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Lot 735
Brass Cabside plate KPEV (Koniglich Preubische Eisenbahn-Verwaltung) Prussian State Railways depicting the Imperial Eagle. Measures 249mm diameter and has the correct recessed back, face cleaned rear original and mounted on an oak plinth which is labelled verso From German locomotive Kron Princess Eugene Victoria World War I. The Royal train was captured by the allies during the battle for Amiens in 1918.
Lot 1245
A Victorian figured walnut mirror back chiffonier, with marble top and mirrored doors, 120cm by 40cm by 152cmCondition report: Mirror back and base, original to each other, marble and mirror plate in good condition, key present and all locks functioning, scuffs and minor veneer losses to the plinth, lower left carving with signs of woodworm damage, no other evidence of other wood worm throughout the piece, polish slightly faded
Lot 376
A SUPERBLY CARVED LIMESTONE FIGURE OF A LION, TANG DYNASTYChina, 618-907. Naturalistically carved, the emaciated beast seated on its taut haunches atop a rectangular base, with its head turned to one side framed by the finely incised curled mane. Its ferocious expression is detailed with deeply carved bulging eyes, heavy brows, and the mouth open in a roar. The stone is of a brownish-gray tone. The base with an oval aperture in the center.Provenance: Sotheby's New York, 3 June 1987, sold for USD 26,400 (approx. USD 64,792 today after inflation). An English private collection, acquired from the above. Christie's London, 5 November 2013, lot 310, sold for GBP 52,500 (approx. GBP 61,529 today after inflation). The property of a Lady, acquired from the above.Condition: Superb condition, commensurate with age. Small chips, minor losses, minuscule nicks, light scratches, old wear, ancient age cracks. Traces of erosion. Fine, naturally grown patina.Weight: 3,272 gDimensions: Height 21.5 cm, Width 16.7 cmWith a silk box and cover. (2)The lion is well represented in Buddhist art of the Tang dynasty. Its roar was said to represent the dissemination of the Buddhist scriptures. In their role as guardian figures, lions can be found not only lining spirit roads which lead to imperial tombs, but also in pairs in tombs, such as the pair of small marble lions found guarding the front room of the underground hoard of Buddhist relics at the Famen Temple. See Famen Temple, Shanxi, 1990, pp. 164-167. This figure is stylistically similar to other stone lions of Tang date that are also seated on a plinth, some with head turned, some with mouth open.Literature comparison: Compare the brown-stained white marble lion of related size illustrated by M. Sullivan, Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow, London, 1963, pl. 14 (no. S36). Compare with a similarly modeled lion, illustrated by Osvald Siren in Chinese Sculpture From the Fifth to the Fourteenth Century, Sweden, 1998, p.35, pl.435 D.Auction result comparison: Compare a closely related puddingstone figure of a lion, 14.3 cm high, also dated to the Tang dynasty, at Christie's New York in Lacquer, Jade, Bronze, Ink: The Irving Collection Day Sale on 21 March 2019, lot 1182, sold for USD 52,500. Compare a related stone figure of a lion, 16.6 cm high, also dated to the Tang dynasty, at Christie's New York in Sacred and Imperial: The James and Marilynn Alsdorf Collection Part II on 24 September 2020, lot 910, sold for USD 32,500. Compare a related marble figure of a lion, 51.8 cm high, also dated to the Tang dynasty, at Christie's New York in The Collection of Robert Hatfield Ellsworth Part I on 17 March 2015, lot 16, sold for USD 317,000.唐代石雕獅子 中國，618-907年。石獅蹲姿，前腿直立支撐，眼窩深陷，張口露出獠牙，口型巨大，獵毛反捲向側後上方聳立，雙耳側豎，轉頭怒視其左側。獅兩後腿左右分立，四趾緊抓地面，蓄勢待發。雕刻線條清晰流暢，動態十足，爆發之力蘊於其身。整體石雕呈現褐灰色調。底座中間有一個橢圓形的孔洞。來源：紐約蘇富比 1987年6月 3日，售價USD 26,400 (相當於如今 USD 64,792 )；英國私人收藏，購於上述拍賣；見倫敦佳士得 2013年11月5日 lot 310, 售價GBP 52,500 (相當於如今GBP 61,529)；一位女士的收藏，購於上述拍賣。 品相：狀態極佳，與年齡相稱。小碎屑、輕微損失、微小劃痕、舊時磨損與裂縫，有侵蝕的痕跡。自然生長的包漿非常細膩。重量：3,272克 尺寸：高21.5厘米，寬16.7厘米 絲錦蓋盒。(2) 獅子在唐代佛教藝術中得到了很好的體現，在佛教的許多經論中，都用它來比喻佛陀的無畏與偉大，它的吼聲代表著佛經的傳播。 作為守護者，獅子不僅出現在通往皇陵的靈道上，而且在墓葬中也成對出現，例如在法門寺地宮前守衛的一對漢白玉獅子。 參見《山西法門寺》，1990年，第 164-167 頁。此獅造型與其他唐朝石獅類似，也坐於台座上，有的轉頭，有的張開嘴。 文獻比較：比較一件漢白玉獅見M. Sullivan, Chinese Ceramics, Bronzes and Jades in the Collection of Sir Alan and Lady Barlow, London, 1963, pl. 14 (no. S36)；比較一件相似的獅子，見Osvald Siren，Chinese Sculpture From the Fifth to the Fourteenth Century, Sweden, 1998, p.35, pl.435 D。 拍賣結果比較：比較一件相近的唐代布丁石石獅，高14.3 厘米，見紐約佳士得Lacquer, Jade, Bronze, Ink: The Irving Collection Day Sale 2019年3月21日 lot 118，售價USD 52,500。比較一件相近的石獅，高16.6 厘米，同樣為唐代， 見紐約佳士得Sacred and Imperial: The James and Marilynn Alsdorf Collection Part II 2020年9月24日 lot 910, 售價USD 32,500。比較一件唐代大理石獅，高51.8 厘米，見紐約佳士得 The Collection of Robert Hatfield Ellsworth Part I 2015年3月17日 lot 16, 售價USD 317,000。
Lot 559
A SCHIST RELIEF DEPICTING HARITI AND PANCHIKA, KUSHAN PERIODAncient region of Gandhara, 2nd-3rd century. Seated like a Roman tutelary couple on a rectangular plinth with foot supports, clad in deeply carved robes, Hariti holding a cornucopia and Panchika holding a purse, both with fine expressions and halos behind their heads.Provenance: Collection of Jean-Marc Andral, acquired between 1991 and 1994 in the local trade in Miami, Florida, USA. Jean-Marc Andral is a Belgian manager based in Brussels and active in the healthcare industry for over 25 years. Condition: Good condition, commensurate with age. Extensive wear, weathering, losses, erosion, cracks, encrustations.Weight: 6,650 g (incl. base)Dimensions: Height 27 cm (excl. base) and 32 cm (incl. base)Literature comparison: Compare a closely related schist relief, 18 cm high, in the Ashmolean Museum Oxford, accession number EA1962.42.Auction result comparison: Compare a related schist relief, 44.4 cm wide, also depicting Hariti and Panchika and dated 2nd-3rd century, at Christie's New York, 20 March 2012, lot 11, sold for USD 15,000.貴霜帝國片岩浮雕訶利帝與般闍迦像健陀羅地區，二至三世紀。像一對羅馬夫婦一樣坐在長方形的底座上，穿著長袍，訶利帝拿著一個聚寶盆，般闍迦拿著一個錢包，表情祥和，身後有光背。 來源：Jean-Marc Andral收藏，於1991 至1994 年間購於美國弗羅裡達邁阿密當地古玩市場。Jean-Marc Andral是布魯塞爾的比利時經理，活躍於醫療保健行業超過 25 年。 品相：狀況良好，與年齡相稱，廣泛磨損、風化、缺損、侵蝕、裂縫、結殼。 重量: 6,650 克 (含底座) 尺寸：高 27 厘米 (不含底座)，總32 厘米 拍賣結果比較：比較一件相近的片岩浮雕訶利帝與般闍迦，寬 44.4 厘米 , 二至三世紀，見紐約佳士得2012年3月20日 lot 11, 售價USD 15,000。
![NO RESERVE Rugby.- [Player Passing Ball], heavy bronzed figure of a rugby player with the ball, unsigned, on a raised wooden](https://cdn.globalauctionplatform.com/a6f3dc83-92fd-4c8e-9ea0-ae4c011559bc/ed15e8ff-c08c-4115-9cf6-ae4c01195ca5/468x382.jpg)
Lot 1414
A Royal Worcester limited edition equestrian group Prince's Grace and Foal, modelled by Doris Lindner, No. 669 of 750, with plinth and certificate.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1557
A Royal Worcester limited edition equestrian Thoroughbred Series model El Condor Pasa, circa 2000, modelled by Kenneth Potts, No. 6 of 100, gilt printed marks to base, height 26cm, with a wooden plinth.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1597
A Franklin Mint porcelain model of a tiger on a rectangular wooden plinth, entitled 'On the Prowl', total height 31.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 246
Sino Tibetan bronze of Usnisavijaya, the eight armed god of War, 18th Century, seated in dhyanasana on a double lotus plinth, hands in various mudras and holding axe, fly whisk etc., green patination, 15.3cm highCondition report: Bruise to one side of base, some unevenness to patina but overall sound.
Lot 303
Alois Hampel, (1853-1924) - Large pair of terracotta figures, circa 1900, the first modelled as a turbanned and bearded North African Berber or Bedouin with animal skin water bottle slung over his left shoulder, a bowl in his right hand, the second as a fisherwoman with net, creel, knife, pouch and catch of four fish, the latter figure signed 'Hampel' to the tree stump support, each on naturalistic base, arcade-moulded support and black-painted plinth, 69cm high, (2)
Lot 13
A pair of 19th century Griotte marble candlesticks, with gilt bronze mounts, probably French, 36cm high Provenance: The Simon Neal Collection Condition Report: Metalwork will benefit from a clean- one sconce dented to edge Gilding is very dirty and there are spots of old glossy coloured material visible- edges to foot plinth with nibbles and small chips, vacant holes to base of each suggesting they may have previously stood on ball feet (now absent) Condition Report Disclaimer
Lot 217
A selection of English and Continental porcelain, comprising; a pair of Coalport pink ground Sevres style vases with Cupid vignettes, each with gilt mark to foot CBD, 23cm high; a Coalport flower encrusted vase and cover, and five various Continental porcelain figures Condition Report: First pair- both lack lids- one restored to top rim, the other with small chip to neck- both with small losses to plinth bases, some rubbing and loss to decoration, Flower vase- chips and losses Figures- all with loss adn old damages Condition Report Disclaimer
Lot 267
A late 20th century carved and painted softwood figure of a standing warrior, of stylised geometric form, shield to the left side, apparently unmarked, 76cm high, base 37cm wide; on a varved stone base, 119cm high overall (2) Condition Report: Figure with knocks, scratches and very dirty surface, some warping to softwood, gilding and surface rubbed and losses- stone base plinth with losses to three corners Condition Report Disclaimer
Lot 48
A large ceramic table lamp in the Paris style, twin lights above body with twin stylised dolphin handles, all over floral gilt decoration, 84cm high overall including fitment and later wooden plinth base, base 16cm wide; and a pressed brass altar stick, now fitted as a lamp, 94cm high Condition Report: First- unexamined out of frame but superficially seems in fair condition- with no obvious breaks or restoration, gilding is fairly heavily rubbed throughout- and may benefit from a clean Second- will benefit from a clean- traces of gilding to surface but also signs of knocking and wear from handling throughout Condition Report Disclaimer
Lot 73
A large stained softwood model of a standing saint, possibly Saint Peter, portrayed standing with collared robe and toga, 125cm high Condition Report: Hands are loose- and will require remedial attachment work, left arm slightly foreshortened- thumb missing, hollowed back- with later fitted panels for stability, old wear and losses, shrinkage and worm, plinth probably reduced- later finish Condition Report Disclaimer
Lot 74
A South German sculpted softwood model of a Bishop Saint, probably 18th century, portrayed standing and fully draped and wearing a ribbed mitre, on an integral shaped plinth, 85cm high Condition Report: Lacking hands, old wear, damage and restorations, some worm treatment and with scattered holes throughout- shrinkage cracks Condition Report Disclaimer
Lot 75
After Etienne Falconet (French 1716-1791) a bronze figure 'Venus au bain', 20th century, the signature probably slightly misread by the foundry and transcribed as 'Falconey', on a later variegated marble plinth 37cm high overall For the same model please see Christie's Interiors, lot 528 18th September 2012. Condition Report: Surface is quite shiny- and of a dark olive patination. Patch of colour variance to base- suggesting old spillage and reaction with surface. Base may be later or associated as figure's base sits slightly off-centre on it. Base with a repair to upper corner Condition Report Disclaimer
Lot 94
Attributed to Gustave Van Vaerenbergh (1873-1927)- a marble and alabaster bust of a young woman, wearing Dutch style hat with traces or red surface banding, signed to reverse V Vaerenbergh 17.5cm high, plinth base 23.5cm wide Condition Report: The softer alabaster with scuffs, knocks and wear and with some nibbles and fritting to margins, Marble face showing radiating horizontal hairlines under strong light Condition Report Disclaimer
Lot 96
Two terracotta busts by Arthur Fleischmann (1896-1990) 'Balinese Man' Terracotta Signed, 24cm high; And another by the same artist "Portrait Bust of Mr Lamb", signed, 33cm high, (2) Arthur John Fleischmann (1896-1990) trained in Prague, Budapest and Vienna and worked in France and Italy before spending 6 months six months working in Bali before arriving in in Australia in 1939. He was celebrated as a modernist sculptor and exhibited in Sydney and Melbourne before leaving for London in 1948. He became a Fellow of the RBS and exhibited widely. `Mr. Lamb' was, by family repute, an architect working in London after the war. Condition Report: Both will benefit from light surface clean- portrait with white paint (?) to right hand side of mouth Bothe with some wear and small chips/losses to lower margins- Balinese arm base- portrait plinth base The portrait with whiter infill around junction point of neck and plinth- this may have been done by the artist or is later strengthening Condition Report Disclaimer
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173444 item(s)/page