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A Bow model of Flora, c.1755-60, also personifying Smell, raising a small posy of flowers to her nose, her other hand resting on a vase which sits atop a marble plinth to her left, her arm broken at the shoulder and restuck, 25.5cm. Old paper collection label for W T Deacon, St Louis, no. 176.
A moulded glass portrait bust of Sir Robert Peel, c.1845-51, by F & C Osler of Birmingham, modelled as a Roman emperor, raised on a square socle, moulded mark to the reverse, 17cm. The same bust on an octagonal plinth is in the Corning Museum of Glass. The V&A has the similar bust of Prince Albert that was made for the Great Exhibition of 1951.
LATE NINETEENTH CENTURY MAHOGANY CASED MANTEL CLOCK, the 4 3/4" pale blue enamel dial with roman numerals in white, shield shaped markers, powered by an eight day drum shaped movement, No. 1038, striking on a gong, housed in an architectural case with shaped top and plinth base, 16" (40.6cm) high (dial a.f.) EST 100-150
EARLY TWENTIETH CENTURY GILT METAL MANTEL CLOCK retailed by X Gauz, Swansea, the 4" Arabic dial powered by a drum shaped movement striking on a gong, housed in an oblong case with winged cherub pattern finial and free standing Corinthian fore columns, raised on a plinth base, 14" (35.6cm) high EST 50-80
VICTORIAN BLACK SLATE MANTEL CLOCK, with dark veined marble trim, the 4" Arabic dial with pierced gilt centre, powered by a drum shaped movement, striking on a gong, housed in an architectural case with stylised foliate carved pilasters and chamferred plinth base, mounted with a presentation inscribed hallmarked silver plaque, 12 1/4" (31.1cm) high EST 60-80
VICTORIAN FLAME CUT MAHOGANY TALL BOY CHEST OF DRAWERS, the moulded oblong top above a pair of moulded frieze and two short and two long drawers, the lower section with long drawer and pediment drawer, raised on a plinth base with large bin type turned feet, 61 3/4" (32 1/4" x 29 1/2"), (156.9cm) high, 48" (122cm) wide EST 300-400
VICTORIAN FIGURED WALNUTWOOD AND MARQUETRY INLAID DAVENPORT DESK, the oblong top surmounted by a cushion moulded stationary box with domed cover and fitted interior, above a fall front, lacking inset writing surface, over a bank of four drawers and corresponding dummy drawers, fitted with turned knob handles and turned supports with carved terminals to the front, raised on a plinth base with turned fore feet and brown pot castors, the whole decorated with geometric foliate scroll work and boxwood line inlays, 33" (83.8cm) high (a.f.) EST 200-300
VICTORIAN CARVED WALNUT AND BURR WALNUT LIBRARY OPEN BOOKCASE, the upper section with moulded cornice and later fitting interior and lacking doors, the advanced lower section with moulded oblong top above a pair of panel moulded cupboard doors with floral carved panels to the cupboards, raised on a plinth base, 88 1/2" (224.8cm) high, 37 1/2" (95.3cm) wide EST 150-250
IMPRESSIVE NINETEENTH CENTURY CONTINENTAL EBONISED BRASS CELLULOID AND MOTHER O`PEARL INLAID SIDE CABINET, with white veined marble top, the central scroll inlaid inset frieze panel, above a cupboard door with cast ormolu border and inlaid design of two birds and vase of flowers within foliate scroll work, flanked by ormolu capped pilasters, conforming side panels and free standing part fluted fore columns with Corinthian capitals, raised on a deep shaped plinth base, with heavy turned feet, 46" (116.9cm) high, 52 1/2" (133.4cm) wide EST 2000-3000
VICTORIAN MARQUETRY INLAID BURR WALNUT PIANO FRONTED DAVENPORT DESK, THE OBLONG TOP SURROUNDED BY A CUSHION MOULDED STATIONERY COMPARTMENT WITH DOMED TOP AND A COMPARTMENTED INTERIOR, above a barrel front enclosing a pair of sycamore veneered short drawers above a pin cut tray housing an adjustable gilt tooled green leather writing surface and compartments over a pair of turned and part fluted supports and panelled cupboard door to the front, enclosing three shelves with gilt tooled leather edges `Gen. Music` `Dance` and `Songs`, raised on a plinth base with brown pot casters, the whole decorated with stylised designs and boxwood line inlays, 36 1/2" (92.7cm) high, 23" (58.4cm) wide
19th CENTURY EBONISED BRASS LINE INLAID MOUNTED CREDENZA WITH HAND PAINTED SEVRES STYLE PORCELAIN PLAQUES, THE SHAPED OBLONG TOP ABOVE A FRIEZE MOUNTED WITH THREE FLORAL PAINTED PLAQUES and central cupboard door with central ribbon tied oval painted with romantic genre scene, flanked by two pairs of ormolu mounted fluted columns, enclosing a pair of glazed cupboard doors with gilt lined shelves to the red fabric lined interior, raised on a shaped plinth base with turned feet, 44 1/2" (113cm) high, 81" (205.7cm) wide
ROYAL WORCESTER WHITE GLAZED MOULDED CHINA SHEET MEAT DISH, modelled as a mermaid holding a shell, on a moulded oval base, 3 3/4" (9.5cm) high, green printed mark, TOGETHER WITH AN ALABASTER FIGURE OF VENUS, on plinth base with floral swags, 14 1/2" (36.8cm) high, ALABASTER MODEL OF A REARING HORSE, 6" (15.2cm) high (part a.f.) and a COLLECTION OF PARIAN AND WHITE GLAZED CHINA WARES, mainly jugs and vases and including a shell shaped spoon warmer, 4 3/4" (12.1cm) high, various marks (15) EST 75-100
PAIR OF SMALL LATE VICTORIAN MINTONS PORCELAIN PEDESTAL TWO HANDLED COVERED VASES, the blue-celeste ground gilt enriched and enamelled with flowers, on square plinth bases, 9 1/2" high (both damaged), ALSO A SMALL LATE VICTORIAN PORCELAIN COVERED POT, blue celeste bordered, transfer printed and enamelled with flowers enriched with gilding (damage to knop to cover), and a Dresden (Helena Wolfsohn) porcelain FIGURE of a young man with lamb at his feet, pseudo Meissen mark, 7 1/2" high (cracked base) (4) EST 60-80
An extraordinarily fine model of an ornate Italian cabinet clock on matching pedestal, with 4/4 Westminster chimes by De Art Componenti d`Arredamento, the richly ornate case with brass piper pediment, chased brass trimming after the Rococo manner and inlaid with stylized flowers, foliate acanthus leaves; the matching tapering plinth trimmed with brass (overall height 195cm)
Onyx French ormolu clock with Japy Freres movement mounted with a classically draped artisan decorating an urn atop the dial drum case, the dial with painted Roman numerals and marked Miroy Requier & Co Ltd, Paris, the casing stamped 3 PH MOUREY 75, with various painted and applied embellishments to the shaped rectangular base with disc feet, on a gilt wood and velvet topped plinth
A George III 8-day long case clock, having arched face with Arabic numerals, subsidiary seconds dial, floral enamelled spandrels and arch bearing rural vignette with shepherdess, in mahogany case with arched hood surmounted by later brass finials and flanked by brass-mounted reeded columns, the trunk having a beaded arched door and flanking quadrant-section reeded columns with brass reeds, on plinth base with square bracket feet
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173444 item(s)/page