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An Elizabeth II silver cased miniature carriage timepiece Charles Frodsham of London, the white enamel dial with Roman numerals, to the eight day single train movement, contained in cast silver and bevelled glass rectangular case with bold leaf mounts to rim, corners cast with caryatid's and with conforming leaf pattern plinth base with block feet, 3.5ins high, case by T.C., London 1977, numbered 0488 (no winding key)
A brass framed skeleton clock, the 6.5ins diameter fretted silvered chapter ring with Roman numerals, to the twin brass framed chain and fusee movement with passing strike on a bell, 12.5ins high, mounted on modern mahogany oval plinth, base with oval glass dome for same, 14ins high overall (key present)
An 18th Century oak longcase clock by John Petching of Steyning, the 10ins square brass dial with silvered chapter ring with Roman numerals, to the thirty hour movement with single hand striking on a bell, contained in plain case, the hood with moulded cornice and split turned columns, on plinth base, 77ins high
An early 19th Century oak longcase clock by Robert Apps of Battle, the 12ins square painted dial with Arabic numerals, the spandrels painted with shells, to the thirty hour movement striking on a bell, contained in plain oak case with turned pillars to hood, on plinth base with shaped apron and bracket feet, 79ins high
A late 18th Century mahogany longcase clock by Atwood of Lewis, the 11ins cream painted dial with Roman and Arabic numerals, subsidiary seconds dial, oval paterae and scroll ornaments to spandrels, to the thirty hour weight driven movement striking on a gong, contained in plain case with moulded pediment and split turn columns to hood, and with raised panel to plinth base, 80.25ins high (top of pendulum broken) Note: W. Atwood recorded working Lewes in late 18th Century
A 19th Century figured mahogany longcase clock by Burton of Eastry, the 12ins arched painted dial with Roman and Arabic numerals and with subsidiary seconds dial and calendar aperture, the spandrels decorated with flowers and gilt, to the eight day two train movement striking on a bell, contained in figured mahogany case probably by Goulden of Canterbury, the hood with shaped cresting and brass finials and with turned and fluted pillars, arched trunk door, on shaped plinth base, 84ins high (including finials) Note: Burton recorded working at Eastry (near Dover, Kent) circa 1820
A modern Ercol blonde elm rectangular corner cabinet with drop leaf to back , fitted open shelf and one drawer, on plinth base, 29ins x 19.5ins (31ins with leaf up) x 19ins high, a rectangular table/magazine rack, on shaped end supports, 21ins x 14ins x 20ins high, and a circular occasional table, on four splayed leg and with glass undertier, 24ins diameter x 25ins high
An early Victorian birdseye maple break-front wardrobe, the upper part with moulded cornice, fitted three sliding trays and three drawers to centre, enclosed by a pair of arched panelled doors, flanked by hanging compartments enclosed by arched panelled doors, with scroll carved brackets to sides, the base fitted one long and two short drawers, on plinth support, 95ins wide x 31ins deep x 87.5ins high
A Victorian silver two-handled prize cup - "Thanet Gun Club Members Challenge Cup", with reeded mounts and part reeded body, leaf capped high scroll and reeded handles, on circular footrim, 12.75ins high, by Charles Stuart Harris, London 1895 (weight 31ozs - with presentation inscription), ebonised plinth base, with shaped silver plaque to front with corresponding presentation inscription
An Edward VII silver two-handled prize cup - "Point to Point Races (At Brook 1914) Farmers Race", with moulded girdle to body, the lower part with cast strapwork, with leaf capped double C-scroll handles, on circular footrim, 6.25ins high, by Elkington & Co, Birmingham 1908 (weight 17ozs - with presentation inscription and crest), and ebonised plinth base for same
René-Paul Marquet (1875-1939) - Gilt patinated bronze and carved ivory mounted standing figure of a young Renaissance nobleman carrying a casket, on oval base and mounted on a veined marble oval plinth, 13.25ins high, signed and with Paris Foundry mark to base (one index finger missing) Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA.
Regency mahogany and brass inlaid bracket clock, the pagoda case with a shaped pediment and flanking cluster columns above a moulded plinth and fluted bun feet, the painted dial with strike silent selector to the arch and Roman numerals, signed Mason, Canterbury, the three train triple fusée musical movement striking and chiming on bells, signed again to the back plate, 24ins high
Early 20th Century mahogany breakfront library bookcase in George III style, the moulded cornice above four astragal glazed doors, the base with four figured panelled doors enclosing multiple sliding trays (various veneer losses, plinth lacking), inscribed to a plaque on the base ' In Memory of General the Lord Rawlinson of Trent '
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173487 item(s)/page