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Royal. A Snipe shot by the Prince of Wales, later King George V, mounted on an ebonised plinth with engraved brass tablet beneath a glass dome, 39cm h,. The inscription reads: 'SHOT BY H. R. H. THE PRINCE OF WALES WHEN ON A VISIT TO LORD ARDILAUN AT ASHFORD CO GALWAY JANUARY 1905' . In fine condition, consigned by a local private vendor in whose family possession the piece has been for several decades
A pair of early Victorian bronze candlesticks, the leafy sconce above an open vine leaf drip-pan hung with glass pendants and supported by a stork, on stepped square plinth, 22cm h . Lacking nozzles and very dusty but in otherwise good condition, the glass pendants possibly associated and with slight faults but complete
Miniature Furniture. A Victorian mahogany breakfront wardrobe, with flared cornice above a pair of full length glazed doors flanking a pair of panelled doors and four drawers, on skirted plinth, 43cm h; 61 x 17cm . In good condition with small repairs; composed in part of pine which has been mahogany stained
A barograph, by Casella London, with nickel plated recording drum and vacuum vessel on an aluminium base, in glazed mahogany case with a drawer to the plinth, 26 x 23cm, second quarter 20th c . The mahogany base damp stained and overall very dusty but complete an believed to be in working order
A 19th century watermill and singing bird automaton clock, with white enamel dial and French movement with circular plates and outside countwheel set in a galleried turret beneath a basket of flowers, the water mill beneath a cliff top windmill, the scene centred by a lofty tree with singing birds in the branches, on oval ended and waisted ebonised plinth containing the musical movement, 66cm h, c1875. In good and entirely original condition, a little dusty in places, a faint hairline crack in the enamel dial. The automata in fully working order.
A George III oak longcase clock, the 11inch brass dial signed on an oval tablet to the matted centre Hugh Lough PENRITH, with date sector and roman chapters, rococo spandrels, pierced steel hands and thirty hour movement, having stepped cavetto cornice and turned pillars enclosed by a notched full length door, on conforming base and bracket feet, 205cm h. Movement and dial associated and with faults although largely complete. The case of fine colour and in sound original condition, a vertical split in the base, the plinth-feet old replacements, with a weight but no pendulum, a small hole in the left hand side of the trunk of this longcase.
A Victorian oak and pollard oak sideboard, the lofty mirror inset, galleried upstand with vase finials and crisply carved panels of leaves and flowers, the conforming breakfront sideboard with an arrangement of drawers and doors carved with grotesques around a recess, on skirted plinth, 279cm h; 198 x 68cm . In good overall condition, the principal mirror with extensive spotting to the silvering
A pair of George III mahogany dining room pedestals, the hexagonal cutlery urns with flared and knopped covers, crossbanded and line inlaid, the pedestals with a stepped cavetto cornice and fluted frieze centred by roundels, the door with a curl veneered oval on skirted plinth, 170cm h; 48 x 47cm. Minor breaks and old repairs, the pair of covers slightly misshapen and one with severe splits to the veneer but unrestored
A George IV mahogany collector's cabinet, surmounted by a shelf with bead and reel mouldings on S scrolled brackets and fitted with two banks of twelve cockbeaded drawers with gilt brass embossed handles, enclosed by a pair of glazed doors, on skirted plinth, 152cm h, 104cm w. In excellent condition; a small repair to one corner of the upstand
A Charles Vyse pottery figure of The Lavender Girl, the dark haired young Romany wearing a green slide in her hair and vivid fringed yellow shawl over her billowing, flowered dress and purple edged apron, offering a bunch of lavender in her extended right arm, on faceted base, 22cm h, affixed contemporary paper label and price ticket, c1922. Insignificant flat chip on the plinth at the back, faint short (1cm) vertical hairline crack in the plinth to one side, no restoration (See lot 71 for illustration).
Two pairs of Staffordshire earthenware models of spaniels, with free forelegs and sponged in iron red or black, the latter on cobalt and gilt bases, and a group of spotted hounds seated on a green rock, a deer at their feet, 14-18cm h, all 19th c (5). Red decorated spaniels - one with a long crack in the back, slight overall yellowing of the crazed glaze but attractive, the odd minor firing crack but hardly any flaking of the enamels and no restoration. Black decorated spaniels - typical light crazing of the glaze but no damage, flaking or restoration apart from two minute edge knocks to the plinth of one, the group of two spotted hounds - one head broken off and amateurishly reglued, small loss to the encrusted moss and flaking of the turquoise green base in places. No other faults or restoration
An English porcelain ice pail, probably Coalport of Warwick Vase form, the cavetto painted with continuous tightly packed flowers beneath a border encrusted with bunches of grapes and gilt leaves borne on green vines issuing from gilt handles with gilt egg-and-dart rim above a green ground, on conforming flared foot and square plinth, 28cm h, c1825 . Some slight wear to the gilding and the odd minor chip here and there but in overall very good condition, with no substantial faults nor is there any restoration
AN OAK LONGCASE CLOCK Dial: 10 3/4inch brass chapter ring, signed Edwards Bps. Castle, case: the hood with mahogany crossbanding flanked by turned pillars, the cornice incised 1768, the arched waist door flanked by fluted square section pillasters, the plinth with a reverse breakfront, 91in. (231cm.) high overall
A 19th century North country mahogany eight day longcase clock, the swan neck pediment above an arch glazed door enclosing a 14 inch arched painted dial with moon phase, figural painted spandrels and secondary seconds and date dials, with four pillar bell striking movement flanked with spiral moulded columns above an arcaded trunk door flanked with similarly moulded uprights, standing on a plinth base with bracket feet and a shaped apron, 280cm high
An 18th century oak longcase clock, the swan neck pediment above a circular brass dial signed Hill, Sheffield, with Roman numerals and engraved centre, flanked with brass capped fluted columns above an arched long trunk door flanked with fluted quarter columns, standing on a plinth base, 206cm high
An 18th century oak 30 hour longcase clock, the moulded cornice above a glazed door enclosing a 10 inch brass dial signed to the silvered chapter ring Richad [sic] Watkin, with Roman numerals and posted frame bell striking movement above a long trunk door, standing on a plinth base, 200cm high
A French 19th century ormolu and gilt metal mantel clock, designed as three putti playing a pipe and triangle by trellis upon a rocky ground, the scroll moulded dial with inset enamel numerals and Japy Freres '1855' movement, flanked by a pair of 'Sevres'panels, on a pierced scroll base with leaf moulded giltwood stand and ebonised plinth with glass dome, the clock 33cm high
Attributed to F Barbedienne, a 19th century mantel clock, the eight day movement striking on a bell below the platform escapement and above 1827 Paris gold medal stamp, the moon shaped case supported in stylised flaming mandala flanked by Garuda birds with paw feet on the white onyx plinth and ormolu scroll feet, the quatrefoil enamel numeral shields on a rosette of champleve, 28.5cm high.
Leroy a Paris, an early 19th century French ormolu clock, the eight day movement with silk suspended pendulum and countwheel strike on a bell, an Ottoman with his sabre seated above the silvered engine turned dial, a band of leaf lappets cast about the flared rectangular plinth foot, 30cm high
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173487 item(s)/page