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Lot 1014
A late Georgian mahogany break front bookcase with moulded and dentil cornice, fitted nine adjustable shelves enclosed by two pairs of doors with later astragal glazed panels, base fitted three long drawers to centre with twin dummy drawer fronts, flanked by cupboards enclosed by a pair of panelled doors, plinth base, 86ins wide x 19ins deep x 90ins high (altered and adapted )
Lot 1017
A 19th Century French stained fruitwood food cupboard/dresser rack, the upper part with moulded cornice, fitted cupboard enclosed by a pair of doors inset with pierced metal panels, with ornate handles and escutcheon's, three open shelves below with plate support and the front rail pierced to take spoons, open plinth under, 50ins wide x 15ins deep x 70ins high
Lot 185
A LATE VICTORIAN ENGRAVED TROPHY GOBLET inscribed, by Walker & Hall, Sheffield 1896 (wooden plinth) and a late Victorian rose bowl inscribed as a trophy "8th Lancashire Volunteer Artillery..." by Charles Edwards, London 1897 (wooden plinth); the goblet 9.1" 923 cms) high; 20.8 oz weighable silver (2)
Lot 20
A George V cast silver standing figure after G. Halliday of an officer of the 78th (Highlanders) Regiment of Foot, later known as The Seaforth Highlanders, wearing full highland dress, bearing sword and dirk and with badge worded "Cuidich 'n Righ 78", on square base, 13.5ins high, by Elkington & Co, Birmingham 1911 (weight 56ozs), on hardwood inswept square plinth with silver presentation plaque to front worded - "Presented to E.G. Hay Esq on his Marriage by the Officers of the Seaforth Highlanders, June 11th 1912", 18.5ins high (hilt of sword slightly damaged and bent and tip of sword now broken off from base)
Lot 655
Alfred Gilbert (1854-1934) - Dark green patinated bronze figure - "Comedy and Tragedy" - Standing naked male figure wearing the mask of Pathos and holding the mask of Comedy in his hands, on narrow circular bronze base, 13ins high (apparently unsigned), mounted on turned and octagonal verde antico marble pedestal, mounted on turned ebonised plinth, 18ins high overall Provenance: From the collection of the Late Lionel Fielden, formerly of Villa Le-Pavernule, Florence, Italy, who set up the BBC in India
Lot 792
A 19th Century brass skeleton clock, the 4.25ins diameter silvered and fretted dial with Roman numerals, the eight day fusee movement supported in twin shaped brass plates and with passing strike, 10.75ins high, mounted on ebonised oval plinth base (suspension to pendulum broken but present, and dome missing)
Lot 793
An unusual 19th Century French brass framed "Skeleton" timepiece, the 2.25ins diameter white enamel chapter ring with Roman numerals, to the twin brass framed single train movement with alarum, 7ins high, mounted on ebonised oval pedestal (containing bell for alarum), on plinth base, complete with oval glass dome for same, 12.25ins high
Lot 801
A late 19th Century French gilt metal and porcelain mounted mantel clock by G.F., No. 1195, the 3.75ins diameter porcelain dial with Roman numerals within gilt cartouches, on a wine and gilt ground, to the eight day two train movement striking on a bell, contained in gilt metal drum pattern case surmounted by a two-handled urn, the flared base inset with porcelain panel enamelled in colours with two young lovers, on gilt metal paw pattern front feet, 14.25ins high, and gilt wood plinth for same
Lot 804
A Victorian mahogany mantel clock with 7.5ins diameter painted metal dial with Roman numerals, to the eight day two train chain and fusee movement striking on a bell, contained in figured mahogany case with shaped top, front carved with leaf and floral ornament, with fretted side panels and moulded plinth base, 16.75ins high (lacking glass to brass bezel to front and case a little scuffed and damaged)
Lot 806
A Victorian mahogany cased shelf clock by W. Edmead, 138 Gower Street, London, W.C, the 12ins diameter silvered dial with Roman numerals, to the eight day single train chain and fusee movement, contained in mahogany circular drum pattern case with figured veneered front and shaped and moulded sides, on plinth base with carved leaf and floral ornament, 22ins high, and with mahogany bracket for same, with scroll support, 23.5ins wide x 9.5ins deep x 10ins high Note: William Edmead recorded working London 1857-1881
Lot 950
An early 20th Century mahogany "Dickens" style kneehole desk, the upper part with shaped tray top, fitted four small drawers, the centre leather lined rising slope enclosing pigeon holes, dummy drawer to front, flanked by drawers to each pedestal and on plinth base, 48ins wide x 26ins deep x 40.5ins high
Lot 996
A 19th Century French Empire figured mahogany commode with grey marble slab to top, fitted one long drawer and three further long drawers with matched figured veneers and with original gilt brass oval loop handles and conforming escutcheon's, plinth base with shaped front feet, 52ins wide x 23.75ins deep x 36.5ins high
Lot 824
After Giambologna, an 18th century bronze group of Virtue Triumphant over Vice: deep brown patination, the semi-naked female overpowering a cowering male, raised on a square plinth, 30 cm. high.*Notes After the allegorical marble group representing 'Florence Triumphant over Pisa', commissioned by Francesco de' Medici from Giambologna for the Palazzo Vecchio in Florence and now in the Bargello, Florence.
Lot 873
Josh Penford, London. a walnut and floral marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with an inside countwheel, the 10½ inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, 'meeting-arrow-head' half-hour markings and signed either side of VI o'clock with the maker's name Josh. Penford, London, the matted dial centre having a subsidiary seconds dial, date aperture with engraved decoration to the surround and ringed winding holes, the cast-brass 'cherub-head' spandrels to the four corners having engraved floral decoration between and decorative blued steel hands, the walnut veneered case with panelled marquetry decoration to the trunk door and base, with further marquetry inlay to the trunk and a lenticle glass to the door, the flat-top hood with three-quarter pillars having cast brass capitals and marquetry inlay to the door, the base with a later applied plinth, with a pair of brass cased weights, height 213cms.* Biography Joshua Penford (sometime Penfold) is recorded as being apprenticed in London in 1684 to the Quaker clockmaker Francis Stamper 'At the Golden Ball in Lombard Street', becoming a Freeman of the Clockmakers Company in 1695.
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