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Click here to subscribeAn Unusual Art Deco Fire-Clay Octagonal Jardiniere on Stand, of slightly tapering form with ribbed rim, the front and back panels depicting a stylised sun, and rain over mountains, the angle panels each with three of the twelve signs of the Zodiac, and with lozenge fluted end panels, upon a plain plinth, {61.5cm wide, 49cm high}.
A Victorian Mahogany Bracket Clock, signed Wm J Arnsby, Northampton, the case with pagoda canopy pediment above a drum shaped case and a curved and moulded plinth, 8 inch silvered dial with Roman numerals, spade hands, twin barrel movement with platform lever escapement and strike on gong, (54cm high}.
A Gilt Brass Champleve Enamel and Onyx Four-Glass Striking Mantel Clock, circa 1890, the case pediment with gilt brass columns to each corner, centred by onyx below a central urn, champleve enamel pillars above an onyx plinth, 4 inch dial with Arabic numerals, twin barrel movement striking on a gong, {40cm high}.
A Victorian Walnut Striking Mantel Clock, signed Clerke, 1 Royal Exchange, London, No 5020, third quarter 19th century, the walnut case with balcony pediment and finials to the corners, pierced side frets, the plinth with brass mounts and an applied brass plaque inscribed "Presented to the Revd T Surtees Raine a testimony of respect and regard from his friends at Mickleham March 1890", the 5 inch engraved silvered dial with Roman numerals and strike/silent, twin fusee movement with anchor escapement and strike on gong, movement and dial signed, {41cm high}.
An Impressive Mahogany Eight Day Musical Longcase Clock, signed Jas Shaw, Halifax, circa 1820, the inlaid case with swan neck pediment and turned pillars, arched trunk door with flame veneer, upon a plinth with canted inlaid corners, 16 inch break-arch painted dial with large subsidiary seconds and Psalms selection dial 95, 50, 6, 8, 40, 78, the corners depicting the four continents, arch with rolling moon and lunar scale, the massive three train movement with anchor escapement playing the Psalms on eight bells with eight hammers and striking further the hour with two hammers on two bells, {282cm high}.
A George III Mahogany Longcase Clock, signed Jas Stewart, London, circa 1780, the break arch moulded pediment with stop fluted pillars, the break-arch moulded trunk with a flame veneer of rich colour, moulded plinth, the 12 inch brass arched dial with silvered chapter ring, centre field with subsidiary seconds, date aperture and a plaque signed "Jas Stewart, London", the arch with strike/silent, five pillar movement with rack striking on a bell, and anchor escapement, {201cm high} (shortened plinth).
An Oak Thirty Hour Longcase Clock, signed Yeoman, Gisbrough, circa 1760, the case with later pediment, break-arch trunk door, shortened plinth, 11 inch square brass dial with silvered chapter ring, matted centre field with date aperture and a silvered plaque signed "Yeoman, Gisbrough", four pillar movement with anchor escapement and countwheel strike on bell, {197cm high}.
A Mahogany Longcase Clock, signed Jonathn Meadows, Yarmouth, late 18th century, the break-arch pediment with reeded pillars, break-arch trunk door with later marquetry inlaid panel of an urn, moulded plinth with later marquetry panel, 12 inch brass arched dial with silvered chapter ring and centre field with subsidiary seconds, date aperture, the arch with a circular plaque signed "Jonathn Meadows, Yarmouth", four pillar movement with rack striking on later bell, anchor escapement, {214cm high} (central finial lacking).
A Mahogany Chiming Longcase Clock, signed Leonard Hall & Son, Grimsby, circa 1910, the case with swan neck pediment, brass capped fluted pillars, the trunk with a glazed door and a moulded panel plinth, 12 1/2 inch dial with Roman and Arabic numerals, pierced masked spandrels, chime/silent and Whittington/Westminster in the arch, the massive three train movement striking on eight tubular bells, {235cm high}.
A Mahogany Eight Day Longcase Clock, unsigned, the case with swan neck pediment and pierced work, arched inlaid trunk door flanked by turned columns, inlaid plinth upon bracket feet, 14 inch brass break-arch dial with silvered chapter ring, moon disc in the arch, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar movement with anchor escapement and rack strike on bell, {244cm high} (case, movement and dial associated).
An Oak Chiming Longcase Clock, early 20th century, the "Mouseman" case with flat top and carved floral decoration, carved mouse to the side, glazed rectangular trunk door and moulded plinth, 11 inch square brass dial with silvered chapter ring, matted centre with subsidiary seconds and a silvered plaque signed "Sinclair Handing, Cheltenham", three train movement with eight hammers striking on eight bells and a further bell for the hours, {194cm high} .
An Oak Eight Day Longcase Clock, signed Jn Bell, Hexham, circa 1810, the oak case with flat top and turned pillars, the trunk flanked by canted angles, 13 inch painted dial signed Jn Bell, Hexham, and depicting painted figures to the arch and corners, subsidiaries for date and seconds, falseplate stamped "Wilson", four pillar rack striking movement on bell with anchor escapement, shortened plinth, {205cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case pediment with arched central finial, pierced side frets, the break-arch door flanked by carved canted corners, carved and moulded plinth upon bracket feet, 12 1/2 inch brass break-arch dial with silvered chapter ring, subsidiary seconds, the arch with chime/silent and Westminster/Whittingham chimes, the massive three train movement quarter chiming on eight bells and striking the hour on a gong, {268cm high}.
An Edwardian Mahogany Chiming Longcase Clock, unsigned, the case with swan neck pediment and central finial, pierced sound frets to the sides, fluted corninthian pillars, moulded glazed trunk door upon a carved and moulded plinth, 12 1/2 inch brass break-arch dial with silvered chapter ring, foliate engraved dial centre with subsidiary seconds, the arch with chime/silent and Whittington/Westminster chimes, the massive three train movement with nine hammers striking on nine tubular bells, anchor escapement, {234cm high}.
An Early Victorian Rosewood Secretaire Wellington Chest, the top with a pierced brass three-quarter gallery over a two-as-one frieze drawer and four further sham drawers making a fall enclosing a fitted, satinwood-veneered interior with leather lined slope, over three further drawers below, all between locking stiles headed by carved lotus petals, on a plinth, {154cm by 72cm by 44cm}.
An Early Victorian Rosewood Chiffonier, the superstructure with waved pierced metal gallery over two shelves on scrolled brackets, the base with a flush frieze drawer over two arched panel doors (the mahogany panels later), between plain pilasters with lotus capitals, on a plinth, {141cm by 108cm by 43cm}.
A 19th Century Ebony, Brass Inlaid and Metal-Mounted Bibliotheque, the coved cornice with vase finials over two shaped clear-glazed doors, enclosing adjustable shelves, between canted angles headed by scrolled gilt metal brackets, the shaped plinth on squat turned feet, {214cm by 136cm by 46cm} (a/f).
A Late 19th Century Mahogany and Inlaid Breakfront Secretaire Bookcase, having a dentilled cornice over four astragal glazed doors enclosing adjustable shelves, the base with a fitted secretaire flanked by a drawer each side, with four oval-panelled doors below, on a plinth, {216cm by 197cm by 58cm}.
A Royal Worcester Porcelain White Glazed Seat Figure of a Scotsman, from the "Countries of the World" Series, modelled by James Hadley, circa 1899, wearing tam-o'shanter and kilt, seated on a wooden post on a cobble effect canted rectangular flat plinth, impressed mark, printed mark in green, year mark for 1899, and "913i", {15cm high}.
A Prattware Pottery Moneybox, as a Toll House, circa 1810, the circular section cottage with thatched roof and dormer window over five further windows and front door, conical brickwork central chimney, applied with fruiting trees to the reverse, upon a sponged spreading integral plinth, perhaps Yorkshire, {11.8cm high} .
An Enamelled Pearlware Group of "Rustic Music Makers", Staffordshire, early 19th century, on a black rectangular plinth base, a blue coated shepherd seated beside a shepherdess in a lilac coat, behind them a tree trunk with sconce (chipped), between them a seated dog and below them a lamb and kid, unmarked, {29.5cm} (minor chips to ears, horns and leaves).
A Staffordshire Pottery Figure of a Sultana, standing beside a pillar, wearing a red cap, blue short sleeve jacket and striped coat and trousers, enriched with gilt, upon a circular plinth with encircling gilt line, circa 1835, bearing "Redfern Rockingham Collection" label, {17cm high}; and A Staffordshire Pottery Standing Figure of the Chinese Goddess Guanyin, standing full length with beneficent expression, pennant in her right hand, about to grasp a dagger with her left, upon a marble effect canted rectangular plinth, circa 1835, {19.5cm high} (hat extensively restored, small enamel losses) (2).
A Pearlware Pottery Toby Jug, circa 1820, the yellow faced toper with fierce expression, wearing a brown tricorn hat and dot and fleur de lys patterned long coat, wearing striped gaiters and holding a foam jug of ale, with blue sponged chair back and strap handle, on a canted rectangular base, in typical Pratt colours, {25cm high} (hat extensively restored); and Another Similar, the grimacing imbiber himself holding a Toby jug, a red beaker in his right hand, with sponged detail to his tricorn hat and plinth base, textured C shape handle, all in Pratt colours, impressed crown mark, {26cm high} (large chip to rear of tricorn hat) (2).
A German "Vienna" Porcelain Group of the Baby Eugene Louis Jean Joseph, only son of Napoleon III, circa 1880, the semi-naked and bonneted child reclining on a day bed and teasing a dog which jumps up at his side, picked out in soft colours and enriched with gilding, canted rectangular plinth base, "beehive" mark in underglaze blue, {19.5cm high}.
A Meissen Porcelain Figural Mantel Clock, circa 1880, as cupid holding a torch beside an altar surmounted by a pair of doves and encrusted with floral swags, 6.5cm circular enamel dial, twin barrel movement striking on a bell, decorated overall in soft colours and gilt, on a guilloche plinth base with bun feet, crossed swords in underglaze blue, {31cm}.
A Japanese Carved Wood and Ivory Mounted Figure Group, early 20th century, as a priest, wearing sandals, a mask, and carrying a large gourd on his back, beside a bijin with elaborate chinon and traditional kimono, both with ivory head, hands and feet, upon low bridge through which passes a stream, with leiwen carved edge to the plinth, {19.5cm high} (two ivory walking sticks, currently detached a/f).
A George III mahogany and fiddleback mahogany breakfront bookcase, the later adapted architectural cornice with fretwork friezes, above four astragal glazed doors enclosing adjustable shelves, the base with a double fronted secretaire drawer, the fall front enclosing drawers and recesses around a panelled door, above three long graduated drawers, flanked by two doors to simulate ten short drawers, all with later gilt metal handles, on a plinth base, 262.5 high x 55 deep x 212cm wide.
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