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Two pairs of 19th century Staffordshire dogs, a pair of Dalmatians on a raised cobalt blue base and a pair of poodles with pups on raised plinth base, height of largest 14cm and a Staffordshire model of a pug on a stylised grassy plinth base and a 19th century figural perfume bottle, young gentleman resting on a tree trunk holding a dog peering over his shoulder, with detachable head as perfume stopper, height approx 8.5cm, blue crossed swords to the base. (6). CONDITION REPORT Losses to the gilt on the dalmatians and spaniels. Perfume bottle is restored. There are no obvious signs of significant damage or repair to the pug model.
A floor-standing oak corner unit with leaded upper section over single frieze drawer, on twin cupboard base, in the manner of Wood & Sons, height 180.5cm and a small floor-standing stained oak bookcase, twin leaded doors enclosing two adjustable shelves, supported on plinth base, height 86cm (2).
A contemporary mahogany bedroom suite comprising a three door wardrobe, one compartment with shelving for shirts above six drawers, on a stepped plinth base, two matching bedside cabinets and a matching king size sleigh bed, width 166cm (4). CONDITION REPORT Wardrobe: height 199cm, depth 59.5cm, width 173.5cm.
A French gilt metal mantel clock, second half 19th century, the fluted drum shape case with white enamel dial and Roman numerals, slow/fast regulation, the spreading acanthus cast base inset with an oval Sevres style porcelain plaque painted with a pheasant issuing cast swags of flowers below, the shaped white marble base on toupie and shaped giltwood plinth, the twin train movement striking on a bell, the clock 28.5cm high.
A pair of Empire style gilt metal and bronze twin light candleabrum, late 19th century, the leaf scroll branches supporting flowerhead sconces and ussing from a classical urn, applied with a mask and with bird mask and ring side handles, on a cylindrical pillar with an applied winged emblem, on a stepped ebonised wooden plinth, 39cm high (2).Illustrated
A small Edwardian silver bulbous cream jug, Birmingham 1901, in late 17th century style, leafy scroll embossed enclosing a crest, 8cm high, a George III style silver drum mustard pot, Stokes & Ireland, Chester 1907, blue glass liner, an oval silver bon bon basket, marks rubbed, with pierced sides, lacks handle, silver salt spoon, a late Victorian circular silver butter dish, Nathan & Hayes, Chester 1898, with pierced sides and twin handles, blue glass liner, 11.5cm across and a silver two handled challenge cup, inscribed, ebonised plinth, 11ozs weight combined, also an electroplate small Guernsey milk jug (7).
A RARE 1IN:32FT SCALE WATERLINE MODEL OF H.M.S. HAWKINS , MODELLED BY NORMAN OUGH, 1926 the hull carved from the solid with painted sides and natural deck, carved and painted fittings including capstan, bitts, anchors with painted chains, main and secondary armament, bridge with fire control, masts with radio aerials and signal lanyards, stayed funnels, covered boats in davits, and other details, mounted on raised cloth-covered plinth with maker's plate, name and scale plates, and contained within ebonised wood glazed cover with exhibition label to one corner. Cased measurements -- 6½ x 23½ x 6½in. (16.5 x 60 x 16.5cm.) ~~*~~ Norman Ough (1898-1965) was principal model maker to both the National Maritime Museum and Imperial War Museum and made commissions for many others as well as private clients. A considerable eccentric, he was sometimes found half starved having forgotten to eat for days being so wrapped in his work. His models are considered amongst the finest evocations of the genre, capturing the essential spirit of the ship and, at an age when few, if any short cuts were available, did not see the need to over-crowd detail. This model was presumably a private commission for someone connected to Hawkins , another example of this ship is held in the Imperial War Museum, Catalogue No. MOD1637. H.M.S. Hawkins was one of the five 'Cavendish' class cruisers ordered in 1915. Designed primarily for trade protection, Hawkins was built at Chatham where she was laid down in June 1916. Displacing 9,750 tons (12,190 deep loaded) and measuring 605 feet in length with a 65 foot beam, she could steam at 30 knots and carried a surprisingly heavy main armament of 7-7.5in. guns. Launched in October 1917, she was not completed until after the end of the Great War and her first tour of duty was as flagship to the 5th Light Cruiser Squadron on the China Station where she served from 1919–29. After a spell in the East Indies, she was rearmed in 1939 just in time for active duty in the Second World War during which she initially served as Flagship to Rear Admiral Sir Henry Harwood immediately after the Battle of the River Plate; she was scrapped in 1947.
A large Staffordshire pearlware figure of Sir Anthony van Dyck, c.1810, after Michael Rysbrack, standing with one hand on his hip, the other outstretched and holding a scroll, draped in a long cloak and standing beside a large plinth, raised on a rectangular faux marble base, some restoration, 55.5cm. The Rysbrack statues of van Dyck and Rubens were also produced at the Bow porcelain factory around 1760.
Late 19th century oak cased cuckoo bracket clock, the architectural case with carved and applied Gothic detail and buttressed corners on a plinth base to a 16 1/2 cm black finished chapter ring with applied composite Gothic Roman numerals and pierced hands (minute hand a/f) to a skeletonised brass twin spring driven movement with anchor escapement strike on a coiled gong and also two bellows, height 57cm
Late 19th century French black slate mantel clock, the plinth shaped case with stepped pediment and applied frieze depicting a hunting scene over free standing columns on a plinth base with presentation inscription dated December 21st 1881 (case panels loose) to a brass bezel with bevelled glass enclosing a 9cm black chapter ring to a sunk centre and with gilt moon hands to a circular brass movement with anchor escapement strike on a coiled gong, height 31cm
Late 19th century black and green variegated marble mounted mantel timepiece, the plinth shaped case with break front and gilt detailing to a cast brass bezel enclosing a 9cm Roman enamel dial with outside minute track and blued steel moon hands to a circular brass movement with anchor escapement, height 28cm
Early 20th century cast brass mantel clock, the plinth shaped case surmounted by two handled and lidded urn with lion mask and ring side handles on applied paw feet to a beaded bezel enclosing a 10cm cast dial with applied Roman lozenges and with fleur de lys hands to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell, height 40cm
Early 20th century German walnut and inlaid triple spring barrel mantel clock, Junghans, the arched case with side stepped pediment over pierced sound frets on a plinth base with compressed bun feet to a glazed door enclosing a 15cms (5 3/4 ins) arched brass dial with subsidiaries for chime/silent regulation over an Arabic chapter ring with outside minute track to a matted centre with blued steel hands to a triple spring driven movement with anchor escapement and strike on a coiled gong and four rods, height 44cms
Early 20th century mahogany cased single fusee timepiece, the drum shaped case on a scrolling plinth base to a cast brass bezel with bevelled glass enclosing a 17cm silvered dial, signed Donne & Son - Cornhill, London, with outside minute track and blued steel hands to a single chain fusee movement with screwed plates and anchor escapement, height 36cm
Early 20th century brass mounted mahogany mantel clock, the architectural case with Palladian pediment over four free standing columns on a plinth base to a brass bezel with bevelled glass enclosing a 9cm Arabic enamel dial (hairline) with fleur de lys type hands to a circular brass movement with anchor escapement strike on a coiled gong, height 32cm
Late 19th century black marble mantel clock, Crotte & Julian - Cannes, the break front plinth shaped case to a cast bezel enclosing an 8 1/2 cm signed Roman enamel dial (multiple hairlines) with outside minute track and fleur de lys type hands to a circular brass movement with back mounted count wheel and anchor escapement strike on a bell, height 25cm
Composite walnut and brass bound mantel clock, the plinth shaped case fitted with a single drawer and bevelled edge on brass foot with bun feet and with applied plaque and crest to a 14cms silvered Arabic dial with outside minute track to a rectangular brass movement with anchor escapement strike on a coiled gong, height 39cms
Late 19th/early 20th century American gilt four glass mantel clock, the plinth shaped case surmounted by a floral urn and further cast and applied corner mounts and scrolling feet set with four bevelled and glazed panels enclosing a 10cm Arabic (hairline) chapter ring with outside minute track and visible brocot type escapement with black fleur de lys type hands to a twin spring driven movement with anchor escapement and simulated mercury twin-pot pendulum with strike on a coiled gong, height 38cm
Late 19th/early 20th century American gilt four glass mantel clock, the plinth shaped case surmounted by a floral urn and further cast and applied corner mounts and scrolling feet set with four bevelled and glazed panels enclosing a 10cm Roman chapter ring with outside minute track and visible brocot type escapement with black finished hands to a twin spring driven movement with anchor escapement and simulated mercury twin-pot pendulum with strike on a coiled gong, height 38cm
Late 20th century mahogany cased mantel timepiece, Elliot, the plinth shaped case raised on compressed bun feet to a square brass bezel enclosing a signed and silvered dial with applied mask and wing spandrels, to a Roman and Arabic chapter ring and signed Dent - London, with black finished hands to a spring driven movement with platform escapement, height 15cm
Mid-19th century rosewood mantel clock, signed Thos Gostling - Diss, the shaped pediment with applied and carved detail to a brass mounted recessed panel on a bevelled plinth with bladed feet to a cast brass bezel enclosing a 14cm repainted Roman dial with outside minute track and pierced moon hands to a twin chain fusee movement with plates united by five plain pillars and with anchor escapement strike on a bell, height 40cm
19th century French mahogany and gilt metal mounted portico clock, the plinth shaped pediment with overhanging cornice supported on four polished free standing columns and plinth base to a foliate cast bezel to an engine turned 10 1/2 cm Roman dial with outside minute track and blued steel moon hands to a circular brass movement with back mounted count wheel and anchor escapement with strike on a bell and fitted with a brass and steel compensated pendulum with rosette disc surmounted by elephant heads, height 44cm
Late 19th century mahogany and ebonised mantel clock, the arched case surmounted by three acorn finials over canted quarter twist columns before brass ring side handles and arched and glazed sound frets on a plinth base (formerly raised on probably ball feet) to a 20cm repainted Roman dial with strike/silent subsidiary and with gilt highlighted floral and foliate detail and with pierced blued steel hands to an associated movement with shouldered plates united by knopped pillars and with anchor escapement strike on a bell and with pull repeat (case, dial and movement associated), height 56 1/2 cm
Late 19th century walnut and boxwood inlaid mantel clock, the plinth shaped case with pierced gallery to an overhanging cornice and body decorated throughout with neo-classical swag and foliate detail to a brass bezel with bevelled glass enclosing a 10cm Arabic dial with gilt lozenges and outside minute track with blued steel hands to a movement (unseen) (case damaged throughout), height 36cm
Mahogany and boxwood line inlaid mantel timepiece, the lancet shaped case with side handles on a plinth base with compressed bun feet to a cast brass bezel with convex glass enclosing an 8cm Roman and Arabic enamel dial with outside minute track and moon hands to a single spring driven movement with anchor escapement, height 21 1/2 cm
Late 19th century French lacquered brass four-glass mantel clock, the plinth shaped case with stepped pediment over four bevelled panels on a plinth base to a cast brass bezel enclosing a 7 1/2 cm Arabic enamelled dial (multiple hairlines) with outside minute track and blued steel hands to a circular brass movement with anchor escapement strike on a blued steel coiled gong and fitted with a twin mercury pot pendulum, height 22cm
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173487 item(s)/page