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A Pair of Impressive 19th Century Kingwood Side Cabinets with elaborate gilt metal mounts. The quarter veneered tops, doors and sides bordered in ebony and inlaid with brass bands. The door panels centred by oval relief cast figural plaques and adorned with ornately cast beading, scrolling corner mounts and bellflower garlands, with face masks centring the plinth bases and paterae heading the toupee feet, 37¾ ins (96 cms) high, 42½ ins (108 cms) wide, 16 ins (41 cms) deep.
A Victorian Inlaid Walnut Sideboard. The mirrored back surmounted by an open carved crest of scrolling foliage. The serpentine front marble top with moulded edge above four arch topped mirror panel doors. The canted side cupboards flanking twin doored centre cupboard divided by turned stop fluted pilasters and terminating on a shaped plinth base, 64 ins (163 cms) high, 47 ins (120 cms) wide, 15 ins (38 cms) deep.
A French 19th Century White Marble and Gilt Bronze Mantel Clock. The enamelled dial signed Bozzo & Neveu, Paris & Niort set in a scrolling gilt case surmounted by a wreath of roses and having the figure of a classical lady sat alongside with an open book on her lap and rosary beads in her hand. The rectangular moulded marble plinth raised on toupee feet. 12½ ins (32 cms) high, 17 ins x 6 ins (43 cms x 15 cms).
A 19th Century Alabaster & Gilt Bronze Mantel Clock. The clock painted with a floral wreath around the dial above a scenic panel depicting winged cherubs threading garlands of flowers. The fluted urn finial surmount flanked by relining sphinxes, with anthemion mounts either side and a face mask to the front. The bevelled plinth with a recessed panel painted with foliate scrolls and raised on lion paw feet. The clock set under a glass dome with an inscribed presentation plaque dated 1876. 17 ins (43 cms) overall height.
A Small Art Deco Silver & Enamel Clock hallmarked London 1928 with Collett & Anderson makers' punch. The Swiss made eight day clock mounted in a silver & turquoise blue guilloche enamelled frame suspended between barleytwist uprights rising from an enamelled plinth, and terminating on bun feet. 3¾ ins (9.5 cms) in height, 4¾ ins (12 cms) wide.
A Pair of Fine George II Silver Candle Sticks by William Cripps, hallmarked London 1759. The sticks in the form of Corinthian columns with reeds rising up the fluted stems to a scroll crested quadriform capital bearing candle socket with gadrooned bobeche. The square flared plinth bases adorned with sprays of foliage to the corners with gadrooned borders, 12½ ins (32 cms) in height.
A Victorian gilt metal and onyx lamp base, with beaded and foliate top, on tapering cylindrical column, terminating in foliate cast circular metal base, on a square plinth with rounded corners, 66cm high, including fitting(It is the buyer's responsibility to ensure that electrical items are professionally rewired for use)
A George III mahogany and line inlaid longcase clock by Robert Croal, the hood with swan neck cornice above glazed door flanked by columns, the trunk with quarter columns flanking a long door, on plinth base, the painted dial with Roman numeral chapter ring and subsidorary seconds dial, with two weights and a pendulum, 214cm high
A mahogany long case clock by I. Smale, the hood with swan neck cornice and beaded moulding, above glazed door flanked by columns, the rectangular truck with door, on banded plinth base, the painted dial with Roman numeral chapter ring and subsidiary seconds dial between floral spandrels and arched top with castle view to interior, 214 cm high; together with two weights and no pendulum
A Victorian provincial oak and mahogany banded long case clock, the hood with swan neck cornice, above glazed door flanked by reel columns, the rectangular truck with door flanked by conforming columns, on plinth base with spreading feet, the painted dial with Roman numeral chapter ring and subsidiary seconds dial between spandrels of Scottish figures and arched top with lake view, 204 cm high; together with two weights and pendulum
A George IV mahogany long case clock, the hood with swan neck cornice above glazed door flanked by twin column supports, the rectangular case with three oval inlaid shell patera, above Gothic inspired door and Gothic cluster columns, on a plinth base, with stepped foot, the white painted dial with floral top and spandrels with Roman and Arabic numeral chapter ring, with two subsidiary dials for seconds and date, signed to the centre Wm Terry Bedale , together with pendulum, winding key, key to trunk and two weights, 224cm high CONDITION REPORT: overall case in good condition, dial to clock seems fresh, so restoration might have occured, some splits noted to side parts of clock, probably movement in carcass, some minor age splits to veneer on door,parts of cresting to hood might be missing
After Antonio Canova, Italian, 1757 - 1822, a model of the Three Graces, on an oval form plinth, carved with beribboned swags of flowers, on a plinth base, 19th century, 67cm high Provenance: this sculpture was purchased from the collection of the Margrave of Baden-Baden (Von Thurn und Taxis Sale) Sotheby's October 1995. CONDITION REPORT: two fingers missing from hand wrapped around central figure, two natural joins to base, possible regluing, leaf carved base loose from sculpture, in need of a clean
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173487 item(s)/page