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Click here to subscribeA PAIR OF FRENCH BRONZE EQUESTRIAN GROUPS C.1870 depicting a man and a woman on horseback, in 16th century costumes, accompanied by running whippets, each on a verde antico and black marble plinth base (2) 40cm high, 40.5cm wide Provenance Woolley and Wallis, 23rd February 1989. Dean's Farmhouse, Stratford-sub-Castle, Salisbury.
A boxed Tri-ang Spot-On 402 Crash Service Land Rover, VG, still attached to the plinth in a generally F/G box, together with a boxed Spot-On New Zealand version of the Crash Service Land Rover model, N118, F to G in a generally P/F box relabelled N118. Both boxes would appear to have been fitted with replacement window acetates. (2)
Two boxed land Rover models from the Tri-ang Spot-On range, including a 415 RAF Land Rover, G+ and still attached to plinth in a G box although chassis does not appear to have been properly secured by the rear rivet, together with a 316 Fire Dept. Land Rover in red with tan canopy and fireman figure, G/G+ in F box missing one end flap. Both boxes would appear to have been fitted with replacement window acetates. (2)
A boxed Tri-ang Spot-On 315 Commer Window Cleaners Van, G+/VG with figure in a generally G original box with some splits to the window acetate. Whilst the vertical back and both ends of the yellow card box insert would appear to be original, the base of the plinth would seem to be a replacement made of similar yellow card.
A COPELAND PIERCED CABINET PLATE BY C.F.HÜRTENCirca 1889Of `Madrid' shape, painted with a basket of roses and a plinth, signed C.F.H., the pierced border enriched with turquoise and white `jewelling', printed mark, impressed L.89, 23.2cm diameterThere is a fine stress crack which follows the line of the footrim for approx. threequarters of the circumference of the plate. There are also two very fine haircracks to the outer rim.
A PAIR OF FRENCH GILT AND PATINATED BRONZE TAZZELate 19th CenturyMounted on polished black slate plinth bases, 24.5cm highCondition report: Numerous small chips and scuffs to the bases and edges commensurate with use and ages. Rubbing to the patinated bowls and some dirt and dust to the gilded areas.
AFTER ANATOLE J. GUILLOT (FRENCH, 1865-1911); A PATINATED BRONZE OF A MOTHER AND CHILDInscribed to the cast ‘J. GUILLOT’ and ‘BERNOUX COLL’, mounted on an oval variegated pink marble plinth, 65.5cm highCondition report: Rubbing to the patina at the high points, dirt and dust as to be expected. The marble base with the odd few very small nicks and chips to the edges.
A GROUP OF FOUR PARIAN AND BISCUIT FIGURES, INCLUDING THE THREE GRACES AFTER CANOVA (4)Late 19th Century and 20th CenturyThe Three Graces modelled on a raised oval plinth with ribbon tied laurel swags, 38.5cm high; Together with a German biscuit porcelain figure group of Hebe and the Eagle of Jupiter, mark for Volkstedt, 20th Century, 48cm high; a biscuit porcelain figure group of female muse, after Henri Moreau, 40cm high; and a biscuit porcelain figure group of a winged angel, 44cm high
COPELAND; A VICTORIAN PARIAN WARE FIGURE OF ‘LITTLE NELL’ AND BUST OF A GIRL, TOGETHER WITH FOUR OTHER PARIAN FIGURES (6)Second half 19th CenturyThe figure modelled with book in hand, stamped ‘Copeland’ to the reverse, 30.5cm high; the bust of girl, stamped ‘Copeland J 75’ to the reverse, on an ebonised plinth, 27cm high; Together with a seated figure of Dorothea, after a model by John Bell for Minton; a Minton figure of an angel (lacking wings), 30cm high; a boy with a donkey, 24cm high and a seated figure of girl with basket of flowers, 22cm high‘Little Nell’ appears in Charles Dickens’ “The Old Curiosity Shop”, which was published in serial betweeen 1840-1841, and published in book form in 1841.
Cast iron garden figure of a cherub holding a paddle, seated on amphora. 73cm high plus associated terracotta pedestal. Makers cast trade mark possibly reading Barrett & co. (B.P. 21% + VAT)No obvious damage or looses cast iron, fixed to a terracotta base appears painted red, flaking in places, Plinth is cracked and generally chipped overall.
After Stefano Maderno,(Italian 1576-1636), 'Santa Cecillia', carved white marble on rectangular plinth. 46cm x 20cm approx. From the original in the Basilica Di Santa Cecillia Rome. 19th century. Minor nicks and frits around the edge of the base with one or two more noticeable chips, otherwise appearing good.
A pair of late Victorian hallmarked silver candlesticks with cast decoration, raised on a tapering column with unusual umbrella style knop, terminating on a stepped plinth base, London 1899, maker’s marks rubbed, retail Goldsmith’s Co, height 25cm (weighted).Additional InformationEach with heavy tarnishing, the marks are rubbed on each example, minor dents and knocks, slight leaning, polish hole to the base.
WILLIAM ADAMS LTD; a pair of George VI hallmarked silver Corinthian column candlesticks, with beaded rims and stepped plinth base, Birmingham 1939, height 31.5cm, approx weight 28.5ozt/888g.Additional InformationScratches, polish residue, tarnishing denting and knocks to the corners especially, sconces are fixed in tight, one example is slightly wobbly on its base.
ALT BECK & GOTTSCHALK; a bisque head doll with jointed composition body, mould no.1352, together with a painted papier-mâché usherette doll, with a small doll bisque head, unmarked, a composition doll of a young girl seated upon a circular plinth and four modern dolls.Additional InformationThe Gottschalk doll has a crack to the head which runs from a repair at the underside of the neck up into the left cheek and both hands have been restored, other general age wear also, the usherette doll with a crack up the left hand side of the neck which extends to the back of the right and chips to the nose, chin and mouth, other items with general age wear.
DINSDALE PETCH; a cold painted bronze figure of a reclining otter, signed to the underside, length 5.5cm, together with a contemporary bronze figure of a wild boar, raised on turned oak plinth base, impressed DSP for Dinsdale Petch to the underside, height 10cm (2). (D)Additional InformationLight wear to each example. The wooden base with cracks running through, chips to the base. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JENNINE PARKER; a limited edition bronze sculpture, 'Moonlight', 113/195, raised on marble plinth base, height cm, with certificate and original box. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BESWICK; a Connoisseurs model of a Hereford bull raised on wooden plinth base, width 21cm, together with a Beswick cockatoo, and two Beatrix Potter figures, 'Peter Rabbit' and 'Foxy Whiskered Gentleman' (4).Additional InformationThe card has come loose from the plinth base on the bowl, there is light scuffs, knocks to the plinth, minor rips to the card, cockatoo with restored feathers, Peter Rabbit with broken ears which have been reglued.
An identical pair of early 19th century lustre cow creamers and stoppers, raised on naturalistic plinth bases, length 18cm (2).Additional InformationEach example with restoration to the handle/tail. Scratches and scuffs to the glaze, chipping to the mouths. Wear to the naturalistic plinth bases, each stopper is restored. Restoration to the horns.
An Indian white metal filigree spice container, modelled as an exotic bird with filigree decoration, raised on shaped circular plinth base terminating on three feet, height 19cm.Additional InformationThe loop on the head of the bird is bent, the wings are slightly bent, the circular rim is mis-shapen, the circular spreaded foot is mis-shapen/bent, natural cracks and flaws, we have no idea of the age.
An 18th century and later decorated lacquered eight day longcase clock, the arched brass dial with silvered chapter ring and date aperture inscribed 'John Vice, Wisbich', above a long arched lacquered door in the Chinoiserie style, to a floral decorated plinth base, height 210cm, sold with a pendulum and two weights.Additional InformationA large proportion of the case has been repainted. There are vertical splits to the plinth and old repairs around the mouldings and returns. The case is probably associated to the dial and movement.
HEALS; an aesthetic movement walnut and parcel gilt three drawer wardrobe, the arched cornice above central mirrored door with full length hanging space to the left and with four slides and two short and two long drawers to the right, overall raised on a plinth base, height 228cm, width 190cm, depth 61cm.
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