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Lot 1028
Robbie Williams - A World Music Awards award presented to Robbie Williams, the gilt metal figure holding aloft a globe, mounted on a black plinth with plaque engraved Robbie Williams World's Best-selling British Recording Artist of the Year, THE WORLD MUSIC AWARDS, Monte Carlo 5th May 1999, 14 inches high.Consigned from a private collector in the USA.. Please note professionally repaired at wrists.
Lot 379
A pair of walnut, parcel gilt and embossed leather armchairs in the Renaissance style, 19th century, each rectangular back with gilt tooled and embossed detail to the leather covering and surmounted by twin carved giltwood foliate terminals, above rectangular arms, on turned and square section legs, on plinth feet fronted by carved lion paw terminals, 135cm high, 70cm wide, 60cm deep overall
Lot 173
Ï’A rosewood, brass mounted and parcel gilt side cabinet, early 19th century and later elements, the mottled marble top above the tablet moulded frieze and a pair of grille panelled doors with pleated fabric lining, opening to a shelved interior, cornered by a pair of carved giltwood female term figures, on a shaped and moulded plinth base, 92cm high, 171cm wide, 40cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Lot 221
A French brass repeater carriage clock, circa 1910, with eight-day gong striking movement with replacement platform lever escapement, the back-plate serial numbered 11957, the enamel chaptering with Arabic numerals, the case with three quarter Corinthian columns to the angles, on a moulded plinth and bracket feet, 16cm high excluding handle
Lot 270
GEORGE IV MAHOGANY DRUMHEAD LONGCASE CLOCKEARLY 19TH CENTURY the gold enamelled dial with Roman number chapter ring and subsidiary seconds and date dials, against a foliate scroll filled ground, in a moulded hood above a tapered case with panel door flanked by quarter columns, on a crossbanded plinth with short bracket feet, the eight day movement striking a bell46cm wide, 203cm high, 23cm deep
Lot 525
FRENCH CARVED IVORY CARICATURE FIGURE OF AN OFFICER19TH CENTURY the rotund figure wearing a bicorn hat and standing with one hand resting on his stomach, raised on a turned socle plinth baseOverall 19.5cm high, figure 14cm highNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 276
SCOTTISH VICTORIAN MAHOGANY LONGCASE REGULATOR, FERGUSON MACBEAN, INVERNESSMID 19TH CENTURY in a mahogany case with glazed sides and mirror back, the circular silvered dial with Arabic number minutes chapter and subsidiary hours and seconds dials, with a mercury bob pendulum, on a plinth base with a mirror panel front50cm wide, 192cm high, 29cm deep
Lot 154
SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, JAMES PATERSON, BANFFLATE 18TH CENTURY the broken arch pediment above a brass dial with silvered chapter ring with Roman and Arabic numbers, subsidiary seconds dial and date aperture, the arch boss inscribed 'Ja Paterson/ Bannff, above an arched trunk door and plinth with short bracket feet, the eight-day movement striking a bell55cm wide, 211cm high, 28cm deepProvenance: Property from Hatton Castle, Aberdeenshire
Lot 351
LARGE SATIN BIRCH AND BIRD'S EYE MAPLE ART DECO HABERDASHERY CABINETEARLY 20TH CENTURY the stepped cornice above an arrangement of eight compartments with glazed hinged covers with gilt letter labels, with mirror-mounted side panels, on a plinth base, the reverse with a printed label 'E. Pollard & Co. Ltd. Store-Fitters/ CLERKENWELL, LONDON. EC1' with ink inscription 'Gamages/ West End'147cm wide, 214cm high, 66cm deepNote: Gamages department store was located at 116-128 Holborn, London. Founded in 1878 by Arthur Walter Gamage, it became well known for its extensive toy department, and large department devoted to bicycles and motorcycles, as well as being the official supplier of the Boy Scouts. Changes in shopping habits and store mergers eventually led to its closure in 1972.
Lot 217
REGENCY MAHOGANY BRACKET CLOCK, EVILL, BATHEARLY 19TH CENTURY the pitched pediment surmounted by a gilt metal urn, all above twin handles flanking a cream dial with Roman numerals and rubbed inscription EVILL/ BATH, with reeded floral spandrels on a brass mounted plinth base, the engraved back plate also signed, striking a bell33cm wide, 51cm high, 17cm deep
Lot 278
LARGE AND IMPRESSIVE GOTHIC REVIVAL CHIMING CLOCK BY BENJAMIN LEWIS VULLIAMY, LONDONCIRCA 1840 the fire-gilt brass architectural case with a gable surmounted by scrolling foliate cresting, the sloping sides with simulated slate tiles, above a leaf cast frieze mounted below with five red glass cabochons, enclosing trefoil reserves mounted with roundels painted with views of Greenwich, including Flamstead House, Greenwich Hospital and Queen's House, and an oblique view of Greenwich Hospital with ships on the Thames, above a triple arch silvered dial with a Roman number chapter and subsidiary Strike/Silent, seconds, and 8 Bells [Westminster]/Cambridge chimes dials, signed above the XII ''VULLIAMY/ LONDON', flanked by pairs of plain Corinthian columns with further columns to the rear corners, on a deep plinth; the triple fusee movement striking a bell and chiming on eight bells, the backplate signed above the pendulum clamp 'VULLIAMY/LONDON'; on a modern oak stand with Gothic pointed arches flanked by columns.clock 60cm wide, 114cm high, 40.5cm deep; with stand 206cm highNote: Benjamin Lewis Vulliamy (1780-1854), third generation of the renowned 18th and 19th century Vulliamy clock making family, was Clockmaker of the Crown and elected Master of the Worshipful Company of Clockmakers five times, more than any other member. He studied horology from an early age, eventually taking over the family business in 1811 from his father Benjamin. In addition to being a skilled craftsman, Vulliamy was known for his refined taste and extensive knowledge of art, literature, and architecture. This monumental clock, with its imposing case in the Gothic taste, represents the very best work produced by the Vulliamy workshop during the 1840s. Undoubtedly a special commission, the scale of the clock, and the quality of the workmanship, indicate it was intended for an important client and location. The Gothic influences incorporated in the case, with its architectural form, details, and embellishments, is characteristic of Gothic Revival design, expounded by Auguste Pugin and his son Augustus Welby Pugin, architect and designer of the interiors of the new Palace of Westminster. The clock's history is unfortunately unclear. The movement, though clearly signed Vulliamy, is not numbered, an omission that makes dating the piece difficult. The Vulliamy Archive, at the British Horological Institute, contains incomplete records from the firm, and offers few insights into the potential original owner. Some tantalising clues can be taken from the three painted roundels depicting landmarks in Greenwich, which could indicate a private commission with links to the Royal Hospital, or a governmental commission, as Vulliamy supplied an increasing number of public funded works in the 1840s and 50s. By repute, the clock was removed from a private house in Greenwich for safekeeping in 1939, eventually finding its way into the possession of a judge whose family referred to it as the 'Pugin Clock', more a statement on its design than on any substantive connection with Pugin. It then passed into another private collection where it has remained for the past fifteen years.
Lot 119
SCOTTISH GEORGIAN OAK LONGCASE CLOCK, ALEXANDER DICKIE, EDINBURGH18TH CENTURY the broken swan neck pediment with a brass finial, above a fret carved frieze, the arched silvered dial with Roman chapter with subsidiary seconds dial and date aperture, the foliate engraved arch with a Strike/Silent, above a shaped arch trunk door and plinth base, the eight-day movement striking a bell50cm wide, 218cm high, 24cm deep
Lot 224
FINE GEORGE IV POLLARD OAK AND EBONISED PEDESTAL PARTNER'S DESKEARLY 19TH CENTURY the rectangular top with a gilt tooled red leather writing surface and ebonised moulded edge, above three short frieze drawers with ebonised moulding, and three further frieze drawers opposing, raised on twin pedestals with brass grille insert doors backed with red silk, opening to banks of short drawers, with cupboards opposing, on plinth bases with brass castors, the locks stamped COMYN CHING & CO176cm wide, 77cm high, 109cm deep
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