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A Meissen white glazed figure of a seated Oriental tailor, 1912-1954, probably modelled by Ludwig Nick (1925-1935), seated cross legged in a concentrated pose and holding fingers of both hands together, on square plinth, blue crossed swords mark, impressed crossed swords mark above Weiss, incised R 287, impressed 124 and a lozenge, 20cm high
A Victorian mahogany sideboard, the three quarter galleried top with moulded edge above two central sliding door enclosing a shelved dumb waiter compartment flanked by open shelves supported on and interspersed by fluted rope twist and turned column supports, all raised on a plinth base (the centre section of this piece designed to be lowered from the dining room into the kitchen or service area below)
A late Victorian satin walnut three piece bedroom suite comprising wardrobe compactum with mirrored door, carved panelled door and four drawers on a plinth base, the matching dressing table with mirrored superstructure over two drawers on turned legs united by a pot shelf and panelled door pot cupboard
A Victorian Mahogany large Davenport, the back with raised pediment and lifting lid enclosing a formerly fitted interior, the sloping front with a rexine inset enclosing an interior of drawers, and fitted on either side in the typical manner with four dummy and respective frieze drawers, and the front with “C” scroll columns and paw mounts, terminating in a plinth base with compressed bun feet, 25” wide
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