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Lot 1427
George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a shaped panel door with flanking quarter pilasters and conforming plinth base, the painted dial with moonphase arch and subsidiary seconds with an associated two train movement (for restoration, weights lacking)
Lot 1430
George III mahogany longcase clock, the broken arch hood above an arched panel door and conforming plinth, the painted dial signed Simkin, London, with a strike silent selector to the arch, subsidiary date and seconds dials, the two train movement with anchor escapement striking on a bellWeights and pendulum present. Please see photographs
Lot 1448
George III mahogany inlaid and painted longcase clock, the broken arch hood with brass ball finials and flanking Corinthian pilasters above a rectangular panel door flanked by fluted quarter pilasters and conforming plinth base, the brass mounted and painted dial with Roman numerals, subsidiary seconds dial and date aperture, signed Ninyon? Brighthelmstone, the two train movement with anchor escapement striking on a bell
Lot 1453
George III oak longcase clock, the square hood with flanking pilasters above a shaped panel door and conforming plinth base, the brass dial with silvered chapter ring, Arabic and Roman numerals and subsidiary date aperture, signed F. Stripling, Lichfield, the single train thirty hour movement striking on a bell
Lot 1458
19th Century oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above an arched door and conforming plinth base, the painted dial with a hunting scene to the arch, Roman numerals and date aperture, the single train thirty hour movement striking on a bell
Lot 1397
A GEORGE IV MAHOGANY ASTRAGAL GLAZED TWO DOOR BOOKCASE, the square panelled glazing enclosing two divisions and eight adjustable shelves, over double panelled cupboard doors, width 134cm x depth 38cm x height 208cm (two keys) (Condition report:-replacement cornice, repaired brass door trim, door fits flush and not warped, backboard cracked, comes in two sections, repair to plinth, repair to door lock)
Lot 285
A BOX OF ASSORTED ITEMS, to include a three piece white metal and light blue guilloche enamel vanity set comprising of a hair brush, mirror and a clothes brush, a white metal rose bowl, a rescue brigade white metal trophy on a plinth, serving spoons, a pair of white metal and light blue guilloche enamel candle sticks, a white metal circular tray, a wooden jewellery box with contents of costume jewellery, a smaller wooden jewellery box with costume jewellery and a cultured pearl necklace fitted with a yellow metal spring clasp, a white metal rope twist chain fitted with a spring clasp stamped 925 etc
Lot 436
A PAIR OF LATE 19TH CENTURY BRONZED SPELTER URNS AND COVERS OF NEO-CLASSICAL STYLE, flame finial on the removable cover, three ram's head mask monopodia, circular base mounted on a black and green marble square plinth with four scrolled feet, height 36cm, together with a Chinese hardwood stand of square outline, pierced decoration between the legs, width 29cm square (3) (Condition report: one of the legs is split at a join below the bowl of the urn, the screws for the mounts need tightening as sections are loose, small patches of wear to the bronzed finish, some chips to the marble, the hardwood stand )
Lot 448
FIVE PIECES OF JAGUAR RELATED COLLECTABLES, comprising a boxed Editions Atlas Collections scale model car mascot on weighted base, length 12.8cm, another chrome plated jaguar mounted on a wooden plinth, length 13.5cm, another miniature example on a wooden base, height 6.8cm, a green Wedgwood jasperware pin dish and a car badge mounted on a circular wooden mount, diameter of badge 5.7cm (5) (Condition report: the box for the model is creased, some staining to the wooden bases)
Lot 484
THREE ROYAL DOULTON ANIMAL FIGURES AND A BESWICK FOAL, the Royal Doulton comprising 'Desert Orchid' DA184, matt glaze, mounted on a plinth, a 'Childhood Memories Best Friends' CH12 and a character terrier in a basket, HN2587, the Beswick foal model no.836, first version, palomino gloss (4) (Condition report: Desert Orchid has a dirty matt glaze, other items in good condition)
Lot 531
A J G DURAND OF FRANCE MOULDED CRYSTAL MODEL OF A SMALL SAILING BOAT, with a separate wooden plinth, overall height 21.5cm, together with an Edinburgh Crystal quartz manel clock and a Rosenthal Studio-Line star shaped candle holder, height 6cm (3) (Condition report: candle holder has flea bites to some tips)
Lot 555
THREE COALPORT FOR COMPTON & WOODHOUSE LIMITED EDITION LADY FIGURES, designed by Elizabeth Emanuel and sculpted by John Bromley, comprising 'Royal Premiere', 'Midnight Masquerade' and 'Millennium Debut', all three no.4212/7500, each with a wooden plinth and certificate (3) (Condition report: Royal Premiere has chips to one flower in her hair, Midnight Masquerade lacks mask, but otherwise in good condition)
Lot 591
TWO FEMALE BUSTS, one cast in resin after Alain Gianelli, depicting a woman in a plumed hat, supported on a red ceramic plinth, together with a plaster of Paris bust of a young woman with loose flowing hair and roses around her waist, approximate heights 56cm and 52cm respectively (Condition report: plaster bust has some chips and manufacturing flaws, resin bust appears in good condition) (2)
Lot 594
EIGHTEEN LILLIPUT LANE COLLECTORS CLUB SCULPTURES, fourteen boxed, two with no deeds, comprising Woodman's Retreat 1994/5 (no deeds), Porlock Down 1995/6 (leaflet, no deeds or box), Meadowsweet Cottage 1996/7 (no box), Beekeeper's Cottage 2000/01, Old Scrumpy Farm 2001/02, Two Pints Please 2002/03 (broken chimney), Sowing the seeds 18th Anniversary with plinth, The Toy Menders 2004/05 (no box), River Meadow Manor 2005/06, Candy Floss 2006/07, Teapot Cottage 2007/08, Honey Pot Tearoom 2007/08, Hazelnut Hall2008/09, Badger Rise 2008/09, The Fowl House 2010/11, Reading at Shrewbury Library 2011/12 (no box or deeds), Rosemary Cottage 2012/13 and Sage Cottage 2012/13 (18) (Condition report: no obvious damage unless mentioned)
Lot 368
BronzeIndia 16th centuryDimensions: Height 50 cm ; Wide 15 cm ; Depth 15 cmWeight: 8724 gramsThe Mother Goddess is standing on a high round plinth which is decorated by bird-like creatures and the surface incised with delicate floral patterns. She is holding her small child on her arm while the other hand is lifted in front of her hip. Possibly she was holding something in her hand. Her right foot is casually crossed over her left shin, supporting herself on her toes. She is dressed in beautiful garments decorated with patterns of dots and lines and also the child's clothes are decorated. She is adorned with elaborate jewellery on her chest, arms and head. Her eyes are big and wide open, her nose long and distinct and her chin protrudes from the face. In the back we see that the strand of her long hair is a serpent.
Lot 384
Bronze with silver and copper inlaysChina / Tibet or Kashmir / India 11th centuryDimensions: Height 14,5 cm by 10 cmWeight: 356 grams withour baseManjushri seated on a waisted double reverse lotus pose attached to a square wooden plinth. Seated with legs crossed and dressed in striped dhoti fastened around waist with belt. The chest is bare and only decorated with a necklace with tiger claw pendant, a gift parents gave their children as talisman. A thin scarf is billowing around his arms. He is holding the sword to cut ignorance in his right hand, the other is holding something small and is close to the waist. Behind his body and his head are two separate aureoles with openwork flames. The large eyes of Manjushri have a piercing gaze with silver inlay, a raised silver urna between the eyebrows. Small braids hang down the forehead and are done up in a ponytail, enclosed by a tiara.
Lot 238
Bronze firegiltNepal, about 1850Dimensions: Height 19,5 cm Wide 20 cm Depth9 cmWeight: 1955 grams without baseThis is a pair of Buddha Vajradhara and a White Tara seated in unison on a large lotus flower base with beaded rim attached to a rectangular black plinth. Both are seated with legs crossed, dressed in long wavy robes and scarves hanging down from their shoulders and twisting around their arms. Vajradhara Buddha is holding vajras in his crossed hands in front of his chest. His head is bent towards the Tara and he is smiling with downcast eyes. He is adorned with lots of jewellery with various stone inlay. Diamond-shaped earrings decorate his elongated earlobes. He is also wearing a tiara and a flaming aureole frames his head. The White Tara is showing mudras, the right hand resting on her right knee and fingers pointing to the earth with the palm facing to the front, thumb touching index finger. The left hand is raised and also with thumb touching the index finger. Her bare chest is decorated with beaded jewellery and stones. Two lotus flowers are growing besides her. She is smiling with downcast eyes and arched eyebrows, floral ear pendants hang down from her elongated earlobes. Her head is also framed by a fiery aureole. The back of the statues is kept simple.
Lot 266
BronzeThailand , Late Ayutthaya Period , 18th centuryDimensions: Height 23 cm without baseWeight: 6512 gramsRound head of a Buddha attached to a plinth. The knob-like chin gives this head a distinctive and child-like look. The lips are small and smiling gently. The nose is big and the lines continue right to the eyebrows and big eyelids. The eyes are closed. The elongated ears reach even below the chin and tiny curls resembling little snails cover the head and ushnisha, which is topped off by an even circle.Provenance:1) 14th October 1988 at "Hong Kong Art and Craft Merchants Association" in Hong Kong ( certificate available )2) 17th November 2017 at "The Show Place Antiques" New York , USA25th August 2020 : TL tested , age confirmed by test laboratory Kotalla , Haigerloch Germany
Lot 268
BronzeIndia , 13th centuryDimensions: Height 28 cm Wide 9 cm Depth 7,5 cmWeight: 1203 gramsBuddha standing on an expansive, rectangular plinth topped by a round lotus flower base. The Buddha is dressed in a wavy robe covering the whole body, no jewellery attached. The right hand is lifted in front of his chest with palm facing out, gesture of fearlessness. In his other hand he is holding a small object, symbolizing a holy script. His right knee is minimally bent and upper body curved to the left. The oval face has small features, a long nose and arched eyebrows with the urna in the center forehead. Little curls cover the head and ushnisha.
Lot 314
BronzeIndia or Nepal , 12th centuryDimensions: Height 37 cm Wide 12 cm Depth 10 cmWeight: 4.341 grams without baseStanding Buddha on plinth with a translucent robe covering his left shoulder. The right hand is lifted forming a mudra with thumb touching the bent index and midle finger, the other hand is also forming a mudra but also holding a slip or paper symbolizing a holy script. His left knee is slightly bent and upper body curved to the right from the waist. We see two thin necklines and the face is very round with a chubby chin, fleshy small lips and arched, thin eyebrows. The eyes are downcast. Elongated earlobes frame the broad face and tiny curls cover the head, topped by a diamond.
Lot 337
BronzeIndia , 18th century or earlierDimensions: Height 9 cm Wide 5 cm Depth 5 cmWeight: 274 gramsA child sitting on a round base attached to a square plinth. The feet are dangling above the ground. The figure is wearing a short dhoti attached to the hip by a belt and jewellery like anklets, bracelets and necklaces. The left hand's fingers are pointing to the ground showing the varada mudra and signifies offering charity, compassion and giving. The other hand is holding a lotus flower bud. The figure is smiling. The flat hair is held back by a small tiara or headband.
Lot 340
Copper repousse firegilt with turquoisesNepal , 18th centuryDimensions: Height 42 cm Wide 28 cm Depth 14 cmWeight: 3556 gramsBuddha seated cross-legged on a slightly lop-sided throne attached to plinth. The trone has and expansive base with two ornamental bands, topped by an open-work center part designed by floral ornaments with stone inlay and mystical creatures supporting the throne. The Buddha is showing the bhumispharsa mudra and is holding a small vessel with lid containing the elixir of eternal life. He is wearing a robe with ornamental brim over his left shoulder and the robe is fanning out elegantly underneath his crossed legs. We can see three clear necklines and the face is round with a small mouth but large squinting eyes. The urna is raised by a stone inlay in the shape of a drop. The ears are elongated. The curly ushnisha is topped by a diamond finial.
Lot 17
A 1930's BSA 250cc cutaway engine and gearboxwith operational valves, gears and clutch, mounted on a pine plinth measuring 30' long, 8½' wide and 20' tall, believed to be a 1935 model B35-2 OHV engine, close inspection advised. Lot to be sold without reserve.This lot is subject to the following lot symbols: â—Šâ—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Lot 1255
A Victorian rosewood and marble topped side cabinet, of shaped outline, having lattice brass grille doors and applied scroll mouldings, width 149cmCondition report: Lacking mirror back.Small veneer loss to the left of the plinth.Good quality but very dusty.Veneer to the plinth is quite dry.Marble intact but scratched.
Lot 176
A reproduction Congreve rolling ball clock, having three enameled chapter rings, with Arabic and Roman numerals, skeleton fusee movement, on four brass pillars and rolling platform base, housed in a lacquered brass glazed display case on ebonised plinth with single drawer below, w.28cm, d.28cm, h.39cmLacking ball to lever it. It is a brand new reproduction.
Lot 274
A Wedgwood bone china figure modelled as Josiah Wedgwood, in standing pose with jug in hand, with hand-painted decoration and on titled plinth, limited edition No.100/500, with certificate, h.22.5cm; together with one other similar black basalt example, numbered 200/500, with certificate, h.22cm (2)
Lot 279
A pair of late 19th century / early 20th century Austrian Vienna style porcelain vases, each of urn shape, the reverse panels painted with figures on horseback and with flowers to the opposing side, each on a deep blue ground with gilt decoration, raised on square plinth with further hand-painted panels, beehive marks verso, h.17cm; together with a late 19th century Japanese imari vase, of baluster form (3)
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173487 item(s)/page