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An Art Nouveau Goldscheider gilded and gold painted terracotta figure of Salome, standing with her arms outstretched and wearing flowers in her long hair and a cloth draped dress, raised on an oval titled plinth bearing manufacturer's marks, height approx 107cm (faults), together with an ebonized pedestal.
A late Victorian German oak bracket clock of architectural style, the case with painted arch and Corinthian pilasters, on a plinth base, the silvered dial with Roman numerals, inscribed Spiridion & Son Cardiff, having a strike/silent dial and slow fast dial, the three train movement striking on gongs, presented to Mr Thomas Evans on the occasion of his marriage with the best wishes of the Ocean Coal Co's staff Cardiff 4th November 1896, 53 cms high x 39 cms wide.
A late 19th Century French ebonised and burr walnut inset Carriage Alarm Clock, the plated movement with chaff cutter escapement and bell set to the base, to a Roman enamelled dial with outside minute track and blued steel hands and alarm subsidiary at 6, in a plinth shaped case, with cast brass carry handle and raised on four bun feet, bearing a paper label for Thos Eames, Watch and Clock Maker, Paddington, height 8”
A late 19th Century gilt spelter and alabaster mounted Mantel Clock, the drum case surmounted by military trophies and flanked by a single cavalier, to a plinth base with scrolling and bladed feet, to a 3” Roman enamelled dial with outside minute track and blued steel spade hands, circular brass movement with outside count wheel, anchor escapement, strike on a bell, the whole contained within a glass dome and ebonised base, height 16 ½”
A late 19th Century Oak and Boxwood inlaid Mantle Clock the arched case with floral inlay and raised on a plinth base with four ball feet to a cast brass bezel with convex glass enclosing a 5” Arabic enamel dial with outside minute track and black steel hands, to a spring driven movement with anchor escapement and strike on a coiled going, height 13½”
A late 20th Century Walnut cased Timepiece, Caddy top with cast brass carry handle over a single glazed door and raised on a plinth base to a 4¼“ brass dial with silvered Roman and Arabic chapter ring signed Camerer Cuss, London WC1, to a matted centre with blue steel hands, the movement with lever platform escapement, height 9½“
A mid 19th Century black slate Mantle Clock with tapering plinth shaped case, to a cast brass bezel enclosing an engine turned dial with painted Roman numerals and signed Mapin & Webb, London with blue steel moon hands to circular brass movement with silk suspension, anchor escapement and outside count wheel with strike on a bell, height 9”
A composite 30-hour Longcase Clock, the oak case with overhanging cornice, to freestanding columns, with convex throat and long trunk door, raised on a plinth base to an 11” repainted Roman dial, the movement with four knopped pillars, anchor escapement and count wheel, strike on a bell, height 82”
A late 19th Century black slate variegated marble and gilt metal mounted Mantel Clock, the architectural case with freestanding columns flanking a cast brass bezel and raised on a plinth base to a Roman enamel chapter ring with outside minute track to a visible brocot escapement to a spring driven movement with anchor escapement, height 15 ½”
An early 20th Century variegated rouge marble Clock Garniture, in the Art Deco style, the square case with cut corners, flanked by a pair of previously silvered gladiators, on a plinth base, to a silvered cast bezel enclosing a 3 ½” Arabic enamelled dial with blued steel hands, to a circular brass movement with outside count wheel, anchor escapement and strike on a bell; Together with a pair of shallow trough type side pieces, raised on tapering pedestals, height 7 ¾”
A late 19th Century black slate Mantle Clock the architectural case flanked by freestanding columns on a plinth base with lacquered brass feet to a cast brass bezel enclosing a black Roman chaptering ring with matted centre and gilt hands to circular brass movement with anchor escapement and strike on a coiled gong, height 12½“
A late 19th Century American cast iron and painted Mantle Clock, F, Krober, the case of plinth form with quarter columns and plinth base, flanking a beaded cast brass bezel enclosing a 4½” Roman chapter ring with outside minute track, blue steel hands to a visible Brocot escapement with spring driven movement and strike on a coiled gong, height 10”
A late 19th Century Alabaster and gilt metal mounted four glass Mantle Clock, Ansonia Clock Co, the plinth case surmounted by a scrolling urn to a stepped pediment, over further scrolling and acanthus leaf mounts to a stepped base and raised on four cast brass bracket feet, with four bevelled glass lenses, enclosing a beaded bezel with a 4” Roman enamel chapter ring with outside minute track, blue steel hands and visible Brocot escapement, to a circular brass movement with anchor escapement, twin pot mercury pendulum and strike on a coiled gong, heigh t 16½“
An early 20th Century Walnut cased Mantle Clock, Winterholter & Hoffmier, the arched case raised on a plinth base with shaped apron, to a cast brass bezel enclosing a 4½ “ Roman enamel dial with outside minute track (hand lacking) to a rectangular brass movement with outside count wheel, anchor escapement and strike on a coiled gong, height 11”
A late 19th century Walnut cased Mantle Timepiece, Camerer Kuss & Co, 522 Oxford Street, London, the plinth shaped case to a sprung brass bezel enclosing a 4” painted Roman dial with outside minute track and winding square at 6, with black steel hands to a rectangular and brass movement with anchor escapement, height 9”
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172950 item(s)/page