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Lot 2680
A chromium plated Rolls-Royce Spirit of Ecstasy mascot, probably for a 20/25 h.p. car, the base bearing cast signature `C. Sykes` and `R.R. Ltd 6.2.11`, height approx 12.5cm, mounted on a rectangular marble plinth, together with two 45rpm records, `The V.16.B.R.M Grand Prix Car` and `Mercedes at Oulton Park 1958`, and a book, `Rolls-Royce The Complete Works`, by Mike Fox and Steve Smith.
Lot 320
A Regency rosewood chiffonier, the low back with leaf carved and scrolling pediment, over a single open shelf, supported on front corner C scroll columns, over two arched gilt metal lattice grille doors opening to reveal one fixed shelf, on a skirting plinth with hidden castors, 99cm wide, 131cm high, 46.5cm deep
Lot 384
An early 19th century oak thirty hour longcase clock, the 12 inch arched painted dial with centred date aperture and fruit decorated spandrels under a honeysuckle painted arch, the hood with swan neck pediment over reeded front corner hood pilasters above a long trunk door and boarded base with cut out skirting plinth, 205cm high
Lot 388
An early Victorian mahogany wind-out dining table on four heavy tapering fluted legs terminating in brown salt glazed castors opening to accommodate the four additional leaves, 354cm long (extended), 137cm wide, 75.5cm high, along with an associated Victorian mahogany leaf cabinet of rectangular form with single panel veneered front between carved cabriole front legs, on a concave skirting plinth with a single panel end cabinet door revealing seven leaf holder dividers (accommodates a maximum of 52cm deep leaf, one leaf to the table 58cm deep), the cabinet 168cm wide, 86.5cm high, 71cm deep
Lot 423
An early 20th century mahogany and marquetry triple wardrobe retailed by Maple & Co. Ltd., London and Paris, the central bevelled mirror door opening to reveal and arrangement of sliding trays and short drawers flanked by a marquetry decorated quarter bowed door to each end revealing an open shelf above a hanging rail and hooks, under a moulded cornice on a skirting plinth, 210cm wide, 214cm high, 58cm deep
Lot 429
A pair of early 19th century mahogany pedestal cabinets attributed to Gillows Lancaster, each of rectangular form with beaded edge to the top over a full length mahogany veneered beaded door fitted with a turned knob handle, with acanthus moulding to the top left hand hinged corner, over a multi line moulded column with conforming fixed column to the right hand side, the companion cabinet with mouldings and hinges in reverse, each opening to reveal a vacant interior standing on a skirting plinth, 72cm wide, 107.5cm high, 68cm deep NOTE: The cabinets can be confidently attributed to Gillows on the basis of similarities of details with a number of other items supplied by the firm namely the ovoid edge mouldings are similar to that on a sideboard table in Lancaster Town Hall dated to circa 1828-38 which in turn relates to a design in the Estimates Sketch Books in Westminster Archive Centre of 1828 for Thomas Parr the Liverpool merchant (see Stewart, OP. Cit., Vol I, pp.326/7 (the astragal moulded panel doors and acanthus carved double scroll consoles also occur in Gillow work of this time namely the oak bookcases supplied in 1827-1829 to George Wilson of Dallam Tower, Milnthorpe (see also Stewart, Op. Cit., Vol I, pp.378-9). The cabinet also recall those supplied to those supplied to Thomas Langford-Brooke (d.1815) of Mere Hall in Cheshire by Gillows of Lancaster and London in 1815, and sold by Christies as Lot 188 and 189 on 23rd May 1994. The Mere cabinets, though, were more elaborately decorated with oval panels and acanthus spandrels embraced by Acanthus consoles and carved rosettes. With thanks to Gareth J. L. Williams MA for his assistance with this footnote
Lot 435
An Edwardian walnut pedestal desk by Maple & Co. Ltd., the leather inset top with super structure of two columns of three short drawers with three quarter gallery united by a spindle backed open shelf over three short frieze drawers and three graduated short drawers to each pedestal fitted with brass swing handles raised on a skirting plinth with hidden castors, 130cm wide, 120cm high, 70.5cm deep
Lot 459
A mid 19th century French Sienna marble pendule portique, gilt metal mounted, the portico surmounted by spread eagle and having an enamelled Arabic dial with outer minute track, set eight day cylinder movement with count wheel strike on bell, signed C.M.V.B., the movement flanked by a pair of Corinthian columns and raised on a Serpentine plinth base with flared feet. H.52cm W.36cm. Together with a pair of gilt metal mounted and amphora urns. H.34cm
Lot 600
Lamb of Manchester. A mid Victorian exhibition quality thuya wood and parcel ebonised break front library cabinet in the Aesthetic taste, foliate box wood inlaid, having a baluster spindle gallery above two glazed doors, enclosing three adjustable shelves, flanked by a pair of fielded panelled cupboard doors and pilasters, the lower section fitted four frieze drawers over a pair of fielded panelled cupboard doors, decorated with urns and bell flowers, flanked by four fluted composite order plasters and two mirrored niches, raised on a plinth base. H.190cm W.200cm Footnote: Lamb of Manchester was founded by James Lamb (1816-1903), one of the leading cabinet makers in Manchester. Acclaimed for his dedication to high quality construction and artistic design, used only the finest materials and workmanship. His designers included Alfred Waterhouse, Bruce Talbot and Charles Bevan, who said he was the most aesthetically advanced furniture craftsman outside London at the time. Lamb of Manchester laid the foundations for the Arts and Crafts furniture movement. Lamb's exhibition quality "antique" cabinets were exhibited at the London exhibition of 1862 where Lamb displayed work by W.J.Estall and Hutues protat.
Lot 494
After the antique. An early 19th century Grand Tour bronze of Arrotino, crouching sharpening his blade on a whetstone, mounted on a Siena marble plinth and a leaf moulded base, Italian or French, 17.5cm high, 17.4cm wide. The Hellenistic-Roman original was discovered in the 16th century in Trastevere, Rome. It found its way into the Medici collections in the 18th century and is now on display in the Tribuna of the Uffizi, Florence.
Lot 500
λ A 19th century carved alabaster bust of a lady, mounted on an alabaster plinth, 21cm high, together with a relief carved alabaster plaque depicting the Thorn Puller, signed `MARCHINO`, and dated `1833`, in a simulated rosewood and gilt frame. (2) Provenance: The part contents of a Wiltshire Rectory.
Lot 555
A carved and painted wood model of S.S. Irex, with wooden sails to a planked hull and carved figurehead, on a naturalistic plinth base, late 19th / early 20th century, 52.5cm high, 71cm wide, 23.3cm deep,. S.S. Irex was built by J. Reid & Co. of Port Glasgow, and launched on 10th October 1889 and was wrecked off The Needles on it`s maiden voyage to Rio de Janeiro.
Lot 559
A painted wood scale model of the Tyne bridge, on an oak plinth and with a glazed case, 24.9cm high, 92.5cm wide, 23.4cm deep. The Tyne bridge which connects Newcastle upon Tyne and Gateshead was designed by Mott, Hay and Anderson. It was officially opened by King George V on the 10th October 1928. Provenance: The part contents of a Wiltshire Rectory.
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