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Lot 79
A Pearlware Pottery Cow Creamer Group, probably Staffordshire, circa 1820, the standing beast turning slightly to the left, whiplashed tail and oval cover mid-spine, sponged pink/grey horizontal stripes, its udder attended by a milkmaid in a spotted dress, on a green sponged grass effect canted rectangular integral plinth base, 14cm high, 20.5cm long (a/f)
Lot 118
A Gilt Metal Mounted Sèvres Style Porcelain Twin-Handled Vase, late 19th/20th century, of baluster form with angular handles, on circular socle and shaped square plinth, decorated in 18th century style with rustic figures beside a river, the reverse with putti amongst clouds in oval panels in a bleu de roi ground gilt with scrolls and foliage, 44.5cm
Lot 1054
Joseph Uphues (German, 1850-1912): A Bronze Figure "Hercules and the Stymphalian Bird", circa 1900, the youthful nude Hercules wearing nought but a fig leaf firing an arrow into the air, signed J UPHUES AKT.GES GLADENBECK-BERLIN, upon a green veined marble oval plinth base, 59cm high overall
Lot 1062
After Pierre-Jules Mêne (1810-1879): A Bronze Figure of an Irish Water Dog, Susse Frères Foundry, 19th century, with well detailed short curly coat and upheld tail, turning slightly to the left and holding a gilt bronze riding crop in its jaw, on a rustic leaf scattered oval plinth base, signed, stamped foundry mark, 20cm high, 27cm long
Lot 1063
After Pierre-Jules Mêne (1810-1879): A Bronze Model of a Retriever, Susse Frères Foundry, 19th century, turning alertly to the right and upholding its front right paw in expectation, upon a leaf scattered oval plinth base, signed, foundry mark, also incised SUSSE Fe E S With an original purchase invoice from The Sladmore Gallery, Kensington High Street, London, dated 25th April 1968.
Lot 1085
A Country House Oak Bowfront Letters Posting Box, retailed by Asprey, circa 1920, with long brass edged posting slot and bevelled glass inspection window, the front door with bevelled glass window beneath a plaque inscribed LETTERS, on a canted plinth, on the reverse with ivorine label ASPREY LONDON, 46cm by 31cm by 29.3cm
Lot 1170
A White Marble Centre Seconds Triple Calendar Moonphase Mantel Clock and Aneroid Barometer Combined, retailed by Lawson, Brighton, circa 1870, the case with drum top and waisted fluted sides, central bevelled pendulum window flanked by two dials for the aneroid barometer and month/day/date displays and moonphase aperture, on rectangular shaped plinth, 5-1/2-inch white enamel dial with Roman numerals, recessed dial centre with visible jewelled pallets, Brocot type escapement and signed by the retailer, centre seconds, twin barrel movement striking on a bell, backplate numbered 11419, 43cm by 52cm
Lot 1201
A Hook and Spike Wall Clock, Contained in a Later Oak Longcase, attributed to Whitehurst, Derby, No.4264, circa 1830, with swan neck pediment and central ball finial, shaped trunk door, plain plinth with bracket feet, 9-inch circular painted dial with Roman numerals and a gilt coloured edge, double weight driven movement with anchor escapement and fully enclosed with tin dust covers, movement backplate with original hook and spikes and numbered 4264, together with original weights and pendulum, dial and movement circa 1830, 193cm
Lot 1203
An Oak Eight Day Longcase Clock, signed Edmunds, Madeley, circa 1780, with flat top pediment, fluted columns and brass capitals, trunk door with mahogany crossbanding, plinth raised upon bracket feet, signed 15-inch circular dial with Roman and Arabic numerals, and two subsidiary dials for seconds/date, later hands, four pillar movement with anchor escapement and rack striking on a bell, 209cm high
Lot 1204
An Oak Eight Day Longcase Clock, signed Davd Collier, Gatley, circa 1780, with caddy top and later added swan neck, Corinthian capped columns, mahogany crossbanded trunk door with later shell inlay and later inlaid plinth upon later bracket feet, 12-inch square brass dial with Roman and Arabic chapter ring, signed floral and scroll engraved dial centre, arched date aperture and penny moon lunar scale aperture, four pillar movement with anchor escapement and rack striking on a bell, 228cm high
Lot 1205
An Oak Eight Day Longcase Clock, with swan neck pediment, turned pillars with brass capitals, trunk door with mahogany crossbanding, plinth with raised panel and upon bracket feet, 13-inch square brass dial with Roman and Arabic chapter, dial centre later inscribed Saml Ashton Bred Bury, later hands, date aperture and moonphase aperture, four pillar movement with anchor escapement and striking on a bell, 222cm high
Lot 1209
A Mahogany Chiming Longcase Clock, with swan neck pediment, turned columns with Corinthian capitals, later inlaid with floral work and central inlaid urn to the trunk door, plinth with raised panel inlaid with musical instruments and upon later skirting, 13-inch arched brass dial with silvered Roman and Arabic chapter ring later inscribed S Clare Warrigton, dial centre with floral engraving, seconds/date aperture, the arch with rolling moonphase, the massive triple weight driven movement with anchor escapement and chiming the quarters with eight hammers striking a nest of eight bells and a further hammer striking a larger bell for the hours, dial and movement later, 260cm high
Lot 1210
A Mahogany Eight Day Longcase Clock, with pagoda top, glazed side viewing windows, arched trunk door, plinth raised upon plain rectangular base, one piece silvered dial with Roman and Arabic chapter, dial centre with seconds/date and later inscribed R.Fulford Plym.Dock, arch with rolling moonphase, four pillar movement with anchor escapement and rack striking on a bell, dial and movement later, 236cm high
Lot 1211
A Mahogany Eight Day Longcase Clock, circa 1790, with swan neck pediment, arched crossbanded trunk door, plinth with raised quatre form panel and upon bracket feet, 14-inch arched brass dial with silvered Roman and Arabic chapter ring, engraved dial centre with seconds and date, arch with rolling moonphase, four pillar movement with anchor escapement and rack striking on a bell, 241cm high
Lot 1213
A Mahogany Eight Day Centre Seconds Longcase Clock with Calendar Displays, signed Joseph Brown, Worcester, circa 1790, case with swan neck pediment, flame veneer trunk door, plinth with raised quatre form panel and upon a later skirting, 13-inch one piece arched silvered dial, centre seconds hand, arch with rolling moonphase and signed, four pillar movement with deadbeat escapement and rack striking on a bell, 237cm high
Lot 1214
A Mahogany Eight Day Longcase Clock, with pagoda top, brass pierced fretwork to the front and sides with side sound frets, stop brass fluted columns, brass ball finials, flame veneer trunk door flanked by Corinthian capped stop brass fluted pilasters, raised quatre form panel to the plinth and upon later feet, 11-1/2-inch arched brass dial with Roman and Arabic silvered chapter ring inscribed John Shelton London, scroll engraved dial centre with date aperture and subsidiary seconds, arch with rolling moonphase, four pillar movement with anchor escapement and rack striking on a bell, case possibly later, 252cm high
Lot 1215
A George III Mahogany Eight Day Longcase Clock, signed Richd Marsh, Watford, circa 1770, the arched top case with pierced fretwood to the front, brass finials, glazed side viewing windows, brass stop fluted columns with brass capitals, arched trunk door flaked by inset fluted pilasters, plinth with raised quatre form panel and upon bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with a pie crust edge seconds dial, date aperture and signed on a silvered plaque, the arch with strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, 239cm high
Lot 1216
A Mahogany Eight Day Longcase Clock, signed Thomas Brown, Chester, No.703, circa 1780, with swan neck pediment and eglomise glass panels, brass ball finials, fluted columns, figured trunk door with blind fretwork above and flanked inset pilasters, plinth with canted brickwork corners and raised upon bracket feet, 13-inch arched brass dial with silvered Roman and Arabic chapter ring, with engraved floral scroll work to the centre, subsidiary seconds, date aperture, later hands, the signed and numbered arch with rolling moonphase, four pillar movement with anchor escapement and rack striking on a bell, 248cm high
Lot 1217
An Imposing Chiming Longcase Clock, signed Maple, London, circa 1900, the mahogany veneered case with acanthus leaf decorated borders, carved columns, trunk with rams heads to the top corners, arched trunk door edge with beaded work, plinth raised upon bracket feet, signed 17-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with subsidiary seconds and date aperture, top corners of the dial with chime/silent selection and Westminster/Cambridge/Complin chime selections, arch with rolling moonphase, massive triple weight driven movement with deadbeat escapement, chiming with ten hammers striking onto ten tubular bells and a further hammer striking the hours on a gong, mercury tubed pendulum, 255cm high
Lot 1220
A William III Walnut and Foliate Marquetry Quarter Striking Longcase Clock with Unusual Calendar Displays, signed J Wright in Mansfield Fecit, circa 1700, with caddy hood and three gesso and gilt wooden finials, three-quarter columns with gilded capitals to the hood door, side glazed viewing windows, convex throat mouldings inlaid with marquetry to the front, trunk door with lenticle aperture and inlaid with foliate, figures and bird marquetry, arabesque and foliate inlay to the plinth and upon later skirting, signed 12-inch square brass dial with silvered Roman chapter ring, matted dial centre displaying apertures for month/date and day of the week/zodiac signs, decorated with ringed borders and central floral engraving, subsidiary seconds, winged cherub spandrels and engraved to the dial edge, strike/not strike lever above 12, six pillar triple weight driven movement with deadbeat escapement and quarter striking eight hammers onto a nest of eight bells and a further hammer striking a larger bell of the hours, later seatboard, 241cm high John Wright is believed to have worked in Mansfield in the late 17th century, he died in 1708. A lantern clock is also recorded by this maker. See Loomes (Brian) The Early clockmakers of Great Britain, pg.595.
Lot 1338
A Regency Rosewood, Gilt Metal Mounted and Brass Strung Scripter, 2nd quarter 19th century, the fall front with inset green leather skiver, the interior enclosing twenty faux rosewood graduated drawers with brass knob handles, the base with cupboard door enclosing shelves, raised on plinth base, 84cm by 45cm by 146cm
Lot 1365
An Impressive Victorian Mahogany Breakfront Bookcase, late 19th century, the double cavetto cornice above four central conforming glazed doors flanked by winged sections, all between moulded column supports, the base with central arched cupboard doors enclosing fourteen long drawers, flanked by four cupboard doors, raised on plinth base, 310cm by 51cm by 290cm
Lot 1373
An Early Victorian Mahogany Breakfront Architectural Bookcase, circa 1850, with triangular central pediment over a narrow plain frieze interrupted by six acanthus sheathed slender corbels, over three pairs of arched doors carved with floral devices in the upper angles, enclosing adjustable shelves, the base of five drawers over three pairs of panelled cupboard doors, on a plinth, 386cm wide, 253cm high (alterations)
Lot 1426
A Fine Satinwood and Tulipwood Banded Breakfront Dwarf Linen Press, stamped Gillows & Co, 2nd quarter 19th century, the central frieze drawer stamped twice and numbered 12476, with two cupboard doors below enclosing four sliding trays flanked by an arrangement of twelve graduated drawers, raised on a plinth base, 228cm by 62cm by 123cm
Lot 1544
Demetre H Chiparus (Romanian 1886-1947): "Accident de Chasse" A Cold-Painted and Patinated Bronze Figural Group, modelled as a tunic clad kneeling maiden bandaging the leg of a hound, signed D.H.Chiparus in the maquette, on a veined black marble plinth base with metal title plaque ACCIDENT DE CHASSE Par D.H.Chiparus (Récompencé au Salon) and FINNIGANS PARIS, 41.5cm long
Lot 1733
An Art Deco Oak Desk, with a single drawer and an open shelf above a shaped fitted cupboard door opening to reveal a shelved interior, on two legs and a plinth base, unmarked, 121cm by 55cm, 77.5cm high; An Art Deco Oak Chest-of-Drawers, with four graduated drawers enclosed by an end cupboard door with shelves, unmarked, 100cm by 40.5cm, 77cm high; An Oak Open Bookcase, with exposed construction, unmarked, 50.5cm by 24.5cm, 74.5cm high; and A Low Open Bookcase, with two sections, adjustable shelves, unmarked, 152cm by 31.5cm, 91.5cm high (4)
Lot 589
* Car Mascot - Humber ñImperialî. A very scarce pre-war art-deco style equine car mascot by the Humber Car Company, c. 1938,chrome-plated bronze in distinctive `Cubist` sculptural form, with integral base-pate, surmounting a polished hardwood display plinth, never previously fitted to a car Designed for the Humber ñImperialî Pullman Limousine, the most luxurious & prestigious vehicle of very limited numbers built, produced by the flagship company of the newly-formed Rootes Group just before the outbreak of WWII. Retained in the styling department for many years and given to a long-serving design employee upon his retirement. (1)
Lot 650
* A Victorian porcelain cylindrical mug, printed with black and white view of the exterior of Crystal Palace, inscribed in gilt `1851 The Great Exhibition, London`, `In commemoration of the Exhibition of the Works of Art of all Nations held in London in the Year 1851`, 11 cm high, together with two similar Victorian pottery mugs, printed with Britannia overlooking the exterior of Crystal Palace, differing views, one with Britannia on an 1851 plinth overlooking Crystal Palace, the other with Britannia and depictions of nations overlooking exterior view of Crystal Palace, the latter with novelty frog to base of interior, 11 cm high (3)
Lot 1075
* An Assam Valley Light Horse Trophy, to Trooper D. J. Simpson, the ebonised plinth surmounted by a silver coloured metal rhinocerous, the plinth with silver A.V.L.H. Regimental crest, dated 1882 to 1947, and inscribed to the recpient, 17 cm wide, together with a silver pedestal trophy cup, engraved `Bombay Hunt Cup 1929-30 not quite`, London 1922, on an ebonised plinth, weighable silver 6.5 ounces (1)
Lot 308
A late 19th/early 20th century German walnut cased "Symphonion" mantle clock, the case of architectural form with cupola and finials to the roof, flanking half column and stepped shallow plinth and the 8 day movement having gilt metal and cream enamelled dial with Arabic numerals together with four Symphonion discs (as viewed, the movement in need of attention and 2 teeth broken from the comb, top finial damaged, 51cms high)
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172950 item(s)/page