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A late 18th Century oak longcase clock with thirty-hour movement striking on a bell, the square brass dial inscribed `Taylor, Petworth`, the hood with moulded pediment above turned columns, the trunk with rectangular door, on a plinth base, height approx 192cm, together with pendulum and weight (faults and repairs).
A late 19th Century French gilt metal mounted alabaster mantel clock with eight day movement striking on a bell, the dial with black Roman numerals, the case with urn surmount above applied iron red and gilt foliate roundels, flanked by scroll sides on a shaped plinth and turned feet, height approx 30cm, together with pendulum, key and alabaster plinth.
An early 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary date and seconds, inscribed `Sam Sly, Norwich`, the hood with arch pediment above a glazed door and columns, the trunk with arched door, on a plain base and plinth, height approx 206cm, together with pendulum, two weights and winder (alterations and restoration).
Hitler bust of Hitler executed in bronze^ approx 37cm high. Indistinct name of artist to base of verso^ but the name ‘Ferdinand’ can be discerned. This could be ‘Ferdinand Liebermann’ (1883-1941) who was Hitler’s favourite sculptor. It is known that the Liebermann bust of Hitler was exhibited at the 1937 Haus der Deutschen Kunst art exhibition after which 32 casts of the original were made at the orders of the Nazi Party. The present example certainly conforms to the look of the known examples of the Liebermann bust^ but it is not certain whether this is a later recast. The bust has been laid to a square marble plinth. There are a few marks but overall the bust is in fine condition.
TWO EARLY TWENTIETH CENTURY AND PAINTED METAL HAND CRANKED MAGNETO ELECTRIC CURRENT GENERATORS, each mounted on a mahogany plinth, an EARLY TWENTIETH CENTURY VOLT METER in lacquered brass drum shaped case, 4" (10.2cm) diameter, A GRIFFIN LONDON PRESSURE GAUGE AND A HUMIDITY GAUGE with arched dial calibrated to 100 inscribed `RELATIVE PER CENT` chromed drum shape case (5)
RUNBAKEN EARLY 20TH CENTURY `ARDWICK H.T. CHARGER` OF CYLINDRICAL FORM WITH MILLI - AMPERES DIAL SET THE FRONT and surmounted by indicator bulb, a simple EARLY 20TH CENTURY AMPLIFIER UNIT with oak case and bulb surmounting, a battery powered indicator box to show `light on or out` and a MAELZEL METRONOME CONNECTED TO A CIRCUIT BREAKER ARM with battery power terminals on mahogany plinth base (4)
SMALL COLLECTION OF CONCORD RELATED MEMORABILIA, including a boxed LINKS OF LONDON, ELECTROPLATED MODEL OF CONCORD, 5 3/4" (14.5cm) long on plinth, DITTO BOXED LUGGAGE TAG, five ROYAL MINT COMMEMORATIVE MINT COINS, A BOXED BRADFORD EXCHANGE CONCORD 1976-2003 LIMITED EDITION CHINA PLAQUE AND TWO SIMILAR SMALLER PLATES AND SIX COLOUR POSTCARDS OF CONCORD
A collection of Sino-Tibetan bronze figures, to include a gilt/polished bronze figure of Shakyamuni Buddha of the present, 19th century, modelled seated in Dhayanasana hands in Bhumisparsa, seated on a lotus plinth base, height 11cm, together with a figure of Shakyamuni Bodhisattva, 19th century, modelled seated in Dhayanasana on a double lotus plinth base, height 13cm and a cast bronze figure of Amitayus, 18th/19th century, seated in Dhayanasana hands in Karana, seated on a raised lotus plinth base (3)
A George III mahogany longcase clock with a 32.5cm brass dial signed 'Coats, Wigan', with subsidiary seconds and date aperture, cast rococo spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above a fretwork frieze, the plain wood columns above quarter columns, raised upon a plinth base with brickwork angles and ogee bracket feet, possibly Gillows, height 212.5cm (illustrated)
A Victorian inlaid mahogany longcase clock with a 32.5cm white enamel dial with subsidiary seconds and date aperture, the spandrels painted with cottages above an arch similarly decorated with figures, the two train eight day movement with anchor escapement rack striking on a bell, the rosewood crossbanded case with a swan neck cresting above turned wood columns, the well figured mahogany lancet shaped door raised upon a plinth base, height 229cm (illustrated)
A 19th century mahogany longcase clock with a 32.5cm brass arch dial, signed 'Robert Dalgliesh, Falkirk', with subsidiary seconds and date roundel, engraved with leaves and flowers, with a roundel rotating painted with a masted galleon, not connected, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above fluted columns, flanked with a well figured mahogany door, the beaded columns raised on a plinth base and bell shaped feet, with two weights, pendulum and key, height 197.5cm (illustrated)
A Victorian oak longcase clock with a 13in white arched dial, with subsidiary seconds, calendar finger lacking, the spandrels painted with roses beneath an arch with a country house in the landscape, with a two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, linked to finials, the chamfered arched door raised upon a panel plinth base and shaped splay feet, 86 inches including finials (illustrated)
A Victorian walnut veneered Vienna style wall clock with a 16cm white dial signed GB for Gustav Becker, with subsidiary seconds dial, Roman numerals, the two train spring driven movement striking on a coiled gong, the case with turned finial shaped cresting above a glazed door, with two visible brass weight and pendulum with outswept columns carved with leaves, inverted plinth base, and wooden undercut base, height 130cm (illustrated)
A Victorian Vienna style wall clock with a 17cm white dial, with subsidiary seconds dial, Roman numerals, the two train spring driven movement striking on a coiled gong, the case with turned finial shaped cresting above a glazed door, with outswept columns carved with leaves, inverted plinth base, and wooden undercut base, height 130cm
A Victorian mahogany tall library bookcase, having moulded cornice above two glazed panelled doors enclosing adjustable shelves, the base section fitted with shaped secret frieze drawer above two recessed panelled cupboard doors, flanked by acanthus carved brackets, raised on plinth base and squat bun feet, width approx 119cm (illustrated)
An elegant and large Edwardian Sheraton Revival marquetry inlaid mahogany wardrobe, featuring two central inlaid and panelled cupboard doors, above two short and three long graduated drawers, flanked on either side by a full length oval bevelled mirrored door, raised on plinth base, width approx 192cm
An early Victorian feathered mahogany veneered bedroom chest, the rectangular top with rounded front corners above a shaped secret frieze drawer which overhangs a series of two short and three long graduated cockbeaded drawer, applied with turned knob handles inset with mother of pearl discs, raised on plinth base, width approx 126cm
An early Victorian mahogany bedroom chest, featuring a shaped front secret frieze drawer above two short and three long graduated recessed drawers, with turned knob handles and applied mother of pearl discs, flanked on either side by foliate carved brackets, raised on plinth base, width approx. 125cm
A good quality early Victorian rosewood chiffonier, the low raised back with shelf, above a secret frieze drawer and two recessed domed panelled cupboard doors with applied fretwork decoration, flanked on either side by a fluted column, raised on plinth base, width approx. 92cm (illustrated)
A rare, silver-inlaid Buddhist lion Seal, 18th/19th century, the male dog with turned body, its fur inlaid with silver lines, the square plinth with a few shallow dents, one corner dinted, 4cm The seal characters read: Jing Yan Jiang Guan (Teaching position of Histories and Classics to the Emperors). CONDITION REPORT: Small knocks to side of base, otherwise no obvious faults. Provenance: as per catalogue.
A miniature bronze Seal, 18th century or later, of a mythical dog-like beast with central horn, its fur marking incised, square plinth, 3.5cm The seal characters read: Tie Geng Shan Ren, which could also be the art name of Lei Yue (1882-1933). CONDITION REPORT: No obvious faults. Provenance: as per catalogue.
An interesting small bronze Seal, possibly Song (960-1279) or earlier, in the simplified form of a duck on stylised legs on the square plinth, considerable signs of oxidisation (presumably from burial) and corrosion, 2.4cm The seal characters are somewhat crudely engraved. The duck bears similarities to the Burmese, so-called, 'opium weights', but this may be coincidental. CONDITION REPORT: No obvious faults. Provenance: as per catalogue.
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173487 item(s)/page