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A mid 19th century chest of two short and four long drawers veneered in partridge wood with rosewood banding to the edges, with a plain rectangular top with ovolo edging and the drawers set with turned wood handles with inserts of quatrefoils in carved rosewood, the whole raised on a plain plinth, 129cm high, 119cm wide, 55cm deep
A French thuya wood and marquetry inlaid breakfront side cabinet with bronze mounts in the Empire Revival taste of Percier et Fontaine, the two central doors enclosing adjustable shleving flanked by two further doors also with adjustable shelving raised on a plinth base to turnd feet, 192cm x 171cm CONDITION REPORTS Numerous surface scratches, scuffs to the wood. Some knocks and chips to the wood mainly on the corners and hinges. Wear to the base where the doors have been rubbing. Brass has surface scratches and scuffs, aras of tarnishing. One of the brass friezes at the top of the door is loose. Some fading and discolouration. Overall general wear and tear commensurate with age and use, see photos for details.
Early 19th Century rosewood Davenport of small proportions, the swivel-adjusting top having a sloping fall with blind-tooled skiver over four drawers with wooden knob handles, the uppermost with compartmentalised interior on plinth base with concealed castors, 44cm wide x 81.5cm high Condition:
A MODERN SILVER PORRINGER AND COVER with two leaf-capped scroll handles and cut-card decoration, the side engraved with script initials and '1913-1938 L.R.B', the domed cover with an acanthus bud finial, London 1937 by Edward Barnard & Sons Ltd, stamped 'Mallory Bath' beneath, 16.5cm diameter, 25.5cm wide overall, 20cm high overall, 1115g (35 ¾ oz), together with a round ebonised plinth by 'Mallory Bath'
GREEN TURTLE SHELL (CHELONIA MYDAS); a taxidermy Green Turtle shell on rectangular plinth base, shell approx 70 x 59cm, CITES Certificate No. 578825/01.Please note that this item can only be sold within the European Union and if it is to be exported a new certificate will be required.Additional InformationWear and tear throughout, surface losses to body and rim, scratches and marks etc, base also worn.
FABAIANO M SHATA (20th century); a carved green marble sculpture of a bull pawing the ground, etched signature to underside, on associated gilt wooden base, height 25cm.Additional InformationBoth back legs have been off and repaired, as have both horns, now raised on what appears to be a clock plinth and has been screwed in.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A porcelain model of a peacock with gilt and painted detail above moulded flowers to shaped base with further gilt detail, unmarked, height 15.5cm, and a painted Classical style female figure beside urn on plinth with printed numerals to octagonal base, height 22.5cm (af) (2). Additional InformationThe floral moulding of the peacock with damage and losses in numerous places, crazing visible, some rubbing to the gilt and some surface pitting, the female figure with numerous cracks to the base, similar rubbing to the gilt, a hairline crack halfway up the figure on the reverse side, firing cracks and manufacturing imperfections, crude finish in places most noticeably to the joints of the plinth to the figure and towards the base of the urn.
Two silver trophies - Guernsey agriculture interest, the first 'Kings Cup for Bulls, 1939' the trophy with well known Guernsey farmers inscribed to shields on plinth, by William Neale, Birmingham 1936; the second 'Kings Cup for Cows, 1951' by A. L. Davenport Ltd., 1949, gross weight without plinth's 19.0 tr.oz. (2), *Condition: both trophies in excellent condition.
Two silver trophies - Guernsey agriculture interest, the first inscribed 'St Martin's & Forest A. & H. Society', Presented by H. De Baugy for Best Bull in Show - 1934, inscribed shields of well known Guernsey farmers to plinth, by Thomas Turner & Co., Sheffield 1933; the second, Guernsey H.M's Cup for Bulls, 1955, by Adie Brothers Ltd., Birmingham 1955, silver weight 14.3 tr.oz. (2), *Condition: both trophies in very good condition, the smaller with small dent to foot rim.
Two silver trophies - Guernsey agriculture interest, the first 'St.M.&.F, C.G.Society's Challenge Cup, Best Group Of Cattle', by S. Blankensee & Son Ltd., Birmingham 1930 (no plinth); the second 'Hubits - Challenge Trophy, 1924', the plinth and trophy inscribed with well known Guernsey farmers, by Robert Pringle & Sons, London 1924; together with four miniature silver trophy cups, silver weight 14.0 tr.oz. (6), *Condition; all trophies in very good condition.
A Victorian ebony, boulle work and gilt metal pier cabinet, the replaced black marble top with canted angles, over a boulle work inlaid frieze with foliate rosettes to the canted angles, over an ogee arched boulle work glazed door flanked by canted pilasters, headed by caryatid mounts, enclosing a velvet linted interior with a single shelf, on an outset plinth base, 32¼ x 15¼in. (82 x 38.75cm.), 42¾in. (108.5cm.) high.
A Victorian walnut, marquetry and gilt brass pier cabinet, the top with bookmatched veneers, over a strapwork marquetry frieze and glazed door enclosing two shelves, flanked by canted corners with conforming marquetry, on a boxwood strung plinth base with scalloped apron, 35½ x 14¾in. (90.2 x 37.5cm.), 42in. (106.75cm.) high.
An inlaid mahogany musical bracket clock by Knight & Gibbins of London, late 20th century, with J0210 eight day Kieninger three train 11 jewel movement with outside platform escapement, Westminster, Whittington and St. Michael chimes striking the hour, half hour and quarters on eight gongs, with strike-silent, no. 2200337137, signed white enamel dial with Roman numerals, in caddy top mahogany case with gilt brass acorn finial, quarter veneered and cross banded front door, on ogee and plinth base with brass plate feet, 14in. (35.5cm.) high., *Condition:Very good overall. Winds and runs. Strikes correctly. Case and dial in very good condition.
A good 19th century French ormolu, porcelain and white marble drum clock, the white 5in. dial with black Roman numerals, fronting an eight day twin train movement, no. 22339, striking the hours/half hours on a bell, in a fluted drum case with foliate and floral swagged plinth with central Sevres style plaque with floral bouquet, the moulded serpentine white marble base with gadrooned toupie feet, 11 1/8in. (28.25cm.) high, on a serpentine giltwood and red velvet stand and later ebonised base with glass dome., *Condition:In fine, restored condition. Winds and runs, strikes correctly. Dial excellent. A few tiny nicks to lower edge of marble. Small patch of verdigris tarnish to centre bottom of back panel on clock. A few rubs to edges of giltwood stand. Velvet faded and has some wear. With later key.
A good early 19th century Scottish inlaid mahogany eight day longcase clock by William Keith of Inverness, the eight day bell strike movement with four turned pillars, the painted arched dial with Roman chapter ring and Arabic numerals to the outer minute track cardinals, signed in an an oval to the arch with foliate, gilt and black bordered cartouche and conforming spandrels, subsidiary seconds dial at 12 and date dial at 6, the case with swan neck top with marquetry rosettes and brass ball finials, the arch centred by three feathers, raised on strung reeded and turned columns, the trunk with lancet arched and thistle marquetry inlaid door, flanked by barber's pole strung pilasters, the flame mahogany base with three feather marquetry and boxwood & ebony strung border, on plinth base, 88in. (224cm.) high.
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173487 item(s)/page