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Click here to subscribeCLODION -Claude Michel (1738-1814)"Ohne Titel, Familie"Skulptur- Volumen, Bronze, auf Marmorsockel stehend, Gesamthöhe: 51 cm,in der Plinthe signiertCLODION -Claude Michel (1738-1814)"Untitled, family"sculpture volume, bronze, standing on marble base, total height: 51 cm,signed in the plinth
Music Memorabilia, a varied collection of music miscellania including a Teddy Boy Jacket (no makers name or size but appears to be 'Large'), London and Capitol record catalogues, a reel to reel tape marked Radio London, a Tanside 'Rock n Roll' Belt, Jukebox model 'Radio', Jukebox model 'Clock', a wooden plinth with signatures of The Comets, two folders of The Story of Pop magazine anad more - various conditions
19th century mahogany linen press, the moulded cornice above two panelled doors enclosing various shelves with drawer under, plinth base, 147cm x 193cmCondition ReportThere are chips and wear to front and sides in spots. The lock on the door looks like it has been reattached or is newer to the piece. The sides of the insides have holes where the shelves would be attached. See attached images.The depth measures 63cm on cornice, 57.5 at the base and 56 on the body.
19th century biscuit porcelain classical figure of lady L'Architecture and another La Peinture (pair), a continental pottery jug, a Portuguese hand-painted Quimper-style mug and a USSR figure of a girl Condition ReportA pair of 19th century white biscuit porcelain figures on circular gilt-metal mounted circular bases - 'La Peinture' detached from circular base, left arm cracked and overpainted (the old overpainting has discoloured) and her palette is partially replaced and has again discoloured through age. Part of her right thumb and index finger lacking, some chipping to footrim underneath title, some chipping to column. Minor chipping to rims of detached plinth base. 'L'Architecture' remains attached to base, with chipping to implement in and fingers on her right hand, chipping to edge of scroll on column, firing cracks to reverse of her drape. Very minor chipping to base. The Quimper style mug is Portuguese and has a chip to rim. The remaining items are in reasonable order.
Large Copeland Parian Art Union of London standing figure of a classical maiden with tambourine, the circular plinth base dated 1846, 48cm high Condition ReportLarge chip (4.5 cm.) missing from tambourine, with a further restuck chip to rim of tambourine beside her hand (3.5 cm.). Otherwise in good order.
Royal Worcester miniature two-handled oviform vase painted by H Stinton, printed puce marks, shape number 1481, date code for 1920, painted with highland cattle in mountainous landscape, the reverse with rocky vignette, with richly gilt upright handles, on stepped gilt plinth base, 14cm high Condition ReportMisfiring and sanding to the gilding overall; the gilding has a sandy, thick appearance. This occurred at time of manufacture. Sanding to the glaze to the body of the vase is also evident although not as noticeable.
A group of eight various copper-alloy and yellow metal figures of BuddhaCambodia, Burma and Thailand, probably 19th century and laterComprising: a copper-alloy figure of seated Buddha meditating under the Naga; five further smaller brass-alloy figures of seated Buddha; a further brass-alloy figure of Buddha standing on a hexagonal lotus plinth; and a yellow metal figure of standing Buddha.The tallest: 23cm (9 in) high (8).Footnotes:Provenance: an English private collection, and thence by descentFor further information on this lot please visit Bonhams.com
A Regency rosewood mirrored back chiffonier, W.96cm, D.36cm, H.125cmCONDITION: The superstructure has had repaired cross banding to the face and also has a 1cm loss of banding to the right side. The top is scratched and marked, there is a bruise midway between the centre and right side. The pleating is faded and the plinth foot scuffed.
Henri J. Harpignies (1819-1916), charcoal drawing, Chemin Creux 1911, signed and dated with Fine Art Society label verso, 37 x 51.5cmCONDITION: Overall rather dirty and dusty with much of the ormolu matted and / or oxidised, the lid with twin cherubs lifts up to permit access from above to the movement which presumably could then be slid forwards from the front, joints between the cherub group and the rim of the lid are poor and both cherubs are a little loose so all of this could do with retightening, central vase and right hand scroll handle again a little loose, base cherubs and plinth off colour to a dull gilt finish, one small leaf missing from beside the right putto right hand, otherwise looks complete, feet slightly bent out of shape, dial original but damaged around the left hand winding hole, hands look original, movement thought to be original although hard to access, no pendulum or key present so not tested for timekeeping.
A THREE-PIECE FRENCH ORMOLU-MOUNTED MARBLE DESK CLOCK SET, RAINGO FRERES, PARIS, THIRD QUARTER OF 19TH CENTURYthe desk set executed in unpolished marble with ormolu mounts in Louis XV taste; overall weight: approximately 11.35 kg (25 lbs)comprising:a) a desk clock, the rectangular body mounted with a handled urn with berry finial, the clock face surrounded by floral motifs at the top and a urn with flowers at the bottom, with S-form side appliques with suspending flower wreaths and acanthus leaves, with beaded borders and flower corner plates, the white enamel dial with Roman numeral hours and Arabic numeral minutes, signed RAINGO Fres / A PARIS, supported by four squat baluster feet; overall dimensions: 30 (h) x 21 (w) x 10 (d) cm (11 3/4 x 8 1/4 x 4 in.), weight: 5.8 kg (12.79 lbs)b, c) a pair of three-light candelabra, each candle-holder formed as an urn atop a circular acanthus leaf drip pan, the central column flanked by a pair of scrolling acanthus leaves supporting the other two, the base as an urn atop a rectangular base with protruding half-circle at the front, with four rams' heads cabriole legs, atop the marble plinth suppported by four squat baluster feet; height of each: 31.5 cm (12 3/8 in.), overall weight: 5.55 kg (12.24 lbs) CONDITIONa) Overall darkening to the ormolu, with some uneven discoloration apparent along the sides. The beaded border at the top of the urn not connected. Wear to the circumference of the enamel dial. Very minor chips to the stone apparent on the verso.b, c) The pair is in overall good condition with no significant issues to report. Very minor chips to the stone apparent on the corners. Some mounts need tightening. The central columns appear replaced.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF FRENCH OR RUSSIAN ORMOLU-MOUNTED TWO-HANDLED CRYSTAL VASES, 19TH CENTURYeach of baluster form, the body partly gadrooned, surmounted with handled formed as putti leaning, with arms crossed, on the lip, standing atop ram heads continuing to acanthus leaves, the lip and rim of the plinth with palmette motifs; height of each including plinth: 33 cm (13 in.) CONDITIONThe vases are in overall very good condition. Some small chips to glass apparent upon close inspection (for example, on the plinth of one, or the center of the body in the other). Small dents and scuffing to the bronze in places (most apparent in the figures of the putti). Otherwise, no significant issues or signs of restoration apparent to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A BRONZE-MOUNTED TRAVERTINE LAMP BASE, LATE 19TH-EARLY 20TH CENTURYformed as the bust of a woman with a vase on her head, narrowing to a four-sided speckled column, with green patina, atop beige travertine plinth; overall dimensions: 64 (h) x 15 (w) x 12.5 (d) cm () CONDITIONAs apparent in photographs, white residue to the front, some also to the verso of the basket atop her head.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF FRENCH LOUIS XVI STYLE ORMOLU-MOUNTED MARBLE URNS, LATE 19TH CENTURY WITH LATER LAMP MOUNTSeach of narrow ovoid form in white marble, two-handled, the handles formed as goat heads, with suspending floral wreaths below a ribbon band, the pierced cover with floral finial, supported by a square plinth, with later conforming lamp mounts, electrified; height of each including original finial: 65 cm (25 5/8 in.), height including later lamp mounts: 102 cm (40 1/8 in.) CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH SEVRES STYLE ORMOLU-MOUNTED PORCELAIN VASE, LATE 19TH CENTURYof narrow ovoid form, painted overall with a pearlescent glaze, the obverse and reverse centered with a pair of cartouches, one depicting a scene of courtship, the other a pair of doves, in pink and pale blue, tooled overall, the cover with berry and sunflower finial, with socle, mounted upon a square paw-footed plinth, signed Lurot lower right, marked with apocryphal overglaze green factory mark under cover and overglaze red origin mark FRANCE; height including cover: 75 cm (29 1/2 in.) CONDITIONThe vase is in overall excellent original condition. Very fine crackling to the glaze at the lower left of the front. Minor age-appropriate darkening to the mounts. Inspection under UV light shows no apparent signs of restoration. N.B. The body does not screw on tightly to the socle.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF FRENCH SEVRES STYLE PORCELAIN VASES, LATE 19TH-EARLY 20TH CENTURYeach of ovoid form, two-handled, the scrolling handles with laurel details topped by female heads, the body featuring a cartouche with courtship scenes, the verso with riverside a landscape against a turquoise ground with foliate and floral motifs, the covers with berry finials, each vase mounted atop a square plinth with beaded borders, the sides fluted and mounted at the curved corners with floral plates; height of each including cover: 41.5 cm (16 3/8 in.) CONDITIONN.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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