A GROUP OF EARLY 20TH CENTURY FIGURES, comprising a 1930's Czech Royal Dux Bohemia polychrome porcelain group figure of a seated woman and small child gathering fruit, height 27cm, has impressed marks to base (top of woman's head has a crack and restoration work), together with a blue and white Parian ware jug made by Charles Meigh & Son- Old Hall Pottery 1851-1861, with a hinged pewter lid, height 26cm, a French spelter figure of 'Le Commerce' supported by an ebonised wooden plinth, height 63cm (cracked neck), a French art deco style bronzed spelter figure of a woman, height 24cm (cracked neck and reglued left arm) (4) (Condition Report: obvious damage mentioned in description)
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An early 20th century glazed oak bookcase, enclosed by sliding doors, on a plinth base154w x 44d x 190h cmOverall condition is complete and usable. Doors slide ok. Glass is intact. Top is seperate to the base, so it can be easily moved. Collected from a local house clearance, where it was being used, so is slightly dirty and unrestored. Small loss of moulding to bottom of glazed section in the corner. No obvious signs of damage or visible repairs. Wood is slightly dry, with signs of use as expected with age.
A Victorian pine and fruitwood collector's chest, containing ten narrow glazed drawers, enclosed by locking stiles, on a plinth base, with key49w x 31d x 69h cmOverall is complete and usable. Drawers run ok. Glazed tops are intact. Locking stiles work and one has a lock with key. Quite heavily worn around all sides, most noticably on the top and plinth base. Looks like it may have contained Victorian insects, but these have mostly been taken out or perished to remnants, but with some old labels still visible inside the drawers. Removed from a house clearance, so unrestored. It would benefit from cleaning, waxing drawer runners and polishing, without the need for any structural repairs.
A Flight, Barr & Barr Worcester Porcelain Vase and Later Cover, circa 1820, of ovoid form, painted with The Straits of Menai from Anglesey on a claret ground with gilt borders, on a beaded waisted cylindrical column flanked by three dolphins, on a trefoil plinth, painted title and factory marks in blue19cm highCover broken and restored. Main body, some very good restoration thickly potted and so the lengths of repair not known, view from inside the bowl over sprayed. One of the rear dolphins with a crack across the tail. Gilding in good ordered but the restored areas will be re gilded.
An Anglo-Ceylonese Ivory-Inlaid Specimen Wood Box and Cover, 19th century, of hexagonal form with geometric panels and dot inlay, the inside of the cover with a lion on a plinth inscribed MATARA24cm wideWith Standard Ivory Exemption Declaration Number AA9R65FEThe top has warped slightly. Cover with two ivory inlays missing to the side, sligh cracks to some of the specimens. One band lacking from the underside of the cover. Main body missing two inlays from the top rim. Missing two triangle specimens to the side and one ivory inlay. With lock but no key.
^ A Prattware Model of a Longcase Clock, date 1794, with dolphin finial above the impressed date 1794 and circular dial with an M flanked by two crouching lions, the rectangular trunk and door on a rectangular base, the whole picked out in typical colours26cm highA Similar Example, with circular dial over a rectangular trunk and door and rectangular base23cm high (2)See Lewis (John & Griselda) Prattware, pg.243 for a similar to the first clock, also dated 1794, in Manchester City Art GalleryDated clock - Crazed all over. Some glaze scratches and edge abrasiosn. Free from chips, cracks and restoration.Similar - two chips to the front of the plinth. A large flate chip to the rear at the plinth. Firing crack on the top of the hood. Glaze crazed all over. Some minor staining patches and some glaze abrasions mainly to the edges.
A Barr, Flight & Barr Worcester Porcelain Campana Vases, 1804-1813, with twin entwined serpent handles, painted with Part of the Transcept & East Window Netley Abbey, Hampshire on a salmon pink ground gilt with classical ornament, on a circular socle and square plinth, painted title and factory marks in red14cm highBoth handles restored. Broken through the column and restored. Chip to foot. No repair to the main body, the panel free from over painting. Some minor flaking to the panel. Some wear to gilding.Painted panel approximately 5.5cm by 8cm at the widest.
A Flight, Barr & Barr Worcester Porcelain Vase, probably by Samuel Smith, circa 1830, of urn form with twin entwined serpent handles, painted with a still life of shells, coral and seaweed on a green ground highlighted in gilt within beaded borders, on a circular socle and square plinth, painted mark in red and impressed crowned FBB mark20cm highSee footnote to previous lot.Right side handle badly broken at the top, also to the middle and bottom, these sections restored. Left handle restored on the top loops. Raised gilt section of the neck broken and restored. PAinted panel free from damage and repair, some slight scratches. Coloured ground with minor wear and scratches.
A Pair of Flight, Barr & Barr Worcester Porcelain Small Vases, circa 1820, of twin-handled urn form, painted with sprays of flowers in a cream panel on a blue ground highlighted in gilt, on circular socles and square bases, painted marks in red9.5cm highOne handle restored. Gilding on the opposite vase re touched at the pedestal and plinth, possibly some very good restoration at this point. Minor surface wear to both.
A George III Cream-Painted Carved Pine Chimneypiece, the breakfront moulded cavetto cornice with ribbon and rosette band above a foliage-centred quatrefoil-panelled frieze, with lappeted border and scrolling foliage and C-scroll trusses, the aperture with a foliate and acanthus-carved moulded eared slip, the sides hung with foliage, each on a plinth, with a marble slip152.5cm by 180.5cmaperture 120.5cm by 146cmProvenance: Supplied to Sir Lawrence Dundas Bt, (1781) for Aske Hall, Yorkshire. Thence by descent to the Marquess and Marchioness of Zetland, Aske Hall, Richmond, North Yorkshire. Sold Tennants House Sale, 22 September 1994Lacking the mantel shelf. Redecorated. Minor losses. The blocks replaced. The entwined foliage scrolls of Roman acanthus also feature on the pilaster of a bedroom chimneypiece on the first floor at Tabley House, Cheshire.
A Carved Boxwood Group of the Virgin and Child, probably Flemish, late 17th/18th century, she standing wearing a fur-lined cloak and flowing robes holding Christ at her waist, a bird's head and crescent moon at her feet, on a globe base32cm high, on later ebonised plinthFor two related examples see Sotheby's, New York, 29 January 2009, lot 333Christ with both hands lacking. Other minor losses. Large splits to reverse.
A Ralph Wood-Type Pearlware Toby Jug, circa 1800, of traditional form, the seated figure holding a jug and pipe25cm highA Similar Toby Jug, holding a jug of ale and a beaker24.5cm high (2)Toby with jug and pipe - crack across the handle loop. Numerous chips arouns the brim of the hat and to the lower edge of the plinth. Slight chips around the rim of the pipe bowl. Crazed all over and with some staining. Flaking to the black enamel.Toby with jug and beaker - broken into numerous pieces and professionally restored.
A Flight, Barr & Barr Worcester Porcelain Inkpot and Cover, circa 1820, of compressed globular form with flamiform finial and lion's mask pen holders, painted with Malvern Church, Worcestershire on a claret ground within beaded borders, on three paw feet and trefoil base, painted title and factory marks in black and impressed crown FBB11.5cm highCover, the knop has been restored, also with some knop losses, heavy pitting to inner rim, possibly re fired, ground a depper colour than the main body. Main body, some chips to the lower plinth only. Overall with some enamel scratches and gilt wear.
~ A Pair of Italian Ebonised and Parcel Gilt Blackamoor Figures, late 19th/early 20th century, the male and female with arms outstretched supporting carved mythical eagles with carved hollow tops to receive liners, on octagonal faux marble moulded bases and plinth stands with black painted moulded bases66cm by 53cm by 167cm
^ A Yorkshire Prattware Watch Stand, circa 1810, modelled and painted as a longcase clock with angel cresting flanked by a boy and girl, on a stepped rectangular plinth22cm highSee Lewis (John & Griselda) Prattware, pg.88, no.21 for an illustration of a similar example where it is attributed to the pottery that used a large impressed crown mark, and the suggestion that this pottery might have been in Mexborough or SwillingtonFigure of the boy with his head re stuck and restored. Some chips to the rim of the girls bonnet. Rim crack to the plinth on right hand side and travelling underneath. Glaze crazed all over. Some glaze abrasions to the edges.
^ A Pearlware Model of the Medici Lion, circa 1810, naturalistically modelled and painted, its left forepaw on a yellow ball, on a shouldered rectangular marbled plinth27cm longTail with a large section broken and re attached honestly but with overspray. A very large firing imperfection on the top of the lions mane, over painted at the time of manmufacture. Teeth repaired. Firing crack to the rear left leg and underside of the animal. Chips to the underside rim of the plinth. Glaze crazed. Some flaking to the black enamel.
An 18th Century Indo-Portuguese Rosewood and Bone-Inlaid Table Cabinet, the moulded and strung top above eight small drawers, one long drawer and a two-as-one central deep drawer, all inlaid with flowers and a geometric border, on a moulded plinth base (a/f)74cm by 36cm by 42cmI can confirm sizes are as catalogued width, by depth by height
^ A Prattware Model of a Longcase Clock, circa 1810, with foliate cresting over two putti flying above the clock face, the trunk with arched door, on a rectangular base with an urn and foliage, picked out in typical colours20.5cm highA Similar Example20.5cm high (2)See Lewis (John & Griselda) Prattware, pg.243 for a similar example in Manchester City Art GalleryFirst clock with sponged sides - no restoration. chip on the top of the hood. Other chips to the rim of the plinth. Glaze pitted and crazed. Very slightly abraded.Similar - no chips, cracks or restoration. Glaze crazed and pitted. With some very slight and minor abrasions.
A George I Walnut and Crossbanded Kneehole Desk, early 18th century, the crossbanded and moulded top above an oak-lined frieze drawer with six small drawers below, all between fluted and canted stiles and quarter-cut column supports around a central cupboard door, on a moulded plinth base with bracket feet92cm by 51cm by 80cm Reasonable colour throughout, deep scratches to the top.timber patch repairs to sides as photographs brasses seem original shrinkage splits to sides and front corners Section of moulding replaced
An early 19th century ebonised and gilt-metal-mounted French portico clock: the textured dial with Roman numerals surrounded by a border of stylised scallop shells and flanked by two classical-style columns; the eight-day movement striking on a bell; the lower plinth base section with applied gilt-metal mount with a cherub flanked flowers and birds. (50 cm high). (Right cornice for restoration, and minus a rear foot.)
A mid-19th century French ormolu and porcelain mounted Mantel Clock, surmounted with a twin handled urn, the white enamel dial with blue Roman numerals and black Arabic numerals, the eight day movement striking on a bell, back plate marked 'ROBLIN ET FILS FRERES, A PARIS' numbered 22550, mask and swags to the sides and front, porcelain panels to the front, 38cm high x 30cm wide, on a seperate giltwood plinth, overall height 43cm, with pendulum and key.
An antique Staffordshire pottery figure of a Jockey on Horseback, the rider with pink hat and blue blouse, on gilt line plinth base, together with a large antique Staffordshire pottery figural group of Princess Royal of Prussia, H 41cm (2) Provenance; The property of a Collector, amassed over the last 50 years.
A small 19thC creamware figure of a Cat, seated on rectangular plinth, decorated in Wheildon-type glaze, together with a quantity of other 19thC figures, including Lion raised on plinth, a stoneware Dog, Seated Cat, recumbent Lion, etc. (8) Provenance; The property of a Collector, amassed over the last 50 years.
A Victorian Staffordshire pottery figure of Havelock, modelled on his horse with titled plinth, together with a Staffordshire model of Lord Raglan and a Victorian Staffordshire pottery flatback group commemorating the Crimean War, with Turkey, England and France (3) Provenance; The property of a Collector, amassed over the last 50 years.
A Chinese gilt bronze Tripod Censer, of typical circular form with two loop handles, raised on three conical supports, seal mark to base, 13.5cm long handle to handle, on a plinth base. Provenance; Col. R.L Vance RAMC (Indian Medical Service) serving in India and Tibet in the early 20thC, up until the 1930's, by family tradition having received items as personal gifts from grateful patients.
An antique Staffordshire pottery group of a Cow with its Calf, raised on moulded plinth, together with a Staffordshire figure of a greyhound with rabbit in its mouth and a small Staffordshire group of children and sheep (3) Provenance; The property of a Collector, amassed over the last 50 years.
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