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Eugene Marioton (French 1854-1925): "Retour de Chasse", a bronze of a muscular youth standing wearing naught but a loin cloth and fur boots, holding a spear in his right hand, a doe carried beneath his left arm and slung over his shoulder, on a canted square base, signed, indistinct foundry mark, upon rouge marble plinth with title plaque, 75.5cm overall See illustration
A Letter Scale, circa 1890-1900, the goods plate stamped "Postal Rates" and "Book Post", with brass globe weights 1lb to 1/4oz, on wood plinth base, 29cm wide; and A Collection of Thirty Small Brass Weights, various, 19th/20th century, including metric and Imperial, comprising cylindrical, bell and hexagonal types
An Ormolu Striking Mantel Clock, circa 1880, the case with circular top with scrollwork cast bezel, acanthus leaf decorated sides, central painted floral porcelain plaque, upon a white marble plinth and raised on turned feet, 5-inch white enamel dial with Roman numerals, moon shaped hands, slow/fast at 12, twin barrel movement with striking on a bell, movement backplate numbered "22339", 34cm high, raised above gilt wooden base and beneath a glass dome (cracked) see illustration
An Edwardian Miniature Inlaid Longcase Timepiece, the case with arched pediment, rosewood case with boxwood inlaid front and borders, thermometer box inset to trunk, the plinth with skeletonised aneroid barometer, upon a stepped base, 3-1/2-inch white enamel dial with Arabic numerals, 47cm high see illustration
A Mahogany Eight Day Longcase Clock, signed Webster, Whitby, circa 1790, the case with flat top pediment, fluted columns with gilt brass capped Corinthian capitals, the nicely figured trunk door flanked by wood stop fluted pilasters, rectangular shaped plinth upon bracket feet, 13-inch arched brass dial with silvered Arabic and Roman chapter ring with dummy date ring, engraved dial centre signed, later hands, the arch with moon disc for lunar scale, four pillar with anchor escapement and rack striking on a bell, possibly later seatboard, 215cm high see illustration
An Oak and Mahogany Eight Day Longcase Clock, signed David Collier, Gatley, circa 1770, the case with swan neck pediment, fluted columns, mahogany crossbanded trunk door flanked by inset fluted pilasters, crossbanded plinth with canted corners and upon a later skirting and feet, 13-1/4-inch arched brass dial with Arabic and Roman silvered chapter ring, dial centre with floral and bird engraving, seconds dial and arched date aperture, the arch with moon disc for lunar scale and above on a arched silvered plaque signed "David Collier, Gatley", four pillar movement with anchor escapement and rack striking on a bell, 220cm high see illustration
An Ebonised Longcase Clock with Equation of Time Indication and Lunar Dial, the arched case with star mounts to the front, turned columns, pierced glazed side panels, trunk with mirror inserts above an inset bevelled glass within the trunk door, plain rectangular plinth, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre with equation of time aperture above 6, below 12 with silvered plaque signed "Wm Scafe, London", centre seconds hand, strike/silent and rise/fall selection dials, the arch with a lunar dial comprising a revolving moon sphere within a lunar date ring, the massive six pillar movement with anchor escapement and striking on a later bell and now adapted to striking on a gong at the same time, possibly later seatboard, dial and movement 18th century, associated to the case, 240cm high see illustration
A Walnut Month Going Longcase Clock with Calendars, the attractively coloured case with caddy top, brass capped three-quarter columns to the hood, glazed side windows, the trunk door with moulded borders and decorated with feather banding, re-built plinth upon rectangular shaped base, 12-inch square brass dial with engraved borders, crown and cherub spandrels, later silvered chapter ring with Arabic and Roman numerals, the matted dial centre with later seconds dial, "later" silvered plaque bearing inscription "Jonathan Lowndes, Londini Fecit", below plaque with three apertures for date/day of the week and an unusual ring aperture engraved with days of the week deity symbols, six pillar movement with long duration, anchor escapement and outside countwheel striking on a bell, five wheel trains to movement, possibly later seatboard, (dial and movement possibly associated to the case 18th century) with restorations, 240cm high see illustration
A George III Joined Oak Dresser, the associated rack with a dentilled cornice over two shelves and three central niches, the base with a row of spice drawers on the top over a central bank of four short drawers flanked by fluted pilasters and two panelled doors, on a plinth, 219cm by 66cm by 200cm See illustration
A Victorian Figured Walnut, Amboyna-Banded and Metal-Mounted Credenza, the moulded top over an inlaid frieze and two central arched clear-glazed doors, enclosing velvet lined shelves with a mirrored back, flanked by detached columns and glazed quadrant cupboards enclosing shelves, on a conforming plinth, 96cm by 46cm by 73cm See illustration
An Unusual Regency Mahogany Secretaire, with a moulded top over a frieze compartment and counter-weighted fall veneered with plum-pudding mahogany, enclosing an interior fitted with shelves and small drawers, the base with two panelled doors enclosing shelves, flanked on each side by a full height bank of narrow adjustable shelves, all between reeded pilasters, on a conforming plinth, 152cm by 40cm by 146cm See illustration
A Victorian Mahogany Bookcase, with a moulded cornice and plain frieze over two arched clear-glazed doors enclosing adjustable shelves, between stiles with scroll-carved trusses, the base with a square edged top over two arched panel doors enclosing shelves, between stiles with scrolled trusses, on a plinth, 143cm by 51cm by 247cm See illustration
A 19th Century Ebonised, Red Boulle and Brass-Mounted Display Cabinet, the stepped plinth top over a frieze with applied gilt-brass putti, vines etc., over two clear-glazed doors enclosing shelves, between plain pilasters headed by gilt brass trusses, all on a conforming plinth, 161cm by 45cm by 140cm
A Small Directoire Mahogany and Brass Moulded Table Cabinet, German, attributed to David Roentgen, having sliding trays over a brass-ribbed drawer enclosed by a tambour slide, between pilasters with ribbed brass panels, on a plinth, 55cm by 24cm by 27cm See illustration David Roentgen (1743-1807) was one of the finest, most innovative and commercially driven cabinet makers of the 18th century. He perfected the standardisation of parts of his elegant furniture that allowed it to be taken apart, shipped safely to clients, and then easily reassembled. See Miller (Judith): Furniture, page 142.
An Unusual Mahogany Cabinet, having a coved caddy top and dentilled cornice over a glazed door modelled as a Serlian window with key-fret architrave supported on Tuscan pillars with a Vitruvian scroll plinth, enclosing adjustable shelves flanked by two banks of small drawers marked A-Z, 18th century and later, probably originally part of larger piece, 104cm by 40cm by 116cm See illustration
A George IV Rosewood Secretaire Bookcase, of recessed breakfront form, the superstructure with two central clear-glazed doors flanked by pedestal cupboards with glazed doors between pilasters with carved trusses top and bottom, the base with a secretaire drawers over an open recess flanked by glazed pedestal cupboards with plain pilasters, all on a conforming plinth, 183cm by 47cm by 170cm See illustration
A Suite of 19th Century North Italian Ebonised and Ivory Inlaid Furniture, comprising a pier cabinet, with a pedimented arched pier glass over a base of credenza form with single drawer and door under, on a moulded plinth with bracket feet, 102cm by 47cm by 260cm, a similar cabinet with low mirrored back and pedimented shelf on twist-turned supports, the credenza base with a central door flanked by twist-turned pillars, 96cm by 35cm by 165cm, and a pair of chairs with high panelled backs between twist-turned uprights, the drop-in seats on square tapered legs joined by flat stretchers, on turned feet (4) See illustration
A Victorian Ebony, Ebonised, Amboyna and Gilt-Brass Mounted Credenza, the moulded top with "breaks" to the front and ends over an inlaid frieze and central door centred by an oval Wedgwood plaque, between detached paired columns backed by mirrored plates, and flanked by glazed quadrant cupboards enclosing shelves, on a conforming plinth and turned feet, 170cm by 46cm by 110cm See illustration
A Sheraton Revival Satinwood and Inlaid Bedroom Suite, comprising a three-part wardrobe of arc-en-arbalette form, having a moulded and inlaid cornice over two bowed doors enclosing hanging space, flanking a central coved door enclosing trays and drawers, on a moulded plinth with gadrooned toupie feet, 222cm by 94cm by 222cm, a kidney-shaped dressing table, 94cm by 147cm by 75cm, a bedside cupboard, two chairs, a dressing stool, and two single beds, joined together with a headboard (7)
A Japanese Mixed Metal Inlaid Tray, Meiji Period (1868-1912), of lozenge form with indented angles, inlaid with a roosting white heron perched on the tip of a knarled tree branch against gold sprinkled ground, upon four bracket feet, 30.2cm wide; A Mixed Metal Paper Knife, circa 1890, the blade engraved with geese in flight and a heron, the handle inlaid in relief with sparrows amongst bamboo, signed (three character mark) on applied rectangular kakihan, 29.2cm long; and A Japanese Small Bronze Figure of a Seated Shi-Shi, on rectangular plinth, with vestiges of gilt, 3.4cm high (3)
A Victorian Trophy Bowl, Edgar Finley & Hugh Taylor for Horace Woodward & Co Ltd, London 1889, the spreading foot cast and applied with three half bodied winged horses rising to a circular bowl chased with a band of roses beneath an everted beaded rim, also cast and applied with a beaded armorial cartouche, presentation inscription "Sunderland Amateur Rowing Club ... 1890", with ebonised circular socle, 31.5cm high, excluding plinth, 106oz 2dwt See illustration
A mid Victorian burr walnut side cabinet with ebony bandings and line inlay with central cupboard enclosed by two burr walnut panel and mirrored doors, flanked on each side by two open bowfront shelves, the whole with gilt applied metal enrichment and standing on plinth base, 183cm wide by 102cm high
A Victorian figured walnut and marquetry decorated credenza, the centre cupboard enclosed by two Kingwood banded and panelled doors flanked on each side by glazed display cupboards, each enclosed by a bowfront door, the whole with gilt metal enrichment on plinth base, 167cm wide by 110cm high
A late 19th Century lacquered Brass and Porcelain panel mounted 8-day travelling type Mantel Clock, the Carriage Clock type Case with hinged carry handle and raised on a plinth base with bracket feet, with cobalt blue, gilt and enamel highlighted side panels, with glazed front door, enclosing a further porcelain panel, with gilt highlighted Roman lozenges and further gilt boss with moon hands, over painted Romanticised Scene of a Courting Couple, to a circular Brass Japy Freres circular Brass Movement with replacement platform escapement and strike on a bell, height 9 ½”
A mid 20th Century Mahogany and Boxwood inlaid Mantel Timepiece, the arched case on a plinth base raised on four Brass cup feet, to a cast Brass bezel with convex glass enclosing a 3 ½” Roman and Arabic enamel dial (repaired), with outside minute track and blue steel spade hands, to a circular Brass movement, with platform escapement, height 6”
A simulated Rosewood Mahogany cased triple pad top Bracket Clock, with cast carry handle, the Brass mounted pads and strung corners, before fish scale sound frets and further cloth backed Brass frets beneath a cast Brass dial, to a plinth base and raised on Brass bracket feet, with a 6 ½” silvered circular dial, with outside minute track and blued steel pierced hands, to a movement with plain rectangular plates united by four knopped pillars and anchor escapement and strike on a bell, height 17”
An early 20th Century Mahogany and Boxwood line inlaid Mantel Timepiece, the lancet shaped case to a plinth base and raised on four lacquered Brass balls, to a cast Brass bezel enclosing a 3 ¼” Roman enamel dial (A/F), signed “Woodwood of Ipswich”, with outside minute track and blue steel spade hands, height 9”
A late 19th Century Oak and ebonised Table Top Cuckoo Clock, the arched cased with applied Gothic style fruit panel and arcaded mask with buttressed corners, to a plinth base with scrolling apron, to a 5 ½” chapter ring, with applied Gothic Roman numerals, and replacement hands, to a square brass movement with pierced plates, back mounted count wheel and anchor escapement, strike on a coiled gong and further two replacement bellows, height 21”
A late 19th Century American Oak Cased 8-day Mantel Clock, Ansonia Clock Company of New York, the plinth shaped case with applied arch finial over half columns to a moulded base on plinth supports, to a lacquered and cast Brass bezel with bevelled glass, enclosing an Arabic enamel chapter ring with outside minute track, reeded centre and black steel hands, to a spring driven movement with anchor escapement and strike on a coiled gong, height 15”
An early 20th Century Mahogany and Boxwood line inlaid “balloon” Mantel Timepiece, the waisted case centred with a rosette to a stepped plinth base and raised on four Brass ball feet, to a cast Brass bezel with convex glass enclosing a 3 ¼” Roman and Arabic enamel chapter ring with gilt spade hands, to a circular Brass movement with platform escapement, height 9 ¼”
An early 20th Century Mahogany cased Mantel Clock, the plinth shaped case with recessed mask, to a cast and beaded bezel, to a 4 ½” brass Roman dial with outside minute track and blued steel spade hands, to a square brass movement with anchor escapement and strike on a coiled gong, height 11”
A mid 19th Century white Marble and patinated Bronze figural Mantel Clock, Gillion, the stepped plinth base with applied beaded borders, surmounted by a reclining classical female figure holding an oar, to a cast Brass bezel, enclosing a 3 ½” Roman enamel dial, signed Gorini Fres & Cie, A Paris (repaired), to a circular Brass movement, with anchor escapement, outside count wheel, strike on a bell, height 14 ½”
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173444 item(s)/page