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A late George III mahogany bracket clock, 18cm white enamel dial inscribed Geo: Yonge, Strand, London, and numbered with Arabic numerals, twin-winding holes, 8-day movement chased with demi-lune borders and striking on a bell, moulded arched pediment crested by a swing carrying-handle, the apron and sides with brass scale fretwork, glazed door to verso, skirted plinth, rectangular base with brass bracket feet, 42cm high over handle, c. 1820
A late Victorian mahogany pier bookcase, in the manner of Howard & Sons, dentil cornice above an astragal glazed door enclosing adjustable shelves, flanked by reeded pilasters, with lotus capitols, and oval batwing paterae, gilt brass aesthetic movement hinges, the projecting base with a frieze drawer and a panelled cupboard door, plinth foot, the drawer stamped 6994, 222.5cm high, 80cm wide, c.1880
A George II Staffordshire oak longcase clock, square brass dial 11in (27.5cm) dial with Roman and Arabic chapters, cast brass spandrels, matted centre, pierced hands, date aperture,signed Redshaw/Newcastle, 30 hour movement, countwheel striking on a bell, hood with caddy top with wide cornice supported on turned columns, rectangular crossbanded door to waist with boxwood and ebony stringing, skirted plinth base, 85.5 in (220cm) high, weight and pendulum with brass bob.John Redshaw of Newcastle-under-Lyme was working from the 1740s to the 1760s before being succeeded by his son Daniel, who had taken over by 1771.
A Derby Patch Mark figural group, The Prudent Mother, No. 138, modelled as a seated mother holding a toddler, square plinth base moulded in relief with laureate swags to each edge and floral bosses at angles, the white ground picked out in gilt throughout, 22cm high, incised numbering and asterisk, c.1775; a pair of Derby Patch Mark figures, of a shepherd and shepherdess, he seated wearing feathered headdress, fanciful dress, dog by his side, playing the bagpipes, she seated wearing a ribboned bonnet, a lamb at her feet, before bocage, pierced scroll bases, picked out in gilt, 19cm high, c.1770
An early 20th century mahogany bracket clock, 16cm silvered chapter ring with Roman numerals , the arch with three subsidiary dials, Chime/Silent, Fast/Slow, Chime on Eight Gongs/Come on Four Gongs, three winding holes, the movement W & H Sch for Winterhalder & Hofmeier of Germany, striking the hour on a large gong and eight subsidiary gongs with a pull repeat on the hour, the case with an arched moulded top with urn finials above stop fluted quarter columns, stepped plinth base, lions wined paw feet. 45cms high
An Edwardian mahogany and marquetry lancet bracket clock, 13cm silvered chapter ring inscribed with Roman numerals, surmounted by a subsidiary fast/slow chapter, twin-winding holes, 8-day movement striking on a gong, applied with scrolling leeafy spandrels, the cresting and plinth apron inlaid with satinwood paterae and leafy scrolls, the sides with axehead twin-carrying handles, bracket feet, 36cm high, c. 1910
An unusual Victorian gilt metal mounted walnut and marquetry 'double-Wellington' chest, moulded rectangular top with matched veneers and projecting angles, above a deep frieze and two rows of six drawers, divided and flanked by pilasters, outlined throughout with boxwood stringing, turned handles, plinth base, 123cm high, 153cm wide, c.1860
An early Derby ribbed sauceboat, of small proportions, painted in puce with Indianische Blumen inspired by Meissen, picked in gilt, conforming interior, scroll-capped handle, plinth base, 12cm long, c.1758Provenance: the Wilders Collection, labelled. Condition Report: Light wear to decoration. Interior rim with a couple of slight flat chipped losses not visible from external view.
A 19th century Neoclassical Revival gilt-metal mounted Sienna Marble mantel clock garniture, the drum top clock with 10.5cm convex white enamel dial inscribed * Maeght, Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the case above a ribbon-tied laurel apron, plinth base with a beaded frieze, skirted feet, flanked by a pair of library urns en suite, the clock 26cm high, the urns 16cm high, c. 1870
An English George V mahogany and box inlaid mantel clock, arched top, the 12cm round silvered dial with brass bezel and bevelled convex glass, Roman chapter, signed Ollivant and Bottsford/ Manchester, eight day movement striking on a gong, inlaid panel below dial cavetto moulding to plinth brass ball feet 29.5cm high, c.1910/20Ollivant and Bottsdford of 12-14 St. Ann's Street, Manchester was founded in the 18th century in Manchester by John Ollivant (died 1795) and the firm was continued thereafter by his son and by a succession of partners into the 20th century.
Marcel Debut (French, 1865-1933), after, a gilt-patinated bronze, of Nimrod, a King of Shinar, the mighty hunter strides forward in victory holding a lion cub, the ground cast with foliage, canted rectangular titled plinth base, signed in the maquette, 51cm high, late 19th/early 20th century
A 19th century French lacquered brass five-glass repeating carriage clock, 5.5cm silvered chapter ring inscribed J. Duncan, Paris, Arabic numerals and blue steel hands, the ground with finely engraved brass cut-card work wyvern 'hippocampi' and scrolling leafy tendrils, the whole crested by a swing carrying-handle, shaped oversailing top above fluted Corinthian pilasters, conforming base, plinth feet, the backplate numbered 21560, 19cm high over handle, c.1900
A George II walnut longcase clock, 30cm arched brass dial with silvered chapter ring inscribed Edward Brooks, Derby, the arch with roundel inscribed Tempus Fugit, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the case with moulded outswept cornice, Doric columns, crossbanded rectangular door to waist, outlined with feather banding, plinth foot, 229cm high, c.1740
A George III mahogany longcase clock, 31cm arched silvered dial inscribed Robert Smith, London, Roman and Arabic numerals, Strike/Silent to arch to arch, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, lofty pagoda hood, arched rectangular door to waist flanked by brass mounted Doric stop-fluted columns and quarter columns, plinth base, 233cm high, c.1770
A George III Scottish oak longcase clock, 30cm arched painted dial inscribed Wm Gerrard, Turriff, Roman numerals, the arch painted in the Chinoiserie taste with a Chinese figure, subsidiary seconds dial, twin winding holes, 8-day movement striking on a bell, the case with swan neck pediment, arched rectangular door to waist, flanked by spirally fluted quarter-columns, plinth base, 212cm high, c.1820
A pair of pine bookcases, in early 18th century style, 20th century, of Pepysian form, each acanthus carved cornice above a pair of glazed doors, opening to adjustable shelves, the lower sections with acanthus and flowerhead carved frieze above a pair of panel doors, on a plinth base, each 199cm high, 114cm wide, 42cm deep This form of bookcase was first made by the Master Joiner Thomas Simpson (alias Sympson the Joiner) for the naval administrator and diarist Samuel Pepys to house his vast collection of books at his residence at Seething Lane, London. It is possible that Pepys himself had a hand in the design of the bookcase.
A pair of mahogany and boxwood strung cutlery urns, in George III style, late 19th/ early 20th century, each of urn form with a stylised acorn finial, each lid rising to reveal a stepped interior with apertures for cutlery, each tapering body above a ring turned and moulded foot, on a plinth base, each 65cm high, the bases 22.5 x 22.5cm
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173487 item(s)/page