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A late 19th/early 20th century Indian carved ivory model of Krishna Typically modelled playing the flute, mounted on a later wooden stepped display plinth with applied plaque with presentation inscription; together with a further late 19th/early 20th century Indian carved ivory figure modelled as a woman dancing, mounted on an onyx plinth base. The former 26 cm high. (2) CONDITION REPORTS: The former with some staining, some small chips/fritting, small chip to top of headdress, the latter generally in good condition, glue residue between figure and base, general wear.
Silver twin handled lidded trophy cup by William Hutton & Sons Ltd, Sheffield 1921, inscribed on plinth 'Scottish Grand National Bogside 10th April 1965 won by Mr E.D.Gosschalk's "Brasher" 9yrs', approx 24.5oz Condition Report Height including base = 29cm Click here for further images, condition, auction times & delivery costs
Art Nouveau inlaid mahogany serpentine top mantel timepiece, the convex white enamel Arabic dial signed Manoah Rhodes & Sons. Ltd. Bradford, with brass bezel and key wind movement, on plinth base with brass ball feet, H26cm Condition Report Click here for further images, condition, auction times & delivery costs
Sheraton Revival satinwood breakfront bookcase, frieze painted with scrolling leafage above four astragal doors with adjustable shelves, the base with four doors painted with floral sprays in oval panels, on a plinth base, W234cm, H235cm, D52cm Condition Report Click here for further images, condition, auction times & delivery costs
Victorian burr walnut linen press by James Winter & Sons, moulded projecting cornice above two arched panelled doors enclosing five sliding trays, two short and two long cockbeaded drawers with lobed handles, top drawer stmaped with 'James Winter & Sons Wardour St Soho London', locks stamped 'VR', plinth base, W148cm, H214cm, D67cm Condition Report Click here for further images, condition, auction times & delivery costs
~ A mahogany eight day longcase clock, signed John Harrison, Newcastle, circa 1780, brass dial with moonphase in the arch and signed above .Case is faded in parts, some veneers are missing. Trunk door is bowed. The bottom right hand side of the plinth is damaged and loose. Dial is dirty and the dial arch bent. Movement is dirty. No signs of any drive/ gearing to operate moon disc and aperture. With two weights, the pendulum spring suspension is missing.
A William IV mahogany library bookcase, the moulded cornice above three glazed doors, the base having a central sliding door flanked by a pair of hinge doors, on a plinth base, 190 cm wide See illustrationReport by PMInterior depth for books - 23 cmSlight warping to the left and right doors of the lower cabinet.Height - 233 cmBottom left hand cupboard door missing lock, all others present Please see images
A country house/estate oak Wellington type chest, having two banks of thirteen drawers flanked by lockable sections, above a pair of panel doors, on a plinth base, 108 cm wide See illustrationReport by PMHeight - 179 cmDepth - 48 cmOriginal barn fresh dry condition.The doors are not warpedLacks drawers (which were probably later) from bottom double cupboard. Loose and warped near bottom right hinge which prevents the locking stile from fully opening See illustrations
A Corgi Toys Giftset 9, comprising Massey Ferguson 165 tractor with tipping trailer, boxed (lacks one rave), a Corgi Euclid tractor, no.1103, boxed (one track detached), and a Corgi London Routemaster bus, no. 468, boxed (3)Report by PMNo, the Massey Ferguson does not have a plinth, it is just as pictured.
An Edwardian inlaid mahogany linen press, having a pair of panel doors above two short and two long drawers, on a plinth base, 124 cm wideRetains 3 (of 4) sliding trays.Lacks top of cornice moulding to back left corner.Left hand door hinges have been re-sited with restoration to where the original hinges were located.Small loss of crossbanding to one drawer front.General knocks and marks.Door fitted with later magnetic catch.
A good quality rare massive silver model of a galleon under sail on rough sea base mounted upon an ebony plinth. Inscribed to plaque, ' Launch of S.S San Claudio 23rd December 1927. The ceremony was performed by Mrs Andrew Agnew .... by The Eagle Oil Transport Co. Ltd. as a memento of the occasion'. Hallmarked to plaque, and all individual sails and body. London 1927. By Richard Comyns. Approx. 54 cms long. Est. £4500 - £5500.
* A Hellenistic Marble Figure of Aphrodite, circa 2nd century B.C., three-quarter length carved white marble, some age discolouration, partial loss to the nose, small damage with loss to the right leg just above the knee, small portion to front of left leg with old repair, and further repair to the back of the figure on the left side, height 53cm (20.75ins), mounted on a modern wooden plinth, height 13 cm (overall height 66 cm, 26 ins) (Qty: 1)Condition Report: This fine Roman marble is in relatively good condition, apart from the main named defects, which are:- loss to the lower part of the nose- small concave area of loss above the right knee- small oval portion at the base of the left leg repaired, with clear sign of the join where the old repair was made- similar, larger repaired oval portion to the left-hand side of the back of figure, below the shoulder blade and above the waist, with clear sign of the outline of the old repairThe head has also been relatively well repaired around the neck area, presumably from when it was previously broken. The join is relatively neat, and the head is clearly original to the rest of the body.There are some other surface marks and light discolouration consistent with ageProvenance: Collection of Mark Oliver (1899-1987), Edgerston, Roxburghshire, Scotland, thence by descent.This sculpture was inherited by the present owner in 1989 following the death of Mark Oliver in 1987. The work is listed on an inheritance inventory dated 27 July 1989 by an Edinburgh firm of solicitors acting on behalf of the family. It was listed on this inventory as "Greek Sculpture: Aphrodite", with a probate value of £3,500.The current owner recalls showing it to school friends in the family home in the 1960s.Mark Oliver was co-owner with Richard Edward Arnesby ('Ted') Wilson, of the Savile Gallery, 29 Bruton Street, New Bond Street, London, during the 1920s, which specialised in Old Master paintings and drawings (exhibitions included Drawings by Giovanni Battista Tiepolo, Savile Gallery, May 1928, Drawings by Old Masters, Savile Gallery, 1930). The gallery also showed work by Walter Sickert (1860-1942), who apparently gave Mark Oliver some tutoring in painting. A finely modelled marble figure of Aphrodite, the goddess depicted standing with her weight on the right leg, undraped, with left arm formerly raised and head turned slightly to the right. Derived from the 2nd Century B.C. Aphrodite of Melos, or Venus de Milo (itself a hellenistic variant of the late 4th or 3rd Century B.C. Aphrodite of Capua), and the Aphrodite Diadoumene (in which the goddess has her hair tied back). For comparison, a Hellenistic Marble Torso of Aphrodite, circa 2nd Century B.C., of the type called Aphrodite Anadyomene, height 13 inches (33 cm), was sold at Sotheby's New York, Egyptian, Classical and Western Asiatic Antiquities, 3 June 2015, lot 40.
* Manner of Andrea del Verrocchio (1435-1488). The Infant Christ, mid-16th century, polychrome and gilt gesso carved wood, depicting a naked infant Christ holding an orb (probably the globus cruciger) in his left hand and offering benediction with his right hand, on integral plinth, some damage to fingers and general minor wear, overall height 58 cm (22.75 in) (Qty: 1)NOTESProvenance: Private Collection, Herefordshire, England.
* Columbus (Christopher, 1451-1506). Full-length figure of Columbus, circa 1893, spelter figure modelled standing with chart in one hand and ship's helm in the other, standing on the deck of his carrack Santa Maria during the course of his famous passage, the base showing his first landing in the Americas on 12 October 1492, mounted on a wooden plinth (some evidence of woodworm), 71cm high (28ins) (Qty: 1)NOTESManufactured to commemorate the 400th anniversary of Columbus' arrival in the New World, on the occasion of the Columbian Exposition in Chicago in 1893.
* Thomas (Cecil, 1885-1976). Nymph of the Wave, 1938, bronze statue on a circular plinth, depicting an androgynous twin-tailed sea nymph, balancing on the crest of a wave, plinth signed and dated, circular wooden base, overall height 36 cm (14.25 in) (Qty: 1)NOTESExhibited: Royal Academy 1938. British sculptor and medallist Cecil Walter Thomas worked initially as a seal and gem engraver, following his father's trade. Whilst working in the family workshop he studied at the Central School of Arts and Crafts, Heatherley's and the Slade. He subsequently received commissions from all over the world, including Fabergé, the Church of England and the British Royal Family. After the First World War Thomas worked on private memorial sculptures and tomb effigies, as well as monuments to public figures, and war memorials. Cecil Thomas was a regular exhibitor at the Royal Academy, the Paris Salon and elsewhere. He was a member of the Art Workers Guild and Royal Society of British Sculptors.
A Staffordshire Pearlware model of a lion, early 19th Century, modeled after the Medici lion, mounted on a stepped rectangular plinth base, a front paw poised on a ball, decorated in coloured enamels, the lion in reddish brown with yellow ball, with green and puce marbelised plinth, 27cm wide, 20.5cm
A large 1930s Continental oak cased mantle clock, Kienzle, having a 6" silvered dial with Roman hours, within engraved dial with secondary silent chimes dial, the movement calling the quarter hours and hours, the backplate with Kienzle mark above spread wings, stamped 'Patented in all Countries' 33545, 22, the case with stepped plinth and raised on shallow bun feet, 40.5 cm high
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173444 item(s)/page