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Click here to subscribeA LATE 19TH CENTURY FRENCH INDUSTRIAL POLISHED AND PATINATED BRASS DESK CLOCK surmounted by a brass handle and silvered compass on an octagonal body raised on four splayed brass feet and rectangular plinth base. The 3 1/4" silvered dial with Roman numerals fronting an eight-day spring driven movement.17cm high
BROCKBANK, LONDON. A SMALL MID 19TH CENTURY ENGLISH AMBOYNA FUSEE MANTEL CLOCK with ebony strung arched pediment above a rectangular case with arched glazed door and gadrooned mould on a plinth base. The 3 1/4" silvered dial with Roman numerals above a scroll engraved cartouche with signed centre fronting an eight-day fusee movement with anchor escapement25cm highThere is a small repair to the veneer to the top right corner of the case just below the top mould and to the top corner of front door, the dial is in good condition with no marks, the movement, which is original to case and dial, has recently been serviced and is in good working condition. Door key and winding key are present.
ELISHA CALEB, LONDON. A REGENCY FIGURED MAHOGANY DOUBLE FUSEE BRACKET CLOCK the 8" convex painted dial having Roman numerals and signed centre with strike/silent fronting an eight-day double fusee movement with engraved plates and anchor escapement striking the hours on a bell. The case with panelled corners, side carrying handles and brass sound frets standing on a plinth base with brass ball feet.40cm highThe case, movement and dial are original to each other, the case is in good condition having a nice colour and patina, the dial has been repainted, the movement still has its original gilt finish but hasn't been cleaned or serviced, it does run and strike and is complete.
AN 18TH CENTURY WALNUT CHEST with slightly domed moulded edge plank top and iron strapwork hinges enclosing raised side shelves and a candle box to the interior. The double geometric cushion panelled front with star work inlays bordered by carved fruitwood leaf designs on an ebonised ground bearing inscription and date 1783 centred by a marquetry bird panel with original iron lock and shaped brass escutcheon; the panelled ends with substantial shaped ironwork back plates and loop drop handles, on a moulded plinth base (originally on bun feet).139cm wide 68cm deep 66cm high.
A William IV rosewood table top work box, the sarcophagus shaped hinged cover applied with moulded beaded detail, opening to a compartmented upper tray with a selection of mother of pearl handled sewing implements, above a pair of conforming doors and a birds eye maple lined interior with four drawers, the lower drawer a hinged and compartmented writing slope, upon a moulded plinth base and compressed bun feet, 32cm H x 33cm W x 27cm DCondition reportGeneral minor light marks and scuffs commensurate with age and use, blocks added to the underside indicating a level of restoration.Very minor 'rippling' to the rear of the cabinet, all drawers run smoothly, with no obvious faults or damage
A Dutch influence 18th century style marquetry inlaid walnut chest of drawers, late 20th century, the rectangular moulded top with inverted corners centred with a circular cartouche enclosing a marquetry spray of blooms, within a lattice work field, the side panels and four graduated oak lined drawers similarly detailed, upon shaped bracket feet, 76cm H x 76cm W x 43cm DCondition reportVery little wear with very minor surface abrasions only, all drawers run smoothly.Some simulated wear to the top, feet and plinth under the lacquer.
A George III mahogany dressing table mirror, the rectangular mirror supported on bobbin and baluster turned uprights and a bow front base with three frieze drawers upon bun feet, 59cm H x 58cm W, along with a Victorian mahogany dressing table mirror, the arched mirror supported on curved uprights, upon a plinth base with two concave frieze drawers, 54cm H x 47cm W (2)
A figured walnut pedestal table, in the manner of Biedermeier, mid 19th century, of compressed rectangular form, the quarter veneered top with canted corners, an ebonised and moulded edge, upon an octagonal tapering column, moulded collar, quatre-form plinth base, extending to four leaf moulded pad feet with inset castors, 71cm H x 79cm W x 63cm DCondition reportGeneral minor light scratches and marks to the table top, a 'butterfly' shaped repair to the table top underside (see additional image).Very minor blistering to the veneer on the plinth base, table top appears flat with no noticeable warp.
A Victorian pollard oak centre table, the segmentally veneered circular tilt top upon a tapering octagonal pedestal, extending to a carved acanthus collar and a circular plinth base, supported by three carved paw feet, 73cm H x 132cm D (some historic worm)Condition reportMultiple minor repairs to the veneer on the table top along with minor scratches and wear, see additional images.Extensive historic worm to the top of the pedestal, see image.Table top appears flat with no noticeable warp.
A Victorian rosewood and crossbanded pier cabinet, the book veneered top with a moulded edge over a frieze inlaid with 'C' scroll and foliate detail, above the rounded glazed door opening to a single shelf, flanked by ormolu mounts, upon a plinth base with integral bracket feet, 98cm H x 82cm W x 31cm D
An oak 'Globe-Wernicke & Co' five tier stacking bookcase, early 20th century, the tiers with glazed 'up and over' front panels, applied makers label to the interior, upon a plinth base with integral drawer, 184cm H x 86cm W x 39cm D at plinth (at fault)Condition reportThe joints on the plinth base are loose and would benefit from being reattached, although the bookcase has been constructed on the loose base.General marks and wear commensurate with age and use, evidence of liquid spillage to the side of one tier.
A painted 19th century style linen press, late 20th century, the arched moulded pediment over a pair of doors opening to a hanging rail and two shelves, the base with an arrangement of four drawers and a plinth base, 220cm H x 136cm W x 53cm DCondition reportSage green with white interior.Very minor paint chips and marks commensurate with age and use, no visible faults or damage.Press splits into two sections, doors can also be unscrewed at the hinges for transportation.
A pair of Napoleon III style bronze and ormolu candelabra after Claude Michel (French, 1738-1814, known as Clodion), 20th century, each modelled as a putti holding a trumpet lily spray aloft, on wrythen fluted plinth above a relief cast acanthus leaf border on cruciform base, each approximately 98cm high overall (2)Condition reportThe right hand branch on one of the candelabras has been 'compressed' inwards slightly, otherwise only light rubbing and tarnishing to the socle plinth.No further obvious faults or repairs.
A collection of four Chinese carved wood vase stands, comprising; an unusual circular stand with radial lobed gallery raised on five scroll legs, internal diameter 14cm, a trefoil shaped example, 24cm wide overall, a square section stand with circular vase plinth, internal diameter 17.5cm, a circular stand, internal diameter 20.5cm, and a smaller stand for supporting a group, 13.5cm wide (5)Condition report; Square section stand - two galleries to the base are later replacements. Radial example - One foot with glued repair. Circular stand - splitting can be seen. All with surface staining, scratches and blemishes commensurate with age.
A Swansea plate from the Lysaght service, early 19th century, painted by Henry Morris with a wickerwork basket of flowers upon a stone plinth hung with a garland of pink flowers, the cobalt blue border with gilt floral and foliate frieze, 24.5cm diameter (at fault) CONDITION REPORT:The plate shows surface wear throughout, including scuffs and scratches to the central image, rubbing to the gilt highlights (extensive in places), and wear to the foot rim. The plate rings clear when pinged, and shows no obvious chips, cracks, crazing or restoration.
A pair of Royal Crown Derby Imari urns, pattern number 1128, each of ovoid form with high scroll handles, on fluted spreading foot with integral octagonal plinth, printed maker's marks for 1988 to base, each 42cm high, boxed (2) (at fault) Condition report:Both urns are 1st quality, one urn has a slight distortion to the foot resulting in a fractional wobble. The other has a flat foot, both show minor surface wear and rubbing to the gilt highlights. No other chips, cracks or signs of obvious damage or restoration.
A Royal Crown Derby Imari urn, pattern number 1128, of ovoid form with high scroll handles, on fluted spreading foot with integral octagonal plinth, printed maker's mark for 1980 to base, 30.5cm high Condition report: The urn shows minor surface wear and rubbing to the gilt highlights throughout, commensurate with use and age, but no chips, cracks, crazing, or signs of obvious damage or restoration.
A REGENCY BRASS INLAID ROSEWOOD MARBLE TOPPED TWO DOOR SIDE CABINETFlanked by brass column supports, 85cm wide; 35cm deep; 95cm highCondition report: The marble top is in relatively good condition with some scuffs, marks and minor chips to the edges. The white-ish mark visible in the catalogue online image is another sticker, placed in the middle the front edge. The cabinet has been restored at some point with replaced silk, which is good conditon. The doors are stiff and drag slightly on the plinth base, resulting in scuff and scratch marks. Metal columns and feet are atypical, normally these are giltwood and gesso. Otherwise inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.
PROBABLY JAN COCKX (BELGIAN, 1891-1976): ‘LE CHASSE’ CERAMIC SCULPTURE (4)Mid 20th CenturyThe orange glazed ceramic relief sculpture depicting a hunting scene through woodland, on a wooden plinth, 37cm wide x 40cm high including base; Together with a large French glazed floral ceramic vase, 29cm high, a ceramic plate and a blue and white bowl
AFTER CARRIER-BELLEUSE (FRENCH 1824-1887): A CAST METAL FIGURAL SCULPTURE OF VENUS AND DOVES; TOGETHER WITH ANOTHER SCULPTURE (2)19th CenturyThe figure of Venus seated on a tree stump, signed ‘Carrier Belleuse’, on an naturalistic base and small wooden plinth, 58cm high; Together with a cast metal sculpture of a winged cupid holding up a mirror, 81cm high
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