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Lot 180

Large bronze study of a cantering Horse after Pierre Jules Mene, on naturalistic base and rectangular marble plinth, H40cm x W56cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 183

Bronze study of a female nude after Seth Vandable, mounted on black marble plinth, L31cm

Lot 1161

Harris Lebus golden oak chest of three drawers, on plinth base, W94cm, H80cm, D50cm

Lot 1164

Large Victorian carved oak mirror back sideboard, stepped arched bevelled plate with shell and scroll carved cresting, fluted columns and urn finials, the inverted breakfront mirror waisted base with three reeded drawers and four geometrically moulded doors on a plinth base, stamped Coates, W229cm, H263cm, D68cm

Lot 1177

Victorian mahogany triple wardrobe, moulded projecting cornice, two full length mirrored wardrobe doors flanking two cupboard doors above two short and three graduating drawers, plinth base, W238cm, H211cm, D60cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 1180

Edwardian oak twin pedestal desk, inset green leather top, moulded edges, six drawers and single cupboard, plinth base, W174cm, H77cm

Lot 1185

Victorian mahogany twin pedestal partners desk, leather inset top with moulded edge, two long and ten short graduating drawers, two cupboard doors, plinth base, W152cm, H75cm, D105cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 1201

19th century rosewood Chiffonier raised mirror back, single frieze drawer above two doors with pleated fabric panels, plinth base, W108c,. H91cm, D42cm

Lot 1232

Early 20th century oak floor standing corner cabinet, projecting cornice, single glazed doors enclosing two shelves above single cupboard door, shaped plinth base, W77cm, H182cm, D40cm

Lot 1234

Edwardian satin walnut wardrobe, single mirror door, plinth base, W94cm, H204cm, D45cm

Lot 1240

Late 19th century mahogany chest, deep inset leather top, two short and three long drawers, plinth base, W91cm, H82cm, D56cm

Lot 1266

Victorian mahogany twin pedestal desk, raised back with ten drawers above leather inset top, nine graduating drawers, plinth base, W126cm, H123cm, D66cm

Lot 1311

1960's white painted kitchen cabinet with two opaque glass doors and brown fall front, plinth base, W77cm, H180cm, D43cm

Lot 1312

Mid 20th century figured mahogany double wardrobe, two doors enclosing fitted interior, plinth base (W122cm, H184cm, D55cm) and matching gentleman's wardrobe (W91cm, H17cm, D55cm)

Lot 1320

Red Chinese television cabinet, two doors, plinth base (W77cm, H67cm, D65cm) and two wooden side cabinets, single drawer, square supports (W45cm, H61cm, D45cm)

Lot 1324

Regency style cross banded and inlaid mahogany bookcase, two drawers, single shelf, plinth base, W112cm, H77cm, D28cm

Lot 1351

Early 20th century breakfront pitch pine triple cupboard, projecting cornice, three doors enclosing shelves on plinth base, W163cm, H170cm, D44cm

Lot 1391

Chinese rosewood shelving display cabinet with four cupboard doors on plinth base, W164cm, H108cm, D50cm

Lot 1411

Solid pine twelve bottle wine rack, plinth base, W69cm, H66cm, D39cm

Lot 1412

Handmade kitchen pine food cupboard, projecting cornice above single door with wire mesh panel, single drawer, plinth base, W105cm, H200cm, D58cm

Lot 1417

Rustic waxed pine corner television stand, two cupboard doors, plinth base, W104cm, H70cm, D45cm

Lot 1420

Light wood two tier plate rack dresser, single drawer above two cupboard doors, plinth base, W97cm, H198cm, D46cm

Lot 417

A walnut Davenport, lifting the lid reveals a fitted interior, The right side has four usable drawers the left has four false drawers. Standing on a plinth base

Lot 239

Heinz Muller (1872-1937), a bronze model of a dog, modelled seated scratching his ear with his hind left leg, signed verso 'H.Muller', mounted on a red serpentine plinth base, 10cm H x 15cm W x 10cm D For condition information please view this lot on our website HERE

Lot 445

A pair of early 20th century ceramic Campana vases, the blue ground decorated with a pastoral scenes with classical figures, in a gilt foliage border, with two gilt lugs, atop a square plinth also decorated with a narrative picture, with gilt details throughout, 41cm high (2) (at fault)

Lot 470

A late 19th century cover, Martin Brothers, modelled as a grotesque frog finial, seated on a black plinth, incised verso '10-1896 Martin Bros London & Southall', 7cm high (restored)

Lot 561

A pair of 20th century decorative ceramic table lamps, designed as 18th century style urns, decorated with figures on horseback within a tree lined landscape, with overall gilt embellishment on a cobalt blue ground, stamped with makers mark 'Victoria Czechoslavakia', 33 cm high, along with a late 19th century gilt metal desk lamp, the gilt frame applied with trailing vinery and rose buds above a porcelaineous figure of a cherub, raised upon a white marble plinth base along with a second similar plinth (4) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Lot 580

An early 20th century brass cased carriage timepiece with a 5cm white enamel dial, 11cm high with outer case (at fault), a cased pair of opera glasses by Deraisme, Paris, a mid 20th century novelty cold painted alloy ash tray cast as a reclining lady with raised dress, 12cm wide, a novelty brass vesta case modelled as a pig, 5cm long, a boxed set of miniature dominoes, the case with a hinged cover modelled as a domino, 8cm long, also a marble plinth inlaid with multi coloured lozenges, 17cm long (6)

Lot 582

An early 20th century Danish pillar telephone magneto, Jydsk Telefón Aktieselskab, hand-crank mechanism, to a black rounded plinth, with cream and white metal dial, with later electrical fittings, body stamped 'Jydsk Telefon Aktieselskab' verso, 32.5cm high (at fault)

Lot 592

A vintage painted wooden novelty figural key or card stand, with vibrant yellow trousers, upon a plinth base, 93cm

Lot 593

A mid 20th century Gundka model 5 index typewriter, mounted upon a wooden plinth, with painted tin plate cover applied with swing handle, 30cm W

Lot 603

A stained hardwood campana urn, 20th century, of reeded tapering form extending to a square plinth base, 69cm H

Lot 608

A dolls house of very large proportions, modelled as Georgian mansion, made for Susan Stobart by Anglesey Dolls Houses and named the 'Renouf' house, featured in issue 141 of 'The Dolls' House Magazine', access to the interior by front opening walls and tilting roof, with five floors and twelve rooms, most with curtains, wallpapered walls, flooring and electric lighting (powered by external transformer), the exterior with removable portico staircase giving access to the servants' level, the house 150cm high, mounted on a wheeled plinth 39.5cm high

Lot 676

A pair of early 20th century French bronzed spelter figures, modelled with arm raised and flowing robes, upon stepped circular plinth bases, tallest 69cm high (2)

Lot 707

A Victorian brass fire fender, with a rope twist rail raised upon three urn shaped supports upon a stepped plinth base, 134cm long, along with a 19th century painted iron openwork fender, cast with rows of graduated roundels, 79cm (2)

Lot 709

A Victorian slate mantel clock with visible escapement, the plain rectangular case housing the 12cm white enamel dial with visible escapement and two train movement striking on a saucer bell, the slate case extending to a plinth base, 33cm high

Lot 717

A George III oak cased thirty hour long case clock, by Maddison, Rugeley, with a twin swan's neck pediment above the 31cm painted break arched dial, centred with the makers name, the single train movement strikes on a saucer bell, the slender oak case with quarter reeded columns flanking the shaped cross banded door, above a conforming lower panel, raised upon a plinth base, 221cm H, with weight and pendulum

Lot 721

A George IV mahogany cased long case eight day clock, signed Adams, Middlewich (probably John Adams circa 1820), the twin swan neck pediment above a frieze painted with maple leaves and a pair of freestanding reeded pilasters flanking the 36cm break arch painted dial, with a painted rolling moon above subsidiary second and date dials, signed with the makers name, the two train movement strikes on a saucer bell ,the case with quarter reeded columns flanking a shaped flame mahogany door, above the lower panel with canted corners, plinth base and bracket feet, 228cm H, with two weights and pendulum

Lot 794

A Victorian marble top mirror back chiffonier, the arched mirror back with a carved open work leafy crest extending to conforming scroll terminals, upon a serpentine white marble top and three mirrored cupboard doors, upon a plinth base, 162cm H x 148cm W x 46cm D

Lot 2035

A pair of 19th century hard-paste porcelain vases, of baluster form, with slender gilded necks, the puce grounds embellished with gilt enamels, to further gilt embellished square bases, h.30cm.One with fine crack to base of handle and re-gilding.Otherwise good with minor gilt wear to extremities only (mainly to one plinth).Not marked.

Lot 2072

An Edwardian silver twin handled pedestal bowl, with presentation inscription, 41oz, maker Goldsmiths & Silversmiths Co Ltd, London 1910, on ebonised plinth, gross h.24cm

Lot 2075

An Edwardian silver pedestal fruit bowl, of lobed circular form, 35.7oz, maker Henry Williamson Ltd, Birmingham 1910, dia. 25.5cm, the whole raised upon an ebonised plinth with engraved white metal presentation plaque, gross h.26cm

Lot 2258

After Franz Bergmann - a small Austrian bronze model of polo players, raised on integral shaped base, bears stamp for Austria and a B in a vase, to further rouge marble plinth, w.12.5cm

Lot 2260

After Anton Louis Barye - Humorous bronze model of a monkey studying history and geography at a table, to naturalistic base and further rouge marble plinth, bears signature and date 1845, gross h.12.2cm, length 18cm

Lot 2261

After Friedrich Gornik - a bronze model of livestock feeding from a trough, bears signature and monogram, raised on veined black marble shaped plinth, length 31cm

Lot 2265

After Bruno Zach - a bronze figural group of a standing chimpanzee holding a nude woman , raised on integral square base bearing signature, to further mottled red marble plinth, gross h.23cm

Lot 2266

After Bruno Zach - a cold painted bronze model of a seated monkey wearing a red knotted headscarf, bears signature, raised on variegated marble square plinth, gross h.18.2cm

Lot 2282

A Victorian brass pedestal oil lamp, having cranberry tinted acid etched shade over a cranberry glass font, the whole raised on a black enamelled plinth, h.65cm.All glass good, no apparent faults.Appears all original.Brass tarnished.Otherwise no apparent faults.

Lot 2292

F. Rosa - a large circa 1900 Italian carved white marble figure of a standing hooded monk, typically dressed in robes, his arms crossed, standing on a sphere to square plinth, incised F.Rosa - Roma Arte Sacre to reverse of base, h.76cm

Lot 2293

A 19th century continental polished walnut carving modelled as a standing putti, with right arm aloft and raised on flowing robes, on associated plinth, h.40.5cmCondition report: Small left finger missing. Scribe in right hand incomplete. One wing with old break.

Lot 2445

John Pace of Bury St Edmunds - a rare year-going skeleton timepiece, mid-19th century, the arched chamfered plates with five turned pillars, gilt Arabic chapter ring above interlaced rings for weeks of the year and date, shaped blue steel hands, the twin chain driven fusees each with two spring barrels, anchor escapement, five and six spoke wheels, all raised on an oval plinth engraved 'John Pace Bury St Edmunds' to the front, h.40cm, all upon an ebonised oval stand with glass dome (dome cracked). Notes: John Pace (1783-1867) was born in Whitechapel and hailed from an eminent Quaker family of clock and watchmakers who had been registered as working in the area from at least the 1630s. By 1804 he is recorded as working in Bury St Edmunds, and later more specifically in Abbeygate Street (No.19) from 1823 until 1855. In a town bristling with renowned clockmakers, Pace managed to rapidly gain a good reputation for his inventiveness as well as for the quality of his work. His ingenious nature led to him patenting an illuminated ‘night timepiece’ (No.6506) in 1833, and creating elaborate skeleton clocks such as this example. However, Pace was clearly happy to work on all manner of clocks, watches and barometers, and formed a strong working relationship with Bury St Edmunds gunsmith and clockmaker Benjamin Parker – sharing design and precision work between them to produce excellent pieces. During this time he married Frances Rebecca Hancock of Mitcham with whom he had four children. Pace was also a leading figure in the Bury St Edmunds Society of Friends and was secretary of the local Quaker meetings between 1827-1832. He is also recorded as being Alderman for the North Ward in 1843 and secretary of the Mechanics Institution which was based in Crown Street from 1824. By the 1850s Pace was at the peak of his powers, and as such exhibited three examples of his work at the Great Exhibition of the Works of Industry of All Nations held at the Crystal Palace in 1851. This comprised of two clocks and a barometer; one of these being a skeleton clock which ran for three years on just one winding. He is referred to in the Exhibition catalogue as “ Pace, J. Bury St Edmunds, - Inventor, Designer & Manufacturer ”. Pace moved to Chelmsford after the death of his wife, where he himself died in 1867. His obituary in the Norwich & Bury Post describes him as being “ widely esteemed outside the boundaries of the religious community to which he belonged, at a time when members of the Society of Friends suffered in various ways …”. It also demonstrates how Pace’s scientific mind didn’t stop at timepieces, as he is remembered as being the first shopkeeper in Bury “ to substitute gas-light for the dimness of former days ”. Such was his reputation, that even by the end of the 19 th century his clocks were still considered highly desirable. The auction at Hengrave Hall in 1897 included “ A fine old early English striking clock… made by John Pace, Bury ”. Two silver watches by Pace are also included in the world-famous Gershom Parkington timepiece collection on display at Moyse’s Hall Museum in Bury St Edmunds. This particular clock found its way into the collection of Joseph Maumus Meraux (1922-1992), a major landowner in Louisiana, whose collection of ‘Rare and Unusual’ clocks were sold at Sotheby’s on 28 th June 1993; this lot being No.396.Condition report: In running order. The steel hands all appear original, no breaks, some minor pitting to metal only. All three dials good, with some minor surface scuffing only. Some tarnishing to edges of both date and week dials. Chains all good. Backplate with several small dents to outside edge on one edge (see extra image). Two unexplained holes to either side of base of pendulum (possibly to secure pendulum), and a single hole near foot (see extra images). Bob to pendulum possibly replacement. Base with several small areas of surface wear and very fine surface scratches where it has been over-polished. Blue steel screws all good, but most with some minor areas of wear. Ebonised plinth possibly associated, as shape is elongated compared to base of clock. Glass dome cracked. In summary, appears in good and generally original condition with some modest age wear.

Lot 2464

A Victorian brass table clock modelled as Big Ben, having a single white enamel dial with eight day brass cylinder movement, the whole raised upon a stepped plinth, h.54cm

Lot 2466

A late Victorian brass skeleton clock, having a cut silvered dial with Roman numerals, chain-driven eight day four pillar movement with anchor escapement, the whole raised upon variegated white marble plinth, under a glass dome, gross h.39cm

Lot 2501

A pair of figured walnut cross and feather banded bedside chests, each fitted with four graduated drawers having oval brass escutcheons, on plinth bases, h.77cm, w.39cm, d.40cm.Very recently manufactured.Each stand well.Long vertical timber join line visible to one side panel.Overall very good and well presented.

Lot 2504

A pair of figured walnut cross and feather banded bedside chests, each having brushing slide over three graduated drawers to deep plinth bases, h.66cm, w.41cm, d.44cm.Very recently manufactured.Both stand well.Drawers run well.Surface imperfection to top front edge of one upper drawer, approx. 3.5 x 2cm.Overall very good.

Lot 358

Royal Doulton large resin large Golden Eagle on Plinth: together with similar figure of 3 owls( both boxed)(2)

Lot 467

Porcelain Figure Of Indian on Horse: titled Prayer to the Healing Spirit by Buck McCain, on wooden plinth( damage noted to flag, height 40cm

Lot 491

Beswick connoisseur model of Mill Reef:2422 on wood plinth.

Lot 492

Beswick connoisseur model of Lifeguard:2652 on wood plinth.

Lot 500

Royal Doulton early figure Tete a Tete HN798, Harry Allen initials (2 hairline cracks to plinth base)

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