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Lot 95
William Bilbie of Chew Stoke, an early 19th century oak longcase clock, the brass face with date aperture and cast spandrels supporting a 30 hour movement under a square hood, the trunk with rectangular door and plain base on a plinth foot CONDITION REPORT: wear commensurate with age, minor damage and repairs, reduced in height PLEASE SEE ADDITIONAL IMAGES
Lot 427
Mahogany longcased clock , mid 19th century, with boxwood stringing, the painted break arch dial with rolling moon, figural spandrels, roman hours, subsidiary seconds, date aperture, named Geo Plater, Burslem (?), eight day movement on a false plate with hour rack strike, in a swan neck hood with turned columns, triple arch door, set out plinth and bracket feet, height 240cm overall (two weights, pendulum, winding key). *See clocks and watches proviso. Condition Report: See Terms and Conditions
Lot 1346
Banca Nationale, Romania, 1000 lei (2), 1916,1917, blue and white, maiden low left and right, ornate classical columns and plinth at left and right (Pick 23a), margins a little untidy but body of the notes quite fresh, about good very fine, scarce (2) VAT Status: Margin Scheme View Terms & Conditions
Lot 309
A Victorian Gothic Revival two-door oak reliquary by John Hardman & Co, with pierced silver plated fleur-de-lys gallery, the doors with strapwork hinges and embossed panels with the Pelican in her Piety and Agnus Dei decoration, the doors opening to reveal a gilt and silk damask-lined interior, raised on a moulded plinth bearing an engraved silver plated frieze with the legend `Sanctus: Sanctus: Sanctus`, 52cm (20 1/4in) wide
Lot 438
Barney Seale RBA (1896-1957), A bust of Augustus John, bronze with a green patina, signed and dated `37, raised on a black marble plinth bearing a bronze plaque with the sitter`s signature, the bust 22cm (8 3/4in) high, overall 29cm (11 1/2in) high. Literature: Stanley Casson (ed.), Sculpture of Today, The Studio Ltd, London, 1939, another cast illustrated p. 51. According to Casson, John highly approved of Seale`s sculpture and added his signature to the original model
Lot 598
W. PARKES, WOLVERHAMPTON A LATE 18TH/EARLY 19TH CENTURY OAK 8-DAY LONG CASE CLOCK the hood with moulded pediment, fretted frieze and flank pilasters, four pillar mechanism with rack bell strike faced by a 12" brass dial with cast spandrels and silve red chapter, plain trunk with box base, on plinth, 2.16m high
Lot 162
A Victorian automaton modelled as a turret with soldier surmount, a bridge and rustic buildings with trains and ships, housed under a glass dome, painted with mountainous seascape and sailing boats, raised on a plinth base, 51 cm high CONDITION REPORTS With wear, scuffs and scratches. Some losses to painted decoration. Some chips to figures and scenery. Sailing vessels, sails and masts appear to have become detached. It is not known whether or not complete. There are some old woodworm holes. There are two small rods / levers to one side and a wheel type mechanism visible to underside. These do not currently appear to be operating. It is not known whether or not mechanism is present within.
Lot 190
A carved wooden model of a 17th Century gabled house inscribed "1652 W R H R" and "God's providence is mine inheritance", with figures on a balcony and in a doorway on a pavement effect textured plinth base, bears paper label to underside indistinctly inscribed, and dated 1820, 38 cm high CONDITION REPORTS General wear, knocks, scratches and splits conducive with age and use. There are small sections of old wormholes to the front steps and behind the man in the first window. There is a split to the base all the way along. Some chips to the back and some wood missing. Possibly finials missing from the top of the house. Rough edges. There is a split the width of the house on the right hand side. There is a split to the stairs going up from base 4 steps and carrying on along the sides. The man at the top of the steps is missing his back leg.
Lot 205
A late 18th Century oak cased longcase clock, the hood with moulded cornice and glazed door flanked by turned pilasters over a trunk door to a flat fronted plinth base, the circular brass dial with Arabic and Roman numerals, engraved to the centre "Josiah Kember Shaw" within pierced C-scroll and phoenix spandrels to a 30 hour movement, 207 cm high CONDITION REPORTS Wear, scuffs, splits and chips. Some losses. Base with numerous splits, screwed repairs and later additional sections, including whole of lower darker section being a later replacement. Old woodworm holes. Case sits slightly crookedly. Later varnished finish. Various holes and losses to back of case. We can make no guarantees as to whether complete nor whether in working order. Hands have soldered repairs. There is an old piece of fabric across the top of the hood (wood top missing). Dial with scratches.
Lot 339
A pair of Indian (Moghul) carved marble pedestal jardiniers, the bowls with wavy rims and lotus leaf carved decoration on a turned and ringed and reeded lotus leaf decorated tapering pedestal to foliate decorated octagonal plinth base, 38.25 cm diameter x 91.6 cm high CONDITION REPORTS Slightly dirty. Both have numerous little nibbles to the edges, particularly along wavy rims and around base edge. Various knocks and bumps to edges. There are some deep cracks - one has a crack running all around central pedestal about half way down, and has been repaired and appears to be quite secure. There are other various knocks the decoration along the edges of the leaves etc. The other one has a reasonably deep crack running through the bowl from top inside all the way down to the leaf decoration half way down the outer side running in a V shape that has been professionally filled. Knocks and chips to edges, but otherwise in stable condition.
Lot 375
A pair of early 20th Century carved giltwood torchère stands in the Empire taste with green glass shades, the brass candle holder on a simulated marble plinth and central carved column on three oak leaf carved and reeded supports and lion's paw feet on a triangular base with ram's head and panel decoration, 163 cm high, together with green glass storm shades
Lot 376
A marble console table in the Imperial Russian taste, the plain top with moulded edge on a spread eagle support, raised on a white and black marble plinth base, approx. 151 cm wide CONDITION REPORTS Overall with wear and scuffs. Large chunk to right side of top broken off and re-glued and some chips in this area. Also chips back right and some smaller chips and nicks around edges. Large chip to pedestal front right plus various other chips to pedestal base. Overall with some scuffs and scratches. A couple of small cracks to white marble decoration.
Lot 400
A Victorian walnut and gilt brass embellished credenza of typical form, the shaped top with brass gilt decoration throughout above a central cupboard door with Sèvres style panel in the manner of Angelica Kaufmann, flanked by two turned pillars, both with extensive floral and foliate gilt embellishments, flanked by two glazed cabinet doors enclosing two shelves, raised on a decorative gilt plinth base, 178 cm x 112 cm CONDITION REPORTS Some general surface scratches and minor knocks and bumps to edges of veneers. Some slight discolouration and fading to body, compared to the top. Joins to veneered front edges have a couple of splits top to bottom centrally and to one corner. Light rubbing to gilding. Gilding becoming a little loose and benefit from being resecured. Gilding rather dull around lower edge from general dirt. Two blocks at front - corners very knocked and bumped, and two back corners knocked and bumped. One front pedestal has a heat damage mark from half way up in a rectangle approx 2 x 3cm and heat damage all round the bottom half of that pedestal, and pedestal is loose and requires resecuring. Various chips to edges particularly to cupboards,and to the veneers approx 1cm x 0.2cm . One of glass panes has a section of gilding missing top edge on the door. Overall, however, a nice sound piece which would benefit from some sympathetic restoration to bring back to former glory.
Lot 1107
An 18th century style Irish tallboy chest, the moulded and dentil cornice above seven graduated long drawers, on a shell mounted plinth base, with cabriole legs with claw and ball feet, 84 cm wide See illustration Condition report Report by MW The overall appearance has sun damage which has bleached the colour from the wood. The handles have later replacements, there are two shrinkage splits at the top of the case on both sides, which are both approx. 6 inches in length. There are several large scratches to both sides of the carcase
Lot 1109
A Victorian mahogany bookcase on cupboard, having a pair of glazed doors above a pair of panel doors, 130 cm wide See illustration Condition report Report by NG Approx. Measurements H: 241cm W (top): 130cm W (base): 125cm D: 44cm Cornice with some losses to back left side as you look at it. Moulding around glass moved so joints are not closed at top. Panel doors with slight bow. Overall wear with knocks and bumps especially to plinth. Report by JB Bookcase displays general signs of wear and markings that you would expect from age and use, both backing boards top and bottom intact and would appear original. Left hand side top hat section is missing some veneer to the rear, general marks, scratches and bruises to left hand side of the case. Similar markings and scratches can be observed to the right hand side also. Some light wear to centre top hat section. Light chipping to veneer to the top of the left hand door. The surrounding edge to the glass is slightly raised on both the left and right hand side of the top sections, and is loose to the touch. Interior would seem in relatively good order, again general markings wear and scratching that you would expect. Both doors in working order. A few dark marks can be observed to the bottom of the left hand side door, running down on to the base section, which has a few noticeable dents to the surface, along with the coffee mark, and two deep scratches along with some chipping to the front. Hinges replaced, shelves and shelving sections would appear original, they display a coherent amount of wear in comparison to other sections. General rubbing and markings to base. Right hand exterior door would appear slightly sun-bleached, with both displaying general markings. Left hand side of the lower cabinet has two noticeably deep scratches and some loss of veneer around foot area, and the same can be said for the right hand side. Whereas the front bottom section is slightly sun-bleached Please see illustrations for details
Lot 328
Collection of Welsh Rugby Union Centenary glass ware and other souvenirs – to incl 1981Glass engraved rugby ball – issued to JL Hayes mounted on a wooden plinth, 1980 Welsh Rugby Union Centenary Commemorative FDC depicting a Welsh And French player and Commemorative Envelope –mounted on a card holder, and Welsh Rugby Union Centenary Presentation Copper Etching – Centenary Year 1980/81, celebrating 8 Grand Slams and 16 Triple Crowns to front, and mounted in gilt frame overall 24cm x 32cm . (VG) (3)
Lot 478
ROBERT LINDSEY CLARK A.R.B.S. (1892-1926) "THE BROKEN LIMBER", signed and dated 1924,cast and patinated bronze, 22" x 26.5", on a carved oak table stand, 54" high overall and fitted with turntable to enable rotation of the piece Provenance: Capt. W.N. McClean and thence by descent. Exhibited: Royal Academy, 1924, no.1551. Acquired at the end of the exhibition by Capt. McClean for £300. An Exhibition of Cheltenham Artists at Cheltenham Art Gallery, December 8th 1925 - January 16th 1925, by kind permission of Capt. W.N. McClean. Literature: `The Best, a history of H.H. Martyn & Co`, John Whitaker, Promenade Publications, 1998 `The Broken Limber` or `The Limber - A Broken Pole` was originally designed as Cheltenham`s Memorial to those lost in The Great War, and was envisaged to be a life size cast set upon a plinth of Portland Stone. The piece depicts two horses lunging to pull an eighteen pounder gun limber of the Royal Horse Artillery from the mud, being expertly controlled by a soldier who is riding one of the horses, despite the broken limber pole which has given under the strain. The bronze offered here is the prime version as exhibited at the Royal Academy in 1924. It appears from correspondence between the Artist and Capt. McClean that two replicas of the bronze had been commissioned at the time of the sale, and that these would be marked `Replica` and have an additional rifle butt amongst the debris at the bottom of the sculpture to distinguish them from the original cast. A replica of the bronze is in the collection of The Museum of Cheltenham. The correspondence between Robert Lindsey Clark and Capt. W.N. McClean is included in this lot.
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