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Lot 1298
A modern figured mahogany breakfront bookcase of "George III" design, the upper part with moulded and dentil cornice with six turned gilt finials, fitted six glass shelves enclosed by two pairs of astragal glazed doors, the base enclosed by two pairs of astragal panelled doors, on plinth base, 95ins wide x 21ins deep x 98ins high
Lot 794
A good 19th Century "Blue John" oval dish on ormolu stand in the manner of Matthew Boulton, the bowl of striated form in numerous colours, the ormolu base with leaf and acanthus leaf ornament and on square plinth base, 7.5ins x 5.75ins x 4.75ins high (bowl with natural flaws, slight chips to rim)
Lot 969
A late 19th/early 20th Century Italian carved white alabaster group of classical maidens holding aloft a floral and ribbon garland, supporting 12ins diameter white veined alabaster globe, the central band carved with signs of the Zodiac (converted to an electric lamp), and associated "French" style burr wood triangular plinth with gilt metal anthemion and wreath mounts and on paw feet, 49ins high overall (top cover of globe damaged and repaired) Note: Will need to be rewired by qualified electrician
Lot 27
Translated Egyptian faience shabti for Sa-Aset Late Dynastic Period, C. 664 - 525 BC. A detailed shabti for the king's acquaintance and Shaven Priest Sa-Aset. The indication ''King's Acquaintance'' was an official title; in the Old Kingdom it indicated that the bearer of the title had access to the Royal palace, but in later years the title, like so many others, had become purely honorary. The words 'Shaven Priest' are a priestly title. Sa-Aset is wearing a tripartite wig and has a plaited beard. He is holding the usual agricultural implements in his hands, executed in relief, A seed back is showing on the back, slung over his proper left shoulder. The shabti has a back pillar and plinth. There are six lines of deeply incuse and therefore clearly readable hieroglyphs across the front of the body, and the inscription is continued down the back pillar. 9.8cm. Ex. Private Collection, Greg Manning Galleries, New Jersey, 22nd January - 26th February 1996. Previous US private collection, 1970's.
Lot 76
Egyptian Stone Triad PlaqueLate Period, C. 525 BC.A hardstone plaque depicting the Osirian triad, Nephthys, Horus and Isis, standing side by side, on an integral plinth against a back pillar, each goddess wearing a tightly-fitted sheath and headdress with her attribute, each one of the divine child’s handEX.Ex. Private Collection David Harris, Chesterfield.Acquired through decent from his Grandmother at the age of 7.Mrs Lenthall (1880-1963) purchased many antiquities from local auctions in the Chesterfield region. She also worked for the famous Robinson Industrialist in Chesterfield who gifted her objects over a period of time. These objects were thought to have been acquired in Egypt by the Robinson family in the 1920's.
Lot 170
A Travel Agent's style desk mounted model of a Boeing 727 Passenger Airliner. Normally found in BEA livery, this example is finished in white UAS (United Aviation Services) livery - a Spanish specialist Aviation Company. The model, made in 1987 by Executive Display Models Heathrow U.K. measures 65cm in length, with a wingspan of 46cm and is fixed to a swivel mounted aluminium/wooden plinth. VGC. Plate 1 £60-80
Lot 68
19th century English campana urn vase, in the manner of Coalport, with hand painted floral panels and a cobalt blue ground with gilding and gilt mask head handles, on a circular foot rim, 15cm high and a 19th century English campana urn vase, in the manner of Coalport, with hand painted floral panels against a cobalt blue ground with gilding and twin handles to side, on a square plinth base, 16cm high, (2)
Lot 338
19th/20th Century skeleton clock of gothic design, with a silvered dial and black Roman numerals, arched doorway with a seated man and dog, raised on a marble plinth and rosewood base. 42cm high (excluding base) The clock comes with a pendulum, however there is no key. The time piece is in good working condition. There is some tarnish to the surfaces and one or two small areas have surface corrosion
Lot 1349
A pair of French bronze four-light candelabra, 19th century, in neo-classical style with scroll branches, knopped columns and circular bases, on three monopodium supports and tricorn plinth, 54cm high; and a pair of gilt metal and glass four-light candelabra, with urn finials, scroll branches, faceted drops, leaf sheathed supports and tricorn bases, 60cm high (4) Electric fittings not tested.
Lot 367
An early 18th century ebonised longcase clock by Isaac Goddard, London, the moulded and glazed hood with caddy top above a blind fretwork frieze and straight columns, 12" square brass dial with engraved wheatear border, applied silvered chapter ring, cast brass cherub & crown spandrels, Roman numerals with Arabic minute band, the finely matted centre with ringed winding squares and ringed, decorated date aperture and subsidiary seconds dial, the 8-day twin-train five-pillar movement with internal countwheel striking on bell, anchor escapement, the movement united by knopped and ring-turned pillars; above an ebonised trunk with lenticle glass, on a rectangular plinth base, case with restorations, complete with two brass cased weights and pendulum, 87"/ 221cm tall. (Loomes lists Isaac Goddard in London 1684 - 1699) Est £800 - £1000
Lot 112
1st century BC-1st century AD. A bronze statuette of Jupiter standing nude with left hand cupped to hold a patera(?) and right hand raised gripping a thunderbolt; socle base with raised plinth. Cf. Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 2 for type. 166 grams, 11cm (4 1/4"). Ex Horton collection; acquired Gorny & Mosch, Munich, 14 December 2011, lot 265; formerly in the collection of G.V since 1995-1996; accompanied by copies of the relevant Gorny & Mosch catalogue pages. Very fine condition, some restoration.
Lot 472
4th-6th century AD. A carved schist statuette of Buddha standing on a plinth supporting himself on a staff in the right hand. 6.2 kg, 50.5cm including stand (20"). Property of a London Gandharan art collector, acquired in the late 1990s; formerly with various UK sources acquired by them since the 1960s. Fine condition.
Lot 130
Claudio Parigi, (Italian 1954 ~ ), Dopo il Lifting, 2012, patinated bronze portraying a nude seated maiden holding a mirror in her right hand, her left hand outstretched towards her raised legs, signed on the left thigh and the underside of the square section ebonised wood plinth 20 cm high, 10 cm wide overall See lot 129 above for notes relating to Parigi
Lot 112
Glyn Warren Philpot RA, (1884 ~ 1937), Mask of a Dead Faun, later cast of a model from circa 1920, patinated bronze, the face downcast, turned slightly to dexter, the figure portrayed with eyes closed, on a rose marble plinth atop stepped square section grey marble base, issued by the Fine Art Society as part of a circa 1985 limited edition of 8, stamped edition number 4/8 to the side41 cm high, base 15 cm wideCATALOGUE NOTES: British artist Glyn Philpot rose to prominence as a successful painter of society portraits, but gradually became more interested in the subject of the male body. His later work was met with some criticism for the artist's eroticised depictions of the male figure. This tactile, sensually modelled mask is said to represent the features of the model George Bridgeman, who also features in Philpot's paintingsPaintings by Philpot, including his self portrait, are held by the National Portrait Gallery, and the present model, on a different base, is in the collection of the Victoria and Albert MuseumA version of this model was sold at Bonham's Knightsbridge, 'Modern British and Irish Art', 11 July 2017, Lot 151
Lot 116
Demétre H. Chiparus, (Romanian, 1886 ~ 1947), patinated bronze model of a boy on the beach, the boy portrayed nude and crouching, resting on his elbows, on a textured bronze plinth signed D. H. Chiparus and dated MCMXI, on a moulded rectangular green, likely verde antico marble base with plaque inscribed A NOCINO 14 cm high, 26 cm wide CATALOGUE NOTES: Romanian sculptor Demétre Chiparus spent most of his career in Paris, and is considered one of the most important sculptors of the Art Deco period. Known mostly for his highly stylised chryselephantine models of dancing and reclining maidens, this realistically modelled boy sheds light on the sculptor's earlier work. Dated 1911, the present model likely predates Chiparus' move to Paris and may have been made during his sojourn in Italy, where he studied with sculptor Raffaello Romanelli between 1909-1912. The interest in realism as well as classical poses (the crouching figure can for example be related to the famous Roman 'Dying Gaul'), shows the influence of Italian sculpture on Chiparus' work. Within a few years, this realism would give way to the elegant, elongated lines of Art Deco
Lot 26
An Italian patinated bronze model of the Roman she-wolf, possibly workshop of Francesco Righetti, late 18th century, cast after the Antique, her head turned to sinister with jaws agape; later mounted onto a rectangular white marble plinth with socle The bronze 12cm high, 21cm long; including the base, 21cm high, 23cm long CATALOGUE NOTES: The Etruscan original of the She-Wolf with Romulus and Remus beneath, dating to circa 490 BC is held at the Capitoline Museum, Rome. The infant founders of Rome would have been cast to the base which in the bronze offered here has been later replaced Righetti catered mainly for wealthy foreigners engaged on their Grand Tours. He had a large workshop and produced faithful replicas in various sizes, of well known statues based on classical models. In later life Righetti worked closely with the celebrated neo~classical sculptor Antonio Canova in casting large scale bronzes
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