 203cm, (80inches) high.
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172950 item(s)/page