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Click here to subscribeA 19th century French mantel clock with gilt metal and serpent eagle surmount above circular dial with Roman numerals, raised on stepped marble plinth base with applied gilt metal stylised beasts, with Japy Freres movement, height 31cm.Additional InformationRubbing, loss of colour and scuffs to the gilt metal, very minimal wear to the edges and very minor nibbles to the marble, we cannot guarantee the working of this clock.
A 19th century French mantel clock with gilt spelter surmount depicting a fruit seller beside circular enamelled dial, raised on alabaster stepped plinth base, the movement striking to a bell, stamped 'Medaille de Bronze Levasson Paris', raised on stepped wooden plinth base, overall height 36cm, width of base 36cm, width of clock 24cm, depth of clock 12cm.Additional InformationComplete with pendulum, lacking key. The fingers are both bent, cracks to the dial, chipping to the corners of the alabaster plinth base, missing the glass. We offer no guarantee of working order.
A 19th century French gilt spelter mantel clock with applied fisherman surmount above a circular enamelled dial set with Roman numerals and cast scrolling detail, the movement striking ot a bell, height 32cm, length 34cm, depth 10cm, raised on wooden plinth base.Additional InformationMissing the glass cover from the face, the fingers are bent, knocks, scratches and scuffs. We offer no guarantee of the working order of this timepiece.
A Victorian figural mantel clock with black slate rectangular base and bronze surmount depicting a figure leaning on a table with circular dial below, the dial signed H. Kreitz, the movement by Duplan & Salles France, height 41cm, length 52cm. Additional InformationGeneral wear throughout, scratches, scuffs, old repair to the centre of the slate plinth base, approx 8cm long, minor chipping in parts to the slate base. We have not wound the clock so no guarantee of working order - see additional images.
THOMAS MOSS OF FRODSHAM; an 18th century oak and mahogany cross banded eight day longcase clock, the hood with gilt decorated verre églomisé panel above square braszs dial set with silvered chapter ring featuring Arabic and Roman numerals, with subsidiary dial and applied foliate scroll spandrels, the trunk with quater fluted pilasters on plinth base to bracket feet, height 205cm, width 57cm.Additional InformationNot tested, no guarantee of working order. Dial currently sitting at a slight angle, will need to be reseated, presume some attention necessary due to the age of the item, some rubbing to the gilt and verre églomisé finish, some surface scuffs and scrapes.
JOHN GREENOUGH; a 19th century oak cased longcase clock, the hood with turned sphere pendant, the dial set with Arabic and Roman numerals, subsidiary dial and date aperture, the trunk with quarter turned columns on plinth base, height approximately 222cm.Additional InformationNot tested, no guarantee of working order, usual scuffs and scrapes commensurate with age and use. This is an eight day clock.
THOMAS STORER OF DERBY; a 19th century oak longcase clock, the brass dial with silvered chapter ring set with Roman numerals and date aperture, with applied spandrels, on plinth base, height 194cm.Additional InformationRequire attention, scuffs, scrapes and general wear throughout, not tested, no guarantee of working order.
An early-mid Victorian mahogany longcase clock, the hood with broken swan neck pediment above arch painted dial, set with Roman numerals and subsidiary seconds dial housed in eight day movement and signed 'Jas Bowes, Bradford', above short arch door and plinth base, sold with two weights (one associated) and a pendulum, height 225cm.Additional InformationThe case has been cut down, there are losses to the veneer, splitting to the side panels, water damage, chips to the painted dial, the dial has been repainted as well, the board is missing, the dial does not sit true to the case, it is possibly a marriage, one of the side panels to the hood is loose, the clock is generally af.
An early 19th century oak, mahogany and inlaid eight day longcase clock with broken swan neck fret-cut pediment and twin brass orb finials, the white enamelled dial with painted detail including two birds, subsidiary day and date dials, the trunk with quarter turned fluted columns on plinth base, height approximately 214cm.Additional InformationNot tested, no guarantee of working order, general wear commensurate with age and use throughout. The size of the dial is 36cm.
A late Victorian oil lamp with cut cranberry shade and reservoir, raised on pierced metal plinth base, overall height including chimney 53cm, together with a similar example (2).Additional InformationEach of the shades with minimal nibbles, general wear, the smaller example is lacking chimney and the shade is possibly a replacement, the shade on the smaller example with large chips, the fitting which supports the shade is loose on the smaller example and the shade has become offset, also a chip to one of the facets on the reservoir.
A good quality 19th century Corinthian column copper table lamp with cast floral decoration to the rim, height 50cm, together with a French cranberry glass trumpet vase raised on cast copper and brass plinth bass, stamped Paris, height 28cm (2).Additional InformationThe light was probably silver plated and has lost the plating, it is missing a fixture from the top rim, numerous dents, wear, the vase with minimal wear, a couple of air bubbles to the glass, light scratches.
HERBERT TERRY; a white painted metal Anglepoise desk lamp raised on cast iron circular plinth base, together with a copper mounted ceiling shade and a black painted tin candle box of cylindrical form (3).Additional InformationSigns of rust, minor chips to the paint on the Anglepoise and the candle box.
A Victorian twin pedestal inverted breakfront mahogany desk with green leather inset top above an arrangement of nine drawers, raised on base, length 121cm, depth 53cm, height 74cm.Additional InformationOne of the drawer fronts is missing, four handles are missing, losses to the beading. One of the pedestals is loose from the plinth base, knocks throughout.
A Victorian mahogany two door wardrobe with moulded cornice above arched panelled doors and single drawer on plinth base, width 118cm.Additional InformationThe cornice is replaced, it has been polished at some point and restored. There is some light surface wear. The interior has been changed from original to now have a material lining and a hanging space, but overall well presented with just minor surface wear. Height 204cm, width 121cm, depth 60cm.
A mid to late 19th century French walnut four drawer commode, the shaped veined white marble top above four moulded graduated drawers to a plinth base, height 89cm, width 117cm, depth 57cm.Additional InformationThe brass locks have been pushed in to each of the roundel sections at the front, general scuffs as you would expect throughout. A couple of tiny chips to the white marble.
A painted old pine housekeeper's cupboard, the upper section with sliding doors enclosing pigeon holes and shelves, the base section with two panelled doors enclosing single fixed shelf, raised on plinth base, length 179cm, depth 66cm, height 243cm.Additional InformationThe cabinet splits into two sections for transportation. There is significant wear where the upper section meets the base to both sides, and both the top and bottom doors do not slide particularly smoothly, it has obviously been repainted, quite a lot of surface knocks and chips throughout, the right hand door is slightly warped and does not close properly. Splits to the sides where it has been recently repainted.
An old pine chest of two short over two long drawers, raised on plinth base, length 102cm, depth 48cm, height 91cm.Additional InformationAreas of loss to the back of the surface, knocks, wear, minor water damage/stains throughout. The drawer bases are af, a number are being held on with tape, there are large areas of loss to the top, there are splits to the side, there is a large area of loss to the bottom left corner of the plinth, water damage evident throughout, the back panels are solid timber.
Border Fine Arts - Handmade Ltd and Numbered Edition Large - Impressive Superb Sculpture / Figure Group, In 1st Quality and Mint Condition. ' A Night In the Dogs ' Greyhound Racing, No B0905. Designer Margaret Turner, This Sculpture Is No 131 of 500 Produced, Raised on Elaborate Teak Wood Plinth. 17 Inches - 42.5 cms WIde. Complete with Certificate of Authenticity.
Border Fine Arts - Handmade Ltd and Numbered Edition Large - Impressive Superb Sculpture / Figure Group, Raised on Elaborate Teak Wood Plinth - Titled ' On the Rails ' Horse Racing Feature Classic Collection, Designer Anne Wall. Only 950 Sculptures Produced, Complete with Authenticity. 20 Inches - 50 cms Wide. This Figure Is 1st Quality and Mint Condition.
Border Fine Arts - B0801A Superb Large and Impressive Ltd and Numbered Edition Sculpture / Figure Group - Classic Collection ' On Parade ' Chestnut, Raised on a Shaped Mahogany Plinth. Designer Anne Wall. This Sculpture Is No 435 of 950 Pieces, Comes with Certificate of Authenticity. Height 14.5 Inches - 36.25 cms. 1st Quality and Mint Condition - Please Confirm with Photo.
Border Fine Arts Ltd and Numbered Edition Fine Quality Hand Painted and Impressive Sculpture Figure - Classic Collection ' Down to the Start ' Racehorse and Jockey. Raised on a Stepped Wooden Plinth, Sculpture Anne Wall. This Sculpture Is Number 117 of 750 Pieces. Complete with Certificate of Authenticity. Height 9 Inches - 22.5 cms & Width 11 Inches - 27.5 cms.
A Victorian oak bookcase, in the Gothic style, the top with a shaped cornice above two arched glazed doors, each with pierced moulding and coloured paper applied to the interior to simulate stained glass, the base with a frieze drawer and two doors each with raised panels on a tapering plinth, 229cm high, 103cm wide.
A 20th century c1970s brass Railway interest model of Stephenson's Rocket. The model well detailed, and mounted on a wooden plinth base with engraved plaque to front. Measures approx; 33cm long. Stephenson's Rocket is an early steam locomotive of 0-2-2 wheel arrangement. It was built for and won the Rainhill Trials of the Liverpool and Manchester Railway (L&MR), held in October 1829 to show that improved locomotives would be more efficient than stationary steam engines. Rocket was designed by Robert Stephenson in 1829, and built at the Forth Street Works of his company in Newcastle upon Tyne.
SAS Interest - an original bronze effect resin presentation statue of a soldier, with brass plaque to bass reading ' To CAS - All The Best From B Troop 63 (SAS) Sig Sqn, July 95 '. Along with a similar bronze effect statue on a wooden plinth base, and x2 original yellow signal flags with maker's marks for Porter Bros Ltd of Liverpool and dated 1980 and 85 respectively. SAS statue slight AF. Interesting collection.
A WWII Second World War interest desktop wooden model of a Russian / Soviet Ilyushin Il-2 ground-attack fighter plane / aeroplane. The model of wooden construction, in a silver colourway. Mounted on a curved metal armature and affixed to a mahogany plinth base. Measures approx; 16cm tall. The Ilyushin Il-2 Shturmovik was a ground-attack aircraft produced by the Soviet Union in large numbers during the Second World War. The Il-2 was never given an official name and 'shturmovik' is the generic Russian word meaning ground attack aircraft. The word also appears in Western sources as Stormovik and Sturmovik, neither of which give correct pronunciation in English. With 36,183 units of the Il-2 produced during the war, and in combination with its successor, the Ilyushin Il-10, a total of 42,330 were built, making it the single most produced military aircraft design in aviation history, as well as one of the most produced piloted aircraft in history along with the American postwar civilian Cessna 172 and the Soviet Union's own then-contemporary Polikarpov Po-2 Kukuruznik multipurpose biplane.
A 19th century style mahogany press cupboard or wardrobe, outswept cornice above a pair of panel doors enclosing a hanging rail, flanked by acanthus capped fluted pilasters, the base with two short over two long drawers, swing handles, pierced batwing escutcheons, plinth base, 218cm high, 120cm wide, 60cm deep
An Austrian Art Nouveau terracotta bust of Margueritelate 19th centurydecorated in a green bronze effect patination raised on a moulded titled plinth, 37cm highCondition report: There are some minor losses to the adorned flowers and a small chip to the underside rim of the base. No further damages or repairs. Please see additional images.
A large galvanised steel garden statue of an osprey, contemporaryModelled from sheet metal as a large bird of prey, wings upstretched, as it catches a fish, set in a painted metal cuboid stand on an associated stone plinth base.133cm total heightFootnote: Provenance:The contents of Castell Gyrn, Ruthin, North Wales.Condition report: Patchy surface patina including verdigris, consistent with exterior position/display. Natural surface weathering throughout.
'Torso study', Nude study of a reclining female, initialled 'AS' on the edge of the base, The Mall Galleries label on the chamfered, rectangular mahogany plinth, titled on label, RBA exhibition in 1986, terracotta, 72cm long, plinth 74cm x 36cm (2)Condition report: Ok. Plinth stained, scratched and with minor scratches.
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