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Click here to subscribeA WILLIAM AND MARY STYLE WALNUT LONGCASE CLOCK, the slender quarter veneered trunk with oval glass lenticle above a rectangular plinth base, the arched hood with baluster turned side columns, parquetry border and inlaid stylised sun surmounted by a fretwork frieze, the 9" square brass dial with a silvered chapter ring with Roman numerals and floral engraved centre with thirty hour movement, 90".
A Victorian mahogany collector's cabinet in the form of a miniature mirror door wardrobe, with ogee moulded cornice over twin foliate carved crest applied mirror panel doors enclosing two short and three long graduated drawers with ceramic handles to interior, on moulded plinth base with disc feet, 38cm high, 31cm wide; and a Regency mahogany sarcophagus shaped tea caddy, (2).
An Edwardian inlaid mahogany eight-day mantel timepiece, retailed by W F Price, 1 & 2 Broad Quay, Bristol, the French movement with platform lever escapement and white Roman numeral dial, in arch-top case with stepped ogee shaped sides and conch shell panel inlay centred front, on plinth base with brass bun feet, 23.5cm high.
A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.
A South Gloucestershire line inlaid mahogany eight-day longcase clock dated 1820, the four-pillar rack and bell striking movement with 13.5 inch circular white painted Roman numeral dial signed 'Henry Wilkes, Thornbury & Wootton, 1820' to centre, the case with arched shaped crest over break-arch pedimented hood with fluted Corinthian pilasters, with rectangular trunk door flanked by canted corners beneath, on conforming plinth base with shallow skirt, 211cm high. Henry Wilkes is recorded in Dowler, Graham 'The Gloucestershire Clock and Watch Makers' as working from Thornbury in the early 19th century.
A Victorian walnut cased weight-driven public timepiece, the substantial iron and brass single train movement with deadbeat escapement and wood rod pendulum, the dial with cream Roman numeral chapter ring and open centre exposing motion work, in a panelled rectangular case with glazed side doors and hinged front, on plinth base, 143cm high, 68cm wide, 45cm deep.
A George III London mahogany eight-day longcase clock circa 1770, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and applied silvered nameplate 'James Milner, London' to the matted centre within a silvered Roman numeral chapter ring with Arabic minutes, the angles with Indian mask spandrels and with Strike/Silent dial between dolphin mounts to arch, the break-arch top case with cavetto cornice to hood over break-arch trunk door and plain plinth base with moulded skirt, 221cm high. A James Milner is recorded in Britten's 'Old Clocks and Watches and their Makers' as working in London from 1737.
A Regency line inlaid mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral circular dial with subsidiary seconds and calendar dials to centre, the break-arch pedimented case with concave sided crest and reeded angles to hood over crossbanded trunk door flanked by conforming angles to trunk, on plinth base with bracket feet, 220cm high.
A mahogany crossbanded oak longcase clock, now with four-pillar eight-day rack and bell striking movement to the 12 inch square brass dial with subsidiary calendar dial to the foliate engraved silvered centre inscribed 'John Lawrence 1775', within applied silvered Roman numeral chapter ring and cast rococo spandrels, the flat-top case with turned hood columns over shaped-top crossbanded trunk door flanked by quarter columns, on plinth base, 202cm high.
An oak and mahogany 30-hour longcase clock circa 1830, the bell-striking movement with 12.5 inch white painted Roman numeral break-arch dial with arch calendar aperture to centre and floral decorated spandrels, the arch decorated with a pheasant, the swan neck pedimented case with turned hood pilasters and short trunk door over plinth base, 207cm high.
A French belge noir and verde antico marble drum-head mantel clock circa 1890, the eight-day bell-striking movement with visible brocot escapement to the two-piece Roman numeral enamel dial, the case with side scrolls supporting movement drum, on plinth base with shallow arcade apron, 32cm high.
A George III inlaid figured mahogany eight-day longcase clock with moonphase circa 1790, the four-pillar rack and bell striking movement with 12 inch white painted break-arch Roman numeral dial, the centre with subsidiary seconds and calendar dials and signed 'Thomas Vennall, Rye', with polychrome and gilt rose painted spandrels and moonphase to arch, the case with fretwork arch crest to the break-arch hood with fluted pilasters, over break-arch trunk door and applied panel plinth with fan inlaid angles, on moulded skirt base, 205cm high. A Thomas Vennall is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working from Deal 1826-9. This clock may well be an earlier example by this maker or by a relative.
An unusual Regency brass inlaid rosewood drum-head mantel clock case, with white enamel Roman numeral dial within a foliate inlaid octagonal surround with ring side handles and turned finial, over contrepartie inlaid shaped apron and plinth with unusual scene of horseman performing tricks with five horses, on bun feet, 54cm high.
A late 19th century German walnut eight-day quarter striking bracket clock, the twin-train gong-striking movement punch stamped 'W&H, Sch' for Winterhalter & Hoffmeyer to backplate, the 7x6 inch brass dial with matted centre, applied silvered Roman numeral chapter ring, subsidiary Fast/Slow and Strike/Silent dials to upper corners and foliate cast spandrels, in a triangular pedimented case with foliate carved infill over fluted Corinthian pilasters, on moulded plinth base, the sides with hinged fretwork side panels, 41cm high.
An 18th century Wiltshire mahogany eight-day longcase clock, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and subsidiary seconds to the matted centre, within an applied Roman numeral chapter ring with Arabic minutes and fleur de lys half-hour markers, the angles with Indian mask pattern spandrels beneath a domed boss signed 'Thomas Wentworth, Sarum' between dolphin cast mounts to the arch with herringbone engraved borders, now in a Bristol area inlaid mahogany case with swan neck pediment over Corinthian pilasters and wavy edge door to hood, canted angles and break-arch conch shell inlaid trunk door, on shaped panel applied plinth base with double skirt, movement and dial circa 1730, case circa 1780, 226cm high. Thomas Wentworth (II) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working up to 1740, he was Mayor of Salisbury in 1719. A movement and dial by his father is also included in the sale, Lot 578.
A rack striking 30-hour grandmother clock with penny moon, part 18th century, the four-pillar bell-striking movement with 7 inch square brass dial with penny moon and arch calendar aperture to the foliate engraved centre within silvered Roman numeral chapter ring and foliate cast spandrel applied angles, in a modern oak case with moulded pediment and turned pilasters to hood over long trunk door and plinth base, 163cm high.
An oak cased 30-hour grandmother clock, part 18th century, the four-pillar outside countwheel striking movement now with 8.75 inch square brass dial with foliate engraved centre within an applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Nick's Bodie, East Grinstead' to lower edge with applied female mask pattern spandrels to angles, the case with moulded pediment and bobbin turned hood pilasters over rectangular trunk door and panelled plinth base, composite, case probably part 18th century, 173cm high.
A mahogany cased longcase clock, the eight-day single fusee four-pillar movement with Harrison's maintaining power and deadbeat escapement within A-shaped plates, the associated 12 inch square brass dial with arched calendar aperture and recessed nameplate inscribed 'Jo'n Bagnall, Dudley' to the foliate engraved matted centre, within an applied Roman numeral chapter ring with Arabic minutes and mask and scroll cast spandrel mounted angles, the later shaped-top pediment case with Corinthian hood pilasters over rectangular trunk door and panelled plinth base, composite, 203cm high.
A West Country inlaid figured mahogany eight-day longcase clock circa 1830, the four-pillar rack and bell striking movement with unusual 13 inch convex centred cream painted Roman numeral break-arch dial, with arched calendar aperture and subsidiary seconds dial within painted night-time cottage scenes to spandrels and conforming scene of The Old Woodman to arch, the break arch top case with wavy shaped edge crest and spiral turned Corinthian pilasters to hood over short panel inlaid trunk door between conforming twist pillar mounted angles, on crossbanded and line inlaid plinth base with bracket feet and shaped apron between, 225cm high. The scene to the arch is probably taken from an engraving by Bertolozzi after Thomas Barker of Bath entitled 'The Old Woodman', the model was called George Kelston who was well known in the Bath area in the 1790s. See 'The Barkers of Bath', an exhibition catalogue, Victoria Art Gallery, Bath, 17 May - 28 June 1986 p.27.
A French month-going mantel regulator circa 1820, in later mahogany four-glass case, the circular movement with external pinwheel escapement on the backplate, outside countwheel strike and substantial grid-iron compensated pendulum, the convex Roman numeral enamel dial signed 'Gravant A Paris', with centre seconds within fine engine-turned gilt bezel, the plinth form case with ebonised mouldings and fluted uprights, on stepped plinth base, 51cm high.
An early 19th century scumbled pine 30-hour longcase clock, with outside countwheel bell-striking movement and 11.75 inch square white painted Roman numeral dial with arch calendar aperture, polychrome painted bird perched on flowering branch decoration and signed J'N. Spurrier' to centre within rose painted spandrels, in a swan neck pedimented case with turned hood pilasters over rectangular trunk door and plinth base with moulded skirt, 209cm high.
An inlaid oak, mahogany and yew eight-day longcase clock with moonphase circa 1825 the rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds, polychrome painted views of windmills and signed 'Jn'o Smith, Wrexham' to centre with rose painted spandrels and moonphase to arch, the swan neck pedimented case with reeded hood pilasters over parquetry panelled frieze to throat and fretwork crested panelled short trunk door centred with conch shell cartouche flanked by turned pilasters to angles, on conforming inlaid and banded plinth base with bracket feet, 228cm high. A John Smith is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Wrexham up to 1830.
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.
A Somerset oak cased 30-hour longcase clock circa 1770, the posted countwheel striking movement with 12 inch square brass Roman numeral dial, with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre within applied chapter ring with Arabic minutes and signed 'Nich. Roper, Oakhill' to lower edge, the angles applied with mask and scroll cast spandrels, now in a swan neck pedimented case with conch shell inlaid rectangular trunk door and recessed panel to plinth, lacking pilasters and door to hood, 211cm high.
An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.
A French Louis Phillipe Gothic Revival ormolu portico mantel clock, the eight-day bell-striking movement with elaborate grid-iron compensated pendulum, the bob cast as a rose window, the twelve-piece Roman numeral enamel cartouche dial with conforming cast centre, the case with leafy pointed arch centre and arcaded frieze over cluster column uprights and moulded plinth base, 44cm high.
A Paris porcelain eight-day mantel clock circa 1860, the outside countwheel bell-striking movement with blue on white enamel Roman numeral dial signed 'Hodgkins & Co, A Paris', in a plinth form scroll sided waisted case, polychrome floral painted with shaped panels on a gilt and blue fishscale and lattice ground, on integral scroll supports, 22cm high.
A 19th century inlaid oak eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch brass break-arch Roman numeral dial with subsidiary seconds to the matted centre, within silvered chapter ring with Arabic minutes and fleur de lys half-hour markers, signed 'W. Mapson, Wotten Bassett' along the lower edge, with gilt mask and scroll cast spandrel mounted angles beneath silvered boss inscribed 'Tempus Fugit' between dolphin mounts to arch, in a swan neck pedimented case with turned pilasters to hood, conch shell centred shaped-top mahogany crossbanded trunk door between fluted quarter columns, on plinth base with bracket feet, 220cm high.
A Scottish George III eight-day longcase clock in a scarlet lacquer case, the four-pillar rack and bell striking movement with 12 inch single-sheet brass break-arch dial (formerly silvered) with seconds dial and calendar aperture to the foliate engraved centre within Roman numeral chapters with Arabic minutes and scroll engraved spandrels, the arch signed 'Rob't Alexander, Leith' within foliate scrolls, in a flat-top pedimented case with integral hood pilasters and break-arch trunk door polychrome and gilt decorated with figures within elaborate Oriental pagodas, on a reduced plinth base with moulded skirt, case retouched, 209cm high. Robert Alexander is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Leith 1751-73.
A George III figured mahogany eight-day bracket clock circa 1800, the five-pillar twin fusee bell-striking movement now with anchor escapement, the backplate with foliate engraved border, the 7 inch cream painted Roman numeral break-arch dial signed 'Thomas Pace, London' within a leafy oval cartouche to arch, in break-arch case with brass carrying handle, rectangular side windows and brass fillet moulding to front door, on plinth base with brass ogee feet, losses to dial finish, 39cm high excluding handle. Thomas Pace is recorded in Brittens as working 1784-1840. A longcase clock by the same maker was sold in these rooms on 2nd March 2004 Lot 446 for # 3200.
An Edwardian inlaid mahogany eight-day precision longcase clock with moonphase, the four-pillar movement with deadbeat escapement and maintaining power, striking the hours on a tubular gong and with wood rod pendulum, the 13 inch brass Arabic numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre signed 'T. Pear & Son, Stafford' within gilt numeral applied silvered chapter ring and female mask and scroll pattern spandrel applied angles, with moonphase to arch, the swan neck pedimented case with Corinthian pilasters to hood over oval fan cartouche centred trunk door and conforming plinth base with bracket feet, 234cm high. The inside is pasted with a presentation certificate from Tom Pear Senior to his son, Thomas William Pear, on the event of his marriage in 1910, it has remained in the same family since.
A substantial Victorian figured mahogany D-shaped mirror back sideboard, with fruiting scroll carved crest to the shaped mirror back over moulded edge top above central recess and deep drawer with vine carved handle flanked by Corinthian pilasters and quarter-round panelled doors, on plinth base, 193cm high, 203cm wide, 84cm deep.
An Edwardian inlaid mahogany breakfront side cabinet, with scallop shell centred foliate inlaid shallow arch crest over single shelf mirror back upstand and moulded edge top with arched recess, above trident and laurel wreath inlaid door flanked by adjustable open bookshelves to each side, on plinth base, 150cm high, 122cm wide, 35cm deep.
Brockbank & Atkins, London: A William IV mahogany longcase regulator, the arched hood with canted corners and glazed panel door to the trunk on a moulded plinth base with silvered beat scale to the backboard, the 30.5cm. silvered dial of regulator form signed 'Brockbank & Atkins, London', the movement with six substantial pillars, dead beat escapement and maintaining power, brass suspension for the steel rod mercury pendulum and off-set barrel to the inside of the case for the gut line, 196cm. high.
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