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Lot 1
Two 19th century decorated ostrich eggs one painted with the S.S. Mawhera the other S.S. Takapuna each raised on a knopped brass pillar beneath a glass shade velvet mounted ebonised wood plinth 42cm overall Both of the ships worked in New Zealand waters. Takapuna built in 1883 was an express mail steamer collecting mail from the transpacific steamers at Auckland and delivering them to New Plymouth Wellington and Lyttlelton within thirty-six hours; Mawhera was built in 1883 for the West Coast coal trade
Lot 1
A mahogany musical longcase clock the arched brass and silvered 31cm dial with winged infant mask spandrels Roman and Arabic chapter ring the matted centre with subsidiary seconds dial the arch with Chime-Silent dial and dolphin supporters chapter ring inscribed Barnsdale 18 Brunswick Place London no. 3116 three-train movement striking on a bell and chiming on eight bells mercury pendulum brass sleeved weights the arched hood and case of architectural design carved with panels of flowers and leafy spirals to the barrel cornice frieze and base flanked by freestanding fluted pillars with leafy capitals the trunk with a glazed door on a plinth inscribed Presented to Sir Samuel Scott Bart by the members and farmers of the Grafton Hunt on his retirement from the Mastership May 1913 224cm high
Lot 1
A Dutch mahogany floral marquetry upright secretaire mid-19th century inlaid throughout in oval and rectangular panels of stained and shaded flower filled urns floral trails and pendants the interior similarly inlaid and fitted with four shallow drawers cupboard and leather lined writing surface four further long drawers beneath a cavetto frieze drawer on a plinth 146cm high 41cm wide 122cm over cornice
Lot 1
An early 20th Century oak cased 8 day Mantel Timepiece, the drum case with scrolling mounts and raised on a short plinth base, to a cast brass bezel enclosing an Arabic enamelled chapter ring, with blued steel hands and applied gilt centre, to a circular brass movement with replacement lever platform escapement, height 6 ½”
Lot 1
A late 19th Century walnut and ebonised Mantel Clock, the drum case raised on scrolling support and further plinth base, to a cast brass bezel, enclosing a 4 ¼” Roman enamelled dial with outside minute track and blued steel hands, to a circular brass movement, with anchor escapement, outside count wheel strike on a bell, height 10”
Lot 1
A mid 20th Century mahogany and brass mounted Mantel Timepiece, the arched case with freestanding columns, on a spreading plinth base, and raised on four compressed bun feet, to a cast brass bezel enclosing a 3 ½” Arabic enamelled dial with blued steel hands, to a circular brass movement with replacement lever platform escapement, height 7 ¼”
Lot 1
A late 19th Century gilt spelter figural Mantel Clock, the drum case surmounted by a seated maiden holding a torch and bound volume, raised on a porcelain set plinth base, to a beaded brass bezel and convex porcelain Roman dial, with hands, to a circular brass movement, with anchor escapement and outside count wheel, strike on a bell, height 12 ½”
Lot 1
A mid 19th Century Skeleton Timepiece, G Rossi, Norwich, the pierced plates united by six baluster pillars, to a single chain fusee movement, with six spoke gears and anchor escapement, to a shaped silvered Roman dial, with blued steel hands, raised on a mahogany plinth base, beneath a glass dome, height 12”
Lot 1
A late 19th Century black slate and variegated marble Mantel Clock, the architectural case with plain pediment, over half columns and plinth base, to a cast bras bezel enclosing a 4 ½” Roman enamelled dial with outside minute track and fleur de lys hands, to a circular brass movement , with anchor escapement, strike on a coil gong, height 14 ½”
Lot 1
A late 19th Century porcelain mounted gilt spelter Mantel Clock, the plinth case flanked by baluster mounts depicting cherubs and surmounted by doves and musical trophies, to a shaped plinth base with further porcelain panels and raised on scrolling feet, on a further shaped gilt wood base, to a Roman gilt high lighted porcelain dial with gilt hands, to a circular brass movement with anchor escapement and strike on a bell, the whole contained beneath a glass dome, (A/F), on an ebonised base, height 21”
Lot 1
A late 18th Century oak and mahogany 8 day Longcase Clock, Jno Drumond, the arched hood with swan neck pediment, over freestanding columns to a moulded throat and shaped long trunk door, to a plinth base, the 12” painted first period dial surmounted by a hunter and a hound, to a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 78”
Lot 1
A late 18th Century mahogany cased 8 day Longcase Clock, Tho Chester, of Grattworth, the hood with overhanging cornice to a plain frieze and three quarter columns, to a convex throat and long trunk door, raised on a plinth base, to a 11” square brass dial with cast and pierced scrolling foliate and mask spandrels, to a Roman and Arabic chapter ring, with outside minute track and inside quarter track and fleur de lys half hour markers, and engraved centre with pierced steel hands, with day and date apertures, to a movement with plates united by four knopped pillars and anchor escapements, strike on a bell, (associated), height 78 ½”
Lot 1
Malines, circa 1480-1510, a polychrome and gilded walnut statuette of The Virgin and Child, 36cm high, on later plinth (losses). Literature: see Jacqueline Boccador and Edouard Bresset, Statuaire Medievale for a similar figure group and Sotheby’s, Amsterdam, 21st December 2005 sale, lot 222 for a comparable Virgin and Child statuette
Lot 1
A South Netherlandish late Gothic oak group of ‘The Deposition’, probably Brussels, depicting the saints Anne, John, Mary and Mary Magdalen, on a plinth, 30cm high, circa 1490-1500 (losses). This Deposition group formed part of an altar piece below the figure of Christ being lowered from the cross. In northern Europe the altarpiece was the most important type of sculpture in wood. For a similar late Gothic figure group see Sotheby’s, Amsterdam 21st February 2006, lot 210
Lot 1
A James I joined oak court cup-board or buffet, early 17th century, with gadrooned and stylised leaf carving, the upper and central tiers with a long drawer, with inset strapwork design to the top of the central tier, with gadrooned and leaf carved cup and cover supports and a plinth base, 120cm high, 116cm wide, 43cm deep (the lower stage of a later date). See Sotheby’s, New Bond Street, 14th September 2005, lot 53 for a similar example
Lot 1
A mid-16th century joined oak standing cupboard, of canted rectangular form, the shaped moulded top above a central panelled door carved in relief with the head of a bearded man within a laurel wreath and ribbon scrolled cartouche, flanked by panels decorated with urns, caryatids, a shield-shaped cartouche and foliate scrolls, with pendant finials to the apron, above an open boarded undertier with a panelled back, flanked by baluster turned supports, on panelled plinth, the right side panel bears the date ‘1548’, 126cm high, 133cm wide, 57cm deep (replacement plinth, back panel and portrait head, restored). See Ralph Edwards, Dictionary of English Furniture, page 294, for a similar cupboard
Lot 1
Oak and mahogany cross banded longcase clock with weights and pendulumOak longcase clock banded in mahogany, the painted metal broken arch face with subsidiary date and seconds, floral spandrels and painted landscape, two train movement striking the hour in swans neck hood flanked by brass capped Corinthian columns over shell inlaid door flanked by quarter columns on set out plinth. Height 213cm (key, two weights and pendulum)
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173487 item(s)/page