We found 173487 price guide item(s) matching your search
There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173487 item(s)/page
Lot 2
A large late Victorian oak bookcase with shell carved pediment above four glazed doors enclosing adjustable shelves, above a base of four further glazed doors enclosing adjustable shelves, raised on a plinth base, 258 x 251 x 38cm. CONDITION REPORT Overall good condition, showing only light signs of use and surface wear throughout.Carved pediment is removable, the cornice does not come off, the shelves are removable from the base
Lot 234
A Victorian burr walnut mantel clock with brass cast fittings, the ivorine dial set with Arabic numerals and enclosing a movement striking on a coil, the tapering top surmounted by a brass gallery, the whole on a plinth base with applied brass acanthus leaf and scroll decoration, height 42cm.
Lot 244
An early 19th century mahogany thirty-hour longcase clock, broken swan neck pediment above a circular silvered dial with chapter ring and set with Arabic numerals, with two further subsidiary dials, above an arched door, raised on bracket feet, height approx 225cm (af). CONDITION REPORT The case is badly sun bleached to the front, most notably on the door. The trim below the hood appears to have sections missing from the trim. the front right foot is missing, the lower plinth has a large split to the front. The silvered dial is heavily worn throughout. No winding key present. The body door key is present and within the lock, but it there is no end on the key, it is just a rod sticking out of the lock.
Lot 246
John Fraser, Aberdeen; a late 18th/early 19th century eight-day longcase clock, the circular painted dial set with Roman numerals and two subsidiary dials, above an arched door and stepped plinth base, height 197cm. CONDITION REPORT The hood has two slots for finials, which are missing. There are various splits to the circular wooden trim on the hood door. Further light surface wear including scuffs, scrapes, sun bleaching, staining, etc throughout commensurate with age.
Lot 312
A Border Fine Arts limited edition ornament 'The Crossing' (Shepherd, Sheep and Collie), modelled by Ray Ayres, no.1540/1750, on wooden base, a Border Fine Arts Jack Russell Terrier (Bitch), model no.MT05A, after a design by Margaret Turner, on wooden plinth, a resin figure of a sheep and lamb on wooden base, a figure depicting two Friesian calves, sheep and two ducks by water point, on wooden base, unmarked and a small ornamental Jack Russell Terrier, unmarked (5). CONDITION REPORT The Crossing: the farmer's fingers to his left hand are damaged, otherwise appears ok. The shepherd's crook has come loose but is present. The Terrier appears in good condition. The sheep and lamb appear fine. One of the ears is missing from the Friesian calf, otherwise appears ok. Terrier appears ok.
Lot 321
Various collectibles to include a tall plated lamp on square base, raised on four ball feet, height to top of shade 71cm, a lamp in the form of a streetlight with porcelain figure of a young girl with roses, on wooden plinth, a Burleigh Ware pottery basket with applied pottery budgerigar, a Continental painted bisque ornament depicting a woman and cherub on swan sledge, length 24cm, two porcelain figures of ladies and two pottery hat pin holders, one in the form of a kingfisher, the other a kookaburra (8).
Lot 1085
An art deco walnut veneered mantel clock, Enfield, c1930-40, the square dial with silver chapter ring, roman numerals, veneered centre with chromium plated pierced hands and glazed door, flanked by stepped sides inlaid in chromium plated and ebonised stringing, outset ebonised plinth feet, spring driven English movement, 22cm h x 33cm w
Lot 1094
A novelty cigarette holder, c1950, the cylindrical body with a brass engraved and enamelled circular top modelled as a bartender and bar with cocktails shakers, glasses and beakers, rising from the body revealing the 25 cigarette holders, reeded circular plinth, 27cm h extended, 19cm h closed
Lot 1446
A teak extending dining table and set of six ladder back chairs, c1970, table 73cm h; 90 x 154cm excluding leaf (chairs to be sold without seats), a teak veneered corner base unit, enclosed by a pair of four panel bowed cupboard doors on inset plinth, 64cm w; a teak veneered cabinet, the top above two doors and four panel single door with inset plinth, 75cm h, 51.5cm w and A Schreiber teak coffee table, c1970's, with inset glass centre, 44cm h x 85cm diam and a contemporary nest of two teak tables, 51cm h x 56cm w
Lot 476
A 19th walnut inverted breakfront Side Cabinet with satinwood and marquetry inlay, each of the end sections with inset marble tops (one A/F), the frieze fitted four drawers above a pair of glazed panelled doors enclosing adjustable shelves and flanked by burr walnut and marquetry panelled doors, each mounted with relief carved boss with masks, on a plinth base 8ft 3in W x 4ft H x 1ft 9in deep
Lot 347
Box of assorted metalware to include; a copper kettle, various brass fireside items, decorative brass candlesticks, plated coffee pot, brass figure of a girl with a violin on plinth and a boy with a flute, mirror, a beaten pewter Arts & Craft design pedestal dish marked 'Hutton Sheffield, English pewter 04579', brass chamber sticks, various brass knobs, miniature copper kettles etc. (B.P. 21% + VAT)
Lot 84
A Canosan pottery askos Apulia, early 3rd Century B.C.Of ovoid form tapering to a flat base, the tall cylindrical spout with flared mouth, and broad strap handle, an applied winged head of Medusa modelled in high relief beneath the spout, depicted with snake tresses, their tails knotted below her neck, the head surmounted by an embracing couple, flanked by galloping Tritons, projecting from the body, the shoulder of the vessel with plinth-shaped false spouts on which stand a pair of draped female mourners, their hands raised in grief, with red hair falling in loose waves to the shoulder, a further draped female figure surmounting the handle, with traces of red, ochre and blue pigments remaining, 68cm highFootnotes:Provenance:Mr Verschraeghen (d. 1980) collection, Oudenarde. Mr. René Van den Broek (d. 2004) collection, Belgium, reputedly acquired from the above ca. 1959, and exhibited at the Belgian Antiques Fair, held at the Palais des Beaux Arts in Brussels in January 1968. Spanish art market.Canosan askoi were used as grave offerings as well as for oil storage. The Gorgon mask was a common motif which served to ward off evil, protecting the deceased with its apotropaic qualities. There is an askos in the Teece Museum of Classical Antiquities, University of Canterbury, New Zealand with similar figurative groupings of a Gorgon head flanked by Tritons, with grieving mourners (acc. no. JLMC 186.00). For another askos with Gorgon mask and Triton figurative decoration see R. Cassano (ed.), Principi, Imperatori, Vescovi: Duemila anni di Storia a Canosa, Venice, 1992, p.522-523, fig. 3. The combination of Medusa with Tritons, mermen who were part man, horse and fish, is fitting as Medusa is also associated with horses by being the mother of Pegasus. Moreover, both Tritons and Pegasus were the sons of the sea god, Poseidon. The use of sea imagery frequently occurs on such grave vessels. Cf. another similarly elaborate Canosan figurative askos in the British Museum, London, acc. no. 1862,0712.2.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 36
David Harping in a historiated initial on a leaf from a Bible, in Latin, illuminated manuscript on parchment [England (perhaps Oxford), c. 1250] Single leaf, with a large initial 'B' ('Beatus vir...', the opening of the Psalms), in orange-red with white circles picked out in its body, enclosing David seated on a blue edged plinth, dressed in green robes and playing his harp, all on blue and thick gold grounds, with foliate extensions on same gold grounds extending into margins, the gold around the initial and its extensions pounced at edges, 2-line initials in alternate red or blue with contrasting penwork, one-line initials in alternate red or blue, red rubrics, double column of 48 lines in a professional university bookhand, small spots, tape adhering to edge of reverse from last mounting, else bright and outstanding condition, 197 by 140mm. Provenance:1. From a fine English Bible, sold in Sotheby's, 7 December 1931, lot 24.2. Otto Ege (1888-1951), self-proclaimed 'biblioclast', and in his possession since the 1930s and perhaps from his personal collection, with leaves issued in his Fifty Original Leaves portfolio, as no. 13 (see S. Gwara, Otto Ege's Manuscripts, 2013, p. 120, his HL 13), with further leaves emerging in Sotheby's, 25 April 1983, lot 25 (10 leaves), and again 26 November 1985, lot 46b (another 10 text leaves, there erroneously recorded as French), and Maggs, cat. 1319, no. 69.3. Daniel Meyer Friedenberg (1923-2011): his pencil marks on reverse, recording this as his 'Zion 14'. Acquired by Roger Martin in Friedenberg's sale: New England Auction Company, Danbury, CT, 22 August 2014, lot 50. Illumination:As Sotheby's noted in 1983, the decoration of the parent manuscript has 'much in common with the W. de Brailes style'.
Lot 292
A pair of Meissen 'Limoges enamel' style crater vases, circa 1860Modelled by Ernst August Leuteritz in 1851, each decorated in the style of Limoges enamels with mythological scenes in white on a dark blue ground, depicting Pluto abducting Proserpina, Cybele beside a lion, Ceres in a snake-drawn chariot and Apollo in his chariot, between gilt classical borders and above a band of moulded overlapping acanthus leaves, the gadrooned foot on a square gilt-edged plinth, 36.5cm high, crossed swords marks in underglaze-blue, incised model numbers A119 (2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 57
MODERN PINE BEDROOM FURNITURE, 3 ITEMS - a sliding door double wardrobe with additional sliding doors to the base, 197cms H, 100cms W, 66cms D, low chest of three drawers with side cupboard door on a plinth base, 64.5cms H, 109cms W, 57cms D along with a pine hanging rack, 169cms H, 74cms W, 50cms D
Lot 76
STRIPPED VINTAGE PINE BEDROOM FURNITURE, 3 ITEMS - a single door mirrored wardrobe, 187cms H, 84cms max W, 42cms D, Victorian chest of two short over three long drawers with turned wooden knobs on a plinth base, 90cms H, 94cms W, 41cms D and a further chest of two short over two long drawers, 77cms H, 93cms W, 41.5cms D
Lot 189
A WILLIAM AND MARY WALNUT CABINET ON CHEST LATE 17TH / EARLY 18TH CENTURY AND LATER with a cushion frieze drawer above a pair of feather banded doors, enclosing an arrangement of eleven drawers surrounding a central cupboard, with secret drawers behind, the base fitted with two short and two long drawers, on a later plinth base, originally on bun feet 164cm high, 106cm wide, 48cm deep
Lot 338
A MATCHED PAIR OF FRENCH GREEN OPALINE GLASS URNS IN EMPIRE STYLE, 19TH CENTURY of Campana shape, decorated in gilt with ribbon tied swags of flowers and drapes, with eagles and urns, mounted on a white marble square plinth, with size differences (damages) (2) 41.8cm high, 26.5cm diameter (max) Provenance From the collection of Edward Croft-Murray CBE (1907-1980).
Lot 346
AN EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK BY WILLIAM WRIGHT & HENRY FELTON LONDON the brass eight day movement with four turned and finned pillars and an anchor escapement striking on a bell, the brass twelve inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and date aperture, with pierced scroll hands and gilt brass cherub mask and dolphin spandrels, the arch with signature rondel, inscribed 'Willm Wright & Hry Felton London', the case with a moulded arched hood with fret carved decoration and turned columns, with a conforming trunk door and crossbanded plinth base 232.2cm high
Lot 369
A FRENCH ORMOLU AND MARBLE GLOBE CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY the brass eight day drum movement, with outside countwheel striking on a bell , stamped '9434' and a pastille inscribed 'Medaille d'Argent Vincent et Cie 1855', the patinated bronze globe with Roman numerals, arrow hands and applied with stars supported by three winged cherubs, the cylindrical plinth decorated with ribbon tied swags of flowers 37.8cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017).
Lot 391
A PAIR OF FRENCH ORMOLU CANDELABRA IN LOUIS XVI STYLE LATE 19TH CENTURY each modelled with a Bacchanalian cherub supporting three leaf branches issuing four lights, with urn nozzles, on a fluted marble plinth hung with ribbon tied swags of flowers and an octagonal base and toupie feet, later fitted for electricity (2) 55.5cm high, 24.5cm wide Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017).
Lot 396
A PAIR OF FRENCH ORMOLU AND ROUGE MARBLE TABLE LAMPS IN LOUIS XVI STYLE LATE 19TH / EARLY 20TH CENTURY each modelled with a cherub supporting a cornucopia, on a stepped plinth, with panels of scrolling leaves and roses, on toupie feet (2) 36cm high Provenance By direction of the executors of the late Sylvia Quance (d.20th September 2020). From the collection of Gordon W Quance LLM (1931-2017).
Loading...-
173487 item(s)/page