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Lot 1
Twelve 19th century fairings to include 'Before English Neutrality 1870-71 attending the wounded', 'Oysters Sir?', 'A pleasant termination to happy evening', 'Can-can', 'Returning at one o'clock in the morning' and 'Waiting for a bus''Waiting for a bus' - £500 price tag on the back, condition good; 'For three legs' - minor paint rubbing but porcelain appears good; 'Taking the cream' - firing cracks around necks of both figures that look original and are not deemed subsequent damage; 'Can can' - there is, in the auctioneer's opinion, a glazed crazing that appears as a hairline to the drum-shaped seat that the female subject is on but this appears just glaze crazing not actual damage; 'English neutrality' - some minor paint loss and a small horizontal firing crack to the neck of the figure lying on the ground; 'Oysters Sir?' - very minor rim fritting to edge of plinth base otherwise good and small piece away to top of sign saying Oysters! otherwise good; 'A pleasant termination to happy evening - very small match-head sized chip away (historic) only really visible to underside of base, small chip to far right object on floor to right of seated male otherwise OK; 'After' - vertical firing crack visible to underside in corner angle; 'Returning at one o'clock in the morning' - the standing female figure has lost the item originally in raised right arm; 'the figure '......fall to the ground' - small match-head sized porcelain chip away to underside base corner (historic) viewed from the rear the red cloak hanging over the chair appears to have a horizontal hairline running right across the cloak approx. 1 cm up from the bottom, in the auctioneer's opinion this has had some re-colour restoration at some point; 'The organ boy' - very dark to underside with two discernible hairline cracks (please see images) largish chip away to inside left hand plinth base (as viewed from the front) historic firing crack to prop that male figure is against, kiln grit prevalent in glaze. To a certain degree there are mostly minor paint losses to some of the fairings.
Lot 2
Twelve 19th century fairings to include 'The attentive maid', 'The broken hoop', 'The wedding night', 'The Welsh tea party', 'Kiss me quick' and 'Oyster Day''The attentive maid' – a small match-head sized chip to underside of left-hand front base, historic firing 1.5cm crack vertically to green skirt, some paint rubbing and loss and probable female head away and re-affixed with restoration and new colours etc.; 'The Welsh tea party' – some gilt rubbing to plinth base, paint loss to back of one hat otherwise original condition; 'Now ma-am say when' - a 1cm arch-shaped flat piece of porcelain away from the end of the title, small match-head sized chip away to underside of plinth base (rear left) otherwise seemingly in original condition; 'The girls of the period' - female with blue dress paint rubbing / losses and half of right-hand handlebar missing, some further paint rubbing commensurate with age otherwise looks pretty original; 'If old age could' - some kiln grit in glaze otherwise good; ‘Cancan’ – some minor gilt rubbing otherwise OK; ‘Three o’clock in the morning’ – very minor flat chip away to underside plinth base (rear right), some minor paint rubbing and loss otherwise good condition; ‘Open your mouth and shut your eyes’ – figure in blue jacket raised hand some glazing away probable restoration to object in boy’s mouth (different colour), restoration also to boy’s right hand leg; ‘Oyster Day’ – restoration to left-hand standing female right hand and arm, small restoration to top of right-hand fence support as visible from back, some minor paint rubbing; ‘Kiss me quick’ – broken neck to flask on tray, minor firing crack to left of female’s shoe, some paint rubbing otherwise OK; ‘The wedding night’ – female head completely away and re-affixed and coloured out, new colour on back of neck/shoulders also; ‘The broken hoop’ – taller figure with restoration and later colour to both legs. To a certain degree there are mostly minor paint losses to some of the fairings.
Lot 2120
circular and on spreading foot, with foliage heightened gadrooned rims, with scroll and shell cast drop-ring handles17.5cm diameter, 13cm high, 20oz 10dwt, 637grCondition report: Fully marked near rim. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. There are two clips underneath which may once have fixed the bowl to a plinth. The plinth is no longer with the bowl.
Lot 2126
in the Neo-Classical style, tapering and on spreading foot, with drapery and husk swags and two loop handles, the detachable cover with vase shaped finial above chased foliage, on ebonised wood plinth, applied with a plaque engraved 'Jonquil Waterloo Cup 1960', with a card label gilt tooled 'The Waterloo Coursing Meeting 1960 Nominator' and with two menus for a dinner hosted by Mrs Basil Kerr to celebrate Jonquil winning the Waterloo Cup run at Altcar, February 1960, one with various signatures52cm high including plinth, the cup and cover 43cm high, 80oz 12dwt, 2,507grCondition report: Fully marked on side near handles and on cover bezel. The base stamped with maker's name. There is some overall surface scratching and wear. There is a scratched and discoloured areas where an inscription has been removed. The are some scratches and damage to the plinth. The gilding is later.
Lot 2146
tapering and on spreading foot, with two scroll handles and detachable silver plate grill, on ebonised wood plinth23oz 5dwt, 724gr, 30cm wide over handles, 21.5cm high including plinthCondition report: Fully marked near handle and stamped underneath with maker's name and numbered '19865'. There is some minor wear to the marks. There is some surface scratching and wear, consistent with age and use. There are some scuffs and losses to the finish on the ebonised plinth.
Lot 614
A Wedgwood Rosso Antico Censer and Cover, circa 1810, with engine-turned pierced cover on circular bowl supported by three dolphins and tricorn plinth, applied in black with classical foliage and swags, impressed WEDGWOOD, 14cm high; and A Redware Tea Kettle and Cover, attributed to Isleworth, early 19th century, of hexagonal form with dog of Fo finial and moulded chinoiserie ornament, 24cm high (2)Footnote: For a similar tea kettle see The Victoria & Albert Museum, Schreiber CollectionCondition report: Censor with some small chips along lower edge of the plinth, the red body of the base has discoloured, no repair. Kettle, chip to the foot and chips to the covers rim.
Lot 1102
A Mahogany Eight Day Longcase Clock, signed Jas Shaw, Halifax, early 19th century, swan neck pediment, arched trunk door with mahogany crossbanding, 14-inch arch painted dial, seconds and date dials, arch with moonphase aperture, four pillar movement with an anchor escapement and striking on a bell, 228cm highCondition report: Hood with finials missing, case with small scuff marks, and cracks in parts, plinth with cracks, dial painted surfaces with minor chips in parts and the decoration slightly rubbed, movement seatboard is bowed, seatboard is possibly later, with pendulum and two weights.
Lot 1107
An Eight Day Longcase Clock, signed Simon Aish, Sherborne, circa 1720, flat top pediment, walnut veneered trunk door, 12-inch square brass dial with a silvered chapter ring signed, dial centre engraved with scroll and bird decoration, seconds and date aperture, ringed winding holes, five pillar movement with an anchor escapement and rack striking on a bell, (in a later case), 203cm highCondition report: Later case has been polished throughout, restoration to the hood, trunk door and plinth appear to have been re-veneered, case with chips to the edges and cracks in parts, dial with small scratches, movement needs cleaning, with two brass cased weights and a pendulum.
Lot 1247
A Victorian Mahogany and Pine-Lined Miniature Chest, 3rd quarter 19th century, the moulded frieze drawer above two short and three long graduated drawers, all between turned pilaster supports, on a plinth base, 59.5cm by 29cm by 54.5cmCondition report: The top with general scratches, some deep. The drawers are pine-lined. Otherwise in good cosmetic condition.
Lot 1268
A Pair of Victorian Mahogany Pedestals, the moulded tops above arched cupboard doors enclosing drawers, shelves and a sliding tray, each on plinth base, 19th century and adapted, 62cm by 59cm by 92cmCondition report: Pedestal one - natural? split/shrinkage split at the front (see images). Left-hand panel and right-hand panel with small natural? splits (see images). The cupboard door is very slightly misshapen at the top, it is OK when closed and locked. Pedestal two - better condition, there is a very small natural split to the front-right hand corner. There is some movement to the moulding on the arched cupboard door.
Lot 1279
^ An Islamic-Style Gilt Decorated and Jewelled Casket, early 20th century, decorated with paste stones and sequins, the hinged lid enclosing a red painted interior, with metal clasp and side carrying handles, 68cm by 43cm by 40cmCondition report: Very fine shrinkage split to the top. There is a further shrinkage split to the left-hand corner of the lid and scuffs around the base. The chest we assume has had a plinth base as section is now detached.
Lot 1304
A 20th Century Mahogany Four-Door Breakfront Library Bookcase, the arched pediment above a dentil cornice and four moulded astragal glazed doors enclosing a velvet lined interior, the base with four moulded cupboard doors, on a plinth base, 247cm by 59cm by 261cmCondition report: Fair condition. The glazing is fine, with signs of repair to some of the astragal glazing/moulding (see image). General scuffs mainly around the base consistent with age. There are faults to the moulded cupboard doors, ie some moulding is missing. The bookcase is open, but there is no key. The dentil cornice with various sections missing (see images).
Lot 1305
A 20th Century Walnut Four-Door Breakfront Library Bookcase, the moulded pediment above a plain frieze with four arched and glazed doors below enclosing adjustable shelves, the base with four frieze drawers and arched and moulded cupboard doors below, on a plinth base, 275cm by 57cm by 216cmCondition report: Good condition throughout. End panel with very small minor natural split. With keys.
Lot 5
A Royal Worcester Porcelain Group of The Winner, circa 1970, modelled by Doris Lindner, as a grey racehorse with jockey up wearing HM The Queen's colours, printed mark on black, 26cm high, the wooden stand with presentation plaqueCondition report: Appears to be in good condition, free from any damage or repair. The figure does lift out of the wooden plinth but it is a very tight fit.
Lot 56
A Chinese Spinach Jade Model of a Horse, in Tang style, with saddle and cloth, one foreleg raised, on a plinth base, 21cm longProvenance: With P C Lu Works of Art, Hong Kong, October 1977Condition report: Some typical minor surface abrasions.Jade 18.5cm high. Jade base 26.75cm by 6.5cm.Velvet mounted plinth 18.75cm by 7.75cm by 12mm.
Lot 115
A Minton Parian Figure of Lady Godiva, 1864, after the model by John Thomas, riding a horse on a moulded cobbled plinth, impressed marks, 41.5cm highFootnote: After the original model by John Thomas was shown at the Royal Academy in 1861, Minton purchased the rights to reproduce it in parian, exhibiting their version at the London International Exhibition in 1862. For a similar example see Atterbury (Paul) The Parian Phenomenon, pg.81.Condition report: Some restoration to both of the horse's ears. The left ear has a large flat chip missing from the tip.
Lot 252
A Pair of Decanters and Stoppers, early 19th century, of baluster form, cut with stylised flowers and swags within panelled borders on square bases, 36.5cm highCondition report: One stopper with a small chip to the spine, the other stopper with nibbles all around that edge. One decanter in good condition. The other with chipping to the square plinth.
Lot 343
An Italian Cup, by Miracoli, Milan, 20th Century, Stamped '750', tapering and with two scroll handles, on onyx base, the base applied with a gold plaque engraved with an inscription, the cup 22.5cm high, weighable gold 12oz 17dwt, 399grCondition report: Marked near rim and on plinth with maker's mark 6MI, further stamped with maker's name and trade mark and '750'. In our opinion would test as gold. The marks are clear. There is some surface scratching and wear, consistent with age and use. The inscription reads 'U.N.I.R.E. Gran Premio Roma Capannelle 9 novembre 1997'.
Lot 344
A George V Silver-Gilt Cup and an Elizabeth II Silver-Gilt Cover, The Cup by Pairpoint Brothers, London, 1914, The Cover by C. J. Vander, London, 1956, in the George III style, tapering and on spreading foot, the lower body lobed, the rim with a band of fruiting grapevines on a matted ground, with two scroll handles, the detachable cover part-fluted and with foliage finial, on mahogany finish base, 23.5cm high including base, 16oz 12dwt, 517grCondition report: The cup marked near handle. The cover part marked on bezel. The marks on each are clear. There is some surface scratching and wear overall, consistent with age and use. The wear is noticeable as a softening to the gilding. There is a bruise to the stem so the cup leans slightly and another to the base which causes the cup to rock slightly when placed on a flat surface. There are some scratches to the plinth. The cover fits snuggly and was presumably made specifically for this cup.
Lot 167
Two silver pigeon racing trophies, one with wooden plinth, Ollivant & Botsford, London, 1912 and Birmingham, 1937, heights 18.2 and 20cm, gross weight 11.10ozt.Condition report: Overall condition fair1912 - marks slightly worn but legible, inscription to front, sits flat 'for the best old bird in the show'1937 - marks worn, maker's mark indistinguishable
Lot 363
20th-century composition terracotta finish classical urn with cover, the two-handled lidded vessel with scrolling arms supported on square plinth.height 98cm (39"), diameter 43cm (17")Condition report: Please note this is not terracotta ceramic but some form of fibreglass/resin construction providing a decorative garden ornament in weathered condition.
Lot 93
A contemporary eau de nil velvet covered cove kneehole desk fitted with six pedestal drawers and a deep cupboard drawer on a marbled blind plinth. 165cm wide x 85cm deep x 76cm high. Provenance: The contents of a Chelsea Mansion furnished by Nicky Haslam and Collette van den Thillart. Further information on the Dawsons website article hereCondition report: Signs of use to desk top, heat rings and some light scratches throughout. No apparent tears, velvet brackets could do with re-gluing. All draws mostly clean, no apparent defects. Structurally sound.
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172950 item(s)/page