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Click here to subscribeA Staffordshire Pearlware Figure of St Philip, circa 1810, the bearded figure stood wearing a long cloak, coloured in enamels and over a marbled square plinth applied with patera and inscribed "St Phillip"36.5cm highMinor abrasions, slight flakes and chips to the edges. Firing crack to the rear. Some slight enamel flaking. No restoration,
A Pair of Veined Alabaster Lamp Bases, in 18th century style, with leaf-sheathed capitals and fluted columns on square section bases and stepped plinths, adapted for electricity51.5cm highSmall chip to one plinth base corner. Small ground area to plinth base corner on the other lamp. Some very small nicks to eedges. Otherwise general minor wear, marks etc.
After Jean-Baptiste Carpeaux (1827-1875: A Bronze Bust of a Native, bears signature J C Carpeaux Paris, on a white marble swept rectangular socle90cm highOverall good condition. Expected minor surface wear. Bonze rocks slightly on the plinth. The plinth with some edge chips. Exact date unknown.
A Lignum Vitae String Box, 19th century, formed as a beehive, with cutter and bevelled plinth8.5cm highA Similar Example, formed as a barrel, the string dispensing from a tap11cm highA Further Larger Cylindrical Box, with moulded cover and on octagonal plinth12.5cm high (3)Beehive - base threads slightly loose but still functioning and closing tightly. Internal bobbin perhaps a replacement. Timber of good colour and free from splits or losses. Cutter intact.Barrel - threads good, top closing tightly. Large flat chip to the rim of the top. Internal bobbin with heavy losses. Overall good colour. Minor scuffs and scratches. No splits.Larger box - flat section on the side of the cover rim, possibly a thumbpiece or a chip that has been carved out. Large age related split to the base. Nothing housed internally.
A Lignum Vitae "Go To Bed" Match Holder, mid 19th century, of turned cylindrical form and on stepped plinth9.5cm highA Similar Example, early 19th century, with ivory knop6.5cm highAnother Treen Example, cylindrical in form and with spreading foot8cm highA Treen Bird Whistle8cmAnother Whistle6cmA Teachers Clicker, turned, with incised bands and stamped patent number22cm, longA Circular Seal Box and Cover, containing a seal5.5cm diameter (7)With Non-Transferable Standard Ivory Exemption Declaration Number 47TFBY8H1- Several minor splits to sides with very small losses, wax residue to underneath. General wear etc.2- Several minor splits to sides. General wear etc.3- General wear etc.4- Scratches, marks, discolouration. General wear etc.5- Various minor splits. General wear etc.6- General wear etc.7- General wear etc.
French School (early 19th century): A Bronze Figure of a Maiden, standing wearing flowing robes holding a covered bowl, on a white marble cylindrical column and square plinth31.5cm highAfter Claude Michel called Clodion (1738-1814): A Pair of Bronze Figures of Musical Putti, one originally holding a triangle, the other originally holding a tambourine, on varigated circular marble columns and slate plinths33cm highAfter the Antique: A Bronze Figure of a Youth, standing carrying a ewer, on a giltwood plinth22cm high An Enamelled White-Metal-Mounted Agate Miniature Vase, in Renaissance style, of twin-handled baluster form issuing a bunch of flowers set with various coloured pastes, on an oynx base18cm high (5)
A Singing Bird Automaton, 20th century, the yellow-plumed bird perched within a domed wirework cage over a curcular plinth embosed with a band of flowers29cm highMechanism appears to be working, key turns smoothly and bird moves and sings. Top of cage is missing a hoop, bird slightly dishevelled and two sections of decorative foliage have come loose from perch. Cage has general minor wear, marks, scratches etc. Remains of a label to base but is unreadable.
A Meissen Porcelain Figure Group, late 19th century, as a lady and gent, on a rockwork base on moulded and gilt edged plinth, crossed swords mark20cm highA Similar Example, as a Classical maiden holding a floral garland, on a rococo moulded base, crossed swords18.5cm highA Further Figure, as a bacchanalian putti holding a grape garland, crossed swords13cm high (3)Group - ladies head re attached with loss also to the top of the birdcage, some losses to the moulded flowersLady - some repair to the garlandPutti - minor losses to the applied work
A modern light oak kitchen dresser,the flared cavetto cornice over a central bank of three fitted open shelves, flanked by leaded glazed doors each enclosing three adjustable glass shelves, the base over three drawers and three cupboard doors, enclosing a single fitted shelf, raised on a plinth base. H200, W154, D51cm.
PAIR OF SANCAI-GLAZED BISCUIT BUDDHIST LIONS QING DYNASTY, 19TH CENTURY 清 '徐榮泰造'款 素三彩佛獅（一對）each moulded seated with head turned and mouth opened, one with a playful cub curling under its left front paw, the other with a brocade ball, atop a rectangular openwork plinth painted with floral and foliage, the interior of the base impressed with ‘Xu Rong Tai Zao’ mark (made by Xu Rongtai) (2) heights: 43.1cm and 42.1cm Private Scottish collection, North Berwick Compare to a smaller pair of Sancai-glazed biscuit Buddhist lions, also with ‘Xu Rong Tai Zao’ mark, Qing dynasty, sold at Poly Beijing, 21 December 2009, lot 2031.
An Indian grey schist head of the Hindu trimurti, 20th century, depicting Brahma, Vishnu and Shiva, 46cm high Condition ReportThe plinth with general wear, measures 27cm wide x 27cm deep, total height 59cm including plinth and bust. The bust 29cm wide, 18cm deep. Surface scratches and cracks, small chips and knocks in various locations.
Three Chinese Hutian ware figures, Yuan dynasty (1271-1368), comprising:a Daoist immortal, seated on a raised plinth, wearing a long robe,19.5cm high, a Buddhist monk, standing in a loose robe open to the chest, 17cm high, and a lady,15.4cm high (3)元 湖田窑素胎人物立像 一组三件Condition ReportMonk - cracked. Small chips to edges.Lady - right hand missing, chipped to the bottom edge of robe.Daoist - chipped in various locations.
Early XIX Century Oak Mahogany Thirty Hour White Dial Longcase Clock, (D Moore, Coventry) hood with a swan neck pediment, brass final, square door, trunk with crossbanded doors, reeded pilasters, on a plinth base, white dial with date aperture, 210mc high.untested, has one weight and pendulum, base to top of finial 210cm
James Webb & Son of Frome - A 19th century West Country Victorian oak & walnut marquetry inlaid grandfather clock. The clock housing an eight day movement with painted dial having fruit and floral decoration with brass hands and Roman numeral chapter ring. Arched top with inlaid decoration below to the trunk door with glass viewers to the sides with all raised on a plinth base. Damage to the glass hood. Measures approx. 216cm x 46cm x 23cm.
A Baroque inspired patinated bronze reliquary altar floor crucifix cross. The crucifix having a flanked cross with geometric engravings. Central coloured glass beads with sunburst embellishments to corners. Raised on a conical plinth base with paw feet to ends. Measures approx. 86cm x 35cm x 22cm.
A George III Revival 20th century burr walnut twin pedestal writing desk with chair. The desk having a rectangular top with central skiver over three single handled drawers. Each pedestal with bank of three drawers raised on plinth base. The swivel chair with leather back rest & seat over scrolled elbow rests. Raised on four arm base with castors to ends. Desk measures approx. 75cm x 138cm x 75cm.
A large 19th century cast iron Campana-shaped garden urn / planter. The campana urn having a gadrooned rim with scrolled foliate decoration in silver to the body, flanked by handles to each side. Raised on the matching plinth base with garlands of flowers. Measures approx. 142cm x 60cm diameter.
A continental 19th century painted wood ecclesiastic church altar tabernacle cupboard. The cupboard having a raised straight top over an inverted breakfront dentil pediment. Floral painted embellishment below over a central single door with chalice embellishment to front. The door flanked by Corinthian style columns. All raised on plinth base. Loss to mouldings throughout. Door loose from hinges. Measures approx. 95cm x 60cm x 36cm.
A George III 19th century mahogany pedestal library bookcase cabinet. The cabinet having a scrolled pediment atop with dentil detailing. Astragal glazed single cabinet door revealing a shelving interior. All raised on a pedestal cupboard base with single paneled door. Plinth base below. Measures approx. 244cm x 69cm x 42cm.
An early Victorian 19th century flame mahogany breakfront chiffonier cabinet. The chiffonier with embellished carved gallery back over a single shelf raised on turned column supports. The base having a break front with central single cupboard door flanked by acanthus leaves embellishments atop. Two single cupboard doors to sides. All raised on plinth base. Measures approx. 133cm x 135cm x 45cm.
An Art Deco early 20th century 1930s burr walnut fall front drinks cocktail cabinet. The cabinet having a raised central fall front cupboard section opening to reveal two metal shelves housing toothpicks and an articulated shelf with three martini glasses. Twin handled drawer below. The central cupboard flanked by lower single door cupboard spaces opening to reveal a shelving interior. All with chrome bar handles. All raised on plinth bases. Measures approx. 127cm x 139cm x 44cm.
A Victorian mid 19th century waterfall flame mahogany chiffonier credenza cabinet. The chiffonier having a tall gallery back with two chamfered edge shelves with S scrolled supports to each side. Shaped top below over central twin knob handle & double panelled doors below. The body flanked by turned columns, raised on a plinth base. Measures approx. 158cm x 126cm x 54cm.
A 19th century William IV mahogany chiffonier credenza. The chiffonier having a raised gallery back with single shelf and applied mouldings. Single drawer over a double door cupboard below with all raised on a plinth base. Bramah locks and campaign handles to the sides. Measures approx. 126cm x 89cm x 43cm.
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