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Lot 212
A Japanese One Piece Carved Walrus Tusk Mythological Group, Meiji period (1868-1912), as Shoki standing on a rocky knoll crushing one oni beneath his feet, holding another over his head, with well detailed incised work throughout rubbed with black pigment, on a flat tusk section separate plinth with incised two character mark, 31.3cm high See illustration
Lot 216
A Japanese Shibayama Elephant Ivory Tusk Section Vase, Meiji period (1868-1912), worked with a pair of cranes amongst bamboo and flowering chrysanthemums, on the reverse with two doves perched in a fruiting pomegranate tree, in gold lacquer and inlaid with diverse materials including coral, stained ivory and mother-of-pearl, inset into a black lacquered and gilt scroll painted basal plinth, metal lining, 19.5cm high (a/f)
Lot 1104
Two Taxidermy Pug Dog Puppies, circa 1885, beneath a glass dome, one standing, the other seated, with fawn coloured coats, on a green velvet lined base with moulded mahogany plinth, beneath a flat sided shallow glass dome, the dogs 11cm and 10cm high respectively, the dome 21cm high, the plinth 36.5cm wide overall See illustration
Lot 1211
A Betjemann`s Patent Porcelain and Ormolu Mounted Coromandel Wood Self-Closing Book Slide, No.1443, retailed by Trussel, Brighton, circa 1870, each chamfered rectangular upright centred by an oval porcelain plaque painted with a cupid writing on a scroll seated on clouds, within scrolling clover leaf mounts and angles, on a chamfered rectangular plinth mounted with retailer`s and patentee plaques, 69cm long extended See illustration
Lot 1228
A Pair of Gilt Brass Mounted Glass Pillar Table Candlesticks, circa 1870, with shallow circular pans and wrythen fluted plain glass cylindrical stems, on circular bases with four inscrolled feet, 20.6cm high; and An Ashford Pietra Dura Socle, circa 1870, one faced worked with a profile portrait of a gentleman posed by a crest, the side panels with flower specimens, on a stepped and concave sided plinth, 15.5cm high (3)
Lot 1269
Italian School, early 20th century: Carrara Marble Carved Figure of the Madonna and Child, the enrobed Madonna holding the infant Jesus with arms outstretched, whilst standing on a crescent moon and an asp, unsigned, 73cm high, upon a separate D shape flat plinth, 77cm high overall. By repute originally in Wolsingham Convent, said to have been used as a maquette for a statue in Ushaw College, Durham
Lot 1293
A French Gilt Brass Champleve Enamel Four Glass Striking Mantel Clock, retailed by Collingwood & Co, Paris, circa 1890, the case surmounted with an urn finial and turned brass finials to the corners, four bevelled glass panels and decorated throughout with champleve enamel, 4-1/4-inch dial with Arabic numerals and signed, twin barrel movement with striking on a gong, movement backplate stamped Japy Freres, twin tubed mercury pendulum, 42cm high, together with a gilded wooden plinth see illustration
Lot 1301
A French Ormolu Striking Mantel Clock, retailed by Pepin A Paris, circa 1850, the highly elaborate case with floral and scroll decoration throughout, 3-1/4-inch white enamel dial with Roman numerals and signed, blued steel hands, twin barrel movement with silk suspension and outside countwheel striking on a bell, movement backplate stamped Pepin A Paris and Raingo Freres numbered 2064, 35cm high, together with a gilded wooden base and rosewood plinth, (no glass dome) see illustration
Lot 1309
A Mahogany Wall Regulator with 24-hour indication, circa 1870, the arched case with fine inlaid stringing to the glazed trunk door, waisted plinth with single turned finial, below the dial with nicely carved and pierced scroll work and a central cherub face, 12-inch silvered dial with outer minute track with corresponding centre minute hand, two subsidiary dials for seconds and a larger 24-hour dial, single weight driven movement with deadbeat escapement and jewelled pallets, A-framed movement plates, "Harrisons" maintaining power, steel rod mercury tube pendulum with silvered regulation scale positioned to backboard, 162cm high see illustration
Lot 1318
An Oak Thirty Hour Longcase Clock, signed Wm Lawson, Keighley, circa 1800, case with swan neck pediment, turned columns, trunk door flanked by plain inset pilasters, rectangular plinth with raised quatre form panel and upon later bracket feet, 12-inch square white painted dial with Arabic and Roman chapter ring, dial centre with date aperture and signed, floral decorated spandrels, four pillar movement with anchor escapement and outside countwheel striking on a bell, 220cm high see illustration
Lot 1319
An Oak and Mahogany Eight Day Longcase Clock, signed Prince, Leeds, circa 1810, case with swan neck pediment, fluted columns, trunk door flanked by inset fluted pilasters, rectangular plinth raised upon bracket shaped feet, 13-inch arched painted dial with a Arabic and Roman chapter, dial centre with two subsidiary dials for seconds and date, painted figural spandrels and the arch depicting a lady and gentleman within a landscape scene, four pillar movement with attached false plate stamped Walker & Finnemore, anchor escapement and rack striking on a bell, 227cm high see illustration
Lot 1321
An Oak and Mahogany Eight Day Longcase Clock, signed Geo.Goodall, Abberford, circa 1780, case with swan neck pediment, later inlaid door, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with raised panel and upon later bracket feet, 13-1/4-inch arched brass dial with silvered chapter ring and inner date ring with corresponding central date hand, centre seconds, dial centre signed and with engraved scroll work, centre seconds, the arch with rolling moonphase, four pillar movement with deadbeat escapement, rack striking on a bell, 230cm high see illustration
Lot 1322
An Oak Thirty Hour Longcase Clock, signed Tho Lister, circa 1760, flat top pediment with turned columns, wavy trunk door with inset pilasters, rectangular plinth with raised front panel and upon later feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring, dial centre with so called "Halifax" moonphase aperture, date aperture and signed, four pillar movement with anchor escapement and outside countwheel striking on a bell, 200cm high see illustration
Lot 1325
An Oak Eight Day Longcase Clock, signed Barber, Winster, No.391, circa 1760, case with flat top pediment, turned columns with gilt painted capitals, trunk door with mahogany crossbanding, rectangular plinth with crossbanding and raised upon later bracket feet, 12-inch square brass dial with silvered Arabic and Roman chapter ring signed, dial centre finely engraved with scroll work, date aperture and seconds dial, four pillar movement with anchor escapement and rack striking on a bell, movement frontplate with latched pillars and frontplate numbered 391, later seatboard, 206cm high see illustration. Jonas Barber Jnr (b.c.1718-20) was one of the finest clockmakers in the North West. Circa 1748 he began numbering his clocks, engraving the serial number on the movement frontplate (and sometimes with the date of manufacture alongside). His clocks can therefore be dated using these numbers. Barber numbered to the mid 1400s until 1800 when his successor (and former journeyman) Henry Philipson continued the system. See Loomes (Brian) Clockmakers of Northern England, pg 83-84.
Lot 1327
A Fine Mahogany Eight Day Longcase Clock with Deadbeat Centre Seconds, signed Wm Bickerstaff, Liverpool, circa 1800, the nicely figured case with swan neck pediment, hood with front painted gilt floral glazed windows, six fluted columns, flame mahogany trunk door flanked by fluted column pilasters, rectangular frame moulded plinth with canted corners and raised upon bracket shaped feet, 14-inch arched painted dial with Arabic and Roman chapter, dial centre with a finely painted oval scene and signed, centre seconds, painted figural spandrels and the arch with rolling moonphase, four pillar movement with attached falseplate stamped Wilson, deadbeat escapement and rack striking on a bell, 260cm high see illustration. William Bickerstaff is recorded working in Liverpool 1790-1829. See Baillie (GH) Watchmakers & Clockmakers of the World, pg27.
Lot 1328
A Walnut Eight Day Longcase Clock, signed Rich Martyn, Northampton, circa 1700, case with flat top pediment, barley twist columns, side viewing windows, convex throat moulding above the rectangular moulded trunk door with lenticle, reduced plinth upon a later wooden skirting, 11-inch square brass dial with silvered chapter ring signed, matted dial centre with subsidiary seconds, date aperture, ringed winding holes, (minute hand broken), five pillar movement with anchor escapement and outside countwheel striking on a bell, 194cm high see illustration
Lot 1329
A Walnut Eight Day Longcase Clock, signed Saml Harris, London, circa 1730, the nicely figured case with flat top pediment, hood with blind fretted front, brass capped columns, arched moulded trunk door, re-built rectangular plinth, 12-inch arched brass dial with silvered Arabic and Roman chapter ring, matted dial centre with seconds dial, date aperture and signed on a arched silvered plaque, engraved arch with rolling moonphase, later hands, five pillar movement with anchor escapement and inside countwheel striking on a bell, later seatboard, 223cm high see illustration
Lot 1330
A Mahogany Chiming Longcase Clock, signed William Page, West End, chime & turret clock manufacturer, Gt Portland St, London, No.559, circa 1860, the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed, matted dial centre, silent/chime selection lever positioned above 12 o`clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high see illustration
Lot 1413
A George III Mahogany Four Door Breakfront Bookcase, the pierced swan-neck pediment with turned finials, above two astragal glazed doors enclosing four adjustable shelves flanked by two conforming glazed doors, the base with two central cupboard doors with recessed oval panels enclosing two adjustable shelves flanked by conforming cupboard doors, on plinth base, 234cm by 64cm by 268cm See illustration
Lot 1574
A George III Mahogany Bookcase, the projecting cornice above a plain frieze, the two lancet glazed doors enclosing six adjustable shelves, the lower section with brass edge above two cupboard doors enclosing a central drawer and arched shaped niche, flanked by eight conforming drawers fitted with brass ring drop handles, raised on a plinth base, 130cm by 55cm by 222cm See illustration
Lot 1688
A Robert "Mouseman" Thompson Oak Longcase Clock, the movement with 10 1/2" square brass dial and silvered Roman chapter ring, twin weight driven, striking the hours and halves with three hammers striking three gong rods, movement backplate stamped E.Schmeckenbecher, the case with a flat top and carved running detail to the sides, glazed rectangular trunk door and moulded plinth, with carved mouse signature, 194cm See illustration
Lot 1741
An Oak Ecclesiastical Breakfront Bookcase, late 19th century, the bold dentil cornice above a quatrefoil guilloche frieze, the arched glazed doors enclosing adjustable shelves, the base with conforming cupboard doors flanked on each side by glazed doors and cupboards, raised on a plinth base, 267cm by 47cm by 243cm See illustration
Lot 79
A Royal Worcester Porcelain Flower Painted Pedestal Vase, Richard Sebright, 1906, of ovoid form with leaf tip moulded everted rim, the tightly arched shoulder handles with maiden mask terminals, painted on one side with a sprays of michelmas daisy type flowers in red and blue, signed, on the reverse with a sprig with three blossoms, on a blush ivory short foot and square plinth, puce printed crown and wheel mark, year mark, shape 2363 and impressed D7, 16cm high See illustration
Lot 115
An English Pearlware Pottery Cow Creamer, early 19th century, the standing cow`s backswept tail forming the handle, its open mouth the spout, domed cover on its back, pink sponged markings, a milkmaid (with black spotted skirt) at the udder, on a canted flat plinth base with green sponged detail, 14cm high, 20.5cm long
Lot 165
A Japanese Bronze Figure of a Field Worker, Meiji Period (1868-1912), standing and twisting slightly to the right, his hand on his hip to relieve a stiff back, an hoe in his left hand, details picked out in a red oxidised patination and gilt, indistinctly signed on tobacco pouch, 24.5cm high, upon a (probably later associated) stained wood rectangular plinth, 28cm high overall; and A Bizen Pottery Figure of Daruma, circa 1880-1900, the grimacing sage wearing heavy robes and cowl, impressed triple character mark, 27cm high (2) See illustration
Lot 331
An early 19th century regulator longcase clock. The silvered dial engraved James Hardy, Aberdeen, with central second and hour dials to the eight day movement, steel pendulum rod and steel framed mercury compensated cylindrical bob, single brass cased weight, contained in an arch topped case. The single glazed door with floral fret carved decoration, glazed sides, panelled plinth and on a block foot.
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172950 item(s)/page