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Lot 1605
Corgi Toys, 270 James Bond NEW Aston Martin DB5, silver (larger body than 261), revolving plates and tyre slashers on rear wheels, on plinth with documents inside to include instructions, lapel badge, part used number plate sheet, 3 spare bandit figures, in the original plastic vac-formed bubble packaging, (NMM-BVG)
Lot 81
Wilesco, large tinplate steam plant with horizontal brass boiler for use with tablet burner, on faux brick plinth with galleries on both sides, faux brick chimney and usual boiler controls, single fixed cylinder driving 4 inch flywheel with ball governor control, hard water pump on base 11.25 inches x 13.5 inches, very little use, minor scorch marks on boiler
Lot 1
Art Deco spelter figural table lamp, modelled as a dancing lady on onyx stepped plinth, possibly by Josef Lorenzl, L22cm x H32cm Condition Report Some chips to the base edge. Areas of loss of gilding. Very small dint in the centre of her face. Edge of collar has worn through to spelter. Otherwise good.
Lot 67
Wilesco Steam Plant, comprising a Wilesco D16 Steam Engine Plant, comprising of tin base housing a horizontal boiler with burner, whistle and detailed brick work housing, powering a horizontal single cylinder engine, with spoked flywheel and take off pulley, powering a Wilesco Steam Workshop, all raised on wooden plinth, engine with original box
Lot 792
A large George III free standing oak corner cabinet, with moulded cornice above four panelled cupboard doors enclosing shelves, on plinth base, 218cm H x 110cm W CONDITION REPORT: Right hand section of cornice detached but is inside. No base board to cabinet. General light age wear throughout.
Lot 830
A Victorian mahogany cylinder bureau, with three quarter gallery top over a fitted interior with pull out skiver, above six drawers, on plinth base, 123cm H x 153cm W x 80cm D CONDITION REPORT: Possibly re-polished but not recently. Of a good even colour throughout. Some old scratches and knocks evident. Small loss to the top right corner of the leg alcove. Lid closes flush but is a little stiff.
Lot 1300
* BENNO SCHOTZ 'RECLINING NUDE' signed and dated '1929', hollow bronze sculpture of a naturalistic young woman reclining, on circular wooden plinth, 31cm high*Note - Artist's Resale Rights apply to this lot. Under Droite de Suite or Artist’s Resale Rights legislation, auctioneers and art marketprofessionals are required to collect royalty payments for all works of art by living artists and artists deceased within the previous 70 years, sold at or above the GB pounds sterling equivalent of 1000 Euros and calculated on the exchange rate on the day of the auction. The royalty of 4% of the hammer price is charged to the Buyer, in addition to the Buyer’s Premium and is not subject to VAT. All royalty charges are paid to the Design and Artists Copyrights Society (DACS) and no handling costs or additional fees are retained by McTear’s. Please check with the Auctioneer if you are unsure whether this royalty is payable on any Lot that you are considering bidding for. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.
Lot 128
Fine Pair of French Huguenot Brass Candlesticks, probably early 18th c., each with removable bobeche, faceted shaft and plinth, and "ruffled" base, h. 9 5/8 in. Provenance: Mark and Marjorie Allen, Putnam Valley, NY, 1985; Estate of Stephen G. Henry, Baton Rouge, LA Note: For a similar form, see Schiffer, Peter, Nancy and Herbert. The Brass Book. Schiffer Publishing. Westchester, PA: 1978, p. 188, fig. A.
Lot 135
Two French "Grand Tour" Bronzes, incl. bust of a woman, inscribed "F. Barbedienne. Fondeur. Paris" and with foundry seal "Reduction Mecanique / A. Collas / Brevete", marble plinth, h. 8 3/4 in.; and hinged oil lamp form box, h. 2 1/2 in., w. 6 1/4 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA
Lot 18
Large and Impressive Pair of Continental Faience Elephant Lamps, probably early to mid 20th c., mottled pale blue flambe glaze, each modeled in a striding stance on a brass and wood plinth, white glazed tusk-form finials, elephant h. 12 in., h. (to top of finial) 32 1/2 in., w. 23 in., d. 7 in
Lot 267
American Classical Carved Mahogany Work Table, early 19th c., probably Philadelphia, lift top, birdseye maple stiles, torus molded fitted tray over two drawers, cylindrical standard, incurvate plinth, acanthus carved paw feet, casters, h. 31 1/8 in., w. 20 1/4 in., d. 16 3/4 in. Provenance: Bernard Caperton, Charlottesville, VA
Lot 276
American Renaissance Gilt-Incised, Ebonized and Carved Walnut Bedroom Suite, mid-19th c., New York, attr. to Thomas Brooks, bed with figured burl walnut panels, architectonic headboard centered by a winged bust, bulbous turned finials surmounting the posts, conforming foot board; dressing chest with molded cornice centered by a female bust, marble top, three graduated drawers, flanked by fluted stiles, plinth base, bed h. 98 in., l. 79 in., w. 58 1/2 in.; chest h. 94 in., w. 51 1/2 in., d. 23 1/2 in. (2 pcs.) Note: The finely carved bedroom suite shown here is closely related to examples of Renaissance-revival furniture by Brooklyn cabinetmaker Thomas Brooks. The bed, featuring an architectonic headboard centered by a winged bust, is nearly identical to a Brooks example, marked with the firm’s stencil, illustrated by Eileen and Richard Dubrow in American Furniture of the 19th Century. The dresser en suite features drawers with similar paneled turnings and an overall lower case form comparable to a Brooks secretary bookcase also illustrated by Dubrow. Ref.: Dubrow, Eileen and Richard. American Furniture of the Nineteenth Century. Schiffer: Pennsylvania, 1983, pp. 200, 208.
Lot 280
American Classical Carved Mahogany Pier Table, early 19th c., Boston, Egyptian marble top, cove-molded frieze, foliate carved tapered columnar supports, tapered pilasters flanking mirror back, incurvate plinth base, h. 33 in., w. 41 3/4 in., d. 17 in. Note: Several aspects of the pier table shown here, such as the Egyptian marble top, bolection frieze, exuberantly carved supports, and incurvate plinth, relate to Classical pier tables by Boston cabinetmakers such as Isaac Vose and Emmons & Archibald. A pier table by Emmons & Archibald in the collection of the Museum of Fine Arts Boston features the pairing of an Egyptian marble top and a shaped lower plinth. A table with a similar overall form and bolection frieze attributed to Boston was sold in these salesrooms on Feb. 23, 2008, as lot 92. Ref.: Pearce, Clark. “Classical Excellence in Boston: The Work of Isaac Vose.” adafca.org/events/classical-excellence-in-boston-the-work-of-isaac-vose. Accessed October 17, 2017; Museum of Fine Arts Boston. www.mfa.org/collections/object/pier-table-44784. Accessed October 17, 2017.
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