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Lot 342
The Art of Sport Famous Boxing Figures: To consist of Tunney vs Dempsey including Referee Dave Barry in Fighting Action 22nd September 1927 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
Lot 343
The Art of Sport Famous Boxing Figures: To consist of George Forman v Muhammad Ali in Fighting Action 30th October 1974 Winner Ali KO Round 8 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition 70/500 mounted on a wooden plinth with engraved plaques (2)
Lot 344
The Art of Sport Famous Boxing Figures: To consist of Joe Louis v Max Schmeling in Fighting Action 22nd June 1938 Winner Joe KO Round 1 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
Lot 345
The Art of Sport Famous Boxing Figures: To consist of Muhammad Ali v Sonny Liston in Fighting Action 25th May 1965 Winner Ali KO Round 1 Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques (2)
Lot 346
The Art of Sport Famous Boxing Figures: To consist of Mike Tyson v Evander Holyfield in Fighting Action 9th November 1996 Winner Holyfield Hand crafted cold cast porcelain resin, Crafted by English sculptor Paul Szeiler and hand painted by artists Limited Edition 014/250 mounted on a wooden plinth with engraved plaques (2)
Lot 348
The Art of Sport Famous Boxing Figures: To consist of Bob Fitzsimmons 1897-1899, Tommy Burns 1906-1908, Jess Willard 1915-1919 Hand crafted cold cast porcelain resin, Crafted by English sculptor Daniel Lovatt and hand painted by artists Limited Edition mounted on a wooden plinth with engraved plaques with COA (2) (All Need Repaired)
Lot 41
A late 19th/early 20th century novelty silver-plated mounted horn table cigar lighter realistically modelled as a dragon, by Walker & Hall, the body embossed ‘Ye Dragon of Wantley’, resting on a rectangular wooden plinth base, with applied plaque inscribed to ‘BT Colonel H. C. Hawkins, M.C.T.D, by his brother officers on the expiration of his service with the sixth (Glamorgan) BN, The Welsh Regiment, 1913-1935’, 45cm long
Lot 121
A George III oak eight-day longcase clock with unusual chapter ring, Charles and Edward Gillet, Manchester, late 18th century, the four pillar movement with anchor escapement and hour striking on a bell controlled by locking pins fitted to the strike great wheel, the 12 inch square brass dial with subsidiary seconds and calendar dials to the symmetrical scroll engraved centre within applied Roman numeral chapter ring with Arabic five minutes to outer track and unusual half hour markers which comprise of letters to form the name JOSEPH JEPSON the lower edge signed Cha`s & Edw. Gillet, Manchester, the angles with rococo scroll cast spandrels, the case with ogee shaped caddy surmount above cavetto moulded cornice, foliate fretwork frieze and columns flanking the square hood door, the trunk with shaped-top mahogany crossbanded caddy-moulded door flanked by quarter columns to front angles, on raised-panel fronted plinth base with ogee bracket feet, 217cm (85.5ins) high. The partnership between Charles and Edward Gillet is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1790-1800. The name formed from letters positioned as half hour markers is highly unusual and probably spells out the name of the original owner.
Lot 123
An unusual scumbled pine small short duration longcase timepiece with alarm, the dial signed for John May, 18th century, the single-handed movement the with tic-tac escapement and thirteen inch bob pendulum to the three-wheel going train set between narrow frontplate and central movement strip united by two substantial pillars extended at the rear to allow for a further plate to carry the alarm mechanism, with a 7 inch square brass dial with silvered alarm disc and blued steel hand to the matted centre within silvered Roman numeral chapter ring with spear half hour markers and signed John May to lower margin, the angles with applied winged cherub head spandrels, in pine and elm case painted/scumbled to resemble oak with moulded cornice, plain frieze and square glazed door to hood above concave throat moulding and slender caddy-moulded door to trunk, on conforming plinth base with moulded skirt, (with restoration and possible alteration), 193cm (76ins) high. A John May is recorded in Loomes, Brian, Watchmakers & Clockmakers of the World, Volume 2 as working in Bath circa 1740.
Lot 124
An Edwardian inlaid mahogany quarter chiming eight-day longcase clock, unsigned, early 20th century, the four pillar triple train movement chiming the quarters on a choice of either eight bells or four gongs and striking the hour on a further gong, the 12.5 inch brass break-arch dial with subsidiary seconds dial to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes, the angles with winged cherub head and scroll cast spandrels and with chime selection switch at three o`clock, the arch with subsidiary CHIME/SILENT selection dial flanked by scroll cast mounts, the swan neck pedimented case with foliate inlay above brass Corinthian pillars and rectangular scroll pierced sound frets to sides, the trunk with shallow-arch door decorated with a drapery swag above elaborate tall foliate scroll marquetry cartouche within satinwood banded surround, on plinth base with conforming marquetry panel and moulded skirt incorporating shaped apron and bracket feet, 234cm (92ins) high.
Lot 125
An unusual mahogany cased gilt brass eight-day longcase domestic regulator, Ernest Mortimer Thomas, dated 1962, the four pillar movement with hour-glass shaped pierced frontplate and conforming large diameter backplate with Harrison`s maintaining power, deadbeat escapement and six-spoke wheel crossings, regulated by steel-alloy rod pendulum with large diameter cylindrical bob supported via `T` bar suspension from scroll pierced brackets fitted to the circular movement supporting plate screwed to the rear of the case, with signature Ernest Mortimer Thomas 1962 to centre and scroll decorated spandrel projections to angles, the 13 inch pierced slender silvered Roman cartouche numeral chapter ring supported via four elongated feet to the edge of the movement backplate and with conforming subsidiary seconds dial beneath twelve o`clock, the simple mahogany case with moulded cornice above bevel glazed front door and side panels, on tall plinth base with ogee moulded skirt, 203cm, (80inches) high.
Lot 126
A George III oak eight-day longcase clock, George Hewett, Martley, late 18th century, the four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and signed signed George Hewett, Martley to the scroll engraved silvered centre within applied Roman numeral chapter ring with concentric calendar to the inner track and Arabic five minutes, the angles with scroll cast spandrels, in a case with cavetto moulded cornice and three-quarter columns to hood above rectangular caddy moulded door to trunk, on plain plinth base with moulded skirt, 198cm (78ins) high.
Lot 127
An oak eight-day longcase clock, the dial bearing signature for Springer, Stockport, 18th century and later, now with 19th century four pillar rack and bell striking movement fitted to an 11 inch square brass dial with ring turned calendar aperture to the foliate scroll engraved matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers and bearing signature Springer, STOCKPORT to lower edge, the angles with female mask and scroll cast spandrels, now in a case with ogee moulded caddy above conforming cornice, blind fret fronted frieze and turned columns flanking dial, the trunk with shaped top door over plain plinth base with moulded skirt incorporating bracket feet, 206cm (81inches) high.
Lot 128
A walnut eight-day longcase clock, mid 18th century and later, the 19th century four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary calendar and seconds dials and bearing signature Leddgeer, Norwich to centre, with game bird painted spandrels and conforming landscape with hunstman and hound to arch, now in an earlier case with later swan neck crest above moulded cornice and three-quarter columns to hood, the trunk with break-arch crossbanded door, on conforming plinth base with moulded skirt, 226cm (89ins) high.
Lot 130
A French gilt brass mounted walnut miniature longcase clock, Maple and Co. Paris, circa 1900, the eight-day bell striking movement stamped MAPLE & Co. PARIS within rectangular cartouche to backplate, the circular cream enamel dial painted to simulate a thirteen piece Roman numeral dial with Arabic five minutes to outer track and with glazed convex bezel, the case with foliate scroll crest and conforming side mounts terminating with stylised dolphins to hood section above glazed waisted trunk with further mounts to angles, on panel fronted plinth base with scroll cast feet, 49cm (19.25ins) high; with non original a gilt metal mounted oak wall bracket of ogee outline with cast mounts to angles and base, 19cm (7.5ins) high, the clock and wall bracket 58cm (22.75ins) high overall.
Lot 134
An Art Deco onyx and black marble mantel timepiece garniture, unsigned, circa 1930, the skeletonised movement housed in a vertical disc of layered onyx and marble applied with skeletonised gilt chapter ring within convex glazed bezel to front, set on a shallow plinth beside a patinated metal figure of a standing faun, 26.5cm (10ins) high; with a pair of side ornaments en suite each formed as two vertical discs of differing size set onto a shallow plinth base, 15cm (6ins) high.
Lot 137
A French patinated and gilt spelter mounted green marble mantel clock garniture, unsigned, circa 1900, the eight-day bell striking movement with circular white enamel Arabic numeral dial within glazed bezel with decorative foliate scroll cast surround, the case with surmount cast in the Art Nouveau manner as a semi clad standing female above plinth base with gilt ring handles to the outswept side sections, on plinth base with shaped apron flanked by gilt scroll supports, 60cm (23.5ins) high; with a pair of five light candelabra ensuite, each with four scroll branches over baluster upright, 61cm (24ins) high, (3).
Lot 139
A French Sevres style porcelain inset ormolu mantel clock, retailed by Arthur Jack, Paris and Cheltenham, late 19th century, the eight-day bell striking movement inscribed ARTHUR JACK PARIS & CHELTENHAM to backplate, the circular blue ground porcelain Roman numeral cartouche dial with centre painted with a putto above repeat signature within bead cast bezel, the elaborate case with detail highlighted with three varying tones of gilding with floral swag draped twin handled porcelain urn surmount above conforming festoon decoration to the scroll cast crest flanked by finials, the dial flanked by floral painted porcelain columns with curved landscape painted apron panel between, the sides cast with strapwork panels centred with a finial, on bowed invered breakfront base with leaf chased decoration to top moulding and porcelain panel inset drop centre, on cast toupe feet; with original giltwood plinth and on ebonised wood base with glass dome cover, the clock 38cm (15ins) high; 47cm (18.5ins) high overall. Please note: The dome of this clock is damaged
Lot 142
A French Sevres style porcelain inset ormolu mantel clock, mid 19th century, the eight-day bell striking movement stamped J.B.D. within an oval cartouche to backplate, the porcelain dial with floral garland to centre within blue ground cartouche Roman numeral chapter ring, the case with pineapple finial and music trophy panel decorated porcelain body to the urn surmount over female mask side handles and splayed pedestal support inset with a further polychrome painted panel and with acanthus cast side scrolls, on shaped plinth base with conforming inset panel and toupe feet, 33cm (13ins) high.
Lot 145
A French Charles X gilt metal mounted mahogany portico mantel clock, early 19th century, the eight-day countwheel bell striking movement with knife-edge suspension for the `gridiron` pendulum, the dial with engine-turned gilt centre within narrow white enamel Roman numeral chapter ring and fruiting vine and ropetwist decorated milled bezel, the case with ogee cornice to the plain entablature above four columns with engine turned gilt caps and bases and with movement supported in a drum between, on conforming plinth base with disc feet, 49cm (19.25ins) high.
Lot 165
An English 6 inch terrestrial table globe on bakelite stand, Philips, London, 1930`s, the sphere applied with twelve coloured gores with countries coloured according to political allegiances with annotations for major cities, trade routes and principal topographical features, the North Pacific with trade label PHILIPS` 6 inch, TERRESTRIAL GLOBE, LONDON, GEOGRAPHICAL INSTITUTE, GEORGE PHILIP & SON Ltd, 32 FLEET STREET, PRINTED IN GREAT BRITAIN, pivoted via the poles within a brass meridian arc and mounted on a two tier square bakelite plinth, 20cm (8ins) high overall; with a Belgium 12 inch terrestrial table globe on ebonised stand, recent, similarly coloured and annotated in English and bearing trade label GEOGRAPHICAL INSTITUTE OF BRUSSELS, NEW PHYSICAL AND POLITICAL GLOBE PUBLISHED BY MERZBACH & FALK, BRUSSELS.. 1881 PARENT `FACSMILE` pivoted via the poles within a calibrated brass meridian arc mounted on a baluster turned upright and moulded disc foot, 53cm (21ins) high overall, (2).
Lot 201
An Italian carved marmo giallo model of the ruin of the Temple of Vespasian in the Roman Forum, circa 1870, the architrave above two of the Corinthian columns inscribed `ESTITUER`, with steps set into the plinth wall below, on a shaped marmo nero Belgio socle, 33cm high. Note: The architrave surmounting the Corinthian capitals shows the last few letters of an inscription, Restituer[unt] (they restored), commemorating the restoration of the temple by Severus and his son Caracalla
Lot 217
A French patinated spelter group of a young mother and her infant, entitled `Futur Marin`, late 19th century, she portrayed in rustic attire and seated on a rocky plinth with seaweed, a wool winder in her left hand, the boy at her feet with a model boat, the turned and painted wood base simulating marmo rouge griotte and bearing the brass title plaque, 65cm high
Lot 218
A patinated bronze and marble mounted bust of King Edward VII, early 20th century, cast after Sydney March, the monarch portrayed with head to dexter, on a turned marmo giallo plinth, 15cm high overall; and a Continental patinated bronze model of Napoleon Bonaparte, late 19th century, portrayed standing, on a later associated shaped and stained wood base, 23cm high overall
Lot 224
A patinated and parcel gilt bronze model of the Warwick Vase, third quarter 19th century, cast after the Antique, with everted egg-and-dart cast rim above the body relief cast with Bacchic masks in profile, with twin serpentine handles, on a fluted socle, 15.5cm high, 23cm wide; with an associated alabaster plinth, 12cm high
Lot 1702
Nineteenth century mantel clock with French eight day movement, outside countwheel striking on a bell, white enamel dial with floral decoration, in a drum case, standing on a circular plinth surmounted with bronzed figures of two male children on a picnic, climbing a tree, 67cm overall height
Lot 535
Edwardian golden oak and walnut writing cabinet with short lift-top panel, the fall slope front writing desk with three hinged compartments, exposing fitted interior with pigeon holes, drawers etc., the lower section with two panel doors and shelved interior flanked by a pair of carved and fluted side columns, the whole on breakfront plinth base, 115cm wide.
Lot 531
An Empire marble topped mahogany cabinet, the inverted breakfront top over frieze panel with brass Pegasus and harp plaque, panelled door with brass wreath, flanked by brass Egyptian mask mounted columns, surmounted by feet and plinth base raised on lion paw feet, 79cm wide x 107cm high x 37cm deep
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173444 item(s)/page