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A 19th Century inlaid oak and mahogany cross banded longcase clock by S Simkiss Stourbridge, eight day striking movement with seconds dial and date aperture, engraved floral centre and pierced corner spandrels enclosed by a broken swan neck pediment and reeded glazed pillar hood over a short trunk door flanked by brass capitals, on a canted plinth base, height 226cm.
A 19th Century oak and mahogany crossbanded longcase clock by F Thomas Worcester, eight day striking movement, the painted dial with seconds subsidiary dial and date aperture enclosed by glazed pillar hood with fan paterae detail below a broken swan neck pediment over a long trunk door and canted plinth base with star detail, height 220cm.
An early 19th Century and later oak cased longcase clock by W. Winn. Hinstock, eight day striking movement, engraved silvered dial and chapter ring with date aperture enclosed by a glazed hood and architectural pediment mounted with a brass pineapple finial over a later carved case and plinth base, height 208cm.
An early 19th Century and associated cased inlaid oak and mahogany crossbanded long case clock by Thomas Morgan Leominster, eight date striking movement, brass dial with matted centre and pierced corner spandrels enclosed by a glazed hood over a short trunk door and canted plinth base, height 214cm.
A mid 19th Century oak longcase clock by G Roche, Kidderminster, the circular painted dial with seconds subsidiary dial and eight day striking movement enclosed by a broken swan neck and reeded pillar hood over a shaped trunk door flanked by reeded pilasters over a fielded panel bracket plinth base, height 221cm.
A 19th Century oak and mahogany longcase clock by R Roche Knighton, thirty hour striking movement, painted dial with subsidiary dial enclosed by a glazed hood and broken swan neck pediment over a short trunk door inlaid with an exotic bird within a diamond lozenge on a bracket plinth base, height 212cm.
A mid 19th Century oak and mahogany crossbanded longcase clock, the painted arch dial by Cassera Stourbridge with fishing boat detail, eight day striking movement with seconds subsidiary dial and date aperture, enclosed by a glazed turned pillar hood over a marquetry inlaid door decorated with a bird on plinth base, height 231cm.
A mid 19th Century French crossbanded figured walnut chiffonier, the pierced brass gallery top over a rectangular mirror back above an inverted breakfront enclosed by a pair of mirror doors, gilt metal mounted and swag pilaster ram's heads on a conforming plinth base, height 154cm x depth 48cm x width 122cm.
A 19th Century oak and mahogany crossbanded longcase clock by J B Brindley Newcastle under Lyme, eight day striking movement with seconds subsidiary dial and date aperture, the arched dial painted with rural scenes and a lake beneath a windmill, enclosed by a glazed pillar hood and broken swan neck pediment over a long trunk door flanked by canted stiles and brass capitals on a canted plinth base, height 224cm.
A 19th Century mahogany longcase clock, eight day striking movement with seconds and date aperture, the arch painted with a cattle watering scene enclosed by a glazed door and broken swan neck pediment, brass Corinthian capitals over a short trunk door and canted bracket plinth base, height 224cm.
A 19th Century oak and mahogany crossbanded longcase clock, circular painted dial with basket of fruit detail, with thirty hour striking movement, date aperture, enclosed by a pillared glazed hood below a broken swan neck pediment over a short trunk door and canted plinth base, height 210cm.
A PAIR OF SCAGLIOLA PEDESTAL COLUMNS LATE 19TH CENTURY To simulate porphyry on square section plinth bases Each 114cm high Condition Report: Each with marks, knocks, scratches, abrasions consistent with age and useSome splits and cracks, various nibbles, chips, losses, abrasions, losses to edges and extremities - one area with brown tape holding in place - these would need some adhesive to secure by the purchaser, the tops of the cylinders all with nibbles all the way around to bothPlease see additional images for visual reference to condition Condition Report Disclaimer
A Copper bust of Nelson on a Wooden Plinth. Made from copper from Nelson’s flagship. Very finely detailed, 29cm high, very attractive dark bronze colouring, front named ‘Nelson’, left side ‘Made of Copper from Nelson’s Flagships’, right side ‘Presented by British & Foreign Sailors Society’. Base has around it a shortened ‘HMS Victory’ cap tally. Very slight paint wear to plinth, very good condition £150-£200
After Jean-Antoine Houdon (French, 1741-1828), ‘La Pudeur’ [Modesty], a patinated bronze model of a full length female figure, modelled contrapposto in drapery standing on a naturalistic ground, inscribed ‘HOUDON’ in the cast, set to a yellow marble effect plinth, 44cm high CONDITION REPORT:The piece shows wear to the patinated finish (particularly to the highpoints) commensurate with age and cleaning. There is some speckling to the patination of the face. The piece does not sit centrally on the plinth, and the plinth is probably a later addition.
A pair of Victorian brass column oil lamps, later converted, each with a glass reservoir upon a brass capital, painted column and stepped brass plinth base, with associated pleated light shades, 58cm high to fitting (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
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173487 item(s)/page