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Click here to subscribeA 19th Century French mantel clock, the alabaster sarcophagus shaped case surmounted by a gilt metal reclining female, after C. Durand, by Vauvray, Paris, the dial with roman numerals and fitted eight day striking movement, the case decorated with gilt bands of chariots and soldiers, on plinth base, 22in. x 21in. high.
A 19th Century mahogany longcase clock, the hood with swan neck pediment above the cream painted dial decorated with flowers and shell motifs, with roman numerals and subsidiary seconds and date dials, fitted an eight day striking movement, the crossbanded trunk below with arched panelled door flanked by turned pilasters, raised on a cut-away plinth base, 20in. x 87in. high.
A 19th Century mahogany longcase clock, the swan neck pediment above a painted dial with roman numerals and subsidiary seconds and date dials, the arch painted with a religious scene and ruined churches to the spandrels, the crossbanded panelled door to the trunk flanked by turned pilasters, raised on a plinth base, 19in. x 85in. high.
A fine Victorian mahogany mirror back sideboard by Thomas H. Tweedy, Newcastle upon Tyne, 1860, the raised back surmounted by ornate carved vines and bunches of grapes, fitted a single drawer to the frieze bearing a trade label, flanked by a pair of fielded panelled doors enclosing a bottle drawer and shelves, flanked by panels of carved fruiting vines, raised on a plinth base, 89in. x 80in. high.
A fine quality Georgian style mahogany breakfront secretaire bookcase, the flared cornice above a castellated frieze, with two pairs of astragal doors below enclosing adjustable shelves, the central secretaire drawer with fall-flap enclosing a fitted interior of pigeon holes, small drawers and a cupboard, flanked by two deep drawers, two pairs of panelled doors under fitted brass handles, raised on a plinth base, 96in. x 99in. high.
A Victorian burr walnut bowfront standing corner cabinet with a glazed panelled door enclosing lined shelves, surrounded by inlaid boxwood stringing and ornate scrolls, with applied gilt metal foliate and fruit motifs to the sides with moulded gilt metal border to the cut-away plinth base, 27in. x 42 1/2in. high.
Victorian walnut triple Wardrobe, arched cresting, carved with leaves and berries and a blank shield-shaped cartouche, flanked by scrolls and urn finials, central panelled door with applied rosettes, enclosing four slides and three drawers, flanked by two further panelled doors enclosing rectangular mirror plates and hanging rails, fluted pilasters, plinth base, stamped Gillows, Lancaster.
A 19th century Paris porcelain pot pourri, of square section plinth form with oval polychrome floral painted green ground panel to each side within a gilt foliate scroll decorated maroon ground, with swan bracket feet, gilt cavetto moulded cornice and pierced pyramidal cover with conforming gilt chimney, probably Jacob Petit factory, 20cm high.
An English cast iron fountain group ATTRIBUTED TO THE HANDYSIDE FOUNDRY, CIRCA 1870 Modelled with two standing naked youths, on a later associated stone plinth 20in. (50.8cm.) high, overallThis model is of the same design as a fountain finial group illustrated in the Andrew Handyside & Co. catalogue Ornamental ironwork of 1874.
A PAIR OF COADE STONE URN FINIALS ATTRIBUTED TO COADE, LAMBETH, CIRCA 1800 The spherical bodies with waisted necks and drapery swags, on spreading stepped plinth bases 36in. (91.5cm.) high, 22sin. (57cm.) diameter at bases (2) These large urns or finials appear as a variation, with additional embellishments, in the Coade etchings catalogue of circa 1785 as No.499.
A LARGE SECTION OF 'PULHAMITE' STONEWARE BALUSTRADE BY JAMES PULHAM & SON, BROXBOURNE, LATE 19TH CENTURY Comprising seven stepped rectangular piers, two mounted with urn finials, the ovolo pierced frieze with angled 'capstones' and chamfered rectangular plinth, all in sections, one urn with impressed oval stamp PULHAMITE 48in. (122cm.) high to top of urns, 26in. (66cm.) high to top of rail, 10in. (25.4cm.) wide This design of balustrade is illustrated in a 1920's Pulham catalogue of Garden Ornament, Section VII, page 58, No.463, the 'Uckfield Balustrade'.
A COMPOSITE STONE SUNDIAL PEDESTAL POSSIBLY IRISH, SECOND HALF 19TH CENTURY Of baluster form with outset scrolls draped with fruiting swags, on a square section stone plinth 34sin. (87cm.) high; With an associated brass armiliary sphere 15.1/.2in. (39.4cm.) high A Fountain, from Abbey Leix, Co. Leix, Ireland, with conforming baluster supports, sold Christie's Seago Collection, 9 June 1999, Lot 361
A NEAPOLITAN BRONZE FIGURE OF MERCURY CAST BY J.CHIURAZZI & FILS, NAPLES, AFTER THE MODEL BY GIAMBOLOGNA, LATE 19TH CENTURY On an associated stone plinth The bronze 67in. (170.2cm.) high, the plinth 23sin. (59.6cm.) high, the top 18 1/8in. (46cm.) square The Medici Mercury: the original model of 1580, of 170cm. high, now in the Museo Nazionale del Bargello, Florence (since 1828) (Inv. Bronzi 449). Formerly on a fountain in front of the loggia of Villa Medici, Rome (until 1780); Palazzo Medici-Riccardi, Florence; Uffizi Gallery. Comparative Literature: Charles Avery Giambologna, Phaidon, London, 1987.
A LARGE ENGLISH TERRACOTTA TAZZA OR FOUNTAIN BASIN BY JOHN MARRIOT BLASHFIELD, STAMFORD, CIRCA 1865 The bowl on a spreading foot with single knopped band above a square section plinth, with impressed stamp to interior of bowl J.M. BLASHFIELD NO. 711, the stamp repeated on the side of the plinth 47sin. (121.5cm.) high, 57in. (145cm.) diameter
Nineteenth century Chinoiserie decorated pine longcase clock, the stepped cornice over an arched hood door enclosing a face painted with classical ruins over a silvered dial with pierced gilt metal spandrels of mask and arabesque designs, marked for Christopher Pinchbeck, London, complete with seconds dial and date aperture, flanked by side pillars over the trunk with gilt pavilion and garden scenery, all raised on a plinth base, old repairs and worming, 78 1/4in (198.9cm) high
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