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A Rosewood veneered mantel clock, the square silvered dial marked "GEORGE WADHAM, BATH", the four glass case with bevelled top glass, gut drived double fusee, the movement striking on a bell, (nut missing) with pendulum and winding key, ogee frieze to plinth base 29cm height approx (case A/F)
A variegated green marble mantel clock, B.H.A Britannia movement, domed top surmounted by brass finial to the architectural pediment, Greco-Roman battle scene embossed to brass mounted frieze, enamelled chapter ring, Arabic numerals, the dial flanked by gilt metal reeded columns, stepped plinth base.
A late 18th century porphyry and micromosaic bonbonniere A late 18th century porphyry and micromosaic bonbonniere , the plain porphyry box inset in the lid with a circular micromosaic plaque by Giacomo Rafaelli depicting a pair of facing doves on a plinth, an attribute belonging to Concord and alluding to an end of war and on going peace, signed on the underside Giacomo Raffaelli feci in Roma 1799 , the gold mount with an indistinct poinçon, 7.7cm (3in) diameter ​ Giacomo Raffaelli (1753-1836) came from a family who worked for the Studio del Mosaico della Fabbrica della Basilica di S. Pietro in Rome. He is credited with many of the innovations in mosaici in piccolo , although it is probable some had been developed a little earlier. In 1775 Raffaelli held the first recorded exhibition of micromosaics at his private studio in the Piazza di Spagna. His subject matter was varied, from birds, flowers and animals, to views of the monuments of Rome, all of which were popular with Grand Tourists.
A PRESENTATION FRENCH MANTEL CLOCK, with figural ormolu seated Madonna and child beside pugin style pulpit with circular barrel movement with enamelled dial with blue Arabic numerals, eight day movement stamped PH Mourey and 2303 verso, set on shaped carved white marble with floral ormolu mounts on four feet on oval ebonised plinth with glass dome over, circular plaque inscribed 'JV & Fils Paris', approximately 50cm x 40cm high
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