A second half of the 18th century ebonised table clockThomas Haley, LondonThe bell topped case with handle and moulded cornice over circular and shaped side panels (the upper ones glazed, the lower ones with silk-backed frets), on a moulded plinth base, the 7 inch arched brass dial with strike/silent subsidiary over the Roman and Arabic chapter ring, matted centre with chamfered date aperture and shaped recessed signature plaque, the twin gut (now wire) fusee movement converted to anchor escapement, with rack striking on a bell. Running and striking, with case key and a winding key. 51cms (20ins) high.Footnotes:Provenance: This clock has been in single family ownership for at least 40 years.For further information on this lot please visit Bonhams.com
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An interesting first half of the 18th century ebonised quarter repeating table timepieceJames Green, AlthropThe inverted bell topped case with handle over a deep cornice and shaped glazed side panels, on a moulded plinth and block feet, the upper quadrants all with mirrored inserts, the 8 inch arched brass dial with wheatear border framing the silvered signature boss in the arch flanked by sphinx mounts over mask spandrels and the Roman and Arabic chapter ring with half quarter marks, matted centre and mock pendulum aperture, the single gut fusee movement united by four knopped and finned pillars, with knife-edge verge escapement (the front pivot on a separate cock screwed to the frontplate) repeating the quarters on demand via one large and two small bells mounted vertically above the plates. 55cms (21.5ins) high For further information on this lot please visit Bonhams.com
A 19th century mahogany and brass table clock with trip repeatG.P.Tode, 248 Regent Street, London. No. 321The elaborate mahogany waisted and winged case with a floral shaped palmette top with elaborate brass finial over scrollwork decoration and acanthus leaves on a raised plinth base on brass ball feet, the 5.75 inch signed white painted Roman dial with outer minute marker with fancy blued-steel hands and a lever for strike/silent, the twin chain fusee movement with anchor escapement, signed and numbered backplate striking the hours on a bell. Sold with a brass bob pendulum, case key and associated winding key. 42cms (16 1/2ins) high (4)For further information on this lot please visit Bonhams.com
A late eighteenth century figured mahogany 'balloon' bracket clock with trip repeat and original bracketRichard Grove, 93 Wood Street, LondonThe shaped caddy surmounted by a gilt brass ball finial over foliate and fish-scale sound frets, the waisted case raised on a moulded plinth base and brass ogee feet, the signed 7.75 inch white painted Roman and Arabic dial with elongated fancy brass hands, signed two train fusee movement with anchor escapement striking the hours on a large bell. Sold with original mahogany wall bracket, case key and winding key. 61cms (24ins) high. The wall bracket a further 25cms (10ins) high. (4)For further information on this lot please visit Bonhams.com
A good early 19th century mahogany balloon-shaped table clockVulliamy, London, No. 527. The waisted case with moulded plinth raised on brass ball feet, the white enamel Roman and Arabic dial with a minute track and inner line framing the matching pierced heart-shaped hands, the signed and numbered circular movement with half deadbeat escapement to a lozenge-section wooden rod pendulum terminating in a numbered brass bob. 31cms (12ins) highFootnotes:Sold to George Hammersley in 1812. George Hammersley was a partner of Hammersley, Greenwood, Drewe & Co. at 76 Pall Mall, a bank founded by his father, Thomas. The bank's Pall Mall office was next door to Vulliamy, and they went on to buy at least one other clock after this. We are grateful to Roger Smith for this information.The Hammersley family were involved in banking from the 17th century; George's father Thomas was banker for the Duke of Cumberland and the Prince Regent, later George IV.In a letter dated 10 May 1791, the Prince Regent detailed the items he left the bank in exchange for a loan: 'a casket covered with red morocco leather containing a diamond epaulette, a diamond star, a diamond George, a diamond garter and sundry diamond trinkets and ornaments belonging to his Royal Highness'.George's brother, Hugh, was also a partner and was a member of parliament for Helston, in Cornwall from 1812 to 1818. He famously voted against buying the Elgin Marbles.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A GOOD SECOND HALF OF THE 18TH CENTURY BRASS-MOUNTED EBONY BRACKET CLOCK WITH ORIGINAL WALL BRACKETWilliam Webster, LondonThe inverted bell topped case with bold handle and brass band to the caddy, over brass-bound rectangular glazed side panels over a plinth base on brass block feet, the 7.5 inch one-piece silvered dial with original blued steel hands reading against Roman and Arabic numerals, framed by a cast brass bezel within a square door, opening to reveal the wider dial plate signed along the lower edge and set with a strike/silent lever, the movement with five knopped pillars, pivoted verge escapement and rack strike on a bell, the backplate with a repeat pattern border framing asymmetric rococo foliate scroll engraving and the signature 'Wm. Webster, Exchange Alley, London', mounted with an engraved 'sprung block'-type pendulum holdfast, the backcock with matching scroll engraving and border. Ticking and striking. Together with the original veneered and brass-bound wall bracket of shaped outline and with pull-forward key drawer. Height 48cms (19ins) high. Standing on the wall bracket, 73cms (29ins) high. Footnotes:Provenance: Single family ownership for nearly 50 years; purchased by the vendors father from an auction in 1972.For further information on this lot please visit Bonhams.com
A rare late 18th century ebonised triple pad top, quarter chiming table clock of small sizeRobert Henderson, St. Martins Court, LondonSurmounted by a handle and three brass-mounted pads over a moulded cornice, side frets and a brass-bound plinth on ogee brass feet, the 5.75 arched brass dial with white enamel strike/silent subsidiary over a signed Roman and Arabic dial with blued steel hands, the triple gut (now wire) fusee movement now with deadbeat escapement, with rack strike on a bell and chiming the quarters on a run of eight bells and hammers, the backplate signed in full within a series of interlaced foliate scrolls 39cms (15.5ins) high.Footnotes:Robert Henderson is recorded as working in St.Martin's Court from 1768 - 1805.For further information on this lot please visit Bonhams.com
A very fine late 19th century Exhibition-quality, quarter chiming skeleton clock with special escapement, remote winding and remote hand setting, with the original glass dome and walnut baseCamerer Kuss & Co, 56 New Oxford St, LondonThe elaborate Gothic-inspired frame united by twelve turned pillars and cast with spires, quatrefoils, and other architectural motifs, signed in a signature plaque mounted top centre within a Gothic-style architectural niche, on a substantial plinth base with engraved border, set to the front with a pair of cast gilt bronze figures of Prince Albert and Queen Victoria on circular bases with foliate and crown decoration, the frame further set with applied plaques 'WESTMINSTER & TEN BELLS CHIMES' the 6.75 inch gilt dial with painted Gothic Roman numerals interspersed by engraved foliage and roundels, framed to the outer edge by a pierced running border of foliate scrolls, the internal edge with arcaded trefoils, echoing the tips of the blued steel pierced hands, the unique movement with three chain fusees, (the quarter train with engine turned spring barrel cap), all three winding squares set in the base behind shutters revealed on pushing a horizontal slide, each train with heavy chains running over pulleys to the fusee arbors, the quarters announced via a choice of Westminster chimes on gongs hidden in the base, or on a run on ten bells set in two sets of five mounted front to back behind the standing Royal couple, each bell struck by a stylised brass halberd, the going train with a deadbeat 'scape wheel mounted on a three-armed bridge set on three pillars screwed into the back of the frame, the sliding detent-type escapement with two-part pendulum terminating in a cylindrical bob and suspended from an adjustable block mounted on a shaped bracket spanning the plates above, the hours struck on a heavy gong mounted in the base. The walnut base with carved arcaded decoration and sliding covers for the winding squares. The right hand side is set with two gilt engraved buttons, 'SET HANDS' and 'WESTMINSTER CHIMES/10 BELLS CHIMES'. The hands are set by pushing down on the relevant button to engage a series of rods and bevelled gears to advance the hands. Together with the original glass dome. Running, striking and chiming. To the top of the frame 80cms (31.5ins) high. With glass dome in place, 82cms (32.5ins)Footnotes:This clock was made to celebrate Queen Victoria's Diamond Jubilee in 1897 and is illustrated in Camerer Cuss & Co: The Bicentenary 1788-1988, Antique Collector's Club, 1988, p.26. The firm used an image of it on an 1897 calendar, and undoubtedly it would have taken pride of place in the shop window. The remote winding and hand-setting is a revelation - one of the main issues for all skeleton clock owners is that 52 times a year, the glass dome has to be removed safely and then put back safely, this is why so many 19th century skeleton clocks are now lacking their domes. The current clock retains its original, perfectly fitting dome. Prince Albert had died 36 years before this clock was made, but still featured strongly during Victoria's Diamond Jubilee in 1897. The figures on the clock depict the young married couple, Albert is decorated with the Order of the Garter and the Golden Fleece. Victoria is dressed out of period, in a simple Medieval-style gown, the pair perhaps portraying the Age of Chivalry, in tune with the gothic decoration of the clock. Provenance: Single family ownership for the last 70+ years.For further information on this lot please visit Bonhams.com
A FINE AND RARE MID 18TH CENTURY SILVER-MOUNTED CARVED MAHOGANY QUARTER REPEATING TABLE CLOCKDelander, LondonSurmounted by a cast handle on an inverted bell top with fine mouldings over a concave cornice, circular and rectangular glazed side panels and a plinth base on block feet, the front and rear doors, all four angles, and the four side windows all framed in carved mahogany borders of egg-and-dart or flowerheads interlaced with flowing ribbon, the 6.25 inch arched brass dial with rise-and-fall regulation dial in the arch (divided into 40 divisions marked in 5s) flanked by silver spandrels depicting a cornucopia and a cherub holding a flowerstalk aloft, over the silvered Roman and Arabic dial framed by silver scroll-and-flower spandrels, the finely matted centre with curved chamfered mock pendulum aperture revealing the engraved silvered 'bob', chamfered square date aperture and applied nameplate a strike/silent lever at IX, the twin gut fusee movement with rectangular plates united by six knopped pillars, the pivotted verge escapement with adjustable pallets to a brass rod pendulum with lenticular brass bob secured for transit by a steel hook, rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, signed in a copperplate script to the lower half of the backplate, Delander, London, the high-strokes of the letters flowing into one another. Running, striking and repeating. Sold together with a 20th century, bespoke mahogany wall bracket, made in solid mahogany and multi-layered in the 18th century style, with three suspension loops. The bracket 22cms (8.75ins.) high, 29.5 (11.5ins) wide and 21cms (8.25ins) deep. 45cms (17.75ins) high (2)Footnotes:Provenance: Single family ownership for 46 years. Purchased from Ronald A Lee, 1-9 Bruton Place, W.1. April 1974. A copy of the original invoice accompanies this lot.For further information on this lot please visit Bonhams.com
A fine and rare mid 18th century silver-mounted carved mahogany quarter repeating table clock with exhibition provenanceDelander, LondonSurmounted by a cast handle on an inverted bell top with fine mouldings to a plinth base and block feet, the front and rear doors, all four angles, and the four side windows all framed in carved mahogany borders of egg-and-dart or flowerheads interlaced with flowing ribbon, the 6.25 inch arched brass dial with rise-and-fall regulation dial in the arch (divided into 42 divisions marked in 7s) flanked by silver spandrels depicting a cornucopia and a cherub holding a flowerstalk aloft, over the silvered Roman and Arabic dial framed by silver scroll-and-flower spandrels, the finely matted centre with chamfered mock pendulum aperture revealing the engraved 'bob', chamfered date aperture with pin-hole adjustment and applied nameplate a strike/silent lever at IX, the twin gut fusee movement with rectangular plates united by six knopped pillars, the pivotted verge escapement with adjustable pallets, to a brass rod pendulum with lenticular brass bob secured for transit by a steel hook, rack striking the hours on a bell and repeating the quarters on a run of six bells and hammers, signed in a flowing script to the lower half of the backplate, Delander, London, the high-strokes of the letters flowing into one another. The glazed rear door applied with the original printed label Catalogue Number 150 from the 1952 Science Museum Exhibition 'British Clockmaker's Heritage Exhibition. Running, striking and repeating. 46cms (18ins) highFootnotes:Exhibited: British Clockmakers Heritage Exhibition, Science Museum, May 23rd to September 14th, 1952, exhibit number 150. Described as 'Bracket Clock by Delander (probably Nathaniel), London c1740.Lent by Ronald Lee, Esq.'Provenance:Single family ownership for 36 years. Purchased by the vendor's father from Ronald A. Lee (Fine Arts) Ltd, 1-9 Bruton Place W.1. , June 1984. A copy of the original invoice is included with this lot, on which Mr Lee notes 'This is the pair to the Delander you purchased in April 1974.' Bearing in mind that Mr Lee had loaned the clock to the Science Museum Exhibition in 1952, and only sold it in 1984, it is quite possible that he kept this at own his home as part of his private collection.For further information on this lot please visit Bonhams.com
Of Royal Provenance. One of only two known regulators by Thomas Reid with his spring pallet escapement and pendulum. A fine and very rare early 19th century mahogany floorstanding regulator of one month duration, DATED 1816.Reid and Auld, Edinburgh. The movement repeat signed and dated.The case:the shallow arched hood with moulded cornice over canted front angles to a concave throat moulding, the dial surround lined in brass, over a long trunk door with shaped glazed panel to reveal the arc of the pendulum against an engraved silvered beat scale, and the descent of the brass cylindrical weight, flanked by conforming canted front angles, on a panel base with applied shaped moulding on a plinth raised on block feet. The interior of the trunk door applied with various labels including a 19th century printed 'Table of the Equation of Time'; a description of the clock hand written in sepia ink; an oval label of the 20th century Antique clock retailer Percy Webster; and an illustration from Britten's Encyclopedia of 1894. Further set with the engraved brass presentation plaque 'Presented to / THE LADY ALICE MONTAGU DOUGLAS SCOTT / on the occasion of her Marriage with / H.R.H. THE DUKE OF GLOUCESTER, K.G., P.C., K.T. / From the Directors & Senior Officials of the Royal Bank of Scotland / of which Bank her Father / The Seventh Duke of Buccleuch & Queensberry K.T., GVCO was Governor / 6th November 1935.' The backboard of solid mahogany one inch (25mm) in thickness sporting a shaped heavy cast iron plate occupying nearly half the length of the backboard to support both the movement and the pendulum. The dial:the 9.5 inch shallow arched dial signed in the upper part 'Reid & Auld, Edinburgh' in a flowing script over an Arabic minute track marked in tens, the upper half of the dial containing the Arabic seconds ring, the lower with a twice 1-12 Arabic hour ring, with original blued steel hands.The movement: of one month duration and heavy brass plates cast to allow the positioning of the barrel to the left hand side, united by four substantial turned pillars and secured to the cast iron seat-plate by three very heavy brass brackets, the seat-plate located on two pairs of brass angled brackets mounted to the tops of the case cheeks, the entire lower assembly using 18 screws to lock the movement in position. The movement is further secured within the case by a bridge-arrangement spanning from the heavy cast iron plate on the case back board to an extension piece set above the movement backplate. The iron horizontal seat plate and the vertical backboard plate both carry pairs of runners that would have originally located the brass-framed and glazed dust cover (cover now lacking). The brass weight suspended on a pulley of six crossings, pulling the gut line through a moving slide set on runners on the seatplate. The wheel train:the five wheel train with high count wheels of six crossings with pinions ranging from 24 on the second wheel to 16 on the 'scape wheel, terminating in Reid's deadbeat spring pallet escapement, all arbors with hardened steel end-plates where possible. The long crutch to Reid's own pendulum consisting of a larger diameter hollow zinc tube flanked by a pair of steel rods terminating in a typical massive bob with engraved rating nut. 174cms (5ft 8.5ins) high. Footnotes:Provenance: Their Royal Highnesses, The Dukes of Gloucester.A wedding present from the Directors and Senior Officials of the Royal Bank of Scotland to Lady Alice Montagu Douglas Scott, later Princess Alice, Duchess of Gloucester (1901-2004). Lady Alice married Prince Henry, Duke of Gloucester (1900-1974), the third son of George V, on 6th November 1935.The oval plaque applied to the interior of the case is that of Percy Webster, the highest profile antique clock dealer working between the wars. Webster would have been the natural choice for anyone wishing to buy the finest clocks on the market at that time. The current clock is one of only four known regulators in the world by Thomas Reid, and one of only two that retain his original spring pallet escapement and pendulum. All four were made between 1811 and 1818 and comprise:1811 made for Lord Gray for his private observatory at Kinfauns Castle, Perthshire, Scotland. The month duration movement has a mercury pendulum and is remarkable for the use of anti-friction rollers. Remained with the family until 1934, altered to Richie's deadbeat escapement at about this time. Advertised by Derek Roberts Antiques, Tonbridge, Kent, in 'Antiquarian Horology' Vol.19, no.2, p131. 'This historically and technically very important regulator of 45 days duration was made by Reid virtually regardless of expense.'1813 made for Calton Hill Observatory, Edinburgh. Eight day duration, mercury pendulum. Altered in the 1850s to deadbeat escapement. Used, among other things, to time the daily firing of the gun at Edinburgh Castle at 1pm, and to ensure the correct drop of the time ball of the Nelson monument on Calton Hill. See 'Antiquarian Horology', Vol. 8, no.1, pp.51-61. 'The Astronomical clocks at the Observatory, Calton Hill, Edinburgh' by Christopher Wood, F.R.A.S.1816 the current lot. Month duration, original escapement and pendulum. Royal ownership since 1935. 1818 Month duration, original escapement and pendulum. Donated in the late 19th century by E. Thompson to the British Horological Institute. Restored in the late 1980s - see 'The BHI Reid and Auld Spring Pallet Regulator' by R. John Griffiths, 'Horological Journal', August 1992. Thomas Reid was born in Dysart, near Fife in 1746. Aged 16 he was apprenticed to his gifted clockmaking cousin James Cowan. When the latter died, Thomas returned from London to take over the business, proclaiming in the 28th November 1781 Edinburgh Evening Courant that '.... having received the instructions of the first masters in that profession, did carry on business and was employed in the execution of first-rate work there..' He ends the announcement with the promise that '..he makes no doubt of giving entire satisfaction to his employers'. Reid's skill and confidence were soon rewarded with public commissions all over Scotland including the first clock for the spire of St. Andrews Parish Church on George Street and improvements to the clock of St Giles' Kirk. His two movements for Annan Town Hall are particularly remarkable in that he designed them so as to allow access to each of the wheels independently from one another. He is best known today for his treatise 'On Clock and Watch making' written in retirement and which eventually ran to six editions. He died on 24th September 1831. Thomas Reid took William Auld into partnership in 1806. Comparative literature:'The BHI Reid and Auld Spring Pallet Regulator dated 1818', R. John Griffiths, 'Horological Journal', Vol.135, no.2.'William Hardy and his spring-pallet regulators', Charles Allix, 'Antiquarian Horology', vol.18, no.6 pp.607-629.Roberts, D. (2003) 'English Precision Pendulum Clocks'. Schiffer Publishing. pp.94-100.Smith, J. (1975) Old Scottish Clockmakers from 1453 to 1850. Redwood Burn Limited. A review of the innovation following the pioneering work with gravity escapements from the earlier years of the 18th century is given below:THOMAS REID'S SPRING PALLET REGULATORSby Andrew KingWith the considerable advance towards the development of the marine timekeeper in the middle years of the eighteenth century, thought was evolving with new ideas to increase the precision of pendulum regulators. The dead beat escapement refined by George Graham earlier in the century was a very simple and generally robust system, but with the more recent successful achievement of the detached spring detent escapement in what was now, by the late eighteenth centur... For further information on this lot please visit Bonhams.com
A rare late 18th century English mahogany quarter- and Dutch-striking' table clockThomas Pace Senior, LondonThe bell topped case with five flambe finials over substantial side handles and boldly cast gilt-brass sound frets centred by a cherubs head within a sunburst, on a plinth base and (later) brass ogee feet, the 7.75 inch brass dial with a pair of painted subsidiary dials for date and strike/silent flanking the recessed signature plate over a Roman and Arabic dial with matching hands, the substantial three chain fusee movement now with Brocot style deadbeat escapement striking the hours on the hour and the half-hour, in the Dutch tradition, further chiming the quarters on a rack of eight bells and hammers, the backplate with double-line border framing an allover design of foliate scrolls centred by a basket of fruit. Ticking, chiming and striking, with pendulum, case key and winding key. 58cms (22.5ins) highFootnotes:Clock lovers the world over know the iconic skeleton clocks of John Pace of Bury St Edmunds. Working 170 years ago, his use of clean lines and strong geometric forms give the appearance of an object from the mid-20th century, or even the modern day. His vertical wheel trains can be seen as a precursor of those used to such effect by Jaeger le Coultre in the 1950s and 60s. But John was only one of ten clockmakers from the Pace family, a dynasty that spanned 150 years from the 1740s into the 1890s. A full account is given in Antiquarian Horology, vol.34, no.1, pp60-71 'The Pace family of Quaker clockmakers' by David Edmund Pace. The following six lots are all from the Pace family collection. Literature: Illustrated and discussed in 'Antiquarian Horology', vol.34, no.1 p63, fig 3. Thomas Pace (Senior) was active from 1776-1819 from 128 Whitechapel High Street. Two of his eight children followed in his clockmaking footsteps, Thomas (Junior) – see lot 69, and John who moved to Bury St Edmunds – see lots 72 and 73.For further information on this lot please visit Bonhams.com
An early 19th century brass-inlaid mahogany table clockThomas Pace JrThe pointed arched case with ball finials and side ring handles on foliate bosses over architectural side sound frets, on a plinth base and ball feet, the 7.75 inch signed painted Roman dial framed by inlaid brass scroll work, the footed and shouldered plates united by four rare vase-shaped pillars, anchor escapement and rack strike on a bell, with trip repeat facility. Running and striking, with two case keys and a winding key. 50cms (19.5ins) high. Footnotes:Literature: Illustrated and discussed in 'Antiquarian Horology', Volume 34, Number 1, page 64, Figure 4.Thomas Pace Junior (1777-1829) continued the family business in London. He had two sons, Henry and Charles (see lots 70 and 71 respectively).For further information on this lot please visit Bonhams.com
An early 19th century unmarked rose gold enamel and rose-cut diamond navette shaped memorial mourning pendant, gilded panel depicting urn on plinth, reverse inscribed "Harriet Box Obit 1823", panel height 29.6mm, 6gFair overall condition, pendant has been converted from a brooch and is missing pin fitting, inside of crystal is quite abraded and dirty and would certainly benefit from a clean, all stones are present and no damage to main panel, reverse of pendant is lightly abraded all over with old solder mark visible under pendant mount, unmarked
Mark Coreth b.1958 white metal stirrup cup, modelled as a bloodhound, signed M.Coreth approx 15 cms h, raised on a fitted oak square plinth, with a silver plaque inscribed "to Bryan Watts from all masters of the Weser Vale Hunt (past and present) on his retirement as Hunt Secretary (1969-1980)", London hallmark, dated 1970, mm Adie Bros. Note: Major Brian Ferguson Watts (1925-2019) served with Durham Light Infantry, York and Lancaster Regiment and the 2/10 Gurkha Rifles. He was operational in Malaya, India, Nepal, Greece, Swaziland and Germany, where he met his wife. He was much admired and respected by his colleagues, becoming one of the youngest majors in the British Army at the time. After retirement from active service he worked as Station Staff Officer in Detmold Germany and later was the secretary of the Weser Vale Hunt between 1969 and 1980, he was a great horseman and enjoyed riding to hounds.
A Victorian mahogany chiffonier with raised shelved back over a single drawer and two cupboard doors on a plinth base, 102 cm wide by 140 cm high, together with a circa 1900 satin walnut dressing chest of three long drawers, 91 cm wide, a wicker picnic hamper and contents of three various smaller baskets and two boxed sets of tea knives
A late Victorian carved and ebonised oak hall stand, the raised back with a shaped pediment centred with a lion mask above turned spindles and a rectangular bevelled mirror plate, flanked by griffins and brassed hooks, the base with a frieze drawer and two recesses each with a metal liner on shaped legs with shallow plinth (AF), 220cm high, 128cm wide.
A 20th Century mahogany breakfront wardrobe , the arched and scroll pediment above a central section, comprising two panelled doors above an arrangement of three long graduated drawers, flanked either side by two cupboard doors each with dummy drawers and enclosing hanging space, raised on a plinth base, 232 x 242 x 63cms.
Samuel Marti: a French late 19th Century mahogany and gilt bronze bracket clock, enamelled arabic dial, eight-day, two train, hour and half hour striking movement with gong, the case with caddy top decorated with swag design, detailed floral decoration and fretwork to front and sides, plinth base with vacant cartouche, 44cms high.
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173487 item(s)/page