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Lot 615
Early 20th century architect's plan chest of drawers. Industrial form with inset plinth base having upright body being in twin sections with bank of drawers having pull handles. Each drawer with brass paper slide label holders and half moon pull handles. Measures approx. 80cm x 113cm x 86cm.
Lot 405
Beautility - A retro 20th century Art Deco walnut veneered cocktail sideboard credenza having fall front and pop up central cocktail section with mirrored interior. Two drawers below flanked by serpentine cupboard doors to each side. All raised on a plinth base. Measures approx. 91cm x 138cm x 52cm.
Lot 290
Willy Rizzo - Cidue - A retro 20th Century 1970s Italian designer coffee table / low table having a two part smoked mirror sliding top opening to reveal a mirrored interior and raised inner sides. Polished steel frame with all raised on a black ash plinth base. Measures approx. 34cm x 131cm x 80cm.
Lot 644
19th century Victorian mahogany shop counter - haberdashery chest of drawers of large form. Raised on a plinth base with four large and deep drawers with full size large brass horizontal handles to each drawer. Above, a large flared edge caddy top being wide and deep. Measures approx. 92cm x 231cm x 60cm.
Lot 645
19th century Victorian mahogany shop dresser - shop haberdashery shelving unit. Raised on a plinth base with four large and deep drawers with full size large brass horizontal handles to each drawer. Above, a large and tall upright gallery back with sectional shelving and flared pediment atop. Dismantles into 2 pieces for ease of movement. Measures approx. 227cm x 181cm x 45cm.
Lot 617
Max Le Verrier (1891-1973) - French patinated metal figure of a seated nude woman holding a crustal ball, mounted upon two tiered marble plinth. Signed to verso M. le Verrier, with 'Made in France' engraved to the rear. Glass paperweight / sphere with a slot to hold a shade, wide hole in the legs to accommodate a lightbulb with perforation to rear for wiring. Measures approx. 24cm tall.
Lot 609
Mid 19th Century French porcelain-mounted mantel clock, Japy Freres, 3-inch cellular Roman dial with band of floral decoration and bleu celeste borders, two-train bell-striking movement numbered 3965, architectural case with urn surmount and porcelain panel over and two further panels to breakfront base, raised on toupie feet, 26.5cm wide x 33cm high, on original giltwood plinth, 37cm high overall
Lot 600
A MAHOGANY, BRASS MARQUETRY AND BRONZE MOUNTED SERVING TABLE OR SIDE TABLEENSUITE TO THE FOLLOWING LOT IN REGENCY STYLE, SECOND HALF 19TH CENTURYOf inverted breakfront form, the concealed central drawer stamped 'EDWARDS & ROBERTS' 92cm high, 165cm wide, 51cm deepProvenance:The Private Collection of a GentlemanFormed at two properties in Twickenham and Hampton Court, over a period of sixty yearsThe firm of Edwards & Roberts, 1845-1899, specialised in reproductions of earlier styles. The Victoria & Albert museum collection has a chair with similar brass anthemion and greek key inlay designed by Thomas Hope (circa 1807) and made by Edwards & Roberts circa 1892.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Some wear to marble and edge and small old loss. Frame seems structurally sound- loss to smaller elements on frieze but more considerable loss to plinth base Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 597
TWO PLASTER FIGURES OF PUTTI ATTRIBUTED TO D. BRUCCIANI & CO. PROBABLY LATE 19TH CENTURY One with two Putti and a stylized dolphin on a rocaille plinth, both with museum ink inventory numbers for 1898 the tallest 68cm high Provenance: Christie's 9 October 2012, "Aynhoe Park", lot 204, £1,188. Catalogued at the time as "almost certainly from the collections of the V&A Museum, London"
Lot 462
A LARGE SCALE MODEL OF THE WHITE STAR LINE RMS TITANIC 20TH CENTURY Detailed construction in plastic and wood, with masts, rigging, deck details, triple-screw propellers to the rear and four funnels to top, on large wood base plinth supportthe wooden base 229cm long, the model approximately 206cm long, 66cm high overall
Lot 605
A MAHOGANY AND ORMOLU MOUNTED CONSOLE TABLEIN EMPIRE STYLE, FIRST HALF 19TH CENTURY92cm high, 124cm wide, 47cm deepProvenance:The Private Collection of a GentlemanFormed at two properties in Twickenham and Hampton Court, over a period of sixty yearsPlease note: This table likely dates to the first of the 19th century as not as originally catalogued. The mahogany is decorated with graining to simulate rosewood Condition Report: Please note: This table likely dates to the first of the 19th century as not as originally printed in the catalogue. The mahogany is decorated with graining to simulate rosewood Marks, scratches and abrasions comensurate with age and use. Old chips and splits. some old repairs The rear mirror plate appears original and bears some depletion including grey coloured lines towards the right side of the plate (see images) aswell as other areas.Some wear to the gilding of the mounts. All mounts are present. The marble top appears original but may be extremely well matched/ associated and bears some expected small chips from the outer edges (see images) No noticeable breaks or repairs to the marble. The mounts have been cleaned and possibly re-gilded. The table is of solid structure. There are two splits across the lower plinth section that are slightly open. Restorers attention to support from beneath and disguise further could be succesful in improving the appearance. . Please refer to all additional images for visual reference to the condition. Condition Report Disclaimer
Lot 709
A COMPOSITION STONE FIGURE OF BACCHUS MODERN On plinth base 253cm high overall, base 65cm wide, 52.5cm deep Condition Report: Wear and losses from transportation with attrition/scrape marks visible to reverse, Some areas of loss to margins and weathering Please see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 699
A PAIR OF MARBLE URNS LATE 19TH/20TH CENTURY Of Kylix form each 53cm high, the bases 40 X 40cm Condition Report: Weathering - leading to some colour variance- both with some wear and minor losses to top and plinth edges- one with sizeable restoration and repair to top edge Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.Condition Report Disclaimer
Lot 445
RUBY LEVICK BAILEY (WELSH, 1871-1940), A BRONZE GROUP OF A MERCHILD ON A FLOATING BARREL DATED 1912 Patinated bronze, signed to cast and dated 1912, on wood plinth base 32cm high overall, base 18 x 23cmProvenance: Airlie Gardens, Holland Park. The home of Herbert Olivier (1861-1952), Edwardian artist and travellerCondition Report: Wear, marks, knocks and scratches as per age, handling, use. The whole looks to have been situated in a damper part of Airlie Gardens, Holland Park. Extensive verdigris build up and surface dirt. The whole will benefit strongly from sympathetic clean and wax. The oak plinth probably original but the screws to underside have seized making inspection of underside of bronze impossible. Loss to corner of oak plinth. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 471
RUDOLF KAESBACH (GERMAN, 1873-1955) A BRONZE MODEL OF A HORSE TAMER EARLY 20TH CENTURY The tamer restraining the horse with the reins, dark brown patination, signed to the cast, on a Maurin green marble plinth 36cm high overall, the base 23cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The bronze with some mild wear to patina as per age and handling- notably to horse head and top of horse back and haunch. The green marble with 1 top small corner chip, , black plinth with chips to each end and corner chipsPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 540
A PAIR OF BARBEDIENNE ORMOLU AND PATINATED BRONZE THREE LIGHT FIGURAL CANDLEABRA LATE 19TH CENTURY, FRENCH Each with female caryatid stem support, signed to plinth F Barbedienne 54cm high, base 9cm wide It is possible that the design for these figures was sculpted by Louis-Constant Sevin (1821-1888) drawing on similar examples in The Louvre. Barbedienne utilised this design for table lamps, such as this, as well as larger floor standing lamps.
Lot 712
A LARGE PAIR OF VICTORIAN CAST IRON MEDICI AND BORGESE URNS ATTRIBUTED TO HANDYSIDE, CIRCA 1850-1880 After the antique with classical figures, pair of handles with satyr mask terminals, on a fluted base and stepped plinth, on large stepped square section stone pedestals urns 75cm high, base 31cm wide pedestals 70cm high, tops and bases 51cm wide 145cm high overall At the 1851 Great Exhibition Handyside of Derby (1806-1887) exhibited their cast iron version of the Medici Urn for which they received a distinction award. These urns are illustrated in the 1874 Handyside catalogue No 3 & 3A.
Lot 628
A LARGE PAIR OF CARVED MARBLE 'MEDICI LIONS' IN THE 'GRAND TOUR' MANNER, 20TH CENTURY Swept plinth bases and further modern white cream wood pedestals the lions 97cm wide, 92cm high including plinth bases, 193.5cm high overall Provenance: Barnwell Manor, Northamptonshire. Windsor House Antiques. Acquired from Freemans Philadelphia, 6th October 2000 lot 1077 $24,000. Originally from the estate of Loice and the late Reverend Wilbar Gouker. From their home Oaks Cloister, Philadelphia- designed and furnished by the architect Joseph Miller Hudson. The lions were placed at the foot of the stairs and Hudson is said to have acquired them on one of his trips to Florence. Please note, the provenance for this lot has been updated and expanded. Please see our website for the full updated details.The original ancient marble lion on which these are based was first recorded by Flaminio Vacca in 1594, by which time it had been acquired by Grand Duke Ferdinand for the Villa Medici in Rome. Vacca carved a companion lion out of a giant marble capital found behind the Palazzo dei Conservatori and the original and companion pair were then placed in the loggia of the Villa Medici before being moved in 1797 to the entrance of the loggia dei Lanzi in Florence.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning.There has been discussion as to the exact nature of the material the lions are carved from. Surfaces are dirty with some dirt and scuff marks but would suggest that they have been heavily cleaned/polished within the last 30-40 years and original surface patina lost rendering the appearance to more like calcite alabaster than marble. Certainly, although it has scratches to the surface- testing it with a fingernail does not seem to produce a fine soft residue and they 'ring' well to a knock. The slight chips to the surface reveal a 'sugar' twinkle to the underlying structure but light penetrates the surface much more than would expect from a variegated marble. The plinth however is a harder denser marble- less translucent and with brighter sparkling visible to the chipped sections.Visible uneven smoothing marks visible to underside of legs and interior of mouths. Some natural flaws and wear including scratches and marks- conchoidal mark to left cheek of one lion. Under UV there is indication of some restoration to this point- and to some spots on other lion's face. The edges are also showing signs of being tidied up and both tails are slightly flat in colour- 1 with a flaw visible at the base. Base edges and corners with numerous areas of knocks and loss- additionally some more scuffs and knocks to pedestals. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 474
Y A PAIR OF VICTORIAN MAHOGANY 'WELLINGTON' CHESTS OF DRAWERSIN THE MANNER OF FURNITURE RETAILED BY JAMES WINTER, CIRCA 1840Each with seven graduated drawers with turned rosewood handles162cm high, 71.5cm wide, 57cm deepCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: one chest with the top slightly lifted to the back; the locks stamped 'R.L.& Co'; the panelled backs with dark staining; some veneer cracks to the curved plinth corners; a chip to a drawer divide.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 700
A CARVED PORTLAND STONE SUNDIAL 19TH CENTURY With unsigned octagonal bronze dial, fluted column on gadroon knop, further separate square plinth base 118cm high, the base 35cm square Condition Report: Weathering - leading to some colour variance- top edge and corners to dial plateau with some loss- some additional loss of definition to surface of stem from weathering and lower edges wear and small lossesPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.Condition Report Disclaimer
Lot 649
A LARGE 'GRAND TOUR' SIENA MARBLE SARCOPHAGUS 19TH/20TH CENTURY Set on green/black marble plinth base 14.8cm high, 30cm wide, plinth 14.5cm deep Provenance:The Simon Neal Collection. Condition Report: Some small areas of old remedial infill to natural fault lines- one upper corner with small 18mm loss - some surface wearCondition Report Disclaimer
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172950 item(s)/page