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Click here to subscribeA 19th century French ormolu and porcelain mantel clock, the finial with a bow above an oval painted porcelain panel depicting a portrait of a maiden, above the enamel dial set with Roman numerals and three further porcelain panels, the central example depicting cherubs flanked by floral examples, the movement stamped JED, on gilt wooden plinth base, height 49cm.
JAEGER LECOULTRE; a gilt brass Atmos clock, with Roman numeral chapter ring and numbered 540 to the front, the top of the clock numbered 665221, height 23cm, no box.Very slight wear to the case but otherwise in good condition perhaps slightly grubby in parts and with a little tarnishing to the back and the plinth. The clock has changed time but we cannot guarantee that the clock is in full working order. There is no carrying case for the clock.
A Victorian oil lamp, the clear frosted glass shade above the opaque glass reservoir with painted floral decoration on a brass flared stand terminating on a black terracotta plinth base, height including shade 51cm.Grubby throughout with general tarnishing to the metal. Shade with minor grazing to edges.
A 19th century silver plated oil lamp with cranberry and frosted glass shade above the cut glass reservoir and silver plated square plinth, relief decorated with rams' heads and hooves, overall height 78cm.Slight lean to the reservoir/top of the lamp, very minor nibbles to shade, tarnishing to column, otherwise good condition.
A collection of assorted table lamps to include a gilt metal example with frosted glass shade raised on an urn and terminating on an alabaster plinth base, height including shade 49cm, three onyx examples, an alabaster example, also a gilt metal standard lamp representing a cherub supporting the two light fittings (7).
An Indian bronze figure representing Devi Parvati, seated on plinth base, height 33cm.The bronze is in two sections. All over age wear dulled patina throughout with general wear and some knocks to the base. Where the figure meets the base, the edge of the disk and the aperture are rough and don't match fully. There is a rivet section to the back of the head suggesting there was an additional section which is now lacking.
Gualberto Rocchi - a South African brown patinated bronze sculpture depicting a stylized female figure supported by two male figures, signed to the cast, on a limestone plinth, height 60cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Edwardian mahogany dressing table with shield shaped swing mirror flanked by glove drawers, over a base of two short and one long drawer, on turned legs united by cross stretchers approx 153cm x 107cm x 53cm, along with a Victorian mahogany side cabinet of one long drawer over twin fielded cupboard doors flanked by turned open columns on plinth base (with key) 85cm x 105cm x 39cm Location:
A walnut and inlaid table cabinet, the lid with a depiction of a Abbey ruin, the two doors with a floral design and enclosing four inlaid drawers, and on a cushion shaped plinth. 15.5cms high, top 20cms by 15cms. ** A few small cracks running across the top, one corner of the base chipped, possibly missing feet. With its key.
A bronze sculpture known as 'Ronde D'enfants' or Les Joies du Printemps', with four children dancing with arms outstretched. Mounted on a square base and with a marble plinth. Signed 'Eug Canneel' to the side of the base. 26cms high, 29.5cms high with marble plinth, plinth 22cms by 21cms. ** There are some white marks around the feet of the figure, otherwise the bronze and marble seem fine.
Lambert (Jonathan) of Haxey, Lincolnshire. A Georgian oak and mahogany longcase clock, the break arch dial painted with a vase and rose spandrels, dial bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the hood with swan neck pediment and floral inlay, with two brass capped turned columns, the trunk similarly inlaid with a cross banded door, raised on a plinth base, with pendulum and weights, 203cm high. (AF)
A PAIR OF VICTORIAN BRASS FIGURAL DOORSTOPS C.1870 in the form of a classical maiden holding fruit and standing on a plinth hung with drapes and rams heads (2) 44.5cm high, 13.7cm wide Provenance Redlynch House, Salisbury, Wiltshire. Catalogue Note For a similar doorstop, see Woolley and Wallis, Furniture and Works of Art, 11th January 2017, lot 489
A FINE QUEEN ANNE EBONISED LONGCASE CLOCK BY JOHN KNIBB, OXFORD, EARLY 18TH CENTURY the brass eight day fully latched movement with five turned and finned pillars and inside countwheel, the anchor escapement striking on a bell, with a separate shaped cock for the pallet arbor and a cut-out on the backplate for the pallets, with a long crutch, the brass 11 3/4inch dial with a silvered chapter ring with Roman and Arabic numerals and fleur-de-lis half hour markers, the matted centre with subsidiary seconds dial and date aperture, with blued steel hands, signed 'John Knibb Oxon' with gilt brass crown and boys spandrels, the hood with a Knibb type button capped giltwood centre finial flanked by conforming brass finials to the domed caddy top above a blind fret friezes, with integral columns with gilt brass caps and plinths, the trunk with a concave moulding and a lenticle to the door, on a plinth base, with two brass cased weights, pendulum and case key 239cm high Catalogue Note John Knibb was born in 1650 and was apprenticed to his older brother, Joseph, in around 1664. When Joseph moved to London in 1670 to set up business (presumably in the workshop inherited from his uncle, Samuel) John, his younger brother, took-on the Oxford workshop gaining the Freedom of the city on payment of a fine in 1673. Throughout the latter three decades of the 17th century John and Joseph worked in parallel, however when the products from both workshops are examined, it is evident that they had a close working relationship. Joseph Knibb retired in 1697 selling-up most of his workshop before moving to Hanslop, Buckinghamshire where he made a few clocks prior to his death in 1711. John Knibb continued in business until his death in 1722. The movement of the current lot is fully latched and has the feature of separate cock for the pallet arbor (and cut-out for the pallets in the backplate) normally found on earlier clocks by Joseph with butterfly-nut pendulum regulation, however the casting for the pendulum hanging cock differs from those found on earlier clocks and the use of internal countwheel for striking the hours certainly dates it towards the end of the century. From these observations one could speculate that the movement of the current lot may well have been acquired by John from Joseph's stock when he retired in 1697 or even on his death in 1711 before finishing and fitting with a dial. The fine proportions of the case closely echoes London work of the period. Despite being provincially made (probably Oxford) the case does exhibit features such as the distinctive spherical finials with button-shaped caps (which are often seen on other longcase clocks by the Knibb family) which set it aside from other provincial examples of the period.
A FRENCH PALAIS ROYALE GLASS AND GILT METAL SCENT BOTTLE HOLDER LATE 19TH CENTURY the spherical container with gilt floral decoration holding four scent bottles, on a socle base supported by a pair of figures amongst scrolling foliage and ribbons, on a shaped white glass base on scrolling twig legs and an oval giltwood plinth 25cm high, 24cm wide, 16cm deep
A RARE BRONZE GRAND TOUR MODEL OF THE ANTONINE COLUMN ATTRIBUTED TO WILHELM HOPFGARTEN & BENJAMIN JOLLAGE, ROME, EARLY 19TH CENTURY gilt and patinated bronze, with a figure of a Roman Emperor above the slightly tapering column cast in low relief with war scenes with figures, the plinth inscribed 'Divo Antonino Aug Pio, Antoninus Augustus Et, Verus Augustus Filii' and decorated with funerary decursio, the other side with the apotheosis to the gods of the emperor and his wife, on an alabaster base 87.2cm high
A FRENCH BRONZE BACCHANALIAN FIGURAL GROUP AFTER CLAUDE MICHEL, KNOWN AS CLODION (FLEMISH 1738-1812) with two classical maidens and a faun dancing, one maiden holding a tambourine, on a circular base with pan pipes and grapes and a black and white plinth, brown and green patinated, inscribed 'Clodion 1762, 12/100' 61cm high
An Edwardian silver circular rose bowl, embossed with a continuous garland of flowers and foliate scrolls, raised on a similarly decorated circular stepped foot, Sheffield 1906 by James Deakin & Sons, weight 404g, height 12.3cm, together with a mesh insert and an ebonized plinth.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Taxidermy cased specimen Common Buzzard (Buteo Buteo)on wooden plinth within five glass display case. Case overall 52cm high approx. (B.P. 21% + VAT) The case is rubbed and worn to the corners, but glazing intact. The specimen possibly a little faded. The plinth not entirely secure within the case.
A late 20th century pedestal swivel top jewellery display cabinet stand. The revolving display top with multiple drawers and display windows being set over an ebonised plinth base with cupboard Taken from Zahringers jewellers recently closed but formed in the 1890's in Kingswood, Bristol. Measures approx. 132cm x 43cm x 43cm.
A LATE 19TH CENTURY MAHOGANY FRAMED GLAZED THREE DOOR BOOKCASEOn plinth base, 197cm wide; 38cm deep; 172cm highCondition report: The shelves are adjustable - see images. A shelf is 31cm deep.General inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age.Some slight variation in colour and discolouration in a few areas to the lacquer / polish.One key present.
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