A Georgian oak cased long case clock, by J N Stokes of St Ives, number 667, the brass dial bearing Roman and Arabic numerals, subsidiary seconds dial, with cherub and scroll spandrels, chain driven, the case with scroll carving to the top, on a plinth base, with key and weights, 190cm high. (AF)
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A Victorian oak mirror back sideboard, the shaped pediment carved with a mask flanked by fruit and griffins, over a similarly carved frieze, above a square bevelled mirror plate, flanked by two rectangular mirrored plates below carved scallop shells, flanked by musicians on leaf carved scrolls, a shelf below above lion's mask and fluted capital supports, the base with four small drawers, carved with masks above doors similarly carved, flanked by four putti figure heads, raised on a shaped plinth base, 298cm high, 182cm wide, 66cm deep.
Large quantity of recent issue large & small scale Cars including 2 x 1/18th scale 1996 Williams Renault FW18 Damon Hill World Champion; Shell Classico Collection various large & small scale Racing Cars; Dinky The Collection Jaguar E-type & XK150; Vanguards 1/43rd scale Vauxhall Cresta PA, plus others similar (see photo) - Excellent to Mint in Fair to Excellent packaging and unboxed approx 1/24th scale Shell Collection Jaguar XJ220 - Good Plus (requires cleaning) on plastic display plinth. (23)
A selection of African works of art, 20th century, to include a Pende mask, 32cm long, a small Hemba figure, 18cm high, a Ugandan art pottery model of a cheetah, designed standing on a rectangular plinth base, 29cm wide, with a further art pottery model of a shop merchant, 31cm high, an Ethiopian orthodox icon, a Congolese nut, a Kampala metal handled pan, a Ugandan gourd, two East African bamboo stools, two wooden and steel bladed knives etc. (11)
A Staffordshire portrait bust of Reverend John Wesley, mid 19th century, set to an integrated marbled effect circular plinth, indistinctly impressed plaque verso, 29cm high (at fault)Condition reportOverall minor crazing to the glaze, rubbing to the black 'gown' with some paint loss, blue smudge to the top of the right eye, possibly ink or paint, general light fading/ wear and some grime deposits.
A late 18th/early 19th century German porcelain plate, of circular wrythen form with ozier moulded border, painted with polychrome floral sprays and gilt highlights, blue underglaze sceptre mark to underside, 21.5cm diameter, together with a pair of 19th century continental bisque glazed porcelain figures, modelled as a gentleman playing a fiddle and a lady dancing, each in 18th century dress upon circular marble effect bases, applied pad stamped 'AC' applied to base, tallest 28cm high, and a further selection of continental porcelain (7) (at fault)Condition reportUnderglaze faults/blemishes to the porcelain plate, general rubbing to the gilt and floral detail.Bisque figure of a fiddler is lacking bow, chip to the hat, restoration to one of the feet under the plinth, possible further minor chips and faults, multiple firing cracks in the companion, generally grimy and would benefit from a clean.All other figures show signs of wear although no obvious faults or repairs.
A pair of oxidised copper girandoles, early 20th century, the baluster frame extending to 'S' shaped branches with glass pendants and five conforming sconces, raised upon scrolled supports and a triform plinth base, 54cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A French gilt effect spelter table lamp, early 20th century, modelled as Cupid or Eros with his arrow, bow and quiver, the lamp supported on a foliate stem extending from a naturalistic ground, raised on a shaped marble plinth, indistinctly signed in the cast, the frost glass shade of daffodil's trumpet form, 48cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A collection of fifty horse brasses, to include a Manx triskelion example, a Warwick bear example, a "Tally Ho" hunting example and two imp or goblin examples, five mounted on a Martingale, with a wheel mounted brass bell on wooden plinth, 17cm high, and a further brass bell mounted on a wooden shield, 18.5cm high overall (52)
A George III oak and mahogany cross banded eight day longcase clock, signed J Kitchen, Nantwich, the flat top hood with fluted pilasters flanking the 34cm square brass dial applied with Roman and Arabic numerals, centred with a subsidiary second dial and date aperture, signed with the makers name and enclosing the two train movement striking on a suspended saucer bell, the case with conforming quarter pilasters and a shaped door, raised upon an associated plinth base, 206cm high (no weights or pendulum) (at fault)
A George III mahogany and inlaid marriage chest, the rectangular hinged top inlaid with a central star flanked by foliate sprays and enclosed by chequered stringing, opening to a fitted candle box, the front panel similarly inlaid with hanging heart shaped pendants to the side panels, raised upon a plinth base inlaid with swags, 61cm H x 112cm w x 48cm D
A Louis XVI revival marble top serpentine kingwood side cabinet, mid 20th century, the moulded marble top above a single frieze drawer and cupboard door inlaid with serrated banding, and applied with gilt metal applique and banding, upon compressed front feet, 101cm H x 97cm W x 43cm DCondition reportMinor hairline crack to the marble top, 9cm long, along with general light rubbing and scratches. Some light warping to the veneer on both sides of the cabinet although no splits or cracks. Some rubbing to the plinth base where the door closes, plinth base appears to have been re-stained, restoration to the front right foot, further possible restoration to the rear feet, general light tarnishing to the gilt metal applique.
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