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British Bulldog Interest A Collection Of Ceramic And Resin Figures Six in total to include two seated ceramic bulldogs by Manor Collectibles, Staffordshire, small grey tone glazed ceramic figure. Along with limited edition 'Best Of Breed' figure by Naturecraft, small standing brindle resin figure and seated bulldog on circular wood plinth. Please see accompanying image.
The Marriage of Joseph to Asenath: A Marriage Fan, second half of the 18th century, double paper leaf mounted on fine gilded and silvered mother of pearl sticks. Asenath, an Egyptian, wearing a gold crown, her groom Joseph, an Israelite patriarch, at her side, comes to be married at an arbour garlanded with flowers, observed by men on horseback. To the left, a stone plinth with the words ''Joseph épouse de Asena fille de Potiph''. To the right another such plinth is carved with skinny white oxen signifying seven years of famine. The double paper leaf is painted on the verso with a bedchamber from which a young man takes his leave, his lady calling him to return. The guards are gilded and silvered and the gorge sticks are embellished with gold cherubs. Guard length 29cm. Together with a purple velvet covered fan box, cream lining, the label printed inside the lid ''By Special Appointment to H.R.H The Princess of Wales, from Madame Elise 170 Regent Street LondonThe leaf is rubbed and has been previously restored, some folds still requiring attention. There are at least 2 gorge sticks that have been restored but have broken again.
An Early 18th Century Ivory Fan, with carved and pierced monture, the slender guards carved with a figure and flowers, the gorge most delicately carved all over with a trompe l'oeil ribbon design with further ornate detail. The vellum leaf , mounted à l'anglaise with a cream ground, is painted with a simple but detailed scene of a young boy, dressed in bright blue, playing a flute, his mother seated to his right and resting against a low stone plinth, on which sits a large urn. The mother, wearing cream, sports a bright blue hat, and sits in front of a small pond, perhaps fishing, and these flashes of blue continue into the reserves with blue flowers, and a hint of gold. In the near distance, a building in front of which sit another two figures, dressed in cream and blue. A few simple pink flowers and cream leaves grace the verso. Guard length 27.5cmThe rivet is missing. Some light staining and dirt to the verso. Old repairs to the upper sections of both guards.
A FRENCH GILTMETAL MANTEL CLOCK, THE DRUM CASED MOVEMENT WITH SEVRES STYLE PAINTED PORCELAIN DIAL, BESIDE THE SEATED FIGURE OF AN ARTIST, POSSIBLY SIR PETER PAUL RUBENS, THE ORNATE SWEPT BASE WITH MASKS, SCROLLS AND CENTRAL PLAQUE PAINTED WITH A TROPHY, BELL STRIKING MOVEMENT 37CM H INCLUDING CONTEMPORARY GILTWOOD PLINTH, LATE 19TH C
GOOD QUALITY VICTORIAN BURR WALNUT THREE DOOR BREAKFRONT WARDROBE, the moulded cornice with arched centre section above a central door with arch top mirrored plate and scroll carved corner panels, enclosing five slides and three drawers (2+1) to the interior, set above a moulded base drawer with heavy carved handle and flanked by a pair of end sections, each with panelled door, enclosing a later hanging rail and conforming drawer beneath, raised on a plinth base, 90" (228.6cm) high, 80 ½" (204.5cm) wide, 28" (71.1cm) deep
LATE NINETEENTH CENTURY NORTH ITALIAN EBONISED AND IVORY INLAID SIDE CABINET IN THE RENAISSANCE STYLE, the moulded oblong top with two geometric inlaid panels, set above a frieze inlaid with foliate scroll work and pair of conforming cupboard doors, each with central raised panel decorated with flowering two handled pedestal urn and mythical beasts, heightened in pen work, enclosing an interior with two adjustable shelves, and raised on a line inlaid plinth base with bun feet, 43 ½" (110.5cm) high, 44 ½" x 18 ¼" (113cm x 46.4cm)
FRENCH MAHOGANY AND GILT METAL MOUNTED FLOOR STANDING CORNER CUPBOARD WITH MARBLE TOP, the white veined top with three quarter pierced gilt gallery, above a moulded frieze drawer fitted with brass ring handles and panelled cupboard door under, flanked by fluted uprights, and raised on a shaped plinth base, 39 ½" (104cm) high, 28 ¼" (71.8cm) wide
LATE NINETEENTH/ EARLY TWENTIETH CENTURY BLACK SLATE LARGE MANTLE CLOCK WITH VEINED MARBLE TRIM, the 4 ½" two part Roman dial with visible brocot escapement, powered by a drum shaped movement striking on a bell and housed in a drum top case with side scrolls and moulded plinth base, 12" (30.5cm) high, 19 ¾" (50.2cm x 6 ¼" (15.9cm)
EARLY NINETEENTH CENTURY MAHOGANY AND BRASS INLAID REPEATING BRACKET CLOCK SIGNED RICHARD GANTHONY, 22 Lombard Street, London, the 8" Roman dial with outer minute track, powered by a twin fuse movement striking on a bell, the backplate signed and with scrolling, leafy border, housed in a case with pineapple finial to the stepped cornice, side handles and brass fish scale frets, raised on a plinth base with ball feet, 22" (55.9cm) high, TOGETHER WITH A BOXWOOD LINED MAHOGANY WALL BRACKET, 12 ½" x 7 ¼" (31.8cm x 18.4cm) possibly matched
LATE NINETEENTH CENTURY FRENCH GILT METAL AND HAND PAINTED PORCELAIN MOUNTED MANTLE CLOCK, the 3 ½" enamelled Roman dial, powered by a drum shaped movement, lacking bell, and housed in a fancy case with two handled urn pattern finial, set beneath an oval female portrait panel and above six floral panels, enclosing central panel painted with a cherub, 13 ½" (34.3cm) high, TOGETHER WITH AN ASSOCIATED MOULDED GILT WOOD PLINTH, (2)
EARLY TWENTIETH CENTURY FRENCH GILT METAL FIGURAL MANTLE CLOCK, the 3" enamelled Roman dial' powered by a drum shaped movement striking on a bell and housed in a fancy case surmounted by a seated artist, set above open scroll work and raised on an embossed base, 12 ½" (31.8cm) high, TOGETHER WITH AN ASSOCIATED MOULDED GILT WOOD PLINTH, (2)
EARLY TWENTIETH CENTURY WALNUT CASED MANTLE CLOCK BY JUNGHANS, the 6 ½" brass dial with silvered Roman chapter ring, matted centre and pierced gilt scroll spandrels, powered by a spring driven movement striking on two gongs and housed in an a moulded case with arch top, split turned fore columns and plinth base with turned feet, 18" (45.7cm) high
EARLY TWENTIETH CENTURY JUNGHANS OAK CASED MANTLE, the 5" silvered dial with Arabic chapter ring, powered by a spring driven movement striking on a gong and housed in an arch topped case with brass carrying handle, free standing fluted columns to the fore corners, one missing, and a moulded plinth base, 11" (28cm) high
An attractive 19th century four-glass French gilt bronze mantel clock in the Louis XVI taste, the case with urn finial and applied foliage on white marble plinth and gilt metal feet, the foliate white enamel dial, bevelled glass panels and door enclosing the bell-striking drum movement stamped 'A D Mougin and Ch Vcne', numbered 48548 and having a gilt metal Sun God pendulum, 42cm high.
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173487 item(s)/page