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Lot 212
H. S. EYRE 'BLADE LOCKED FEATHERING PROPELLER' DEMONSTRATION MODEL the finely constructed model raised on a wooden plinth, with a plaque stating 'H.S. Eyres. Patent. Feathering Propeller. H. C. Ahrbecker. Stamford Street London', and a presentation box containing a description of the design and its function, the model stands 36cm high. Provenance: The Estate of the Late Rufus Eyre
Lot 181
19th Century French gilt bronze model of a recumbent spaniel on a marble oval plinth with beaded border, 10.4cm wideCondition report: Some wear to gilding. Loss to edge of base near tail, probably a casting flaw. Several small chips around edge of base together with marks and age-related discolouration to the marble.
Lot 208
Giacomo ('Jacques') Merculiano, (Italian, 1859-1935) - Large early 20th Century cast patinated bronze figure of a male lion, modelled in standing poise with head raised, signed and dated 1910 to the naturalistic base, with foundry stamp "C. Valsuani Cire Perdue" ('lost wax'), 50cm long, upon verde antico marble rectangular plinth, 53cm overallCondition report: Marble base may be a later replacement/addition. Otherwise good original order.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 211
19th Century musical automaton, modelled as a seated hump-backed figure, probably Pulcinella from the Commedia dell' Arte, in 18th Century costume with white face and bicorn hat, playing a mandolin, his right arm and head moving via the uninspected cylinder musical movement, the figure seated beneath a floral bower on naturalistic base, on ebonised plinth beneath glass dome, 38cm high overallCondition report: Face probably repainted. Some fading to foliage of bower. Knob missing to one rod at side of ebonised base. Mechanism housed beneath and secured via nails, not forced open, plays well but otherwise unwarranted.Clocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 477
1960's rosewood chest of three long graduated drawers with brass flush handles, designed by Robert Heritage for Archie Shine, retailed by Heal's, 100cm wide x 45cm deep x 53cm high. Sold with CITES Article 10 certification.Condition report: Overall sound. Some noticeable scratches to top panel. Marks and nibbles to leading edges. Obvious marks to edges around plinth base. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale.Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms. Request condition report
Lot 531
19th Century ebonised chiming bracket or table clock, 6-inch arched brass dial with silver chapter ring inscribed 'Thos. Gammage & Son, St. Michael's Alley, From Late Jas. McCabe, Royal Exchange, Cornhill, London', framing a matted centre, beneath silvered subsidiary Chime/Silent dial, chain fusee movement signed to backplate as above and numbered 3626, chiming on a carillon of eight bells and striking on a coiled gong, the fine quality case of 18th Century design with leaf-capped carry handle, pine cone finials, scroll mounts and side frets, and break-arched mouldings, 42cm high excluding handleCondition report: Dial - minor tarnishing to chapter ring. Hands probably of later date. Movement uninspected internally. Case is probably from the stock of McCabe, dial with later retailers mark of Gammage (who bought McCabe's stock). General knocks and scuffs to base of case. which may have had an additional cast border or other plinth.Sold with pendiulum, key and winder.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.Further category-specific notesClocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.
Lot 544
Unusual 19th Century silvered skeleton clock, the 5-inch Roman chapter ring inscribed 'Roi a Paris', two-train silk-supension movement with pull-repeat function, striking on a coiled wire posted gong, within silvered foliate scroll frame with gilt pendulum and base, 38cm high excluding ebonised plinthCondition report: Dial haricrack beside V, another finer between I and II. Movement is working. Plinth may be associated, dome is cracked.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.Further category-specific notesClocks, Watches, Musical boxes and other mechanical itemsWhilst we endeavour to mention losses or alterations where obvious, we do not guarantee the movement or accuracy of any mechanical items in the sale and our assessment is purely cosmetic.
Lot 549
Late 19th Century alabaster mantel clock, 3.75-inch pink cellular Arabic chapter ring framing partially exposed timepiece movement, inverted breakfront case with gilt spelter lion surmount over columns, 34cm high, on giltwood base and ebonised plinth with glass domeCondition report: Typical minor edge nibbles to pediment, some tarnishing to gilt lion. cord missing to gilt base, easily replaced. Glass dome intact.
Lot 582
Victorian mahogany 'apprentice piece' or tradesman's advertising sample pedestal cabinet, with moulded arched pediment over conforming panelled door enclosing two short drawers, one longer, and a pair of cupboards, with bone knob handles on plinth base, 27cm x 18cm x 48cm highCondition report: Minor chip to top of outer door edge. Crack above upper hinge to other side. Internal lock missing, one knon handle replaced. Otherwise general light wear.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 607
'The Doctors Desk', an unusual early 20th Century surgery waiting room cabinet, of 'Davenport' form with plush-lined hinged bevelled glazed sloping fall inscribed in gilt 'The Doctors Desk' "Tabloids", over six glass-fronted plush-lined drawers with Wellington-style hinged locking strip, hinged reading shelves to sides, on plinth base, 53cm square x 114cm highCondition report: Two drill holes to top (missing a rail or similar). Some paper stuck to plush lining of fall. One knob missing to one side door.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 612
Good late 19th Century French red boulle, ebonised and gilt metal-mounted, marble-topped secretaire a abattant, of 'semainier' design with serpentine front and sides, the former with three red tortoiseshell and cut brass faux drawers to hinged fall (enclosing a rosewood interior with shelf and two shaped drawers), over four conforming true drawers, all with cast escutcheons, on shaped plinth base with mounts, 57cm x 37cm x 120cm highCondition report: Minor crack and small loss to marble top. Wrinking to ebonsed sides. A few minor cracks and a litle infuilling to drawer fronts but genetrally in much better order than usual pieces of this type, with no lifting to brass work and no blistering to tortoiseshell, overall a stylish piece in good order.
Lot 644
Victorian mahogany floor-standing collectors cabinet, double doors enclosing thirty slide drawers in two banks, each with ring-turned handles, hinged glazed covers and retaining original linings with pinned specimen name cards, raised on a plinth base, 98cm wide x 51cm deep x 104cm highCondition report: Top with scratches, marks and water stain to varnish. Door fronts with fading from exposure to sunlight, including 'ghost' outline of former label on frieze. Plinth base with scuffs and minor losses comensurate with age. Two interior drawer handles with losses. Drawers run smoothly.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale.Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms. Request condition report
Lot 645
Gillow & Co., Lancaster and London - Fine Victorian burr walnut and inlaid kidney-shaped pedestal desk by Gillow and Co., Lancaster and London, the shaped top inset with a three-section red and gilt tooled green leather writing surface, above a frieze drawer flanked by two banks of five graduated drawers fitted patinated bronze cast rocaille handles, with hinged upright stiles fitted Bramah locks, the reverse unusually fitted with shaped panel door enclosing four tiers of five pigeon holes, on a moulded plinth base with concealed castors, stamped to the central drawer GILLOW & CO 169. The locks throughout are stamped J Bramah 124 Piccadilly and are with keys, 131cm wide x 74cm high x 66cm deep.Footnote: Although this form of desk has been ascribed to a design published by Thomas Sheraton in The Cabinet-Maker and Upholsterer's Drawing Book, London 1802, pl.58, it actually first appeared as a Gillow design a decade earlier in 1792 (Estimate Sketch Book 344/96, p. 896, September 1792. It was generally commercially produced by Gillow circa 1840-60 and references a second design in the Gillow Estimate Sketch book (1840) for An Oak Pedestal and Kidney Table supplied to Ferguson & Co.This elegant desk was commissioned by William Gibbs, at the time the wealthiest commoner in the country, for 16 Hyde Park Gardens in London. History remembers Gibbs and his wife Matilda Blanche as the aggrandisers of Tyntesfield, the lavish Gothic Revival country house near Clevedon, now in the care of the National Trust. However, the couples’ principal residence was always their house in London, with Tyntesfield used more as a country retreat. The family moved from Hyde Park Street to Gloucester Place in 1849, and to the more substantial Hyde Park Gardens in 1851. This large house, in one of the capital’s most fashionable areas, was arranged over five floors with a fine sequence of rooms on the first floor, enjoying views of Hyde Park and glimpses of Paxton’s recently completed Crystal Palace.In 1854 the Gibbs sought the advice of John Gregory Crace (1809-89) over the redecoration of Hyde Park Gardens. The firm of Crace & Sons were the pre-eminent decorators of the 19th century. At the time of his commission from Gibbs, J G Crace’s most recent clients had included the Duke of Devonshire at Chatsworth and, most famously, the interior of the rebuilt Palace of Westminster, which the firm had undertaken in partnership with A W N Pugin. The success of Crace’s work at Hyde Park Gardens led directly to Gibbs commissioning him to undertake the remodelling of the principal interiors of his country seat at Tyntesfield, where Crace’s work has been described as beginning a process by which the house was “reinvented as one of the foremost examples of Victorian Gothic design”. Crace’s success stemmed from his skill at re-interpreting historic styles, together with his mastery of surface decoration, talents which chimed perfectly with mid-19th century fashion. With this in mind, the inlaid decoration on this desk is noteworthy. Most known examples of this model do not incorporate such complex decorative inlay – relying instead on the richness of the wood alone. It is highly likely that this detail was introduced to harmonise with J G Crace’s interior. Gillow’s enjoyed significant patronage from William Gibbs, as the discovery by the National Trust of a magnificent ‘Jacobethan’ table in the cellars at Tyntesfield has shown. This desk deserves to be seen in the context of the Gibbs’ role as significant patrons of the Victorian era as well as a testament to the extraordinary quality of Gillow craftsmanship. As a footnote, when surveying the desk for this auction, two small Victorian copper nameplates for William and Matilda Blanche were found secreted behind the central frieze drawer, in pristine condition having almost certainly remained undisturbed for over a century. A charming discovery which underlines the intimate character of this outstanding piece of furniture.Condition report: It appears that no work or alterations have been applied to the desk since its purchase from the Tyntesfield auction in 1945. However please refer to the additional multiple images. The top leather has stains and damage suggesting that it is original. There are sections of moulding missing to the edge of the top and to rear pilasters. All locks are original and have keys. Sections of veneer missing to plinth. Condition consistent with age.
Lot 266
A longcase clock, the 28 cm square brass dial signed Fabn Robin Londini Fecit to the silvered chapter ring having Roman numerals, the matt centre with subsidiary seconds dial and with gilt brass spandrels, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut and with floral marquetry decoration, the hood with a blind fret frieze panel above a glazed door flanked by barley twist columns, the base on a plinth, 204 cm highMovement does not appear to have run in some time, the wire is tangled, looks to have previously been restored, with a later plinth base possibly, some splits as usual, from a client with whom we have been selling his clock collection for over many years, lovely proportions, with two brass cased weights and a winding key, and a pendulum, the trunk door with a slight bow
Lot 351
An early/mid 20th century vertical steam engine, on a plinth base, with attached pulleys, 50 cm high, in a travelling wooden crateGiven to the owner some 70 years ago when he was young!x 6 a typo, now deleted from descriptionLooks to be garage/attic stored and not run for some timeFly wheel moves, no warranty given or implied on this running or complete, some part detachedThis is a project to be re-commisioned
Lot 185
Nancy Fouts (American, 1945-2019) 'Condom Madonna', 2015, comprised of a plaster figure of Madonna, hand-painted and oil glazed by Nancy, then covered with a latex condom, mounted on an antique style wooden plinth. 23cm x 14cm x 9cm.Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationLiterature: Comparable to the illustrated #60, in the 'Nancy Fouts' (2018) monograph catalogue raisonné, with essay by James Putnam.
Lot 192
A menagerie of carved wooden and articulated animals, to include a 19th century carved Black Forest bear mounted on a plinth, together with a finely articulated wooden horse with horsehair tail on custom made stand, a naive painted wooden rooster (possibly naive folk-art/Americana), and a children's articulated toy dachshund dog. The bear: 25cm high. (4) Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further information
Lot 22
A mid-20th century educational plastic head and torso used as a teaching aid for medical students, displaying the internal organs. Mounted on a plinth base stamped 'Made in W. Germany'. Height : 87cm. Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationCondition report: Please note that the 'heart' insert is missing and there are various scuffs/marks etc throughout as per the additional photographs.
Lot 36
Nancy Fouts (American, 1945-2019) 'Tulip Match', 2017, cast resin and airbrushed petals, wood and LED light on shaped plinth, battery operated. 42 x 7 x 7cm.Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationLiterature: Illustrated as #179, in the 'Nancy Fouts' (2018) monograph catalogue raisonné, with essay by James Putnam.
Lot 63
An Art Deco period painted plaster advertising display of a blonde lady holding a telephone, with glass eyes and simulate eyelashes on a shaped black base, 54cm high. Together with another 1920s/30s painted plaster figure of a young boy kneeling, holding a rectangular glass bowl/fish tank, the reverse inscribed, 'OP 375. RD 817899', 52cm high. (2) Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationCondition report: The bust of the lady has some long shallow chipping to the front of the figure just at the juncture of the bust and the plinth.
Lot 69
A pair of turned and stained pine masonic, Doric columns with dished tops and architectural plinth bases on bracket feet. 130 cm high. Together with other turned wood "Solomonic" jardinier stands.Qty: 6Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationMost likely commissioned by Nancy, as the style and patina of these columns are close to the vicarage's restored carpentry panelling and Gothic revival staircase.
Lot 88
A 19th-century Burmantofts glazed faience model of a green monkey, modelled in a seated position holding a pot and raised on a naturalistic ovoid plinth, together with a pair of glazed wall pocket vases and a Victorian 'Our Daily Bread' serving plate. The monkey: 26cm high x 28cm wide. (4)Footnote: Provenance: Direct from the estate of Nancy Fouts (1945-2019)See the Dawsons website article for further informationCondition report: The Monkey figure is extensively damaged and repaired throughout the base area see images
Lot 40
An early 18th century walnut cased 8 day longcase clock the 12" brass dial signed Benj. Martin Manchester on the silvered chapter ring, having Roman and outer Arabic numerals, dual minutes tracks, subsidiary seconds dial and calendar aperture, brass pierced mask cast spandrels, two train four pillar movement with anchor escapement striking on a bell, the crossbanded case with moulded top hood above a blind fret frieze and a glazed door flanked by a pair of plain engaged columns, the trunk with hinged door with circular glazed lenticle, on a box base on plinthheight 199 cm., width 49.5 cm., depth 28 cm.Condition: Pendulum and weights present. Slight bowing to sides. minors losses to moulding a cross banding notably to box base and corner of hood. Movement untested and no guarantee can be offered as to the full working order.
Lot 41
A large and impressive late 19th century German figured walnut cased wall regulator by Lenzkirchthe 23 cm diameter white enamel dial with copper bezel painted with black Roman numerals and minute track, having blued steel moon hands and centre seconds, 8 day single weight driven A frame movement with deadbeat escapement, stamped Lenzkirch A.G.U and numbered 512581, the case with arched pediment, carved crestpiece and turned finals above a full length glazed door upon a waisted plinth, bears brass plaque 'Presented by WJ Bowser Esqre PROVIDITOR 1885 & 1886dial diameter including bezel 27 cmCondition: Bezel also numbered 512581. Winding key present. Chips to enamel around winding hole. a few hairline around XI. Weight and pendulum weight absent. Pendulum shaft present. Movement untested. Case in good conditionButcher's Hall, The Worshipful Company of Butchers
Lot 88
A pair of 19th century Staffordshire treacle glazed Medici lionseach modelled with their front paw resting on a ball on rectangular plinth bases, (2)height 23 cm., length 30 cm.Condition: One lion tail has been broken and repaired in several places with small losses. The lion has been knocked off the base and been repaired. There are small losses to the glaze near the damages. Small chip to left hand right corner. The other lion has a hairline running round front haunch and up to back, there is a small loss / chip in the middle of this hairline. Small flake loss to glaze front leg. Fault and slight chip to tail
Lot 21
A Leeds Fireclay Co. LEFCO Ware putto jardiniere c.1900the bowl cast in relief with laurel wreath decoration, stamped LEFCO WARE to interior, borne on a base modelled as a seated putto on a square plinthheight 109 cmCondition: Occasional small chips to rim of bowl. Small chip to laurel garland. Overall in good condition
Lot 36
Pietro Chiapparelli (Italian, active second half of the nineteenth century)bronze of 'Hermes Seated',realistically modelled figure seated on a rock, signed on the base Po. CHIAPPARELLI Fe. ROMA, standing on a shaped polished black marble plinth.height 54 cm, width 49 cm, depth 32 cmCondition: Appears overall in good condition, some irregularities and corrosion to a manufacturing seam on the right leg.Purchased by the vendor from Galleria dei Coronari, 2012
Lot 349
A pair of milk glass and gilt metal mounted columnar table lamps, late 20th century, with Corinthian capitals above a moulded plinth base, 43cm high Condition Report: The surfaces with patination and unevenness, may perhaps benefit from a sympathetic polish, the brass example dull in appearance and with areas of discolourationThese are sold as decorative works of art only and will need re-wiring and testing by a professional electrician prior to use in a domestic settingThe bases of these lamps are weighted, they are covered by green baize, the shafts rotate in the mount if turned No damage detected to the glass elements.Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 495
A brown patinated bronze of Mercury, after Giambologna, second half 19th century, standing on a puff of wind blown out of a putto head, the cylindrical yellow marble plinth on a slate base, 64cm high Condition Report: Marks, scratches and rubbing to the bronze patination One wing on the helmet has been broken off and repairedThe brown patination is uneven from wear overallThe caduceus comes looseThe bronze detaches from the marble plinthThe marble plinth and base with marks, knocks chips and scratches, contemporaneous with age and wearPlease refer to additional images for reference Condition Report Disclaimer
Lot 510
A steel and upholstered club fender, late 20th century, the rests on square section supports with U-front and moulded plinth base, external measurements: 53cm high, 182cm wide, 78cm deep, internal measurements: 161cm wide, 62cm deepCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Signs of rust and corrosion to the inside of the plinth, some bubbling and loss to the surfaces, however structurally appear sound - these may well benefit from some preservatives/sealant to avoid further deterioration There are marks and some stains to the upholstered elements - this may benefit from a clean and a polish overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 566
A Regency mahogany card table, circa 1820, of D-shaped form with wish-bone shaped support on a quatrefoil plinth with outscrolled legs to the angles, terminating in gilt brass caps and castors, 75cm high, 91cm wide, 46cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and use, The exterior of the top has faded, the interior is a much darker colour, the baize has holes and signs of wearThere are old splits and cracks, One of the decorative mouldings to the top of one of the legs is detached but present with the lot Overall the table appears solid and stableThere are no obvious breaks or splits through the legs Please refer to additional images for visual reference to conditionCondition Report Disclaimer
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