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Lot 34
A rare George IV burr yew wood veneered fold top card table, the panelled frieze with bobbin moulded frames on a rectangular section pedestal, on a quadriple concave plinth with fluted ball feet and brass casters, height 76cm, 91cm, depth 46cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection in our June 17th Jewellery, Silver & Watches Sale and across our range of upcoming specialist sales.
Lot 378
A pine kitchen cupboard, early 20th century, distressed, in two sections, with two quarter panelled doors above a further two doors, height 172cm, width 142cm, depth 49cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection in our June 17th Jewellery, Silver & Watches Sale and across our range of upcoming specialist sales.Condition report: this came from a very damp room. The floor is rotten and needs replacing. The plinth isn't good. Generally dirty and in rough condition. Extra images now online.
Lot 476
A Prattware figure of a boy, late 18th century, holding a basket of fruit on a mound base and square plinth, height 17cm, width 6.2cm, depth 6.5cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection in our June 17th Jewellery, Silver & Watches Sale and across our range of upcoming specialist sales.
Lot 100
A pine kitchen dresser, the rack with turned columns flanking the shelves, the lower part with two frieze drawers above a shelf and flanked by turned columns, height 203cm, width 106cm, depth 46cm.Condition report: Possibly made up, strong and sturdy, slightly scuffed around the plinth, unusual green glass handles.
Lot 993
Interesting Arts & Crafts large oak sideboard, the moulded top over two long drawers and a short central drawer all fitted with copper ring handles over a central arcaded recessed shelf flanked by panelled cupboard doors with rectangular stylised foliate carved panels, supported upon a plinth base raised on hexagonal side supports terminating in short circular stepped feet, 78" wide, 24.75" deep, 39" high
Lot 41
MIRKO BASALDELLA (1910-1969)DANZATORE, 1947 signed BASALDELLA-MIRKO (on a label affixed to the underside of the plinth) bronze on a wooden plinth Sculpture: 34 x 8 x 8 cm. 13 3/8 x 3 1/8 x 3 1/8 in. Overall: 40 x 10 x 10 cm. 15 3/4 x 3 15/16 x 3 15/16 in. This work is unique.Footnotes:This work is registered in the Archivio Corrado Cagli, Rome, under no. 00065, and is accompanied by a photo-certificate of authenticity.ProvenanceCollection of the artist, ItalyThence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 47
A 19th Century brass table centre of Classical form, the milk glass cornucopia candle holders with brass mounts on scrolling acanthus adjustable supports, raised on a centre columns with fruit finial, the main pedestal with harpie, three Graces, dolphin head, ram's head and winged sphinx decoration in the manner of Rundell, Bridge & Rundell, raised on a stepped plinth base, 83 cm high x 99 cm wide
Lot 235
WILLIAM KING TATE AFTER NOLLEKENS, A BRONZE PORTRAIT BUST OF GEORGE CANNING (1770-1827) CIRCA 1830-1840 Inscribed "London publ. as the Act directs 18 Decr. 1826 William King Tate' 24cm highThe original portrait bust by Nollekens was produced as part of a series of notable historical figures, known as 'worthies', commissioned from the artist by the wealthy collector Robert Vernon (1774/5-1849) between 1828 and 1830. Condition Report: Patina matt and dark.Small area of rubbing revealing lighter underlying bronze to back of head, also to underside of base.Minor scuffing, scratches and wear overall consistent with age.Knock to draped fabric on chest. Bruise to nose.Sectional join visible where bust meets the socle.The bust can be rotated slightly only the pedestal.The round base knocked so that it doesn't quite sit flat.The cylindrical plinth with some surface scratching. Please refer to additional images for visual reference to images. Condition Report Disclaimer
Lot 237
A REGENCY BLUE JOHN TAZZACIRCA 1820The circular top with flared rim above the waisted circular tapering socle, on an Ashford black marble plinth11cm high overall, 18.5cm diameter Many Blue John items are held in the collection at Chatsworth House, Derbyshire due to its proximity with the source of Blue John at Blue John Cavern and Treak Cliff Cavern at Castleton. The Chatsworth Tazza, located in the Dining Room, is one of the largest Blue John pieces ever made and bears a close resemblance in form to the smaller tazza offered here.Condition Report: Various old neatly repaired cracks through the bowl and stem - see images. Some filler and adhesive visible to repairs. Old chips and 'nibbles'. Black marble plinth is possibly associated. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 354
AFTER JACQUES BOUSSEAU (1681-1740), A FRENCH BRONZE FIGURE OF ULYSSES BENDING HIS BOW19TH CENTURYThe figure with a quiver of arrows, a shield and sword, on stepped yellow marble base42cm high This particular subject was sometimes referred to as 'Ulysse tendant l'arc dont Pénélope doit être le prix' and refers to Ulysses homecoming in disguise, and completing Penelope's demand to her would-be suitors that they string her husband's bow and shoot an arrow through 12 axe heads. Condition Report: Patina green in hue.Minor scuffing, scratches and wear overall consistent with age.Sectional casting join visibleSome chips and repairs to the marble plinth including some filler.A pitted hole to the back under the shield. Please refer to additional images for visual reference to images. Condition Report Disclaimer
Lot 378
A PAIR OF FRENCH MARBLE AND ORMOLU SEVEN LIGHT CANDELABRACIRCA 1860Scrolling lily and floral branches above campana bases with twin snake handles81cm highCondition Report: Marks, scratches, chips, splits, abrasions commensurate with age and use.The marble of slightly granulated (rather than glass-like) finish; some stains; a repaired crack to the base of one vase.The ormolu with some discolouration.Lacking the stamens to one flower; one flowerhead and stalk detached.A nice design detail is that the serpents eyes are the screwheads fixing the handles to the vases.Some colour differentiation to the mounts applied to the reeded body of the vases; discoloured scratches to the plinth bases.All that said, these are impressive items and many of these details are only apparent with close inspection.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 404
AFTER E CLAVIER (FRENCH, 19TH CENTURY), A PAIR OF BRONZE FIGURES 'THE LADY GARDENER AND HER COMPANION THE PIPER' LATE 19TH CENTURYSigned to the naturalistic basesthe taller 30cm highCondition Report: Overall matt finish with variable colours of patina - eg dark to base, clothing lighterMinor scuffing, scratches and wear overall consistent with age.Knocks and chips to the marble plinth edges.The chanter to the bagpipes bent.Some small movement between the female bronze and the marble base. Please refer to additional images for visual reference to images. Condition Report Disclaimer
Lot 420
A FRENCH BRONZE DEPICTING 'COLONNE DE LA RÉPUBLIQUE'LATE 19TH CENTURY, AFTER PAUL LECREUX'S ORIGINAL IN THE PLACE DES PALMISTES, CAYENNE, FRENCH GUIANAWith bust of Marianne above text celebrating the centenary of the French Revolution in 178992cm highCondition Report: The bronze with the expected minor marks, knocks, scratches, scuffs and abrasions commensurate with age and use. In generally good order overall. Some rubbing in places. The timber board to the underside/interior of the column is likely later. It appears that the bronze previously secured to a plinth or base as there ae there are some small screw holes to the lower edges (see images). Please refer to additional images for visual reference to condition. Height overall - 92cm Condition Report Disclaimer
Lot 424
Y A FRENCH KINGWOOD, PARQUETRY, MARQUETRY AND GILT METAL MOUNTED SIDE CABINETCIRCA 1875 109cm high, 115cm wide, 46cm deep overallCondition Report: Marks, scratches, chips, splits, abrasions commensurate with age and use.The marble top with some knocks, small chips and stains; the outset corner sections previously detached and restored.Lacking some sections of veneer including to the plinth edges and corners.Original one turn top and bottom lock the full height of the door, with smooth action and key.Some subtle colour variation from fading.Lacking a couple of pins holding the ormolu mounts, but the mounts are still fixed in place.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 433
A NAPOLEON III RED JASPER, BRONZE AND ORMOLU TAZZA IN THE MANNER OF FRANCOIS LINKE, MID 19TH CENTURYThe circular dished top on gilt and patinated cherub stem support, stepped base with laurel leaf banding 35cm diameter, 34cm highCondition Report: Minor scuffing, scratches and wear overall consistent with age.Crack, possibly repaired across bowl.The revolving top and plinth with minor rim edge chips evident by touch more than eye.The gilt bronze mount to the bowl with a slightly irregular gap and some chips to the surrounding marble, one larger chip to the base by an outset section. Some red filler to small chips to the underside of the bowl and the plinth.Wear to the gilt bronze nozzle where the fitting has rubbed.The gilt bronze mount to the bowl drilled with three fixing holes.Some lightening to the patination including to the edges of the drapery.A knock to the right arm of one figure.Some small blackened markings to the gilt bronze, some minor rubbing to to the edges of the angular gilt metal mounts.The stepped base with a small gap to one area so that the gilt metal and marble do not sit snugly.All this being said these details of condition are only apparent on very close inspection. Please refer to additional images for visual reference to images. Condition Report Disclaimer
Lot 443
A VENETIAN CARVED PINE AND FRUITWOOD DEVIL FIGURE ON A PLINTH, ATTRIBUTED TO FRANCESCO TOSO (D.1893)LATE 19TH/EARLY 20TH CENTURYIn the form of a faun with 'S' shape posture, the detailed carving including the lace cravat, lapels, pockets, buttons, on a canted rectangular stepped plinth 169cm high Murano born Francesco Toso was born into a glass making family. He set up on his own making mirrors and ebonised sculptures with this distinctive style of carving and hues of wood. Toso's work was acclaimed at the 1893 World's Fair in Chicago, where Toso suddenly died. Toso's other carved sculptures included gondoliers and Punchinellos. See lot 212 of Woolley and Wallis' auction on 21 October 2020 for a pair of similar figures. Condition Report: Marks, knocks, scratches and abrasions consistent with age and use.Some cracks including along sectional joins.Some evidence of old worm Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 70
A CARVED MARBLE HEAD OF A CHILD IN THE 1ST/2ND CENTURY AD ROMAN MANNER On a rectangular wood plinth 16cm high, 22cm high overallProvenance: The Private Collection of Sir David and Lady Scholey Condition Report: In the 1st/2nd century AD manner Granulated finish, presumably due to being outside Worn, aged, scratched, chipped, incomplete Some discolouration The display block with chips to the veneer The head lifts off the metal pin to the display block Please see additional photographs for a visual reference of conditionCondition Report Disclaimer
Lot 84
AFTER THE ANTIQUE, A BRONZE GROUP OF A SATYR WITH THE INFANT BACCHUS LATE 19TH/EARLY 20TH CENTURYThe figures holding vines and a cymbal beside a vine covered tree stump, a pan flute and cloak63cm high Provenance: The Private Collection of Sir David and Lady Scholey. Condition Report: Overall the dark brown patination scratched and worn revealing Verdigris. Lacking the plinth. Lacking a cymbal to one hand. A screw hole to each corner of the rectangular base. Two notches cut to the front edge of the base.Condition Report Disclaimer
Lot 1282
A George II walnut longcase clock, 30cm square brass dial inscribed John Richars (sic), Wisbech, silvered chapter ring, Roman and subsidiary Arabic numerals, the spandrels cast and applied with masks and scrolling foliage, the case with moulded outswept pediment, the glazed door flanked by cylindrical columns, rectangular door to waist, plinth base, 210cm high, 47.5cm wide, 25.5cm deep, c.1740John Richards was born in 1701 to Valerian Richards of Smithfield, butcher, and was apprenticed to Thomas Loftus of Wisbech (died 1732) 1st March 1715, and set up in business there that year after a period of working with his former master.
Lot 1420
A Gothic Revival oak side cabinet or chiffonier, the superstructure with a pierced three-quarter gallery moulded with swags, above two open bookcase shelves, foliate capped cylindrical columnar supports, the projecting base with quarter-veneered top and foliate edge above a pair of frieze drawers applied with tracery mouldings and a pair of architectural panel doors with scroll and leaf capitalled pillars enclosing an adjustable shelf, plinth base, 158cm high, 122cm wide, 56cm deep, c.1880
Lot 1430
A Victorian oak and marquetry longcase clock, 35cm arched painted dial inscribed Geo Keates, Cheadle, Roman numerals, twin winding holes, the arch painted with a waterside tower, the case with swan neck pediment, shaped rectangular door to waist, inlaid with a stag, birds and stylised leaves, plinth base, 234cm high, 57cm wide, 23.5cm deep, c.1840
Lot 1462
A substantial Victorian walnut and marquetry credenza, ebonised top and chevron parquetry frieze with concealed drawer, above a central glazed vitrine door enclosing three shelves, flanked by bowed panel doors inlaid with scrolling leaves, each enclosing three further shelves, divided and flanked by acanthus capped and grasped fluted pilasters, plinth base, bears label for John Kendell & Co, 152cm high, 229.5cm wide, 53.5cm deep, c.1860
Lot 1471
A Victorian gilt metal and porcelain mounted burr walnut and ebonised credenza, moulded top with matched veneers above a rectangular door centred by an oval plaque painted in the manner of Sèvres flanked by turned and fluted pillars, the angles with bow-fronted vitrine doors, plinth base, turned feet, 107cm high, 136cm wide, 43.5cm deep, c.1860
Lot 1472
A Victorian gilt metal mounted ebonised and 'Boulle' marquetry credenza, slight break-centre top above a central panel door enclosing a shelf, flanked by curved glazed virtine doors, each enclosing two further shelves, divided and flanked by brackets cast and applied with a shell and trailing flowers, inlaid throughout with scrolling leaves, plinth base, 107.5cm high, 160cm wide, 43cm deep, c.1880
Lot 1473
A Victorian gilt metal mounted ebonised and 'Boulle' marquetry credenza, slight break-centre top above a central panel enclosing a shelf, flanked by curved glazed vitrine doors, each enclosing two further shelves, divided and flanked by brackets cast and applied with swag draped fluted pilasters, inlaid throughout with scrolling leaves, plinth base, turned feet, 110cm high, 161.5cm wide, 39.5cm deep, c.1880
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173487 item(s)/page