A late 19th century skeleton clock, under glass dome, 44cm high .Clock appears neglected but has been wound, set going and appears to have kept time over some five hours; passing strike feature needs attention; painted numerals with flakes and cracquelure. Marble plinth good; rosewood plinth veneers lifting and incomplete; glass dome good despite minor flakes around footrim; dome fits plinth quite well and may be original.
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Seven Staffordshire flat backs, including a gentleman on horse back, two seated lovers, a similar pair of King Charles Spaniels, and a pair of Staffordshire style cats, tallest 32cmSeated lovers female’s right hand glue re-attached; flakes to enamels. Spaniels crazed and wear to gilding. The cats are modern, one plinth scratched. Standing cellist his pink left arm chipped and incomplete. Dancing pair of children cracked. Small group with green-jacket drummer several flakes to enamels. Tall arbour group crack around standing male’s throat, crazed, numerous flakes to enamels. Others structurally good although with light crazing, wear to gilding.
TWO BOXED LILLIPUT LANE SCULPTURES, comprising a 'Bluebell Line' Illuminated Snow Cottage, code L2794, black label 2004, together with a limited edition 'The Royal Train At Sandringham' L2517, from the British Collection, edition number 494 with wooden plinth, Condition Report: no obvious damage
TEN ASSORTED BIRD ORNAMENTS AND A BORDER FINE ARTS GROUP OF TWO STAGS 'HOLDING THE HIGH GROUND' B1136, fixed on a wooden plinth, label to the underside, the bird figures include a David Fryer Studios Kingfisher with bronzed bull rushes, height 30.5cm, (five damaged wing tips, flower is loosely connected to base), a porcelain and bronzed Robin figure (damaged beak), a porcelain and bronzed Barn Owl, two unmarked Poole pottery style birds, a Royal Worcester Wren, model no.3198 (chipped beak), etc (11) (Condition Report: Border Fine Arts Stags are in good condition, the remaining three Robin figures and Barn Owl all have damage, all figures are very dusty)
A GLASS CASED VICTORIAN BRASS FUSEE SKELETON CLOCK, the arch shaped clock with silvered chapter ring with Roman numerals, fitted in a brass framed five panelled glass case and mounted on a rectangular mahogany plinth, height of clock only 25cm, case dimensions height 30.5cm x width 22.5cm x depth 15.5cm, with pendulum and brass key (1 + key and pendulum) (Condition Report: clock winds and runs for a short time before winding down, a mark/stain to the wood at the front and a few scratches to case)
A 17th century style gilt brass drum table clock, a small time-piece and a 19th century slate mantel clock The drum clock, with pierced scrolling and engraved decoration, the dial with Roman numerals, together with a small brass art nouveau time-piece, 13cm diameter, 12cm high and 11cm high respectively, together with a 19th century later brown painted slate and verde antico marble mantel clock, with rectangular moulded top above an enamelled dial with Roman numerals, flanked by stop-fluted angles, on a moulded plinth base, 27cm wide, 29cm high. (3)
A Victorian burr walnut, satinwood crossbanded and sycamore marquetry bowfront credenza Applied with gilt bronze mounts and inlaid with boxwood and purplewood lines, the shaped rectangular top above a panelled door enclosing a shelf; flanked by turned columns and glazed bowed doors, each enclosing two shelves, on a plinth base, 165cm wide, 45cm deep, 107cm high.
A beautifully restored Lightweight FFR (Fitted For Radio) ready for shows, correctly detailed and really well presented. This 1974 Series III was subject to a complete refurbishment in 2020 including a bare-metal strip and re-paint, new rear cross-member and extensions, new door bottoms and tops, new seats, new soft top, brake system overhaul with new master cylinder, servo and flexible hoses, new shock absorbers, new wheels and tyres, new speedometer (original showed c.60,000 miles), full engine service (valves adjusted etc), new Weber carburettor, new switchgear, and numerous other small/misc. items replacedDuring the rebuild the emphasis was on historical accuracy and displaying the vehicle correctly. To this end the correct 'pioneer' tools are fitted, FFR wing boxes and electrical cabling still in situ (in the rear of the vehicle, running to the under bonnet and to the wing distribution boxes), rifle mounts are in the correct position inside the vehicle (currently used for an umbrella!), there is a military interior strip lamp fitted to the central bulkhead, original rear bench seats are in situ, now fitted with lap belts, original central rear flip-up number plate plinth has been retained and a new rear NATO hitch has been fitted with working NATO electricsAll terrain tyres are fitted for smoother road runningOverall, this is an impressively accurate restoration, admired by knowledgeable LR enthusiasts whereever it goes. It's also great fun to drive, especially in summer with the soft top rolled up or removedSpecification Make: LAND ROVER Model: SERIES III Year: 1974 Chassis Number: 95102654A Registration Number: XYD 71M Transmission: Manual Engine Number: 95102654A Drive Side: Right-hand Drive Odometer Reading: 1177 Miles Make: RHDClick here for more details, condition report and images
An Art Deco walnut cloud-style three-piece bedroom furniture suite - comprising double and single wardrobes and a matching dressing table, by Woodland Products, 1930s, all with cloud-shaped tops and bakelite foliate handles. The single wardrobe's interior with upper shelf and hanging-rail beneath, the inside of the door with tie rail and stud tray (LWH 92 x 49 x 170 cm); the dressing-table with bevelled, cloud-shaped mirror over a moulded, split-level top, the recessed centre over a kneehole drawer, flanked by two banks of three drawers to each pedestal, with bakelite handles, on moulded plinth bases. (LWH 111.5 x 47.5 x 135 cm)
A good 18th century mahogany longcase clock by John Wise of London - the eight-day, bell strike movement with anchor escapement and knopped and ringed pillars, the arched brass dial with cherub and crown gilt brass spandrels and chased laurel border, silvered Roman chapter ring signed 'John Wise London', with Arabic outer 5-minute markers and fleur-de-lys half hour markers, the matted centre with silvered subsidiary seconds dial, bullseye turned winding holes and date aperture at 6 with chased foliate and fruit basket decoration, the arch with an engraved portrait of Prince George, Duke of Cambridge (later George II), flanked by guards and military trophies, the portrait oval inscribed 'George Illustrious Prince of Hanover & Duke of Cambridge', the case with moulded, arched hood with three gilt brass ball finials and parcel gilt stop-fluted Corinthian columns (glass cracked), over a moulded arched trunk door flanked by gilt brass barleytwist columns to the angles, on an incuse panelled plinth base, 230 cm high.
Two early 20th century table top collectors chests - one in pine and beechwood with mahogany stained finish, with six graduated drawers, on a plinth base, 38 x 24 x 46 cm, one handle missing; the other smaller, in stained pine, 29.5 x 21.5 x 32 cm, both with all drawers fitted with compartments for collectors' specimens.
A Victorian waxed pine dresser - the flared, ogee moulded cornice over a closed, two-shelf back with later brass hooks and a wooden hanging hook to the left hand side, over a base with with two drawers with later brasses and a pair of panelled cupboard doors enclosing a single shelf to each side of the divided interior, on a plinth base. (LWH 160 x 46.5 x 190.5 cm)
A pair of green painted pine bedside cabinets - each with a single drawer over a panelled cupboard door, on a plinth base with bun feet (LWH 45.5 x 34 x 61 cm); together with a matching low cabinet with a pair of panelled cupboard doors with two two short drawers to the right side (LWH 79 x 48.5 x 50 cm); and a green painted mid-century three-drawer chest (LWH 76 x 39.5 x 71.5 cm). (4)
A large pine double pedestal desk - the raised gallery back with five arched pigeonholes flanked by two banks of four drawers and pierced brackets to the sides, over a moulded top with three frieze drawers, over a slide and two drawers to each pedestal, the lower drawer fitted for hanging files, on plinth bases. (LWH 151 x 60.5 x 107 cm) * A bespoke piece made by Simply Wood of Morwenstow, Cornwall, c.1994
Trichterphonograph Pathé Modell 2, um 1905Pathé Frères, Paris. Aluminiumtrichter, Pathé-Schall-dose, Orpheus-Zusatzteil, Adapter für Salon-Walzen, Nußbaumgehäuse mit runder Haube, mit 4 Salon-Walzen in Schachteln, gut funktionierender Zustand. Start Price: EUR 500 Zustand: (2-3/2-3)Pathé Model 2 Duplex Phonograph, c. 1905Pathé Frères, Paris. Aluminum horn, Pathé reproducer, Orpheus attachment, with standard and intermediate mandrels, walnut case with carved plinth molding and arched lid, with four salon cylinders in boxes, good working condition. Start Price: EUR 500 Condition: (2-3/2-3)
Musikalische Automatenbüste einer äthiopischen Lyra-Spielerin von Gustave Vichy, um 1890Mit Pappmaché-Kopf, offenem lächelndem Mund, braunen Glasaugen mit beweglichen Lidern, schwarzer Original-Mohairperücke und einem einzelnen halbmondförmigen Ohrring, auf ebonisiertem Sockel mit Melodienzettel und geprägter Metallplakette: "G. Vichy, Paris, 5 Articles Français, Marque Deposé, Modele Deposé", der Torso mit Federwerkmotor und Walzenspielwerk für 2 Melodien, in goldfarbenem Seidenkostüm mit Metallstickerei, Kopfschmuck und Dekor mit Original-Münzen, Höhe 51 cm einschließlich Kopfschmuck, mit eichelförmigem Stopp/Start-Hebel und modernem Schlüssel, Oberfläche der Vorderseite restauriert, guter funktionierender und spielender Zustand. - Dies ist Teil einer Serie von Vichy-Automaten, die an die polychrom bemalten Bronzebüsten französischer Künstler wie Émile Guillemin und Charles Cordier erinnern. Der Eindruck einer bewegenden Skulptur wird durch die anmutige Modellierung des Gesichts und der Hände sowie durch den schlanken Sockel in Anlehnung an die Bronzebüsten noch verstärkt. Von der Wahl des Themas über den Stil des Kostüms bis hin zum Instrument, das sie spielt, wurde der Automat von der Faszination des 19. Jahrhunderts für Exotik beeinflußt, die afrikanische Kulturen aus der europäischen Perspektive darstellte. - Die Musikerin dreht und neigt ihren Kopf sanft nach links und rechts, blinzelt und scheint das Instrument mit einer Zupfbewegung des rechten Arms zu spielen. - Dieses Exemplar wurde von David Secrett und Margaret Glover liebevoll restauriert. - Literatur: Q. David Bowers, "Encyclopedia of Automatic Musical Instruments", S. 80, für ein identisches Stück, einen von mehreren französischen Automaten im Katalog des Händlers Gustav Uhlig aus Halle, Sachsen. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 4400 Zustand: (2/2)Musical Automaton Bust of an Ethiopian Lyre-Player by Gustave Vichy, c. 1890With papier-mâché head, open smiling mouth, brown glass eyes with articulated lids, original black mohair wig and a single crescent earring, on ebonized plinth with tune-sheet and metal plaque stamped: "G. Vichy, Paris, 5 Articles Français, Marque Deposé, Modele Deposé", the torso containing going-barrel motor and two-air cylinder movement, in gold silk costume with metallic embroidery, headdress and the original coin decoration, ht. 20 in. (51 cm) including headdress, with acorn-form stop / start and modern key, surface of face restored, good working and playing condition. - Note: Part of a series of Vichy automata reminiscent of the polychrome-painted bronze busts by French artists such as Émile Guillemin and Charles Cordier. The impression of an animated sculpture is heightened by the graceful modelling of the face and hands and the slender plinth base in imitation of its bronze counterparts. From the choice of subject, to the style of costume and the instrument she plays, the automaton was influenced by a 19th century fascination with 'exoticism' that reflected African cultures through a European lens. - The musician turns and gently bows her head to the left and right, blinks and appears to play the instrument with a lifting and plucking motion of the right arm. - This example has been sympathetically restored by David Secrett and Margaret Glover. - Literature: Q. David Bowers, Encyclopedia of Automatic Musical Instruments, p. 80, for an identical piece, one of several French automata in the catalog of retailer Gustav Uhlig of Halle, Saxony. Watch and Listen on:Youtube.com/AuctionTeamBreker Start Price: EUR 4400 Condition: (2/2)
KOBLISCHEK, INGO (1933 - 2020), Pferdekopf "Nabos", 1980, signiert und datiert: "I. KOBLISCHEK / 1980". Bronze, vollplastisch ausgeführt, auf Marmorsockel montiert. Alters- und Beriebsspuren. Ehemals angebrachte Plakette mit der Inschrift: "Nach einer Studie von Nabos / Champion des Jahres 1980" fehlt (anhand von beigefügter Fotos nachvollziehbar). PROVENIENZ: Süddeutscher Privatbesitz. DABEI Recherchematerial zum Zucht- und Rennpferd Nabos aus dem Gestüt der Gräfin Margit von Batthyány, Erlenhof, Bad Homburg.| KOBLISCHEK, INGO (1933 - 2020), Horse Head "Nabos", 1980, signed and dated: "I. KOBLISCHEK / 1980". Bronze, fully sculpted, mounted on marble plinth. Signs of age and rubbing. Formerly attached plaque with the inscription: "Nach einer Studie von Nabos / Champion des Jahres 1980" missing (traceable from attached photos). PROVENANCE: South German private property. INCLUDES research material on the breeding and racehorse Nabos from the stud farm of Countess Margit von Batthyány, Erlenhof, Bad Homburg.
COLINET, CLAIRE (auch Godchaux Colinet, 1880-1950), "La jongleuse", Bronze patiniert, vollplastische Figur eines weiblichen Aktes, mit goldenen Kugeln jonglierend, auf runder Plinthe, im Guss signiert, aufgelegte Plakette 'Bronce Garanti Paris', auf schwarzem Marmorsockel montiert, H: Figur ca. 41, gesamt ca. 50 cm. Altersspuren, Beriebspuren an der Vergoldung. | COLINET, CLAIRE (also Godchaux Colinet, 1880-1950), "La jongleuse", patinated bronze, fully sculpted figure of a female nude, juggling with golden balls, on a round plinth, signed in the cast, applied plaque 'Bronce Garanti Paris', mounted on a black marble base, h: figure approx. 41, total approx. 50 cm. Signs of age, signs of wear to the gilding.
DEHOF, GERD (1924 - 1989), "Jüngling", 20. Jh., vollplastische Bronze, am Gewandsaum monogrammiert und datiert (19)78, auf Holzsockel. H: Figur ca. 95 cm, Gesamthöhe (mit Sockel): 110 cm. Alters- und Beriebspuren. PROVENIENZ: Süddeutscher Privatbesitz. ANMERKUNG: Dehof war Mitbegründer der Freien Akademie Mannheim, aus der die Werkkunstschule und spätere Fachhochschule für Gestaltung hervorging. Ab 1957 war er mit der Leitung der Bildhauerklasse an der Freien Akademie Mannheim betraut.| DEHOF, GERD (1924 - 1989), "Jüngling", 20th century, fully sculpted bronze, monogrammed and dated (19)78 on the hem of the garment, on a wooden plinth. Total height (with plinth): 110 cm. Signs of age and rubbing. PROVENANCE: South German private collection. NOTE: Dehof was a co-founder of the Freie Akademie Mannheim, from which the Werkkunstschule and later the Fachhochschule für Gestaltung emerged. From 1957, he was in charge of the sculpture class at the Freie Akademie Mannheim.
Extensive collection of ‘00’ gauge steam locomotive parts, including part-kits, painted and unpainted locomotive bodies, HM Loco Tester, empty boxes for kit built trains; Country Artists ‘Steam Memories’ model of a Coronation Class ‘City of Edinburgh’ 4-6-2 no.6241 in LMS black on plinth in display case etc, in three boxes Condition Report:Kits have not been checked for completeness.
BILDHAUER DES XX JAHRHUNDERTS "Weiblicher Akt" vollplastische Bronzeskulptur, auf Plinthe mit Prägestempel bez. "Strassacker Kunstguss Süssen", auf Oberseite der Plinthe num. 2/5, H: ca. 40,5 cm (mit Plinthe). Altersspuren.Provenienz: Aus der Sammlung Prof. Dr. Helge Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V. | SCULPTUR OF THE 20TH CENTURY "female nude", full-bodied bronze sculpture, inscribed "Strassacker Kunstguss Süssen" on plinth with embossed stamp, numbered 2/5 on top of the plinth, h: approx. 40.5 cm (with plinth). Traces of age. Provenance: From the collection of Prof. Dr. Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.
FUCHS, ERNST (1930-2015), "Papagena", vollplastische Bronzeskulptur auf einem Holzsockel, seitlich signiert "Ernst Fuchs" und nummeriert 4011/7500, H: ca. 16 cm (mit Sockel). Altersspuren.Provenienz: Aus der Sammlung Prof. Dr. Helge Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V,| FUCHS, ERNST (1930-2015), "Papagena", full-bodied bronze sculpture on a wooden plinth, signed "Ernst Fuchs" and numbered 4011/7500 on the side, h: approx. 16 cm (with plinth). Traces of age. Provenance: From the collection of Prof. Dr. Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.
ZHENG, B.C. (Chinesischer Bildhauer des 20. Jh.), "Weiblicher Akt", vollplastische Bronzeskulptur auf Sockel, signiert "B.C. Zheng", H: ca. 24,5 cm (mit Sockel). Altersspuren.Provenienz: Aus der Sammlung Prof. Dr. Helge Bathelt (1948-2023), Leiter der Volkshochschule und der städtischen Galerie Herrenberg und Vorsitzender der Europäischen Kulturgemeinschaft e.V.| ZHENG, B.C. (chinese sculptor of the 20th century), "female nude", full-bodied bronze sculpture on plith, signed "B.C. Zheng", h: approx. 24,5 cm (with plinth). Traces of age.Provenance: From the collection of Prof. Dr. Bathelt (1948-2023), director of the Volkshochschule and the municipal gallery Herrenberg and chairman of the Europäische Kulturgemeinschaft e.V.
A Pair of XVIII Century Style Painted Breakfront Display Cabinets, with stepped cornice, reeded sides and two shaped shelves above twin panelled doors with egg and dart decoration, on plinth bases, 214cm high, 122cm wide, 56cm deep.*Originally from Grimsditch Hall, Warrington, Cheshire. 122cm wide
An Early XIX Century Mahogany and Oak Eight-Day Longcase Clock, the hood with shaped pediment and brass finials, arched door with reeded pillars to white enamel dial inscribed "H. Fox, Beverley" with two apertures, minute dial and date, painted corner spandrels, the trunk with crossbanded door and base on moulded plinth, 216cm high. The clock movement has been overhauled and repaired by Mr J. Malcom Wild of Sheffield.
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