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A Georgian stone garden urn, possibly Coade stone The circular urn of bowl form raised upon a square base, approximately 64cm diameter.ConditionMultiple chips to rim and plinth base, minor chips to body with discoloration, difficult to judge from internal cracks as the urn is complete with soil and foliage. Multiple chips to rim and plinth base, minor chips to body with discoloration, difficult to judge from internal cracks as the urn is complete with soil and foliage.
An 18th Century oak cased 8 day long case clock by J Popplewell, BridlingtonThe pagoda shaped hood with freestanding tapering columns, flanking the 30cm painted break arch dial with painted Roman and Arabic numerals centred by a subsidiary second dial and date aperture and signed with the maker's name ,enclosed by painted spandrels, having an eight day movement striking on a saucer bell, the plain case with an arched door above a plain lower panel raised upon a plinth base, complete with two weights and a pendulum, 210cm high.
An impressive late 19th Century French four glass mantle clockThe rectangular top with a blind gilt metal openwork frieze above four bevelled glass plates enclosing a 12cm gilt metal dial painted with Arabic numerals and "Guichard, Chalan & Saune", the clock with a two-train movement and a mercury-filled pendulum above a conforming openwork frieze raised upon a plinth base with bracket feet, 32cm high.
A 19th Century oak cased mantle clock by Charles Frodsham, London The plain oak case enclosing the 14cm enamelled white dial painted with Arabic numerals and signed Charles Frodsham, clock maker to the Queen, having a two train movement striking on a saucer bell and raised upon a plinth base, complete with pendulum and key, 35cm high.Condition4" crack to dial (Between number 10 and 8) Movement appears well maintained but no guarantees of working order. Split in clock case front of clock. Dial and case probably later marriage. Clock door has a complete lock and key.
A mid 19th Century oak and mahogany cross banded long case eight day clock by Joseph Blackhurst, WeaverhamHaving a twin swan neck pediment above a 33cm painted dial centred with a subsidiary second dial, date aperture along with the maker's name and painted with Roman numerals and rose sprigs, enclosed by conforming painted spandrels , having a two train movement striking on a saucer bell, the case with a shaped cross banded door flanked by quarter reeded columns above a cross banded lower panel flanked by canted corners, raised upon plinth base with bracket feet, complete with two weights and a pendulum, 232cm high.
A chinoiserie decorated long case eight day clockHaving a break arch gilt metal dial with silvered bezel painted with Roman and Arabic numerals enclosing the two train movement striking upon a saucer bell, the hood with free standing tapering columns and decorated with fiery dragons and pagoda landscapes, the case similarly decorated and raised upon a plinth base, complete with two weights and a pendulum, 210cm high.
An early 19th Century oak and mahogany cross banded long case eight day clockThe hood with a gilt embellished twin swan neck pediment above free standing reeded columns flanking the 33cm painted break arch dial with rolling moon movement, painted with Roman and numerals centred with a subsidiary second dial and date aperture, enclosing a two train movement striking on a saucer bell, the case with a shaped cross banded door flanked by quarter reeded columns above a conforming shaped lower board, raised upon a plinth base complete with two weights and a pendulum, 220cm high.
A late 19th, early 20th Century French ormolu mantle clock The scrolling leafy openwork case enclosing the 8cm dial applied with enamelled Roman numerals and a two train movement, the clock supported on scroll feet upon a velour lined plinth base, complete with pendulum, total height 34cm. Lacking back cover. Part missing in top of clock on crest. Fading to velour. General minor wear and rubbing.
An impressive mid-19th Century French cast bronze eight day mantle clockThe drum clock with an 11cm white enamelled dial centred with the maker's name, Samuel Marti, Paris (1868-1870), the dial painted with Roman and Arabic numerals and applied with gilt fretwork hands, surmounted with a cast figure of the goddess Diana and a cherub upon a shaped plinth base applied with ceramic plaques, each decorated with either musical instruments or cherubs, the two train movement stamped Medaille striking on a saucer bell, striking on the half hour along with the numbers on the hour, 37cm high.
An early 19th Century Scottish mahogany longcase clock by J Boyd, Glasgow The circular hood with a top hinge enclosing a 33cm circular dial painted with Roman numerals and centred with a subsidiary second dial and the makers name, having a two train movement striking on a saucer bell, above the tapering case applied with half columns over a lower board applied with beading, raised upon a plinth base with bracket feet, complete with two weights and a pendulum, 196cm high.Condition - Condition - Moulding finial above door missing, Second hand missing from subsidiary dialSplit across lower board, Overall good condition.Genuine clock, movement and interior dusty not cleaned for some time. No guarantees with regards to working order.
A mahogany cased eight day longcase clock by William Haworth, BlackburnHaving a twin swan neck pediment above a break arch dial flanked by free standing columns, the 30cm gilt metal and silvered dial painted with Roman and Arabic numerals centred with a subsidiary second dial and date aperture below a painted moon phase and the makers name, the two train movement striking on a coil, the flame mahogany case with a shaped door flanked by quarter reeded columns above a panelled lower board raised upon a plinth base with outswept bracket feet complete with two weights and a pendulum, height 246cm.
A George III mahogany freestanding corner cupboard Having a moulded cornice above a frieze inlaid with three satinwood fans over two astragal glazed doors enclosing a painted interior and two serpentine shelves, the lower part with a pair of panelled cupboard doors enclosing a single shelf above a plinth base with bracket feet, 109 x 205 x 54cm.Repair on the inside bottom right hand cupboard door otherwise only minor rubbing wear. Good condition.
A late 19th Century walnut compactum wardrobe by Shoolbred & Co.Having a moulded dentil cornice above an arrangement of two panelled doors enclosing four sliding trays over two short and two long drawers opposed by a full length mirrored door, each applied with angular brass swing handles and raised upon a plinth base, 190 x 214 x 62cm.
A Late 18th early 19th Century mahogany library bookcaseHaving a moulded cornice above a plain frieze and two astragal glazed doors enclosing an arrangement of four shelves flanked by reeded uprights, the base with rounded front corners similarly applied with reeded uprights flanking a pair of cupboard doors and raised upon a plinth base, 147 x 264 x 40cm.
A late 19th Century rosewood credenzaThe break front top with an ebonised border above an inlaid frieze and a central cupboard door with conforming scrolling foliate inlay, flanked by gilt metal appliques and a pair of glazed bow front cupboard doors enclosing two shelves either side, raised upon a plinth base with bun feet, 148x105x39cm.
A Victorian oak secretaire bookcaseHaving a moulded cornice above two glazed doors enclosing three shelves, the base with a rectangular moulded top above a fall front enclosing a compartmentalized interior above three small drawers and two long graduated drawers, raised upon a plinth base, 132x40x52cm.
An attractive late 19th, early 20th Century French carved female stone bust, possibly marble The head and shoulders bust carved with flowing locks above a scantily clad torso raised upon a circular plinth base, 65cm high.Extensively cracked and heavily stained. Some minor repairs on leaves and tips.
In the manner of E Guillemin, a large and impressive bronzed spelter sculpture of an Egyptian huntsman on camelback The huntsman modeled right hand raised, in hunting regalia mounted upon a camel with running hounds at foot, raised upon an oval naturalistic plinth base, cast with palm leaves, 130cm high.Rear flap has been re-attached. Part of musket barrel missing. Heavily tarnished any discoloured.
An impressive late 19th century orchestral rosewood Swiss cylinder music box by Nicole Freres The eight airs music box with drum, organ and graduated bells, within an inlaid and cross banded case, upon an embonised plinth base, 67cm wide. ConditionWorking with no missing teeth or tips.Scratches and dents to top and sides.
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173444 item(s)/page