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Lot 530

ROY SHIFRIN (AMERICAN, BORN 1937), LOWER BODY, signed and dated 68 in the cast, numbered 2, bronze, on a wooden plinth. Bronze 85cmNote: Roy Shifrin was born in New York. He attended the City College of New York and graduated from The Cooper Union School of Art in Manhattan. He served in the military as an artist in Army Special Forces. In 1964 he left the US for six month trip to Europe which turned into a thirteen year stay. He has made his career in both the US and Europe.

Lot 531

AN ART DECO STYLE BRONZE FIGURE OF A HOOP GIRL, the semi-clad dancer with one leg raised, raised on a marble plinth. Overall 47cm

Lot 533

AFTER THE ANTIQUE, THE VENUS DE MILO, A PATINATED BRONZE FIGURE, in characteristic pose, modelled on a bowed integral plinth and conforming marble base. Height overall 50cm

Lot 538

MASONIC INTEREST: A 19th CENTURY BRONZE BUST OF MARIANNE, the personification of Liberty, the socle cast with hands embracing, on a shaped square plinth, unsigned. Height 20cm

Lot 540

AFTER THE ANTIQUE, A SMALL 19th CENTURY DESK BRONZE FIGURE, the athletic male with right arm outstretched, on an integral rectangular plinth. Height 7.6cm

Lot 690

AN OAK THIRTY HOUR LONGCASE CLOCK, the 10-inch square brass dial, signed John Rigg, with Roman numerals and outer Arabic numerals, the hood with moulded projecting cornice above freestanding Tuscan columns, the case with moulded door and plinth base, with weight and pendulum. 186.5cm

Lot 691

AN OAK THIRTY HOUR LONGCASE CLOCK, the 12 1/2-inch brass break-arch dial, signed Helm/Ormskirk, the chapter ring with Roman numerals and outer Arabic numerals, the dial centre with subsidiary seconds, date aperture and dummy winding holes, in the arch a globe within a roundel, the hood with broken pediment and freestanding columns, the case with moulded door with shaped top, the base plinth with shaped apron, with weight and pendulum. 221cm

Lot 693

AN OAK THIRTY HOUR LONGCASE CLOCK, the 12-inch square brass dial, signed Benj. Simpson/Halifax, the dial centre with opposing crescent apertures and engraved with acanthus leaves, the moulded projecting cornice above freestanding columns, the case door with double dome and flat top, raised on a plinth base, with weight and pendulum. 214cm

Lot 698

A 19TH CENTURY FRENCH GILT-METAL MANTEL CLOCK, the white enamel dial with Roman numerals and signed Hry Marc/A Paris, the two-train movement striking the hours and half hours on a bell, the drum shaped case surmounted by a trophy, to one side stands a globe, to the other a winged putto holding a scroll and pen, the stand cast with acanthus leaves and scrolls and with inset floral painted porcelain plaque, raised on an ebonised plinth and under a glass dome. Overall 35cm high

Lot 748

A VICTORIAN OAK OPEN BOOKCASE, the top with carved edge above a frieze with fleur-de-lis type carving over three shelves with original gilt-tooled leather trim, flanked by foliate carved pilasters, raised on a plinth base with carved shoulder. 116.5cm by 122cm by 35cm

Lot 1095

A circa 1800 Prattware cow creamer with attendant milkmaid, decorated in sponged red and black to a green washed plinth, (a/f) h.14cm. Head and neck have been off, but re-applied and complete. Lacking stopper

Lot 1261

A late Victorian bronze match-striker, modelled as a portly standing figure holding a jug of ale aloft, his head as a tilting cover, all on black slate plinth, h.12cm

Lot 1262

A Victorian novelty match-striker, modelled as monkey lamp-lighter, the basket on his back for holding matches, all on white marble plinth, h.10cm. No apparent restoration.Some handling wear to extremities.Requires a good clean.

Lot 1273

A circa 1900 French bronze desk stand, modelled as a kneeling cupid reading a book at a desk, with adjacent quill holder fashioned as a quiver of arrows, the whole on polished black marble plinth, w.18cm

Lot 1275

A Victorian soft-paste porcelain oil lamp by Moore Brothers, having a yellow tinted acid etched and moulded glass shade over a font with applied flowering cactus, the base adorned with winged cherubs to a gilded plinth, printed backstamp, h.62cm. Fine hairlines to font and two flower heads on font.Shade good.Burner good.Some tarnishing.Porcelain good.One single petal missing to one flower head.Some gilt wear to extremities.

Lot 1295

A pair of late 19th century patinated bronze models after the Warwick Vase, each cast in relief with Bacchantes heads in profile, with twin entwined branch handles, one raised on a stepped square plinth, the other lacking plinth, h.25cm, w.20cm

Lot 1495

A Victorian musical automata clock diorama, modelled as a coastal fort, the tower inset with white enamel clock dial, having twin winding holes for an eight day brass cylinder movement, with outside countwheel, silk suspension with long pendulum, striking on a bell, the tower with lone rotating solider overlooking a rocking ship in full sail, the whole playing an air on a pull string, with stop-start levers, on ebonised plinth and under glass dome, the dome with painted backdrop, gross h. 44cm

Lot 1496

A Victorian glass clock dome, on ebonised plinth, with polychrome painted backdrop depicting a continental coastal scene, h.36cm

Lot 1642

A pair of circa 1830 Scottish mahogany library bookcases, each having architectural pediments over twin acanthus leaf capped turned pilasters, flanking glass doors, each with lacquered brass grilles and enclosing adjustable shelves, the bases with concealed shallow secretaire drawer over twin arched panelled doors, to inverted breakfront plinths, h.205cm, d.38cm, w.99cm and 109cmNote: Vendor understands that these were commissioned for the family home of Gourock House near Glasgow, and have remained in the family ever since. Losses to upper areas of three lacquered brass grilles. Losses to mahogany panel behind base of one column. Complete veneer loss to one plinth, hence different colour. Otherwise appear all original and untouched. Excellent colour. Some minor veneer losses/splits and signs of age wear. Both stand well.

Lot 171

Art Deco bakelite cigarette box and cover by Comoy, the hinged lid with intersecting line decoration, on a plinth base with rounded corners, 24cm wide

Lot 185

French brass mantel clock, with pierced handle above a compass, the silvered dial with Arabic numerals, on shaped feet and a plinth base, 17.5cm high

Lot 21

Goldscheider porcelain greyhound, modelled in a standing position, on an oval white plinth base, impressed numbers to base 3859 2302 65, with black printed Goldscheider mark, 32cm wide, 18.5cm high

Lot 334

Series of three bronze figures depicting musicians, each mounted on a black plinth base, the largest 25cm high (3)

Lot 35

Pair of Nathan teak corner cupboards, with open recesses above quadruple panelled cupboard doors, on plinth bases, 63cm wide

Lot 383

G-plan chest of three long drawers, on a plinth base, 81cm wide

Lot 533

Mid 20th Century walnut veneered dressing table, the shaped mirror above three frieze drawers, the central drawer with folding mirror, the lower section with two long drawers, on a plinth base, 120cm wide

Lot 568

Pair of Art Deco walnut bedside chests, one with three drawers, the other with a cupboard door, on curved pedestal stems and plinth bases

Lot 525

A Creamware Cow Creamer and Stopper, circa 1820, the standing beast with brown and ochre markings, a milkmaid to one side, on a green wash plinth, 20cm long; and A Similar Cow Creamer and Stopper, 17cm long (2)

Lot 696

~ A George III Mahogany and Crossbanded Serpentine Front Chest of Drawers, late 18th century, the four graduated drawers and moulded plinth base on bracket feet, 110cm by 60cm by 90cmSome variations in colour and fading. Right end panel split. Left side panel with small split and scuff which has been partly filled and polished. Drawers oak lined with later additions for strengthening. Top right drawer with rectangular patch to timber between escutcheons. Front covers with some shrinkage splits which have been partly filled and polished. 211118

Lot 642

A Regency Style Mahogany Eight Day Longcase Clock, signed Maple & Co Ltd, London, circa 1900, arch pediment, fish scale front and side pierced frets, stop brass fluted canted hood corners and pilasters, well figured moulded trunk door, 11-1/4-inch silvered circular dial with Roman numerals, seconds dial, double weight driven movement with an anchor escapement and rack striking on a gong, 223cm high see illustration 20.12.18, Case colour is very slightly faded in parts, plinth with minor scuff marks, trunk door very slightly bowed to the bottom edge, dial and movement are clean, with two weights and a pendulum.

Lot 688

^ A Mahogany Twin-Pedestal Desk, circa 1820, with green leather writing surface and hinged lid above a dummy drawer flanked by eight graduated drawers, on a plinth base with castors, 135cm by 80cm by 77cm

Lot 718

A George II Oak Desk, mid 18th century, of large proportions, the rectangular top with re-entrant corners and a worn leather writing surface, with nine drawers around a kneehole with heavy brass old solid backplate handles to the sides, on a plinth base, 182cm by 76cm by 80cm Provenance: Ex Pepper Arden Hall, North Yorkshire

Lot 623

~ A Carved Stone Urn, in 18th century style, with foliate finial, wrythen fluted ovoid body with rectangular handles on circular socle and square plinth, 120cm high

Lot 616

School of Antonio Canova (1757-1822): A White Marble Bust of Napoleon as Mars Pacificus, numbered 162 to reverse, 74cm high, on a cylindrical marble column with collar to base and square plinth, 132cm high See illustration The present bust is derived from the colossal marble statue of Napoleon as Mars Pacificus currently in Apsley House, London, which was rejected by Napoleon because of the statue's nudity. Canova then produced a bust derived from the full-length original which is now in Chatsworth House, Derbyshire. Subsequently, Canova's Roman studio produced marble versions of the bust and Napoleon's sister Elisa Boneparte Baciocchi, the Duchess of Lucca, established a workshop at the quarries in Carrara that specialised in the reproduction of Imperial marble portraits by sculptors such as Lorenzo Bartolini, Antoine Denis Chaudet and Baron François Bosto. It is recorded that between 1808 and 1814 forty-two Carrara workshop marbles of Canova's bust of Napoleon in colossal and life-size scale were received for sale in Paris and it is possible that the present lot is one of these examples. For an example by Lorenzo Bartolini, signed with initials, see Sotheby's Old Master Sculpture and Works of Art, London, 9.7.15, lot 184. Another anonymous example is in the Metropolitan Museum of Art in New York, accession no.2015.489

Lot 699

~ A Mahogany Glazed Bookcase, the bold pediment with plain frieze above glazed and panelled doors all between leaf carved capitals, the interior with eight adjustable shelves, on a breakfront moulded base, 164cm by 44cm by 219cmPreviously polished and restored. Cornice later in date. Cosmetically good throughout. Backboards stained/coloured. Plinth base later. 211118

Lot 762

A George III Style Mahogany Partners' Desk, early 20th century, the brown leather writing surface above a central frieze drawer flanked by eight graduated drawers, the opposing side with three drawers above cupboard doors, on a plinth base, 183cm by 123cm by 78cm

Lot 343

An Edwardian oak chest of two short and three long drawers on square plinth.

Lot 59

A large chrome Spirit of Ecstasy figure, on black marble plinth

Lot 4216

PAUL LUDVIG KOWALCZEWSKI (1865-1910) A figure of a Moor with flask and holding a shell, signed on the maquette, set on a block marble plinth. 23cm high

Lot 226

After Demetre Chiparus - a bronze model of a standing girl, raised on circular stepped base to integral polished black marble plinth, bears signature, h.51.5cm

Lot 230

After C.J.R. Colinet - an Art Deco period polished bronze figure of a female nude dancer, in acrobatic pose, stamped 11 to underside of right foot, raised on later ebonised circular base, h.35cm. Figure is only attached to made-up base at plinth and probably needs properly to a new base.There is an approx. 2mm hole to top edge of left ankle.Fettle marks visible at casting joints.Well-handled, resulting in a ‘polished’ surface patina.Brass plinth is later associated.

Lot 242

Charlotte Monginot (1872-1962) - an Art Deco period gilt bronze model of a dancer, modelled as a semi-nude young female wearing flowing dress with tambourine, raised on integral polished red variegated marble socle, to further brass plinth, etched signature Monginot to rear base of bronze, h.38.5cm. Some general age/surface wear.Ingrained dirt to low relief areas.Gilt losses to raised cabochon jewels to dress midriff.Marble base with some nicks to top edge.Overall a good decorative model.

Lot 361

*A good Arts & Crafts figured walnut double door compactum by Gregory & Co, of 212 & 214 Regent Street London, the twin doors having multiple fielded panels with central leaf carvings, enclosing four fitted linen slides over two short and three long drawers, to plinth, stamped to top front edge of upper drawer surround, h.211cm, w.138.5cm, d.59cm. Overall in very good and original condition.No warping to doors.Approx. 27cm fine vertical split to lower left hand door panel towards bottom right corner.Approx. 6cm loss to outside edge of right hand door trim at base.Otherwise good.

Lot 370

An Art Deco figured walnut corner open bookshelf, of stepped form, raised on plinth, h.95cm, w.97.5cm, d.97.5cm. Privately consigned.Lifting to veneers at central area of top surface.Numerous chips and losses to veneer at corners and extremities.Some paint speckles to stepped surfaces.Patina dark and original.Well-worn throughout but structurally good.

Lot 431

A 1960s G-Plan teak narrow chest, of six long drawers, having integral curved handles, on plinth, h.103cm, w.55.5cm, d.44.5cm. Overall in very good ‘as new’ condition.No noticeable scratch or scuff marks.

Lot 48

An Art Deco crackle glazed ceramic model of three prowling lions, cream glazed, standing on integral long plinth, length 55cm

Lot 405

19TH CENTURY FIGURAL GILT MANTEL CLOCK, with a wood plinth and glass dome, 30cm high

Lot 1167

•DOREEN KERN (BRITISH B. 1931) ALISTAIR MACLEAN Bronze on a marble plinth, signed and dated (19)72, 35 x 22cm (13 3/4 x 8 1/2") Condition Report: On inspection the bronze has good patina with there being no significant issues to report. 

Lot 259

AN EDWARDIAN SILVER MILITARY CENTREPIECE - THE 9TH LANCERS maker's marks C & S Co., London 1903, a cast and chased study of a lancer astride his horse at a canter on a naturalistic silver base mounted on a wooden plinth base with a silver plaque engraved "Presented to the Officers Cape Mounted Riflemen by the officers 9th lancers who served with them in South Africa 1902-3", 39cm overall height, figure 26.5cm high x 20.5cm Condition Report: The figure is in basically good condition except the lance is cut short & maybe the horse's tail, did the lancers crop their tail; . .

Lot 516

A 17TH CENTURY BRONZE CANDLESTICK possibly Dutch, upon square plinth with four paw feet, the stick with various knops, 22.5cm high Condition Report: Available upon request

Lot 521

•ERIC SCHILSKY RA RSA (1898-1974) A BRONZE BUST OF A LADY with applied turquoise patination, signed in the bronze, on rectangular mahogany plinth, 49cm high x 30cm wide Condition Report: slight flaking of green patination.

Lot 538

A 19TH CENTURY BRONZE OF A CLASSICAL MAN modelled standing with one arm raised, upon black marble base, figure 25cm high Condition Report: The feet are glued to the base but the left foot has a drilled hole in it which would suggest that the original plinth has been broken and this is a replacement. The figure is most likely late 19th century.

Lot 565

JOSEF LORENZL - A BRONZE FIGURE OF A BOY HOLDING A TENNIS RACQUET with carved ivory face, modelled standing upon a green onyx stepped plinth base, signed R. Lor to foot, 16.5cm high Condition Report: Nice period piece. Head a bit loose. Scratches to onyx and some rubbing to bronze. Natural cracks to the ivory head and some light staining.

Lot 912

A VICTORIAN WALNUT SERPENTINE INLAID CREDENZA the mirror back frame set with carved and pierced birds, fruit and foliage above a white marble top, the base with three mirror doors within foliate frames and on a plinth base, 209cm high x 150cm wide x 45cm deep Condition Report: Available upon request

Lot 915

A 19TH CENTURY MAHOGANY LIBRARY BOOKCASE the moulded cornice above a pair of astragal doors, the base with a pair of panelled doors set with carved flowerheads and on a plinth base, 268cm high x 152cm wide x 59cm deep Condition Report: Available upon request

Lot 1255

AN OAK COMBINED PEW AND WRITING SLOPE DESK RAISED ON RECTANGULAR PLINTH BASE. 75 x 102 x H.95cms

Lot 1256

A GLAZED MAHOGANY BOOKCASE, THE TWO DOORS ENCLOSING SHELVES ABOVE A MIRRORED PANEL AND CYMA PLINTH FOOT. 88.5 x 29.5 x H.120cms.

Lot 1273

A MAHOGANY RECTANGULAR TOPPED BREAKFAST TABLE ON OCTAGONAL BALUSTER COLUMN, QUADRIPARTITE PLINTH AND DISC FEET.   137 x 130 x H.74cms.

Lot 1286

A ROBIN GAGE BRASS CLUB FENDER, THE CORNER SEATS ON SPIRAL TURNED COLUMNS AND PLINTH FOOT. 204 x 56.6 x H.54cms.

Lot 1287

A ROSEWOOD OVAL BREAKFAST TABLE TILTING ON TAPERED CYLINDRICAL COLUMN ON PLINTH AND FOUR STEPPED DISC FEET. 168 x 116 x H.75cms.

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