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Click here to subscribeA LARGE GOOD QUALITY SINO TIBETAN SECTIONAL GILT BRONZE GROUP OF HAYAGRIVA & HIS CONSORT, supported on a double lotus plinth, the feet of the winged and multi-armed deity trampling figures underfoot, the deity and his consort holding various attributes, the base with a double vajra, 11.25in high.
AFTER DONATELLO, BRONZE SCULPTURE, H 23", L 23", GATTAMELATASet on marble base on top of wood plinth. Base having a width of 7". Original is in Piazza del Santo in Padua, Italy.Good condition jw Rod in hand is tagged and in consignor file jw- For High Resolution Photos visit Dumouchelles website.
A pair of Flight, Barr & Barr green ground vases, entwined snake gilt handles, floral reserves to either side, No.1 Coventry Street mark - H13.5cm CONDITION REPORT: vase 1 - top of snake handles repaired, rim breakage glued vase 2 - snake handles broken and glued, hairline crack from lip near damaged handle, repair to base of plinth
BENSON LANDES (1927-2013); resin on timber base, an original maquette, "Memories", on oval plinth, length 37cm, with copy of valuation from the artist detailing its conception in 1995 and replacement value of £10,000. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
BERTIL VALLIEN for KOSTA BODA; a limited edition Janus Axe Head sculpture with metallic covered blue glass axe head containing two faces, on a square plinth with textured top, signed "B. Vallien 7177002 Kosta Boda Lim. Ed. 500", height 18cm, and a Goran Wärff for Kosta Boda green, blue and clear glass abstract vase, with Kosta Boda stickers and signed "Kosta Boda G Wärff 7040702" to base, height 16cm (2). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
ELLIOTT WALKER; three glass fruit still lives of an apple, a pear, and a lemon, the textured dark glass fruit contrasting with the bright coloured fruit sections, each on a black glass square plinth, each signed and titled, various heights from 13cm to 20cm (3). (D) CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
BENSON LANDES (1927-2013); a bronze washed with verdigris "Cabaret", an artist copy, signed and on oval marble plinth, height 46cm, with copy of valuation appraisal by the artist in 2011 at £4,500. (D) CONDITION REPORT: General condition appears good. Few scratches and dents, particularly on the right thigh. Minor staining or loss to patina between the collar bones. Numerous casting imperfections but most likely they are part of design. Base stable and so is the figure on the base. Some surface dirt. Stick slightly bent. No obvious damage or restorations. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
ALBERT EDWARD JONES; an Arts and Crafts George V hallmarked silver twin handled boat shaped dish with pierced leaf moulded decoration, part hammered bowl, twin scrolling loop handles, stud decoration and square section tapering plinth, AE Jones, Birmingham 1920, length 23.4cm, height 11.2cm, approx 5.83ozt. CONDITION REPORT: Slightly tarnished. Very slightly uneven on foot when standing. Overall condition.
FERDINAND PREISS (German 1892-1943); a c.1925 cold painted bronze and carved ivory "Autumn Dancer" depicting a woman in dance pose balancing on one leg, raised on green onyx and black marble base above octagonal plinth, signed F Preiss to the back, height 36.5cm. Reference: Albert Shayo, Ferdinand Preiss Art Deco Sculpture, The Fire and The Flame, Suffolk, 2005 page 173 (example illustrated). CONDITION REPORT: There are several hairline splits to each part of the ivory particularly to the raised leg, face and back. The red detail to the jewellery is slightly rubbed. There are some traces of paint to the left arm, left hand probably reattached. Minor rubbing and tarnish to the gilding. A few areas of minor dirt. A few chips to the upper edge of the plinth. Minor wear to the base.
An Early 19th Century Mahogany Long Case Clock, the arched hood with swan neck pediment and three brass finials with turned pilasters above an arched panel door all raised upon a plinth, the painted dial inscribed Moss, Guernsey and with subsidiary seconds dial and date aperture and with two train movement striking on a bell
An 18th century carved ivory snuff rasp, decorated a lady, 19.5 cm high, set into a wooden panel, 23 cm high See illustration Condition report Report by NG Ivory attached to wooden mount. No securings visible. Some rubbing to staining of wooden plinth and natural colour showing through. Ivory grubby, some rubbing to edges but no large chips or cracks visible to ivory.
A low table, the specimen marble inlaid top on a marble column (repaired), 87 cm diameter See inside back cover colour illustration Condition report Report by RB From a client, who use to live in Park Lane and Grosvenor Square. The top is in generally good condition, with some slight staining and chips, mostly to the edges, and with occasional cracks to the specimen sections. The marble base that it stands on has been extensively damaged and poorly repaired, with a socle base, damaged and a wooden plinth base.
An 18th century style console table, the specimen marble inlaid top above a frieze of carved acanthus leaves, and on a pair of acanthus leaf capped scroll legs, joined by a mahogany base, 130.5 cm wide See inside back cover colour illustration Condition report Report by RB Again, this is from a London client, who use to have a house in Park Lane and Grosvenor Square. The marble top has numerous edge knocks, especially to the back, and a few cracks, although nothing visually off putting, general wear and rubbing to the gilt decoration, and the mahogany plinth base with knocks etc to the corners, consummate with modern use and vacuum cleaners.
A late Victorian/Edwardian collector's cabinet. having twelve drawers, enclosed by a glazed door, with a Watkins & Doncaster Cabinet Manufacturers & Naturalists ivorine plaque, 52 cm wide See illustration Condition report Report by RB The top has been refinished at some point, not professionally, and now has numerous scratches to it. The door front is mahogany, unlike the rest of it, which is stained to look like mahogany, has the ivorine plaque to it, all the drawers have a glass lift out top to them, with homemade dividers to some of them. No key. The plinth base has general wear commensurate with age and attack by vacuum cleaners.
A 19th century rosewood breakfront bookcase, the marble top above two pairs of doors with brass grilles, on a plinth base, 185.5 cm wide See illustration Condition report Report by GH Dimensions are as follows: The maximum depth is 41 cm and the inset depth either side is 33 cm. The maximum height 91.5 cm.
*A 19th Century mahogany library display breakfront bookcase the moulded cornice above two astragal doors and two panelled doors on a plinth base, 138cm wide x 58cm deep x 224cm high VAT charged on this lot Originally retained by Glasgow Life for re-use where possible, old office furnishings traditionally used in curatorial offices to store books, folders and slides are being released for sale
*A 19th Century mahogany breakfront bookcase the moulded over-hanging cornice above four arched astragal doors enclosing shelves and on four doors on plinth base, 246 cm wide x 46cm deep x 224cm high VAT charged on this lot Originally retained by Glasgow Life for re-use where possible, old office furnishings traditionally used in curatorial offices to store books, folders and slides are being released for sale
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